{"title":"Giulio Aristide Sartorio, Il ritorno di Raffaello","authors":"Alessandra Trevisan","doi":"10.30687/ada/2421-292x/2021/01/018","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/018","url":null,"abstract":"Gibellini, C. (a cura di) (2020). Giulio Aristide Sartorio: Il ritorno di Raffaello. Milano: Medusa, 344 pp.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124880458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-21DOI: 10.30687/ada/2421-292x/2021/01/015
Mara Giacon
Guerri, G.B. (a cura di) (2019). Da Ovidio a d'Annunzio. Miti di metamorfosi e metamorfosi dei miti = Atti del convegno di studi (Gardone Riviera, 12 ottobre 2018). Introduzione di Giordano Bruno Guerri. Cinisello Balsamo (MI): Silvana Editoriale, 128 pp.
{"title":"Giordano Bruno Guerri (a cura di). Da Ovidio a d'Annunzio. Miti di metamorfosi e metamorfosi dei miti","authors":"Mara Giacon","doi":"10.30687/ada/2421-292x/2021/01/015","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/015","url":null,"abstract":"Guerri, G.B. (a cura di) (2019). Da Ovidio a d'Annunzio. Miti di metamorfosi e metamorfosi dei miti = Atti del convegno di studi (Gardone Riviera, 12 ottobre 2018). Introduzione di Giordano Bruno Guerri. Cinisello Balsamo (MI): Silvana Editoriale, 128 pp.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115643066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-21DOI: 10.30687/ada/2421-292x/2021/01/008
Fabrizio Borin
The essay is about the film L’innocente by Luchino Visconti based on the novel by Gabriele d’Annunzio (1892). Accused of immorality, the literary text, decisive for the work of the Italian writer and dramatist, narrates – in the movie – the story of Tullio Hermil, a refined but restless man with a marked sensuality, and his infidelity towards his submissive wife Giuliana who, after a short love story with the writer Arborio, gets pregnant and decides to keep the baby. After the baptism, the jealous and upset Tullio kills the baby exposing him to the elements of Christmas night. Oppressed by the remorse, he commits suicide by gunshot. This essay intends to compare the two texts according to the poetic horizon of the director Luchino Visconti in the light of his contradictory attraction/rejection relationship with the Vate.
{"title":"Oltrepassare la soglia della morale: delitto, giustizia, suicidio\u0000 L’innocente secondo Luchino Visconti","authors":"Fabrizio Borin","doi":"10.30687/ada/2421-292x/2021/01/008","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/008","url":null,"abstract":"The essay is about the film L’innocente by Luchino Visconti based on the novel by Gabriele d’Annunzio (1892). Accused of immorality, the literary text, decisive for the work of the Italian writer and dramatist, narrates – in the movie – the story of Tullio Hermil, a refined but restless man with a marked sensuality, and his infidelity towards his submissive wife Giuliana who, after a short love story with the writer Arborio, gets pregnant and decides to keep the baby. After the baptism, the jealous and upset Tullio kills the baby exposing him to the elements of Christmas night. Oppressed by the remorse, he commits suicide by gunshot. This essay intends to compare the two texts according to the poetic horizon of the director Luchino Visconti in the light of his contradictory attraction/rejection relationship with the Vate.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124546468","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-21DOI: 10.30687/ada/2421-292x/2021/01/007
M. Carmello
The short novel Giovanni Episcopo represents an exception in d’Annunzio’s fictional production. The beginning and the end of this work are particularly relevant for their innovative technique that points out a deep authorial engagement in literary experimentation. Critics discussed the innovative attitude of Giovanni Episcopo and its importance for a complete understanding of d’Annunzio’s production. In this article we are going to discuss this work analysing its textual thresholds to demonstrate its relevance for the authorial searching of new expressive ways.
{"title":"Logiche della diffrazione: le soglie testuali del Giovanni Episcopo","authors":"M. Carmello","doi":"10.30687/ada/2421-292x/2021/01/007","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/007","url":null,"abstract":"The short novel Giovanni Episcopo represents an exception in d’Annunzio’s fictional production. The beginning and the end of this work are particularly relevant for their innovative technique that points out a deep authorial engagement in literary experimentation. Critics discussed the innovative attitude of Giovanni Episcopo and its importance for a complete understanding of d’Annunzio’s production. In this article we are going to discuss this work analysing its textual thresholds to demonstrate its relevance for the authorial searching of new expressive ways.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126310011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-21DOI: 10.30687/ada/2421-292x/2021/01/011
Angela Fabris
The essay proposes a selective reading of the beginnings and the endings of the four prose texts of Contemplazione della morte (1912), in their connections, according to the different typologies and functions. Attention is given to the two dedicatees, Pascoli and Bermond, together with natural landscapes and atmospheric notations, as well as to the importance given to silence and to the vitalistic image of the “cagna”, which in the finale imposes itself on that of the drowned man.
{"title":"Formule e itinerari del ‘debut-et-la fin’ nella Contemplazione della morte","authors":"Angela Fabris","doi":"10.30687/ada/2421-292x/2021/01/011","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/011","url":null,"abstract":"The essay proposes a selective reading of the beginnings and the endings of the four prose texts of Contemplazione della morte (1912), in their connections, according to the different typologies and functions. Attention is given to the two dedicatees, Pascoli and Bermond, together with natural landscapes and atmospheric notations, as well as to the importance given to silence and to the vitalistic image of the “cagna”, which in the finale imposes itself on that of the drowned man.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130917770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-21DOI: 10.30687/ada/2421-292x/2021/01/013
A. Verdone
Gabriele d’Annunzio was frequently excluded from the generative matrix of the Italian poetical twentieth century. It is time to restore the truth free of any ideological biases. In order to do that, it is necessary to retrace the studies conducted by d’Annunzio’s successors who tried to explore different ways to reckon with his work. Studies of that kind would make it possible to hypothesise a methodology to use for a systematic investigation aimed at revealing the entity of the qualitative and quantitative impact d’Annunzio’s work has had on much of the Italian poetry. It would subsequently be possible to draft a rough analytic route to use as starting point for more substantial future investigations.
Gabriele d 'Annunzio经常被排除在意大利二十世纪诗歌的生成矩阵之外。是时候恢复没有任何意识形态偏见的真相了。为了做到这一点，有必要追溯达南齐奥的继任者所做的研究，他们试图探索不同的方法来评估他的工作。这样的研究将有可能假设一种方法，用于系统的调查，旨在揭示丹农齐奥的作品对意大利诗歌的定性和定量影响的实体。随后将有可能起草一个粗略的分析路线，作为今后更实质性调查的起点。
{"title":"La poesia italiana del Novecento e la funzione d’Annunzio: ipotesi di lavoro","authors":"A. Verdone","doi":"10.30687/ada/2421-292x/2021/01/013","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/013","url":null,"abstract":"Gabriele d’Annunzio was frequently excluded from the generative matrix of the Italian poetical twentieth century. It is time to restore the truth free of any ideological biases. In order to do that, it is necessary to retrace the studies conducted by d’Annunzio’s successors who tried to explore different ways to reckon with his work. Studies of that kind would make it possible to hypothesise a methodology to use for a systematic investigation aimed at revealing the entity of the qualitative and quantitative impact d’Annunzio’s work has had on much of the Italian poetry. It would subsequently be possible to draft a rough analytic route to use as starting point for more substantial future investigations.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129881070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-21DOI: 10.30687/ada/2421-292x/2021/01/010
G. Patrizi
Through a path of analysis on the Notturno and its creation process, d’Annunzio’s artistic ability is highlighted in the management of fundamental details relating to the very structure of the text. This essay offers a reading that can refer to the practice of the fragment, which characterises the early twentieth century, in a dialectical tension between the pole of lyric prose – which manages the fragment as a privileged material of a refined stylistic preciousness – and the pole of worship of the word as an announcement of truth, the esoteric and the sapiential.
{"title":"Il frammento tra dissoluzione e rinascita: d’Annunzio nel Notturno","authors":"G. Patrizi","doi":"10.30687/ada/2421-292x/2021/01/010","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/010","url":null,"abstract":"Through a path of analysis on the Notturno and its creation process, d’Annunzio’s artistic ability is highlighted in the management of fundamental details relating to the very structure of the text. This essay offers a reading that can refer to the practice of the fragment, which characterises the early twentieth century, in a dialectical tension between the pole of lyric prose – which manages the fragment as a privileged material of a refined stylistic preciousness – and the pole of worship of the word as an announcement of truth, the esoteric and the sapiential.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133480870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-21DOI: 10.30687/ada/2421-292x/2021/01/012
Srećko Jurišić
As a journalist Gabriele d'Annunzio covered the high life of the élite in the fin de siècle Rome through thousands of pages. This overwhelming and multifaceted body of work conceals aspects of d’Annunzio’s early ideological choices that can be traced in the articles. In admiring Baudelaire's Fleurs du mal and the Spleen de Paris while in the meantime he positions himself as the anti-flâneur of the umbertine Rome, d'Annunzio reveals much of his complex literary persona and the early strata of his even more layered poetics.
{"title":"La critica del cominciamento. D'Annunzio e gli incipit giornalistici come desiderio di/del Piacere","authors":"Srećko Jurišić","doi":"10.30687/ada/2421-292x/2021/01/012","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/012","url":null,"abstract":"As a journalist Gabriele d'Annunzio covered the high life of the élite in the fin de siècle Rome through thousands of pages. This overwhelming and multifaceted body of work conceals aspects of d’Annunzio’s early ideological choices that can be traced in the articles. In admiring Baudelaire's Fleurs du mal and the Spleen de Paris while in the meantime he positions himself as the anti-flâneur of the umbertine Rome, d'Annunzio reveals much of his complex literary persona and the early strata of his even more layered poetics.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134132541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-10-15DOI: 10.30687/ada/2421-292x/2019/01/005
Maria Belponer
The contribution analyses the influence of the Ovidian work, especially the Metamorphoses, on Giovanni Pascoli and Gabriele d’Annunzio, emphasising how the ancient poet is understood in different ways. In the diversity of interpretation and reformulation of the myths of the Latin poet, both Pascoli and d’Annunzio come to the creation of narratives and figures that reflect central aspects of their poetic world, often far from the original inspiration.
{"title":"L'eredità di Ovidio in Giovanni Pascoli e Gabriele d'Annunzio","authors":"Maria Belponer","doi":"10.30687/ada/2421-292x/2019/01/005","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2019/01/005","url":null,"abstract":"The contribution analyses the influence of the Ovidian work, especially the Metamorphoses, on Giovanni Pascoli and Gabriele d’Annunzio, emphasising how the ancient poet is understood in different ways. In the diversity of interpretation and reformulation of the myths of the Latin poet, both Pascoli and d’Annunzio come to the creation of narratives and figures that reflect central aspects of their poetic world, often far from the original inspiration.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132801701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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