Pub Date : 2023-02-01DOI: 10.7256/2454-0625.2023.2.39800
V. Azarova
For the first time, the author of this article considered a set of themes related to Christian spirituality in the works by P. Claudel, A. Honegger and O. Messiaen which were created for the XXth century French synthetic theater and offered a new reading into the holiness and Christian behavior. New plastic forms of stage movement and dance, which depicted modern ways of organizing stage space, have been defined as an integral part of French works for musical theatre. What has also been found is the results of perceiving visual formulas in some of the XIIIth and XVth cenury paintings. Special plastic forms, which are subject to the laws of dance, shaped about a concept of "dancing form" in the XXth century French musical and theatrical works. In synthetic musical and theatrical works, a game of form, proportions, light and color was designed. Some XXth century French playwrights and musicians perceiving visual formulas in the XIIIth and XVth century paintings led to expanding the range of interacting elements pertaining to various arts in several musical and theatrical works. Those by P. Claudel, A. Honegger and O. Messiaen play a significant role on the stage and reveal both a “considerate attitude towards the past” and “mediation with modern life”, as H. G. Gadamer said.
本文的作者首次考虑了P.克劳德尔、a .奥涅格和O.梅西安为20世纪法国合成戏剧创作的作品中与基督教精神有关的一系列主题，并对圣洁和基督教行为提供了新的解读。新的可塑形式的舞台动作和舞蹈，描绘了组织舞台空间的现代方式，已被定义为法国音乐剧作品的组成部分。在一些13世纪和15世纪的绘画中，也发现了感知视觉公式的结果。在20世纪的法国音乐和戏剧作品中，形成了一种“舞蹈形式”的概念，它是一种受舞蹈规律支配的特殊的可塑形式。在合成音乐和戏剧作品中，设计了一种形式、比例、光线和色彩的游戏。一些20世纪的法国剧作家和音乐家在13世纪和15世纪的绘画中感知到视觉公式，导致在一些音乐和戏剧作品中扩大了与各种艺术相关的互动元素的范围。P. Claudel、a . Honegger和O. Messiaen的作品在舞台上扮演着重要的角色，正如H. G. Gadamer所说，它们既表现出“对过去的体贴态度”，又表现出“对现代生活的调解”。
{"title":"Themes of Christian Spirituality, New Plastic Forms and Perception of Visual Formulas in the XXth Century French Musical and Theatrical Works","authors":"V. Azarova","doi":"10.7256/2454-0625.2023.2.39800","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.2.39800","url":null,"abstract":"\u0000 For the first time, the author of this article considered a set of themes related to Christian spirituality in the works by P. Claudel, A. Honegger and O. Messiaen which were created for the XXth century French synthetic theater and offered a new reading into the holiness and Christian behavior. New plastic forms of stage movement and dance, which depicted modern ways of organizing stage space, have been defined as an integral part of French works for musical theatre. What has also been found is the results of perceiving visual formulas in some of the XIIIth and XVth cenury paintings. Special plastic forms, which are subject to the laws of dance, shaped about a concept of \"dancing form\" in the XXth century French musical and theatrical works. In synthetic musical and theatrical works, a game of form, proportions, light and color was designed. Some XXth century French playwrights and musicians perceiving visual formulas in the XIIIth and XVth century paintings led to expanding the range of interacting elements pertaining to various arts in several musical and theatrical works. Those by P. Claudel, A. Honegger and O. Messiaen play a significant role on the stage and reveal both a “considerate attitude towards the past” and “mediation with modern life”, as H. G. Gadamer said.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"37 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130764162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-01DOI: 10.7256/2454-0625.2023.2.37826
Alan Tarielovich Kaloev, Elena Vladimirovna Lashcheva
This article examines academic and mass genres in the work of the legendary singer of the Soviet pop music Muslim Magomayev. The subject of study is the musical creativity of M. Magomayev. The purpose of the study is the role of the creative heritage of a gifted singer, as well as understanding the value of his concert and artistic activities in the process of formation of the musical and artistic layer of the second half of the twentieth century, identifying the features of his musical language. The theoretical basis of the research was the works of M. Magomayev [16, 17, 22, 23], V. I. Antonova, A. N. Huseynova, V. V. Dubovsky, I. I. Nazarova, I. F. Sokolova, N. Reliable, R. Ramazanova, S. Belza, etc. The methodological basis of the work was the research of: M. Aranovsky [1], B. Asafiev [2], A. Iskanderova [7], L. Kazantseva [9], T. Lev [12], M. Lobanova [13], I. Mayevskaya [18], M. Mikhailov [19, 20, 21], E. Nazaikinsky [26, 27, 28, 29], S. Skrebkova [38], A. Sokolova [39], A. Sokhor [41, 42, 43], A. Zucker [47, 48], V. Zuckerman [49]; works on the problems of musical dramaturgy by Yu. Keldysh [10, 11], A. Selitsuogo [36], I. Sollertinsky [40], T. Chernova [50, 51]. The scientific novelty of the study is determined by the fact that for the first time the role of the performing interpretation of M. Magomayev's musical heritage is revealed, the stylistic features of the performer, the musical language of his songs and individual manner are revealed. The conclusions of this article may be useful in creating an educational and methodological base for the training of qualified specialists in the field of musical art. Also, in the study of the history of Russian pop music, and in the training of teaching staff in the field of music education. This problem can be introduced into the conservatorial disciplines of the historical, theoretical and methodological cycle for the specialties: musicology, musical art, pop and jazz singing.
本文考察了苏联流行音乐传奇歌手穆斯林·马戈马耶夫作品中的学术流派和大众流派。研究的主题是马戈马耶夫的音乐创造力。研究的目的是研究一位天才歌手的创作遗产的作用，以及了解他的音乐会和艺术活动在二十世纪下半叶音乐和艺术层形成过程中的价值，确定他的音乐语言的特征。研究的理论基础是M. Magomayev[16,17,22,23]、V. I. Antonova、A. N. Huseynova、V. V. Dubovsky、I. I. Nazarova、I. F. Sokolova、N. Reliable、R. Ramazanova、S. Belza等人的著作。本研究的方法论基础是:M. Aranovsky [1]， B. Asafiev [2]， A. Iskanderova [7]， L. Kazantseva [9]， T. Lev [12]， M. Lobanova [13]， I. Mayevskaya [18]， M. Mikhailov [19,20,21]， E. Nazaikinsky [26,27,28,29]， S. Skrebkova [38]， A. Sokolova [39]， A. Sokhor [41,42,43]， A. Zucker [47,48]， V. Zuckerman [49];对于的音乐剧问题的研究。陈晓明，陈晓明，陈晓明，等。[10,11]。这项研究的科学新颖性取决于这样一个事实，即首次揭示了马戈马耶夫音乐遗产的表演诠释的作用，揭示了表演者的风格特征，他的歌曲的音乐语言和个人方式。本文的结论可能有助于为培养音乐艺术领域的合格专家提供教育和方法基础。此外，在俄罗斯流行音乐史的研究，并在音乐教育领域的教学人员的培训。这个问题可以被引入到音乐学、音乐艺术、流行和爵士歌唱等专业的历史、理论和方法循环的保守学科中。
{"title":"Academic and mass genres in the works of M. Magomayev","authors":"Alan Tarielovich Kaloev, Elena Vladimirovna Lashcheva","doi":"10.7256/2454-0625.2023.2.37826","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.2.37826","url":null,"abstract":"\u0000 This article examines academic and mass genres in the work of the legendary singer of the Soviet pop music Muslim Magomayev. The subject of study is the musical creativity of M. Magomayev. The purpose of the study is the role of the creative heritage of a gifted singer, as well as understanding the value of his concert and artistic activities in the process of formation of the musical and artistic layer of the second half of the twentieth century, identifying the features of his musical language. The theoretical basis of the research was the works of M. Magomayev [16, 17, 22, 23], V. I. Antonova, A. N. Huseynova, V. V. Dubovsky, I. I. Nazarova, I. F. Sokolova, N. Reliable, R. Ramazanova, S. Belza, etc. The methodological basis of the work was the research of: M. Aranovsky [1], B. Asafiev [2], A. Iskanderova [7], L. Kazantseva [9], T. Lev [12], M. Lobanova [13], I. Mayevskaya [18], M. Mikhailov [19, 20, 21], E. Nazaikinsky [26, 27, 28, 29], S. Skrebkova [38], A. Sokolova [39], A. Sokhor [41, 42, 43], A. Zucker [47, 48], V. Zuckerman [49]; works on the problems of musical dramaturgy by Yu. Keldysh [10, 11], A. Selitsuogo [36], I. Sollertinsky [40], T. Chernova [50, 51]. The scientific novelty of the study is determined by the fact that for the first time the role of the performing interpretation of M. Magomayev's musical heritage is revealed, the stylistic features of the performer, the musical language of his songs and individual manner are revealed. The conclusions of this article may be useful in creating an educational and methodological base for the training of qualified specialists in the field of musical art. Also, in the study of the history of Russian pop music, and in the training of teaching staff in the field of music education. This problem can be introduced into the conservatorial disciplines of the historical, theoretical and methodological cycle for the specialties: musicology, musical art, pop and jazz singing.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129317650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-02-01DOI: 10.7256/2454-0625.2023.2.37643
A. Usachev
Philosophical ideas in scientific practice serve as the basis of a research position, a set of methods that implement the idea within the framework of the specialty. Philosophy is able to provide clarification of the broadest context and is reflected in the content of reasoning and conclusions. Philosophy is most widely used in the formulation of questions, the formulation of topics that make it possible to actualize the heuristic potential of humanitarian specialties, serves to include problems and ideas in the list of research tasks and goals. This is especially true of those topics that, for a number of historical reasons, were ignored and kept silent. Among these, the theme of religiosity occupies a prominent place. The main conclusion of the study is the statement that research in the field of Russian religious philosophy is the foundation of modern humanitarian work. It can be produced in a separate region of the country as a pillar of humanitarian knowledge. Scientific practice, which is expressed in the dissertation process, in the genre of a scientific report, is based on the texts of Russian philosophers who were written at the turn of the XIX - XX century. It was concluded that Russian philosophical thought forms a communicative field in scientific processes, which allows for a constructive dialogue between various subjects of the scientific process.
{"title":"Ideas of Russian religious philosophy in the scientific practice of the region","authors":"A. Usachev","doi":"10.7256/2454-0625.2023.2.37643","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.2.37643","url":null,"abstract":"\u0000 Philosophical ideas in scientific practice serve as the basis of a research position, a set of methods that implement the idea within the framework of the specialty. Philosophy is able to provide clarification of the broadest context and is reflected in the content of reasoning and conclusions. Philosophy is most widely used in the formulation of questions, the formulation of topics that make it possible to actualize the heuristic potential of humanitarian specialties, serves to include problems and ideas in the list of research tasks and goals. This is especially true of those topics that, for a number of historical reasons, were ignored and kept silent. Among these, the theme of religiosity occupies a prominent place. The main conclusion of the study is the statement that research in the field of Russian religious philosophy is the foundation of modern humanitarian work. It can be produced in a separate region of the country as a pillar of humanitarian knowledge. Scientific practice, which is expressed in the dissertation process, in the genre of a scientific report, is based on the texts of Russian philosophers who were written at the turn of the XIX - XX century. It was concluded that Russian philosophical thought forms a communicative field in scientific processes, which allows for a constructive dialogue between various subjects of the scientific process.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126552644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.7256/2454-0625.2023.1.39585
Valeriia Dmitrievna Riabchenko-Shats
The magazine "Apollo" completes a number of symbolist magazines of the Silver Age and in a sense sums up the intensive artistic life of the late XIX – early XX century. Its pages captured the rapid and multidirectional artistic discourse of the turn-of-the-century era, which was analyzed in the article with the help of discourse analysis. Aesthetic manifestos published on the pages of the art magazine "Apollo" were chosen as the subject of this research, the object of the work was the evolution of aesthetic and philosophical ideas in "Apollo". The content analysis of the journal's materials allowed us to study the development of the ideas of symbolism and acmeism within the framework of the editorial program of Apollo, which was the purpose of this work. The magazine "Apollo" is traditionally perceived as a magazine that promoted the ideas of Acmeism, however, the analysis of published materials shows that an acute symbolist controversy unfolded on the pages of "Apollo" in the early 1910s. In addition, the study demonstrates that the ideas of Acmeism were very heterogeneous and did not receive the support of many members of the editorial board, who believed that Acmeism had not formed into a full-blooded literary phenomenon. The results of the research can contribute to theoretical knowledge about the "Apollo" magazine and the history of Russian journalism, as well as the history of the development of the ideas of symbolism and acmeism.
{"title":"The \"Apollo\" Magazine as the Field of the Last Battle of Symbolist Manifestos","authors":"Valeriia Dmitrievna Riabchenko-Shats","doi":"10.7256/2454-0625.2023.1.39585","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.1.39585","url":null,"abstract":"\u0000 The magazine \"Apollo\" completes a number of symbolist magazines of the Silver Age and in a sense sums up the intensive artistic life of the late XIX – early XX century. Its pages captured the rapid and multidirectional artistic discourse of the turn-of-the-century era, which was analyzed in the article with the help of discourse analysis. Aesthetic manifestos published on the pages of the art magazine \"Apollo\" were chosen as the subject of this research, the object of the work was the evolution of aesthetic and philosophical ideas in \"Apollo\". The content analysis of the journal's materials allowed us to study the development of the ideas of symbolism and acmeism within the framework of the editorial program of Apollo, which was the purpose of this work. The magazine \"Apollo\" is traditionally perceived as a magazine that promoted the ideas of Acmeism, however, the analysis of published materials shows that an acute symbolist controversy unfolded on the pages of \"Apollo\" in the early 1910s. In addition, the study demonstrates that the ideas of Acmeism were very heterogeneous and did not receive the support of many members of the editorial board, who believed that Acmeism had not formed into a full-blooded literary phenomenon. The results of the research can contribute to theoretical knowledge about the \"Apollo\" magazine and the history of Russian journalism, as well as the history of the development of the ideas of symbolism and acmeism.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127833825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.7256/2454-0625.2023.1.38109
K. Parukava
The article discusses such aspects of the topic as the concept of stylization and transformation, the relationship of stylization with the concept of style in fine art, as well as its impact on the perception of an artistic image. The question of visual and emotional perception is touched upon, which are directly influenced by a stylized artistic image. The subject of the article is the analysis of stylization methods and techniques that work on the perception of an artistic image. The aim of the research is to comprehend the ways and techniques of stylization of the depicted object, through artistic means of expression, which in the perceived content are able to create a more emotional and expressive artistic image. Depending on the degree of transformation of the surrounding reality, the author identified such stylization methods as the iconic method, the geometric method, symbol-based stylization and the abstract method of stylization. Based on a specific artistic material, the analysis made it possible to identify the peculiarities of the perception of an artistic image with each method of stylization. Stylization techniques that work on the perception of the viewer, due to the achievement of greater expressiveness of the artistic image, are determined. The author emphasizes the need to use stylization and transformation to endow an artistic image with increased expression and originality, which in the structure of an artistic work are the main means of reflecting an artistic idea and an integral part in the performance of the set compositional tasks.
{"title":"Stylization and transformation of an image in the aspect of perception of an artistic image","authors":"K. Parukava","doi":"10.7256/2454-0625.2023.1.38109","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.1.38109","url":null,"abstract":"\u0000 The article discusses such aspects of the topic as the concept of stylization and transformation, the relationship of stylization with the concept of style in fine art, as well as its impact on the perception of an artistic image. The question of visual and emotional perception is touched upon, which are directly influenced by a stylized artistic image. The subject of the article is the analysis of stylization methods and techniques that work on the perception of an artistic image. The aim of the research is to comprehend the ways and techniques of stylization of the depicted object, through artistic means of expression, which in the perceived content are able to create a more emotional and expressive artistic image. Depending on the degree of transformation of the surrounding reality, the author identified such stylization methods as the iconic method, the geometric method, symbol-based stylization and the abstract method of stylization. Based on a specific artistic material, the analysis made it possible to identify the peculiarities of the perception of an artistic image with each method of stylization. Stylization techniques that work on the perception of the viewer, due to the achievement of greater expressiveness of the artistic image, are determined. The author emphasizes the need to use stylization and transformation to endow an artistic image with increased expression and originality, which in the structure of an artistic work are the main means of reflecting an artistic idea and an integral part in the performance of the set compositional tasks.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125089186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.7256/2454-0625.2023.1.39654
V. Rozin
The article describes the experience of reconstructing the logic and process of building an artistic image. Reconstruction includes two stages: analysis of the creation of a specific artistic image and theoretical generalization in order to reach constructions that can be extended to other cases of the construction of artistic images. At the same time, the author in the reconstruction relies on his research of art and his works. In the latter, he examines, on the one hand, the problems that the artist solves, on the other hand, the answer to these problems, which is the construction of events of artistic reality. It is in this context that artistic images are created. Their function is twofold: it is an expressive means, one of the tools for building artistic reality, and at the same time the "bricks" from which the world of artistic reality is created. The characteristics of the image of Sarah from Meir Shalev's novel "Esav", the schemes and expressive means used in its construction are analyzed. The mystery of the impact of an artistic image on the reader is discussed. In the last part of the article, the author compares the artistic image with ideal objects in philosophy and science. He argues that an ideal object does not need to be perceived as an event, it is used in reasoning and cognition, where the main thing is not the vision and experience of a phenomenon, but the constancy, consistency of its properties; and the problems that a philosopher or scientist solves are different.
{"title":"Reconstruction of the Logic and Process of Building an Artistic Image (Based on the Image of Sarah in Meir Shalev's Novel \"Esav\")","authors":"V. Rozin","doi":"10.7256/2454-0625.2023.1.39654","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.1.39654","url":null,"abstract":"\u0000 The article describes the experience of reconstructing the logic and process of building an artistic image. Reconstruction includes two stages: analysis of the creation of a specific artistic image and theoretical generalization in order to reach constructions that can be extended to other cases of the construction of artistic images. At the same time, the author in the reconstruction relies on his research of art and his works. In the latter, he examines, on the one hand, the problems that the artist solves, on the other hand, the answer to these problems, which is the construction of events of artistic reality. It is in this context that artistic images are created. Their function is twofold: it is an expressive means, one of the tools for building artistic reality, and at the same time the \"bricks\" from which the world of artistic reality is created. The characteristics of the image of Sarah from Meir Shalev's novel \"Esav\", the schemes and expressive means used in its construction are analyzed. The mystery of the impact of an artistic image on the reader is discussed. In the last part of the article, the author compares the artistic image with ideal objects in philosophy and science. He argues that an ideal object does not need to be perceived as an event, it is used in reasoning and cognition, where the main thing is not the vision and experience of a phenomenon, but the constancy, consistency of its properties; and the problems that a philosopher or scientist solves are different.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"25 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114105144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.7256/2454-0625.2023.1.39617
Mengmeng Yuan
The article considers the formation and development of meanings of the Phoenix as an imaginary beast-sign, a bearer of the bestiary code of Chinese culture. The methodology of highlighting the stages of evolution of the image of the beast-sign and analysis of its meanings is based on the ideas of Russian semioticians V.N. Toporov and A.E. Makhov concerning the historical typology of beast-signs from totem to zoomorphic images, then bestiary images and images-embodies. As a result of the study it was found that the imaginary totemic image-sign Phoenix was formed on the basis of domestic birds: chicken, pheasant, peacock and other animals, the zoomorphic image of the Phoenix symbolised the Sun God, Fire God (female image), Wind God (male image) of the polytheistic pantheon of ancient Chinese Gods, The phoenix became an emblem of imperial power and its female bearers (empresses, princesses, concubines), and finally, in the course of cultural history the image lost its religious and political significance, the phoenix became an emblem of love, femininity, happiness and harmony. Understanding the changing meanings of the phoenix as one of the beast-signs, the carriers of the Chinese cultural code, will enable a better understanding of the aims and values of Chinese culture at different stages of development, as well as the mechanisms of cultural continuity and cultural development in China, making possible endless renewals on the traditional cultural ground.
{"title":"The Imaginary Beast-the Phoenix Sign as the Bearer of the Chinese Bestial Cultural Code: the Evolution of Meanings","authors":"Mengmeng Yuan","doi":"10.7256/2454-0625.2023.1.39617","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.1.39617","url":null,"abstract":"\u0000 The article considers the formation and development of meanings of the Phoenix as an imaginary beast-sign, a bearer of the bestiary code of Chinese culture. The methodology of highlighting the stages of evolution of the image of the beast-sign and analysis of its meanings is based on the ideas of Russian semioticians V.N. Toporov and A.E. Makhov concerning the historical typology of beast-signs from totem to zoomorphic images, then bestiary images and images-embodies. As a result of the study it was found that the imaginary totemic image-sign Phoenix was formed on the basis of domestic birds: chicken, pheasant, peacock and other animals, the zoomorphic image of the Phoenix symbolised the Sun God, Fire God (female image), Wind God (male image) of the polytheistic pantheon of ancient Chinese Gods, The phoenix became an emblem of imperial power and its female bearers (empresses, princesses, concubines), and finally, in the course of cultural history the image lost its religious and political significance, the phoenix became an emblem of love, femininity, happiness and harmony. Understanding the changing meanings of the phoenix as one of the beast-signs, the carriers of the Chinese cultural code, will enable a better understanding of the aims and values of Chinese culture at different stages of development, as well as the mechanisms of cultural continuity and cultural development in China, making possible endless renewals on the traditional cultural ground.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129325893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.7256/2454-0625.2023.1.39592
Anastasiia Popova, Daria Vitalevna Shtennikova
The object of the research is the political caricatures of the famous Chinese artist Badiucao (巴丢草). The authors used content analysis of a wide range of visual sources, primarily the artist's personal website, the first publications of caricatures on the Twitter, as well as comparative analysis to reveal the artistic features of the works. The main attention was paid to the biography of the artist as it defines his style and the way he depicts political events or politicians. The caricatures were analyzed in accordance to their main characteristics, formal stylistic qualities, iconographic features and thus their symbolic meaning were identified. It is important that there are a large number of publications abroad devoted to the artist and his works, while in China his art is subjected to strict censorship. There are almost no mentions of him on the chinese Internet. In Russia, the name of the cartoonist is practically unknown, which is the novelty of this study for both cultural studies and russian Sinology. The obvious conclusion of the research is that Badiucao is challenging the censorship and dictatorship of the PRC with his art. His caricatures are his main and strongest weapon in this confrontation. Using a wide range of artistic techniques and color palette, he talks about current events, not allowing to forget the sins of the past, demanding not only an apology for political mistakes, but a change in the attitude of the government towards the people of the two coasts – China and Taiwan.
{"title":"Badiucao: Caricature as a Form of Protest against Chinese Policy","authors":"Anastasiia Popova, Daria Vitalevna Shtennikova","doi":"10.7256/2454-0625.2023.1.39592","DOIUrl":"https://doi.org/10.7256/2454-0625.2023.1.39592","url":null,"abstract":"\u0000 The object of the research is the political caricatures of the famous Chinese artist Badiucao (巴丢草). The authors used content analysis of a wide range of visual sources, primarily the artist's personal website, the first publications of caricatures on the Twitter, as well as comparative analysis to reveal the artistic features of the works. The main attention was paid to the biography of the artist as it defines his style and the way he depicts political events or politicians. The caricatures were analyzed in accordance to their main characteristics, formal stylistic qualities, iconographic features and thus their symbolic meaning were identified. It is important that there are a large number of publications abroad devoted to the artist and his works, while in China his art is subjected to strict censorship. There are almost no mentions of him on the chinese Internet. In Russia, the name of the cartoonist is practically unknown, which is the novelty of this study for both cultural studies and russian Sinology. The obvious conclusion of the research is that Badiucao is challenging the censorship and dictatorship of the PRC with his art. His caricatures are his main and strongest weapon in this confrontation. Using a wide range of artistic techniques and color palette, he talks about current events, not allowing to forget the sins of the past, demanding not only an apology for political mistakes, but a change in the attitude of the government towards the people of the two coasts – China and Taiwan.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133181816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.7256/2454-0625.2022.12.39408
E. N. Shashneva, Aleksei Aleksandrovich Mihailov, Svetlana Ivanovna Val'kevich, Viktor Georgievich Maslov
The purpose of our research is the work of the great symbolist poet of the Silver Age K.D. Balmont through the prism of the culture of Islam. The topic of the culture of Islam in the poet's work has been little studied, which is the relevance of this study. Islam is a traditional religion and the cultural and spiritual life of a Muslim is inextricably linked with Islam. All literature, architecture, science, philosophy of Muslims is based on the teachings of Islam and its holy book the Koran. K.D. Balmont became interested in Arabic and translations of the Koran, melodic Arabic script. Subsequently, his essays, poems and travel notes will be filled with religious and cultural images. The methodology of the work is based on synchronic, structural and functional, biographical, historical and cultural methods. The novelty of the article lies in a new look at the work of K.D. Balmont within the framework of the culture of Islam. In the course of our work, we examined Balmont's religious poems of 12 suras: "I swear", "Merciful", "Great News", "Blow", "Oh, Prophet", "Rich People", "Trumpet sound", "Then", "Smoke", "Al-Hotama", "Event", "Don't forget." There were also many translations from Arabic, travel notes, essays, and the epistolary legacy of Balmont. The poet traveled a lot and visited Muslim countries, made translations from Arabic, wrote essays and travel notes about the culture of Islam. As a result, the main conclusions of the study were formulated, the culture of Islam was shown, the religious poems of K.D. Balmont were studied, and further prospects for studying this problem were outlined.
{"title":"K.D. Balmont and the Culture of Islam","authors":"E. N. Shashneva, Aleksei Aleksandrovich Mihailov, Svetlana Ivanovna Val'kevich, Viktor Georgievich Maslov","doi":"10.7256/2454-0625.2022.12.39408","DOIUrl":"https://doi.org/10.7256/2454-0625.2022.12.39408","url":null,"abstract":"\u0000 The purpose of our research is the work of the great symbolist poet of the Silver Age K.D. Balmont through the prism of the culture of Islam. The topic of the culture of Islam in the poet's work has been little studied, which is the relevance of this study. Islam is a traditional religion and the cultural and spiritual life of a Muslim is inextricably linked with Islam. All literature, architecture, science, philosophy of Muslims is based on the teachings of Islam and its holy book the Koran. K.D. Balmont became interested in Arabic and translations of the Koran, melodic Arabic script. Subsequently, his essays, poems and travel notes will be filled with religious and cultural images. The methodology of the work is based on synchronic, structural and functional, biographical, historical and cultural methods. The novelty of the article lies in a new look at the work of K.D. Balmont within the framework of the culture of Islam. In the course of our work, we examined Balmont's religious poems of 12 suras: \"I swear\", \"Merciful\", \"Great News\", \"Blow\", \"Oh, Prophet\", \"Rich People\", \"Trumpet sound\", \"Then\", \"Smoke\", \"Al-Hotama\", \"Event\", \"Don't forget.\" There were also many translations from Arabic, travel notes, essays, and the epistolary legacy of Balmont. The poet traveled a lot and visited Muslim countries, made translations from Arabic, wrote essays and travel notes about the culture of Islam. As a result, the main conclusions of the study were formulated, the culture of Islam was shown, the religious poems of K.D. Balmont were studied, and further prospects for studying this problem were outlined.\u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124366367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.7256/2454-0625.2022.12.37459
Nikita Yurevich Krutov, N. A. Fedorovskaya
The object of the study was video games related to the so-called action genre. The disparate classifications of video games that currently exist in the scientific and user environment indicate that there is a problem of creating their typology, key characteristics and specific features that allow dividing genres among themselves have not yet been identified. The purpose of the article is to identify specific features of the action genre in modern video games. The main research methods are comparative and structural-functional, which allow to objectively show the essential characteristics of the genre under consideration. The results of the study show that the genre has not yet been considered comprehensively for the search for generalized features, which were partially mentioned in the studies of T. H. Kutlaliev, N. Y. Kazakova, N. A. Moshkova, I. I. Yugai, T. Epperly, etc. Personal contribution is seen in the fact that the authors purposefully search for genre-specific features, which will further contribute to the development of the genre typology of video games. It is established that the key features of the action genre are: activity that requires good coordination of movements from the player; dynamics that involves saturation with actions; conflict, as an obligatory component of the game; character – the presence of a hero, the action is carried out through a specific character. An important result of the study was that specific signs of action can be found in other genre varieties. The concept of "action" in them becomes an additional element that gives any game dynamics, activity, conflict.
该研究的对象是与所谓的动作类型相关的电子游戏。目前在科学和用户环境中存在的电子游戏的不同分类表明，创造它们的类型，关键特征和特定功能并不能区分它们之间的类型是一个问题。本文的目的是确定现代电子游戏中动作类型的具体特征。主要的研究方法是比较法和结构功能法，这两种方法可以客观地显示所研究类型的本质特征。研究结果表明，在寻找广义特征方面，体体学尚未得到全面的考虑，这在T. H. Kutlaliev、N. Y. Kazakova、N. A. Moshkova、I. I. Yugai、T. Epperly等人的研究中有部分提到。个人贡献体现在作者有意寻找特定类型的功能，这将进一步促进电子游戏类型类型的发展。可以确定的是，动作题材的关键特征是:需要玩家良好协调动作的活动;涉及动作饱和的动态;冲突，作为游戏的必要组成部分;角色-英雄的存在，行动是通过一个特定的角色进行的。这项研究的一个重要结果是，在其他类型的电影中也能找到具体的动作符号。其中的“行动”概念成为提供游戏动态、活动和冲突的额外元素。
{"title":"Specific features of the action genre in video games of the late XX – early XXI century","authors":"Nikita Yurevich Krutov, N. A. Fedorovskaya","doi":"10.7256/2454-0625.2022.12.37459","DOIUrl":"https://doi.org/10.7256/2454-0625.2022.12.37459","url":null,"abstract":"\u0000 The object of the study was video games related to the so-called action genre. The disparate classifications of video games that currently exist in the scientific and user environment indicate that there is a problem of creating their typology, key characteristics and specific features that allow dividing genres among themselves have not yet been identified. The purpose of the article is to identify specific features of the action genre in modern video games. The main research methods are comparative and structural-functional, which allow to objectively show the essential characteristics of the genre under consideration. The results of the study show that the genre has not yet been considered comprehensively for the search for generalized features, which were partially mentioned in the studies of T. H. Kutlaliev, N. Y. Kazakova, N. A. Moshkova, I. I. Yugai, T. Epperly, etc. Personal contribution is seen in the fact that the authors purposefully search for genre-specific features, which will further contribute to the development of the genre typology of video games. It is established that the key features of the action genre are: activity that requires good coordination of movements from the player; dynamics that involves saturation with actions; conflict, as an obligatory component of the game; character – the presence of a hero, the action is carried out through a specific character. An important result of the study was that specific signs of action can be found in other genre varieties. The concept of \"action\" in them becomes an additional element that gives any game dynamics, activity, conflict. \u0000","PeriodicalId":184304,"journal":{"name":"Культура и искусство","volume":"45 9-10","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114011841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：