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ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia最新文献

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Climate shifts 气候变化
Christa Erickson
We are all affected by our immediate context and its political, environmental, cultural, and temporal influences. Climate Shifts juxtaposes various locations around the globe and their points of view through local news headlines and weather data. Differences in concerns and perspectives emerge, sometimes about the same world events, allowing a glimpse into the collective psyche of each place.
我们都受到我们所处的环境及其政治、环境、文化和时间的影响。《气候变化》通过当地新闻头条和天气数据将全球不同地区及其观点并列。不同的关注点和观点出现了,有时是关于同样的世界事件,让我们得以一窥每个地方的集体心理。
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引用次数: 11
Assassin's Creed 2 刺客信条2
István Zorkóczy
Immersion in the world and intrigues of the Assassin's Creed 2 videogame, the direct sequel to Assassin's Creed, which sold eight million units worldwide. Dive into the Italian Renaissance and beautifully recreated 15th century Venice, in the midst of a mysterious street carnival, where you will meet our new master assassin, Ezio Auditore da Firenze, and discover his new "art." Follow him on his quest for vengeance to reveal a secular conspiracy and fight the masquerades of the Italian Renaissance.
沉浸在刺客信条2电子游戏的世界和阴谋中,这是刺客信条的直接续集,在全球销售了800万套。潜入意大利文艺复兴和15世纪的威尼斯,在一个神秘的街头狂欢节,在那里你会遇到我们的新刺客大师,Ezio Auditore da Firenze,并发现他的新“艺术”。跟随他的复仇之旅,揭露一个世俗的阴谋,并与意大利文艺复兴时期的假面舞会作斗争。
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引用次数: 5
Entire topography of lunar surface 月球表面的整个地形
H. Nakayama
The Japanese spacedraft Kaguya (Selene) was launched on 14 September 2007 by the Japan Aerospace Exploration Agency. Its objectives are "to obtain scientific data of the lunar origin and evolution and to develop the technology for future lunar exploration."
日本宇宙航空研究开发机构于2007年9月14日发射了“月亮女神”号宇宙飞船。它的目标是“获取月球起源和演变的科学数据,并为未来的月球探测开发技术”。
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引用次数: 0
Interactive image composition through draggable objects 通过可拖动对象进行交互式图像合成
Yuichiro Yamaguchi, Takuya Saito, Yosuke Bando, Bing-Yu Chen, T. Nishita
In traditional image composition methods for cutting out a source object from a source image and pasting it onto a target image, users have to segment a foreground object in a target image when they want to partially hide a source object behind it. While recent image editing tools greatly facilitate segmentation operations, it can be tedious to segment each object if users try to place a source object in various positions in a target image before obtaining a satisfying composition. We propose a method which allows users to drag a source object and slip it behind a target object as shown in Fig. 1, so that users can move a source object around without manually segmenting each part of a target image.
在传统的图像合成方法中,将源对象从源图像中剪切出来并粘贴到目标图像上,当用户想要部分隐藏源对象时,必须对目标图像中的前景对象进行分割。虽然最近的图像编辑工具极大地促进了分割操作,但如果用户试图在获得令人满意的构图之前将源对象放置在目标图像中的不同位置,则对每个对象进行分割可能会很繁琐。我们提出了一种方法,允许用户拖动源对象并将其滑动到目标对象后面,如图1所示,这样用户就可以移动源对象,而无需手动分割目标图像的每个部分。
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引用次数: 0
A content-based synchronization approach for timing description in EnhancedTV 增强电视中时序描述的基于内容的同步方法
Hyun-Jeong Yim, Y. Choy, Soon-Bum Lim
In EnhancedTV (ETV) where diverse multimedia data appear in scenes, synchronization between the video stream and other multimedia data, including graphics, is essential. Currently, the most widely used method of synchronizing video streams and other multimedia data in ETV is to match absolute time values with each other.
在场景中出现多种多媒体数据的EnhancedTV (ETV)中,视频流和其他多媒体数据(包括图形)之间的同步是必不可少的。目前,ETV中使用最广泛的视频流和其他多媒体数据同步方法是将绝对时间值相互匹配。
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引用次数: 0
On the level 坦率地说
Michael Rutter
All Bean Maxwell wants is for the picture on his foyer wall to hang level. With a scrutinizing eye, and an array of tools, he tirelessly pursues this exercise in perfection. But will his dedication to the little details cause him to lose sight of the bigger picture?
比恩·麦克斯韦尔只想把他门厅墙上的画挂平。用一双仔细的眼睛和一系列的工具,他孜孜不倦地追求这一完美的练习。但是,他对小细节的执着是否会导致他忽视大局呢?
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引用次数: 0
Artificial nature: fluid space 人工自然:流体空间
H. Ji, Graham Wakefield
How does artificial-life art adapt to its environment? What is the significance of a computational ecosystem proposed as contemporary art? These are some of the ideas examined in this bio-inspired immersive art installation.
人工生命艺术是如何适应环境的?作为当代艺术提出的计算生态系统的意义是什么?这些都是这个以生物为灵感的沉浸式艺术装置所审视的一些想法。
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引用次数: 0
Virtual Haptic Radar 虚拟触觉雷达
A. Zerroug, Á. Cassinelli, M. Ishikawa
We present here a first prototype of the Virtual Haptic Radar (VHR), a wearable device helping actors become aware of the presence of invisible virtual objects in their path when evolving in a virtual studio (such as a "bluescreen" filming stage [Figure 1]). The VHR is a natural extension of the Haptic Radar (HR) and its principle [Cassinelli et al. 2006] in the realm of virtual reality: while each module of the HR had a small vibrator and a rangefinder to measure distance to real obstacles, the VHR module lacks the rangefinder but accommodates instead a (cheap) ultrasound-based indoor positioning system that gives it the ability to know exactly where it is situated relatively to an external frame of reference.
我们在这里展示了虚拟触觉雷达(VHR)的第一个原型,这是一种可穿戴设备,可以帮助演员在虚拟工作室(如“蓝屏”拍摄阶段[图1])中发展时,意识到他们路径上不可见的虚拟物体的存在。VHR是触觉雷达(HR)及其原理在虚拟现实领域的自然延伸[Cassinelli et al. 2006]:虽然HR的每个模块都有一个小振动器和一个测距仪来测量与真实障碍物的距离,但VHR模块缺乏测距仪,但可以适应(便宜的)基于超声波的室内定位系统,使其能够准确地知道它相对于外部参考框架的位置。
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引用次数: 6
Life at the witch trails 女巫之路的生活
Natalie Bewernitz, Marek Goldowski
Life at the witch trails is based on the idea of creating "living" structures through sound. Video material from x/y-stereo displays visualizes the phase changing from two-channel audio signals. The sound source is a special audio composition that can not be realized without direct visualization. It contains full-on, sound-dependent motion dynamics and forms complex "cathode-ray objects", which allow direct (not delayed) visual access to the smallest details of the composition. The representation is not limited by the pictures-per-second time frame of television and computer technology. The interconnection of the aural and visual senses arises in an immediate way, and the visualization of sound obtains a new meaning.
女巫小径上的生活是基于通过声音创造“活”结构的想法。来自x/y立体声显示器的视频材料显示了双声道音频信号的相位变化。声源是一种特殊的音频组成,没有直接的可视化是无法实现的。它包含完整的,依赖于声音的运动动态,并形成复杂的“阴极射线物体”,这允许直接(而不是延迟)视觉访问到构图的最小细节。这种表现不受电视和计算机技术的每秒图片数的限制。听觉和视觉的相互联系立即产生,声音的可视化获得了新的意义。
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引用次数: 0
Glanular materials rendering based on radiance caching 基于亮度缓存的颗粒材质渲染
Toshihisa Yamahata, Yuuki Uranishi, H. Sasaki, Y. Manabe, K. Chihara
The animation of such granular material as sand and grain is difficult to render in computer graphics. There are no standard methods for modeling their motions, because their non-linear behavior, which is ruled by the loss of energy, occurs when the discrete particles collide. Therefore, methods for rendering granular materials have not been studied widely. In this paper, we present a new method for rendering photo-realistic granular materials. To model the motion of granular material, we define granular materials as the mass of discrete particles. Then the scattering of light needed for photo-realistic rendering is formulated, and we propose method for efficiently evaluating radiance in granular material based on a radiance caching method.
像沙子和谷物这样的颗粒状材料的动画在计算机图形学中是难以渲染的。没有标准的方法来模拟它们的运动,因为当离散粒子碰撞时,它们的非线性行为(由能量损失决定)就会发生。因此,颗粒材料的渲染方法还没有得到广泛的研究。本文提出了一种渲染逼真颗粒材料的新方法。为了模拟颗粒材料的运动,我们将颗粒材料定义为离散颗粒的质量。然后阐述了真实感渲染所需的光散射,并提出了一种基于亮度缓存方法的有效评估颗粒材料亮度的方法。
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引用次数: 0
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ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia
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