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Research in Drama Education: The Journal of Applied Theatre and Performance最新文献

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Hope in a collapsing world: youth, theatre, and listening as a political alternative 崩溃世界中的希望:青年、戏剧和作为政治选择的倾听
Pub Date : 2023-08-23 DOI: 10.1080/13569783.2023.2248891
Taiwo Afolabi
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引用次数: 2
Distance, disruption, and de-hierarchisation: negotiating care in the virtual space of Zoom theatre 距离、破坏和去层级化:Zoom剧院虚拟空间中的协商关怀
Pub Date : 2023-08-23 DOI: 10.1080/13569783.2023.2247335
Michelle MacArthur, K. McLeod, S. Mealey
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引用次数: 0
Musicking in applied theatre: exploring interdisciplinary approaches to drama-based health and social interventions 应用戏剧中的音乐:探索基于戏剧的健康和社会干预的跨学科方法
Pub Date : 2023-08-23 DOI: 10.1080/13569783.2023.2249409
Gavin Robert Walker
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引用次数: 0
Very young children as artistic co-constructors 非常小的孩子作为艺术的共同建设者
Pub Date : 2023-08-23 DOI: 10.1080/13569783.2023.2247337
J. Stevens-Ballenger, N. Jeanneret
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引用次数: 0
Reconfiguring togetherness in the virtual drama classroom 重新配置虚拟戏剧教室中的团聚感
Pub Date : 2023-08-23 DOI: 10.1080/13569783.2023.2249407
C. Balt
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引用次数: 0
Understanding teachers’ self-directed development through drama-based pedagogy: a case study of one English writing classroom 通过戏剧教学法了解教师的自主发展:以英语写作课堂为例
Pub Date : 2023-07-20 DOI: 10.1080/13569783.2023.2236967
Xiaodong Zhang
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引用次数: 1
Creating breathing spaces for teenagers in the Welsh language: the case of theatre-in-Education 用威尔士语为青少年创造喘息的空间:以戏剧教育为例
Pub Date : 2023-07-07 DOI: 10.1080/13569783.2023.2232314
Hannah Sams
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引用次数: 0
To Represent or Not to Represent: Choice or Excuse? 代表还是不代表:选择还是借口?
Pub Date : 2023-07-03 DOI: 10.1080/13569783.2023.2233915
Roxanne L. Schroeder-Arce
ABSTRACT This reflection considers the nuances of white theatre teacher/practitioners confronting race and racism in educational drama and theatre spaces. The author invites her white peers to reflect on theory and individual and collective praxis given discrete and shared identity markers. The author shares lessons learned through a variety of experiences, including as a guest at an arts-based youth programme focused on Indigenous identity reclamation.
本文探讨了白人戏剧教师/从业者在教育戏剧和戏剧空间中面对种族和种族主义的细微差别。作者邀请她的白人同行反思理论和个人和集体实践,给予离散和共享的身份标记。作者分享了从各种经验中学到的教训,包括作为一个以艺术为基础的青年计划的嘉宾,该计划的重点是土著身份的恢复。
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引用次数: 0
Trans/Queer representation and drama: engendering new forms of empathy and relationality 跨性别/酷儿表现与戏剧:产生移情与关系的新形式
Pub Date : 2023-07-03 DOI: 10.1080/13569783.2023.2205014
K. Gallagher, Taylor Gokyilmaz
ABSTRACT A dialogue between Taylor, a trans male Turkish-Canadian theatre student and Kathleen, a queer, cis-gendered female Scottish-Canadian theatre researcher considers some questions that queerness and trans identities in the drama classroom invite. Based on their mutual engagement in a virtual drama club in a Toronto high school in the 2020–2021 school year, they recall together experiences of performance, performative writing, and the strangely intimate relationality provoked by a global health pandemic. They are interested in the possibility of distinct individuals forming powerful collectives in art-making and in life through a reconsideration of the idea of ‘empathy’ newly imagined as relational.
本文通过对跨性别土耳其裔加拿大戏剧学生泰勒与同性恋顺性别苏格兰裔加拿大戏剧研究者凯瑟琳的对话,探讨了戏剧课堂中酷儿和跨性别身份所引发的一些问题。基于他们在2020-2021学年在多伦多一所高中的虚拟戏剧俱乐部的相互参与,他们共同回忆了表演,表演写作以及全球卫生大流行引发的奇怪亲密关系的经历。他们感兴趣的是不同的个体在艺术创作和生活中形成强大集体的可能性,通过重新考虑“同理心”的概念,新想象的关系。
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引用次数: 0
Theatre beyond culture wars: why we need to get over ourselves 超越文化战争的戏剧:为什么我们需要超越自我
Pub Date : 2023-07-03 DOI: 10.1080/13569783.2023.2228210
Julie Salverson
ABSTRACT A meditation on drama practice from an artist in Canada. My university students are preoccupied with damage and trauma. There are paralyzing obstacles to working across differences that were useful for a time but no longer serve a robust solidarity. The stories we collect, tell and re-tell ourselves to prepare for a ‘never again’ are stifled if the collisions between the evident and the imagined – and between suffering and joy – are reduced to their limits and not probed for their possibilities. I ponder this via an applied theatre project with my students and injured workers from across Ontario.
加拿大一位艺术家对戏剧实践的思考。我的大学生们被伤害和创伤所困扰。在跨越分歧的工作中存在着令人瘫痪的障碍,这些障碍在一段时间内是有用的,但不再有助于强大的团结。如果事实与想象之间、痛苦与快乐之间的碰撞被降低到极限,而没有探索它们的可能性,我们收集、讲述和重新讲述自己的故事,为“再也不会”做准备,就会被扼杀。我和我的学生以及来自安大略省各地的受伤工人一起,通过一个应用戏剧项目来思考这个问题。
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引用次数: 0
期刊
Research in Drama Education: The Journal of Applied Theatre and Performance
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