Pub Date : 2019-10-15DOI: 10.30687/ada/2421-292x/2019/01/002
C. Montagnani
Setting out from a poem that will be published as part of Elettra, this paper deals with the close relationship that exists among d’Annunzio’s Laudi since their first appearance in 1899. As a case study, I will focus on Ferrara, Pisa, Ravenna, later published as Città del silenzio.
这篇论文将从一首将作为《埃莱特拉》的一部分发表的诗开始，探讨自1899年达农齐奥的《罗迪》首次出现以来，它们之间存在的密切关系。作为案例研究，我将重点关注费拉拉，比萨，拉文纳，后来出版的citt del silenzio。
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Pub Date : 2019-10-15DOI: 10.30687/ada/2421-292x/2019/01/004
R. Bertazzoli
The work traces a hermeneutic line between the poem «La morte del cervo» in Alcyone and some Faville del maglio, prosastic texts in which d’Annunzio experiences a form of autobiography and the celebration of the poetic self. Starting from the Favilla, dated 1907, celebrating the sculpture of Clemente Origo, the essay establishes links with some texts, written much later, in which the poet turns poetic creation into a mythical ‘event’. In the last favilla, the symbolic act of the poet, who becomes centaur, can be read allegorically as a poetic act.
这部作品追溯了阿尔西翁的诗歌“La morte del cervo”和一些Faville del maglio之间的解释学路线，在这些散文文本中，d 'Annunzio经历了一种自传形式和诗歌自我的庆祝。这篇文章从1907年庆祝Clemente Origo雕塑的Favilla开始，与后来写的一些文本建立了联系，在这些文本中，诗人将诗歌创作变成了神话般的“事件”。在最后的别墅中，诗人变成半人马的象征性行为，可以讽喻地解读为一种诗意的行为。
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Pub Date : 2019-10-15DOI: 10.30687/ada/2421-292x/2019/01/003
F. Giallombardo
Starting from the affirmations of Marziano Guglielminetti, the study intends to reread the autobiography of the Notturno by Gabriele d'Annunzio. Subsequently, It proposes an analysis on the poetics inside this peculiar literary work, in particular on the dignity of the conception of ‘sorrow’ that the Notturno expresses, comparing with other interpretations of ‘grief’ in Italian literature (Giovanni Pascoli and Guido Gozzano); and also reflecting on the d'Annunzio repertoire in general with respect to the Notturno.
{"title":"Dignità del dolore","authors":"F. Giallombardo","doi":"10.30687/ada/2421-292x/2019/01/003","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2019/01/003","url":null,"abstract":"Starting from the affirmations of Marziano Guglielminetti, the study intends to reread the autobiography of the Notturno by Gabriele d'Annunzio. Subsequently, It proposes an analysis on the poetics inside this peculiar literary work, in particular on the dignity of the conception of ‘sorrow’ that the Notturno expresses, comparing with other interpretations of ‘grief’ in Italian literature (Giovanni Pascoli and Guido Gozzano); and also reflecting on the d'Annunzio repertoire in general with respect to the Notturno.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127885706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-15DOI: 10.30687/ada/2421-292x/2019/01/006
A. Sgroi
In the European culture between the nineteenth and twentieth centuries there is a denunciation of the decline of Western civilization, with the expectation of a ransom. The new Caesarism is the dream of many intellectuals. D'Annunzio and Spengler are protagonists in this cultural phase. The Italian writer anticipates the German philosopher. In fact, works like Le vergini delle rocce confirm the many convergences with Der untergand der Abendland, published in 1918. In this essay we analyse the analogies between the Weltanschauung of the two authors.
在十九世纪和二十世纪之间的欧洲文化中，有一种对西方文明衰落的谴责，并期望得到赎金。新凯撒主义是许多知识分子的梦想。达南齐奥和斯宾格勒是这一文化阶段的主角。那位意大利作家先于那位德国哲学家。事实上，像Le vergini delle process这样的作品证实了与1918年出版的《Abendland的undergand Der Abendland》的许多相似之处。在本文中，我们分析了两位作者的世界观之间的相似性。
{"title":"Contro i nuovi Barbari: d’Annunzio, Spengler, l’ombra di Cesare","authors":"A. Sgroi","doi":"10.30687/ada/2421-292x/2019/01/006","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2019/01/006","url":null,"abstract":"In the European culture between the nineteenth and twentieth centuries there is a denunciation of the decline of Western civilization, with the expectation of a ransom. The new Caesarism is the dream of many intellectuals. D'Annunzio and Spengler are protagonists in this cultural phase. The Italian writer anticipates the German philosopher. In fact, works like Le vergini delle rocce confirm the many convergences with Der untergand der Abendland, published in 1918. In this essay we analyse the analogies between the Weltanschauung of the two authors.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131291247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-15DOI: 10.30687/ada/2421-292x/2019/01/009
Paolo Parachini
{"title":"Gibellini, Cecilia (a cura di) (2018). D’Annunzio, Gabriele: La miglior parte della mia anima. Lettere alla moglie (1883-1893). Milano: Archinto, 274 pp.","authors":"Paolo Parachini","doi":"10.30687/ada/2421-292x/2019/01/009","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2019/01/009","url":null,"abstract":"","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125113276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-15DOI: 10.30687/ada/2421-292x/2019/01/007
E. Maiolini
The paper traces some general reflections on the problems, methods and perspectives of authorial philology applied to d’Annunzio’s work and in relation to some recent scientific contributions. Following Contini’s philological sensitivity, the d’Annunzio variant studies have dealt with a peculiar processing method that manifests itself almost instantly, in currenti calamo interventions. In critical editions, they are given an adequate representation through multilayered apparatuses and through the distinction between text prehistory and protohistory. The critical applications of these studies have since been the most attractive prospects for an investigation into the elaboration of d’Annunzio’s text.
{"title":"Stato, problemi, applicazioni critiche della filologia dannunziana","authors":"E. Maiolini","doi":"10.30687/ada/2421-292x/2019/01/007","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2019/01/007","url":null,"abstract":"The paper traces some general reflections on the problems, methods and perspectives of authorial philology applied to d’Annunzio’s work and in relation to some recent scientific contributions. Following Contini’s philological sensitivity, the d’Annunzio variant studies have dealt with a peculiar processing method that manifests itself almost instantly, in currenti calamo interventions. In critical editions, they are given an adequate representation through multilayered apparatuses and through the distinction between text prehistory and protohistory. The critical applications of these studies have since been the most attractive prospects for an investigation into the elaboration of d’Annunzio’s text.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121045221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-20DOI: 10.30687/ada/2421-292x/2018/05/011
M. Menna
Dannunzite, a cultural plague, a generational disease that invaded every city and spread like wildfire throughout the Italian peninsula: thanks to critics, unknown or little known journalists and writers who started the literary debate, from the Calabria of Silvio Turco to the Tuscany of Guido Rubetti and Dino Mantovani, as they opposed reference cultural models, such as Ercole Luigi Morselli debuting the Orione, at the Argentina Theatre in Rome, hailed by critics and public as an example of anti-d’Annunzio theatre; and Orazio Amendola from Palermo, who patiently compiled the inventory of reasons to hate d’Annunzio, tracing, on the basis of what Max Nordau did, d’Annunzio’s ‘moral’ and ‘immoral’ arguments. Going through Dannunzianesimo and Dannunzite, the ‘antidannunziani’ showed the two faces of the same cultural phenomenon.
{"title":"«Il rancore servile dei troppi»\u0000 Antidannunzianesimo di provincia","authors":"M. Menna","doi":"10.30687/ada/2421-292x/2018/05/011","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2018/05/011","url":null,"abstract":"Dannunzite, a cultural plague, a generational disease that invaded every city and spread like wildfire throughout the Italian peninsula: thanks to critics, unknown or little known journalists and writers who started the literary debate, from the Calabria of Silvio Turco to the Tuscany of Guido Rubetti and Dino Mantovani, as they opposed reference cultural models, such as Ercole Luigi Morselli debuting the Orione, at the Argentina Theatre in Rome, hailed by critics and public as an example of anti-d’Annunzio theatre; and Orazio Amendola from Palermo, who patiently compiled the inventory of reasons to hate d’Annunzio, tracing, on the basis of what Max Nordau did, d’Annunzio’s ‘moral’ and ‘immoral’ arguments. Going through Dannunzianesimo and Dannunzite, the ‘antidannunziani’ showed the two faces of the same cultural phenomenon.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"762 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117012418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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