Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/006
Federica Massia
The article aims at verifying how Gabriele d’Annunzio’s idea of the correspondence between poetry and nature has influenced many Italian poets at the beginning of the 20th century, with particular regard to their choice of the free verse. Following the example of many poems of Alcyone (such as L’Onda or Le stirpi canore), many symbolist and futurist poets (e.g. Lucini, Buzzi, Soffici) employed the comparison with natural elements in order to explain their search for a new rhythm, free from the strictness of traditional forms. Moreover, this study suggests that d’Annunzio may have found inspiration in Walt Whitman for the development of this principle.
{"title":"La «melodia selvaggia» della Natura\u0000 Una metafora di libertà metrica da d’Annunzio ai poeti di primo Novecento","authors":"Federica Massia","doi":"10.30687/ada/2421-292x/2022/01/006","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2022/01/006","url":null,"abstract":"The article aims at verifying how Gabriele d’Annunzio’s idea of the correspondence between poetry and nature has influenced many Italian poets at the beginning of the 20th century, with particular regard to their choice of the free verse. Following the example of many poems of Alcyone (such as L’Onda or Le stirpi canore), many symbolist and futurist poets (e.g. Lucini, Buzzi, Soffici) employed the comparison with natural elements in order to explain their search for a new rhythm, free from the strictness of traditional forms. Moreover, this study suggests that d’Annunzio may have found inspiration in Walt Whitman for the development of this principle.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116027076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/008
G. Mussini
This essay analyses d’Annunzio’s sources in Rebora’s work – in one case, it is the other way around – showing the latter’s consciously argumentative use of the source author, whose words are borrowed to overturn their ethical value. Thus, from d’Annunzio’s precious aestheticism, these words move on to Clemente Rebora’s harsh, morally pregnant poetry, acquiring a whole new colour. Beside many examples of specific intertextual relations, concerning first Frammenti lirici and then Canti anonimi and Poesie sparse, this paper also includes in-depth analysis of the peculiar ideology underlying the two poets’ work. The results of this research, tapping also into the Concordance, are copious. The final part of the essay presents a reflection about the two authors’ mental and stylistic attitude with respect to the War, delineating unforgettable moral portraits.
{"title":"Le parole di d’Annunzio in Rebora\u0000 Dinamismo delle fonti tra stile e ideologia","authors":"G. Mussini","doi":"10.30687/ada/2421-292x/2022/01/008","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2022/01/008","url":null,"abstract":"This essay analyses d’Annunzio’s sources in Rebora’s work – in one case, it is the other way around – showing the latter’s consciously argumentative use of the source author, whose words are borrowed to overturn their ethical value. Thus, from d’Annunzio’s precious aestheticism, these words move on to Clemente Rebora’s harsh, morally pregnant poetry, acquiring a whole new colour. Beside many examples of specific intertextual relations, concerning first Frammenti lirici and then Canti anonimi and Poesie sparse, this paper also includes in-depth analysis of the peculiar ideology underlying the two poets’ work. The results of this research, tapping also into the Concordance, are copious. The final part of the essay presents a reflection about the two authors’ mental and stylistic attitude with respect to the War, delineating unforgettable moral portraits.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121183736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/009
M. Imbriani
The essay aims to reconstruct, through the readings of the young Campana and the intertextuality between his and d’Annunzio’s work, the unbroken relationship between the two authors. We focus in particular on some thematic units, the roses, the chimera and the journey, with the awareness that ‘despised’ d’Annunzio has a large part in the construction of the Campana’s poetry collection, that even exhibits a first title of direct descent from d’Annunzio. Moreover, the d’Annunzio’s brand rules as well as in the Campana’s work also in his life, in that program of an inimitable live inverted, which takes its superomism, lived from below, to the second twentieth century beat generation.
{"title":"Le rose, la chimera e il viaggio: il dannunzianesimo rivissuto di Dino Campana","authors":"M. Imbriani","doi":"10.30687/ada/2421-292x/2022/01/009","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2022/01/009","url":null,"abstract":"The essay aims to reconstruct, through the readings of the young Campana and the intertextuality between his and d’Annunzio’s work, the unbroken relationship between the two authors. We focus in particular on some thematic units, the roses, the chimera and the journey, with the awareness that ‘despised’ d’Annunzio has a large part in the construction of the Campana’s poetry collection, that even exhibits a first title of direct descent from d’Annunzio. Moreover, the d’Annunzio’s brand rules as well as in the Campana’s work also in his life, in that program of an inimitable live inverted, which takes its superomism, lived from below, to the second twentieth century beat generation.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129478316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/004
V. Boggione
The article discusses the relationship between d’Annunzio and the Crepuscular poets. Corazzini initially was an inconstant friend of d’Annunzio’s taste, but at the end of his life reconciles d’Annunzio’s flair for Nietzsche with mysticism and nationalistic ideology. In Turin both Graf and Thovez and the newspapers strongly fought the ideology of Superhumanism and the poet Gozzano showed how fake was d’Annunzio’s aestheticism, but at the same time could not and did not want to escape his influence, both in his verses and in his idea of literature (e.g. exploring and contradicting the model about the great antinomies Art/Life, Truth/Lie).
{"title":"Attraversare d’Annunzio?\u0000 Corazzini, Gozzano e il Maestro (forse) avverso","authors":"V. Boggione","doi":"10.30687/ada/2421-292x/2022/01/004","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2022/01/004","url":null,"abstract":"The article discusses the relationship between d’Annunzio and the Crepuscular poets. Corazzini initially was an inconstant friend of d’Annunzio’s taste, but at the end of his life reconciles d’Annunzio’s flair for Nietzsche with mysticism and nationalistic ideology. In Turin both Graf and Thovez and the newspapers strongly fought the ideology of Superhumanism and the poet Gozzano showed how fake was d’Annunzio’s aestheticism, but at the same time could not and did not want to escape his influence, both in his verses and in his idea of literature (e.g. exploring and contradicting the model about the great antinomies Art/Life, Truth/Lie).","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115725083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/014
R. Deidier
In the interpretation of his trained readers Sandro Penna has been the object of a great misunderstanding. For a long time his relationship with the greatest poetical works of his time has been hidden; it happened the same with the authors he could read during a long training. The most recent studies about Penna’s intertextuality focused on citations, limiting themselves to compiling a register, without considering the long duration of international cultural processes to which Penna himself refers. The name of Gabriele d’Annunzio is that of a certain actor among these processes, dealing above all with the poetics of symbol.
{"title":"Gli «oscuri turiboli» del simbolo. Penna e d’Annunzio","authors":"R. Deidier","doi":"10.30687/ada/2421-292x/2022/01/014","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2022/01/014","url":null,"abstract":"In the interpretation of his trained readers Sandro Penna has been the object of a great misunderstanding. For a long time his relationship with the greatest poetical works of his time has been hidden; it happened the same with the authors he could read during a long training. The most recent studies about Penna’s intertextuality focused on citations, limiting themselves to compiling a register, without considering the long duration of international cultural processes to which Penna himself refers. The name of Gabriele d’Annunzio is that of a certain actor among these processes, dealing above all with the poetics of symbol.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131672386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-28DOI: 10.30687/ada/2421-292x/2022/01/034
G. Oliva
Bertazzoli, R.; Gibellini, P. (a cura di) (2021). Celebrare gli eroi. D’Annunzio e il libro di “Elettra”. Pescara: Centro Nazionale di Studi Dannunziani, 172 pp.
Bertazzoli, R .;Gibellini, P.(编辑)(2021)。庆祝英雄。达南齐奥和埃莱克特拉的书。佩斯卡拉:丹麦国家研究中心，172页。
{"title":"Raffaella Bertazzoli, Pietro Gibellini (a cura di). Celebrare gli eroi. D’Annunzio e il libro di “Elettra”","authors":"G. Oliva","doi":"10.30687/ada/2421-292x/2022/01/034","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2022/01/034","url":null,"abstract":"Bertazzoli, R.; Gibellini, P. (a cura di) (2021). Celebrare gli eroi. D’Annunzio e il libro di “Elettra”. Pescara: Centro Nazionale di Studi Dannunziani, 172 pp.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130802103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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