Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/015
G. Raboni
This article explores Vittorio Sereni’s attitude towards the literary legacy of d’Annunzio, as expressed in particular in the poem “La poesia è una passione?”, in which Sereni explicitly quotes some lines from d’Annunzio’s Novilunio and appears to refer to a long, and apparently somewhat arduous, process of distancing himself from d’Annunzio’s cumbersome legacy in his early development as a poet. The main point that we try to make is that Sereni’s departure from d’Annunzio and the Liberty style is prompted not so much by a radical shift in poetic sensibility, but rather by a recognition that the world, and the social reality, have changed, and therefore require a renewal of the means of poetic expression. This is contrasted with the poetry of Montale, arguably the most influential Italian poet in the second half of the 20th century: we make the case that Montale’s innovation, decisively influenced by the English-language modernism, is much more radical, and involves not just an updating of the poetic language, but a more fundamental and theoretical renewal of the very idea of poetry and literature and of what they stand for.
本文探讨了维托里奥·塞雷尼对达南齐奥文学遗产的态度，尤其是在诗歌《La poesia è una passione?》，塞雷尼在其中明确地引用了丹农齐奥的《诺维尤尼奥》中的几句话，似乎是指在他作为诗人的早期发展中，他与丹农齐奥繁琐的遗产保持距离的一个漫长而显然有些艰难的过程。我们试图说明的主要观点是，塞雷尼对达南齐奥和自由风格的背离与其说是由于诗歌感性的激进转变，不如说是由于认识到世界和社会现实已经发生了变化，因此需要更新诗歌表达的手段。这与蒙塔莱的诗歌形成了对比，蒙塔莱可以说是20世纪下半叶最有影响力的意大利诗人:我们认为蒙塔莱的创新，受到英语现代主义的决定性影响，更加激进，不仅涉及诗歌语言的更新，而且涉及诗歌和文学及其所代表的思想的更基本和理论上的更新。
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Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/018
Alessandra Trevisan
Ancestrale is Goliarda Sapienza’s first and only poetic work written between the 1950s and 1960s. In the book she develops an interesting approach to vocabulary, building a part of her own poetics. Although critics have long dealt with Sapienza’s poetry, there is no study of her sources. This essay proposes some initial observations on the possibility that d’Annunzio’s Alcyone may have served as a model for Sapienza, through an analysis and a comparison of their poetic lexicon and of its frequencies.
{"title":"Alcyone come modello nella poesia di Goliarda Sapienza\u0000 Prime osservazioni per uno studio in corso","authors":"Alessandra Trevisan","doi":"10.30687/ada/2421-292x/2022/01/018","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2022/01/018","url":null,"abstract":"Ancestrale is Goliarda Sapienza’s first and only poetic work written between the 1950s and 1960s. In the book she develops an interesting approach to vocabulary, building a part of her own poetics. Although critics have long dealt with Sapienza’s poetry, there is no study of her sources. This essay proposes some initial observations on the possibility that d’Annunzio’s Alcyone may have served as a model for Sapienza, through an analysis and a comparison of their poetic lexicon and of its frequencies.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116100533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/010
Massimo Migliorati
This essay explores the traces that the reading of d’Annunzio’s works has left in journalistic texts, in the letters and in Giuseppe Ungaretti’s poems, and focuses on the ambivalent relationship that the poet born in Alexandria in Egypt established with the work and figure of the poet born in Pescara.
{"title":"Il d’Annunzio di Giuseppe Ungaretti","authors":"Massimo Migliorati","doi":"10.30687/ada/2421-292x/2022/01/010","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2022/01/010","url":null,"abstract":"This essay explores the traces that the reading of d’Annunzio’s works has left in journalistic texts, in the letters and in Giuseppe Ungaretti’s poems, and focuses on the ambivalent relationship that the poet born in Alexandria in Egypt established with the work and figure of the poet born in Pescara.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131408164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/003
Maria Belponer
The relationship between d’Annunzio and Pascoli, focused on Poemi conviviali and Alcyone, starts with the last lyric of d’Annunzio’s work, Il commiato, and the preface of Conviviali. The latter is a reply to d’Annunzio’s dedication and enunciates themes that, even if common to d’Annunzio, are developed with a different sensitivity and in a more direct comparison with classical sources. This is also reflected in lexical correspondences, for which it is difficult to identify debits and credits. The purpose of this paper is to demonstrate how Pascoli personally takes up and re-proposes d’Annunzio’s suggestions.
{"title":"Riflessi ed echi dei Conviviali nell’Alcyone dannunziano","authors":"Maria Belponer","doi":"10.30687/ada/2421-292x/2022/01/003","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2022/01/003","url":null,"abstract":"The relationship between d’Annunzio and Pascoli, focused on Poemi conviviali and Alcyone, starts with the last lyric of d’Annunzio’s work, Il commiato, and the preface of Conviviali. The latter is a reply to d’Annunzio’s dedication and enunciates themes that, even if common to d’Annunzio, are developed with a different sensitivity and in a more direct comparison with classical sources. This is also reflected in lexical correspondences, for which it is difficult to identify debits and credits. The purpose of this paper is to demonstrate how Pascoli personally takes up and re-proposes d’Annunzio’s suggestions.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"168 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134231986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/011
A. Zollino
The article focuses on an anomalous situation of Italian criticism, concerning the relationship between the works of d’Annunzio and Montale: after the Pier Vincenzo Mengaldo’s inaugural study, dating back to 1966, utterly important but not exhaustive, only a few scholars have taken up partially the argument.
{"title":"Montale e d'Annunzio: un rapporto poco gradito (e poco frequentato) dalla critica","authors":"A. Zollino","doi":"10.30687/ada/2421-292x/2022/01/011","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2022/01/011","url":null,"abstract":"The article focuses on an anomalous situation of Italian criticism, concerning the relationship between the works of d’Annunzio and Montale: after the Pier Vincenzo Mengaldo’s inaugural study, dating back to 1966, utterly important but not exhaustive, only a few scholars have taken up partially the argument.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114245397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/021
Anna Maria Carpi
{"title":"L’umiltà del Re","authors":"Anna Maria Carpi","doi":"10.30687/ada/2421-292x/2022/01/021","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2022/01/021","url":null,"abstract":"","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121977501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/012
Gioele Cristofari
The article focuses on Cesare Pavese’s reading of d’Annunzio’s poetry, and particularly of the Laudi, that he carried on since his early youth. This interest is especially evidenced by an unpublished notebook of the high school period, partially reported in the appendix, in which Pavese cites and comments extensive passages from Maia, and by the many withdrawals from that work or from Alcyone that converge in his poems. Starting from this documentation, and from some statements in his diary, the reading of d’Annunzio’s poetry seems to be one of the roots of Pavese’s interpretation of classical myth.
{"title":"«Alle radici»: Pavese, l’Alcyone, le note su Maia","authors":"Gioele Cristofari","doi":"10.30687/ada/2421-292x/2022/01/012","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2022/01/012","url":null,"abstract":"The article focuses on Cesare Pavese’s reading of d’Annunzio’s poetry, and particularly of the Laudi, that he carried on since his early youth. This interest is especially evidenced by an unpublished notebook of the high school period, partially reported in the appendix, in which Pavese cites and comments extensive passages from Maia, and by the many withdrawals from that work or from Alcyone that converge in his poems. Starting from this documentation, and from some statements in his diary, the reading of d’Annunzio’s poetry seems to be one of the roots of Pavese’s interpretation of classical myth.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"103 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122392834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/027
Silvio Ramat
{"title":"D’Annunzio, la mia famiglia, io stesso","authors":"Silvio Ramat","doi":"10.30687/ada/2421-292x/2022/01/027","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2022/01/027","url":null,"abstract":"","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121480553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/030
Nicola Di Nino
The article studies the recurrent image of the hand in Il piacere, the first d’Annunzio’s work where the theme, appearing in his earlier works, takes on a central role. The essay shows how the author dwells on gestures and on hands because, referring to Leonardo’s theories and to the symbolist poetics of the end of the century, they would be the external manifestation of an individual’s character. The representation of the hand will be constant in d’Annunzio’s prose and poetry, where the chiromancer author relies on hand gestures to better represent the complicated psychological traits of his characters.
{"title":"Lo studio delle mani del Piacere","authors":"Nicola Di Nino","doi":"10.30687/ada/2421-292x/2022/01/030","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2022/01/030","url":null,"abstract":"The article studies the recurrent image of the hand in Il piacere, the first d’Annunzio’s work where the theme, appearing in his earlier works, takes on a central role. The essay shows how the author dwells on gestures and on hands because, referring to Leonardo’s theories and to the symbolist poetics of the end of the century, they would be the external manifestation of an individual’s character. The representation of the hand will be constant in d’Annunzio’s prose and poetry, where the chiromancer author relies on hand gestures to better represent the complicated psychological traits of his characters.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122508172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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