Sanisha Sunny, Sushma Rawat, Usha Sharma, Shuchi Mitra, K. Sharma
{"title":"Fundamental Principle of Bhaishajya Kalpana","authors":"Sanisha Sunny, Sushma Rawat, Usha Sharma, Shuchi Mitra, K. Sharma","doi":"10.5530/JAMS.2019.4.7","DOIUrl":"https://doi.org/10.5530/JAMS.2019.4.7","url":null,"abstract":"","PeriodicalId":17183,"journal":{"name":"Journal of the American Musicological Society","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2021-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41595197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Ramya Krishna Koliyat Valappil, T. S. Bairy, K. N. S. Kumar, S. Sudhakar
{"title":"Rasapanchakas Assessment of Seeds of a Folk Plant - Gnetum ula Brongn.","authors":"Ramya Krishna Koliyat Valappil, T. S. Bairy, K. N. S. Kumar, S. Sudhakar","doi":"10.5530/JAMS.2019.4.9","DOIUrl":"https://doi.org/10.5530/JAMS.2019.4.9","url":null,"abstract":"","PeriodicalId":17183,"journal":{"name":"Journal of the American Musicological Society","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2021-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48996373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Critical Review of Swara (Voice) in Ayurveda","authors":"A. Kalyani, S. Tonni, T. Jayakumar","doi":"10.5530/JAMS.2019.4.6","DOIUrl":"https://doi.org/10.5530/JAMS.2019.4.6","url":null,"abstract":"","PeriodicalId":17183,"journal":{"name":"Journal of the American Musicological Society","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2021-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43789761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-28DOI: 10.21140/MCUJ.20211201001
J. Forest
The digital age has greatly expanded the terrain and opportunities for a range of foreign influence efforts. A growing number of countries have invested significantly in their capabilities to disseminate online propaganda and disinformation worldwide, while simultaneously establishing information dominance at home. This introductory essay provides a brief examination of terms, concepts, and examples of these efforts and concludes by reviewing how the articles of this issue of the Journal of Advanced Military Studies contribute to our understanding of political warfare and propaganda.
{"title":"Political Warfare and Propaganda: Political Warfare and Propaganda: An Introduction","authors":"J. Forest","doi":"10.21140/MCUJ.20211201001","DOIUrl":"https://doi.org/10.21140/MCUJ.20211201001","url":null,"abstract":"The digital age has greatly expanded the terrain and opportunities for a range of foreign influence efforts. A growing number of countries have invested significantly in their capabilities to disseminate online propaganda and disinformation worldwide, while simultaneously establishing information dominance at home. This introductory essay provides a brief examination of terms, concepts, and examples of these efforts and concludes by reviewing how the articles of this issue of the Journal of Advanced Military Studies contribute to our understanding of political warfare and propaganda.","PeriodicalId":17183,"journal":{"name":"Journal of the American Musicological Society","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2021-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47673990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-05-28DOI: 10.21140/MCUJ.20211201002
Daniel Wit
The Office of Strategic Services (OSS), America’s intelligence and special operations organization in World War II, is best known for its efforts to collect intelligence on the Axis powers and to arm and train resistance groups behind enemy lines. However, the OSS also served as America’s primary psychological warfare agency. This article will show how organizational relationships imposed by theater commanders, who often had little understanding of psychological warfare or special operations, could serve to enable or hinder the sort of coordinated subversive campaign that OSS founder General William J. Donovan envisioned. This history offers important lessons for contemporary campaign planners in an environment where psychological warfare is playing an ever-larger role in the conduct of military operations.
{"title":"Fake News for the Resistance: The OSS and the Nexus of Psychological Warfare and Resistance Operations in World War II","authors":"Daniel Wit","doi":"10.21140/MCUJ.20211201002","DOIUrl":"https://doi.org/10.21140/MCUJ.20211201002","url":null,"abstract":"The Office of Strategic Services (OSS), America’s intelligence and special operations organization in World War II, is best known for its efforts to collect intelligence on the Axis powers and to arm and train resistance groups behind enemy lines. However, the OSS also served as America’s primary psychological warfare agency. This article will show how organizational relationships imposed by theater commanders, who often had little understanding of psychological warfare or special operations, could serve to enable or hinder the sort of coordinated subversive campaign that OSS founder General William J. Donovan envisioned. This history offers important lessons for contemporary campaign planners in an environment where psychological warfare is playing an ever-larger role in the conduct of military operations.","PeriodicalId":17183,"journal":{"name":"Journal of the American Musicological Society","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2021-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47795342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-01DOI: 10.1525/JAMS.2021.74.1.170
Victoria Aschheim
{"title":"Rethinking Reich, edited by Sumanth Gopinath and Pwyll ap Siôn","authors":"Victoria Aschheim","doi":"10.1525/JAMS.2021.74.1.170","DOIUrl":"https://doi.org/10.1525/JAMS.2021.74.1.170","url":null,"abstract":"","PeriodicalId":17183,"journal":{"name":"Journal of the American Musicological Society","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41714217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-01DOI: 10.1525/JAMS.2021.74.1.195
C. Stover
{"title":"Dig That Lick (DTL): Analyzing Large-Scale Data for Melodic Patterns in Jazz Performances","authors":"C. Stover","doi":"10.1525/JAMS.2021.74.1.195","DOIUrl":"https://doi.org/10.1525/JAMS.2021.74.1.195","url":null,"abstract":"","PeriodicalId":17183,"journal":{"name":"Journal of the American Musicological Society","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41342331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-01DOI: 10.1525/JAMS.2021.74.1.166
Frederick Reece
{"title":"Dedicating Music, 1785–1850, by Emily H. Green","authors":"Frederick Reece","doi":"10.1525/JAMS.2021.74.1.166","DOIUrl":"https://doi.org/10.1525/JAMS.2021.74.1.166","url":null,"abstract":"","PeriodicalId":17183,"journal":{"name":"Journal of the American Musicological Society","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47274482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-01DOI: 10.1525/JAMS.2021.74.1.43
Victor Szabo
Music from the Hearts of Space, a freeform music program that aired across Northern California on KPFA-FM Pacifica Radio from 1973, set forth an expansive transgeneric vision of contemplative atmospheric “space music” whose properties, in the following decades, would become more popularly codified as either “new age” or “ambient.” Histories of these latter genres typically separate out ambient’s avant-garde lineage and secular functionalism from new age’s therapeutic and spiritual concerns; but an examination of Hearts’s first decade on the air, leading up to its 1983 syndication via National Public Radio’s satellite network, reveals a sonic and cultural milieu that belies this eventual generic split. Through investigation of Hearts’s private archive and interviews with the program’s host Stephen Hill, as well as industry research, cultural-historical study, and style analysis, I situate the genesis of Hearts’s proto-ambient sound within the Bay Area’s new age movement of the 1970s and early 1980s. Informed by the metaphor of the global media environment established in systems theory and popularized by Marshall McLuhan and Stewart Brand, artists and media producers within this grassroots technoculture designed and spread “alternative” personal media for the development of holistic awareness. These media included slow, reverberant, hypnotic recorded music, as curated by Hill and his cohost Anna Turner under the guiding concept of “space music.” This early history and analysis of Hearts’s space music as an atmospheric medium for attuning the listening self to a worldwide media ecology deepens and complicates genealogies that isolate the formation of ambient music from that of new age, revealing a cross-pollination of highbrow and countercultural ideals that led many musicians associated with the new age movement to similar sonic conclusions to those of ambient music architect Brian Eno.
{"title":"Pacifica Radio’s Music from the Hearts of Space and the Ambient Sound of California’s New Age","authors":"Victor Szabo","doi":"10.1525/JAMS.2021.74.1.43","DOIUrl":"https://doi.org/10.1525/JAMS.2021.74.1.43","url":null,"abstract":"\u0000 Music from the Hearts of Space, a freeform music program that aired across Northern California on KPFA-FM Pacifica Radio from 1973, set forth an expansive transgeneric vision of contemplative atmospheric “space music” whose properties, in the following decades, would become more popularly codified as either “new age” or “ambient.” Histories of these latter genres typically separate out ambient’s avant-garde lineage and secular functionalism from new age’s therapeutic and spiritual concerns; but an examination of Hearts’s first decade on the air, leading up to its 1983 syndication via National Public Radio’s satellite network, reveals a sonic and cultural milieu that belies this eventual generic split. Through investigation of Hearts’s private archive and interviews with the program’s host Stephen Hill, as well as industry research, cultural-historical study, and style analysis, I situate the genesis of Hearts’s proto-ambient sound within the Bay Area’s new age movement of the 1970s and early 1980s. Informed by the metaphor of the global media environment established in systems theory and popularized by Marshall McLuhan and Stewart Brand, artists and media producers within this grassroots technoculture designed and spread “alternative” personal media for the development of holistic awareness. These media included slow, reverberant, hypnotic recorded music, as curated by Hill and his cohost Anna Turner under the guiding concept of “space music.” This early history and analysis of Hearts’s space music as an atmospheric medium for attuning the listening self to a worldwide media ecology deepens and complicates genealogies that isolate the formation of ambient music from that of new age, revealing a cross-pollination of highbrow and countercultural ideals that led many musicians associated with the new age movement to similar sonic conclusions to those of ambient music architect Brian Eno.","PeriodicalId":17183,"journal":{"name":"Journal of the American Musicological Society","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45532883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-04-01DOI: 10.1525/JAMS.2021.74.1.157
Loren Y. Kajikawa
{"title":"The Race of Sound: Listening, Timbre, and Vocality in African American Music, by Nina Sun Eidsheim","authors":"Loren Y. Kajikawa","doi":"10.1525/JAMS.2021.74.1.157","DOIUrl":"https://doi.org/10.1525/JAMS.2021.74.1.157","url":null,"abstract":"","PeriodicalId":17183,"journal":{"name":"Journal of the American Musicological Society","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45388414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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