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Research in Drama Education: The Journal of Applied Theatre and Performance最新文献

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Hope in a collapsing world: youth, theatre, and listening as a political alternative 崩溃世界中的希望:青年、戏剧和作为政治选择的倾听
Pub Date : 2023-08-23 DOI: 10.1080/13569783.2023.2248891
Taiwo Afolabi
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引用次数: 2
Distance, disruption, and de-hierarchisation: negotiating care in the virtual space of Zoom theatre 距离、破坏和去层级化:Zoom剧院虚拟空间中的协商关怀
Pub Date : 2023-08-23 DOI: 10.1080/13569783.2023.2247335
Michelle MacArthur, K. McLeod, S. Mealey
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引用次数: 0
Musicking in applied theatre: exploring interdisciplinary approaches to drama-based health and social interventions 应用戏剧中的音乐:探索基于戏剧的健康和社会干预的跨学科方法
Pub Date : 2023-08-23 DOI: 10.1080/13569783.2023.2249409
Gavin Robert Walker
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引用次数: 0
Very young children as artistic co-constructors 非常小的孩子作为艺术的共同建设者
Pub Date : 2023-08-23 DOI: 10.1080/13569783.2023.2247337
J. Stevens-Ballenger, N. Jeanneret
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引用次数: 0
Reconfiguring togetherness in the virtual drama classroom 重新配置虚拟戏剧教室中的团聚感
Pub Date : 2023-08-23 DOI: 10.1080/13569783.2023.2249407
C. Balt
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引用次数: 0
Understanding teachers’ self-directed development through drama-based pedagogy: a case study of one English writing classroom 通过戏剧教学法了解教师的自主发展:以英语写作课堂为例
Pub Date : 2023-07-20 DOI: 10.1080/13569783.2023.2236967
Xiaodong Zhang
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引用次数: 1
Creating breathing spaces for teenagers in the Welsh language: the case of theatre-in-Education 用威尔士语为青少年创造喘息的空间:以戏剧教育为例
Pub Date : 2023-07-07 DOI: 10.1080/13569783.2023.2232314
Hannah Sams
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引用次数: 0
To Represent or Not to Represent: Choice or Excuse? 代表还是不代表:选择还是借口?
Pub Date : 2023-07-03 DOI: 10.1080/13569783.2023.2233915
Roxanne L. Schroeder-Arce
ABSTRACT This reflection considers the nuances of white theatre teacher/practitioners confronting race and racism in educational drama and theatre spaces. The author invites her white peers to reflect on theory and individual and collective praxis given discrete and shared identity markers. The author shares lessons learned through a variety of experiences, including as a guest at an arts-based youth programme focused on Indigenous identity reclamation.
本文探讨了白人戏剧教师/从业者在教育戏剧和戏剧空间中面对种族和种族主义的细微差别。作者邀请她的白人同行反思理论和个人和集体实践,给予离散和共享的身份标记。作者分享了从各种经验中学到的教训,包括作为一个以艺术为基础的青年计划的嘉宾,该计划的重点是土著身份的恢复。
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引用次数: 0
Trans/Queer representation and drama: engendering new forms of empathy and relationality 跨性别/酷儿表现与戏剧:产生移情与关系的新形式
Pub Date : 2023-07-03 DOI: 10.1080/13569783.2023.2205014
K. Gallagher, Taylor Gokyilmaz
ABSTRACT A dialogue between Taylor, a trans male Turkish-Canadian theatre student and Kathleen, a queer, cis-gendered female Scottish-Canadian theatre researcher considers some questions that queerness and trans identities in the drama classroom invite. Based on their mutual engagement in a virtual drama club in a Toronto high school in the 2020–2021 school year, they recall together experiences of performance, performative writing, and the strangely intimate relationality provoked by a global health pandemic. They are interested in the possibility of distinct individuals forming powerful collectives in art-making and in life through a reconsideration of the idea of ‘empathy’ newly imagined as relational.
本文通过对跨性别土耳其裔加拿大戏剧学生泰勒与同性恋顺性别苏格兰裔加拿大戏剧研究者凯瑟琳的对话,探讨了戏剧课堂中酷儿和跨性别身份所引发的一些问题。基于他们在2020-2021学年在多伦多一所高中的虚拟戏剧俱乐部的相互参与,他们共同回忆了表演,表演写作以及全球卫生大流行引发的奇怪亲密关系的经历。他们感兴趣的是不同的个体在艺术创作和生活中形成强大集体的可能性,通过重新考虑“同理心”的概念,新想象的关系。
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引用次数: 0
Curriculum violence in drama education 戏剧教育中的课程暴力
Pub Date : 2023-07-03 DOI: 10.1080/13569783.2023.2219617
Robyn Shenfield, Monica Prendergast
ABSTRACT This article examines a concept called ‘curriculum violence’ that offers a contribution to the field of curriculum studies, in deepening both teachers’ and scholars’ awareness of the ways in which our best intentions in the drama classroom may lead to potential harm for our students. We present two drama structures, both Canadian; the first by Carole Miller and Juliana Saxton and the second by Larry Swartz and Debbie Nyman. We then discuss what we view as a High risk issue; a new provincial curriculum to be implemented in Alberta, that we view as causing potential curriculum violence to students.
本文探讨了一个名为“课程暴力”的概念,它对课程研究领域做出了贡献,加深了教师和学者对戏剧课堂中我们最好的意图可能对学生造成潜在伤害的方式的认识。我们呈现了两个戏剧结构,都是加拿大的;第一部由卡罗尔·米勒和朱莉安娜·萨克斯顿主演,第二部由拉里·斯沃茨和黛比·奈曼主演。然后我们讨论我们认为的高风险问题;一个新的省级课程将在艾伯塔省实施,我们认为这可能会对学生造成课程暴力。
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引用次数: 0
期刊
Research in Drama Education: The Journal of Applied Theatre and Performance
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