Pub Date : 2019-08-29DOI: 10.4467/20843860pk.19.011.10906
Kirsten Packham
The human body schema is subjugated to utilitarian modes of being and colonised by hegemonistic, culturally limited, body paradigms. Could there be strategies for redesigning the body which do not depend on technological interference? In contrast to a humanist ideal of teleological rationality and perfectibility, and to the transhumanist concern with enhancement through technology, I suggest that the site for the posthuman is the diverse body itself; and that this posthuman body is an ongoing investigation. Abstract art allows for complexity and pluralism in the body; there is a shift from the body being the subject of the work to the body as a site of sensory experience. Similarly, experimental dance practices promote a somatosensory reorganisation, enabling access to corporeal spaces and ways of inhabiting the body which break with cultural conditioning and preconceived limits of anatomy. These two practices share a heuristic, phenomenological approach that foregrounds a perpetual transforming and kinaesthetically active body in exchange with its surroundings. The borders of the body, and the scale of our relationship to our body, shift. I propose that a posthumanism which gives attention to the dormant minutiae of the body can give us our bodies back. Through abstraction the ontological space of the body becomes, a kinaesthetic, active site: liminal and unfolding. Instead of a trajectory of progress there is an unearthing of dormant minutiae and a perpetual, delicate dance in a constellation of relations.
{"title":"How can a body be abstracted?","authors":"Kirsten Packham","doi":"10.4467/20843860pk.19.011.10906","DOIUrl":"https://doi.org/10.4467/20843860pk.19.011.10906","url":null,"abstract":"The human body schema is subjugated to utilitarian modes of being and colonised by hegemonistic, culturally limited, body paradigms. Could there be strategies for redesigning the body which do not depend on technological interference? In contrast to a humanist ideal of teleological rationality and perfectibility, and to the transhumanist concern with enhancement through technology, I suggest that the site for the posthuman is the diverse body itself; and that this posthuman body is an ongoing investigation. \u0000Abstract art allows for complexity and pluralism in the body; there is a shift from the body being the subject of the work to the body as a site of sensory experience. Similarly, experimental dance practices promote a somatosensory reorganisation, enabling access to corporeal spaces and ways of inhabiting the body which break with cultural conditioning and preconceived limits of anatomy. These two practices share a heuristic, phenomenological approach that foregrounds a perpetual transforming and kinaesthetically active body in exchange with its surroundings. The borders of the body, and the scale of our relationship to our body, shift. \u0000I propose that a posthumanism which gives attention to the dormant minutiae of the body can give us our bodies back. Through abstraction the ontological space of the body becomes, a kinaesthetic, active site: liminal and unfolding. Instead of a trajectory of progress there is an unearthing of dormant minutiae and a perpetual, delicate dance in a constellation of relations.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126385037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-27DOI: 10.4467/20843860pk.19.001.10896
Piotr Zawojski
The postmedia era forces us to rethink the status of a new generation of images and new postdigital imaging. Referring, inter alia, to the proposals of Ingrid Hoelzl and Remi Marie, the article sketches a proposal for a theoretical approach to postimages as hybrid visual representations that arise as a result of the application of algorithmic procedures during their production. Postimages can be treated as a manifestation of a new paradigm of image culture in postantropocentric times, in which nonrepresentationalist approaches to digital image theory point to its ontogenetic methods of producing by "digital machines of vision." Postimages become important reference points for the formation of a posthumanist order in which the symbiosis of man and machine becomes the foundation for the creation of a new pictorial paradigm based on algorithmic procedures that follows the photographic paradigm
{"title":"Od obrazĂłw (audiowizualnych) do postobrazĂłw (hybrydycznych). Perspektywa teoretyczna","authors":"Piotr Zawojski","doi":"10.4467/20843860pk.19.001.10896","DOIUrl":"https://doi.org/10.4467/20843860pk.19.001.10896","url":null,"abstract":"The postmedia era forces us to rethink the status of a new generation of images and new postdigital imaging. Referring, inter alia, to the proposals of Ingrid Hoelzl and Remi Marie, the article sketches a proposal for a theoretical approach to postimages as hybrid visual representations that arise as a result of the application of algorithmic procedures during their production. Postimages can be treated as a manifestation of a new paradigm of image culture in postantropocentric times, in which nonrepresentationalist approaches to digital image theory point to its ontogenetic methods of producing by \"digital machines of vision.\" Postimages become important reference points for the formation of a posthumanist order in which the symbiosis of man and machine becomes the foundation for the creation of a new pictorial paradigm based on algorithmic procedures that follows the photographic paradigm","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125782532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4467/20843860pk.21.021.14078
Andrzej Zaporowski
This essay addresses the idea of perspective as it is suggested by C. Geertz. This idea presupposes that (wo)man interacts with the surrounding physical world while taking separate yet overlapping positions grounded in such frames as common-sense, aesthetics, religion, science, and others. The author proposes to introduce another perspective which speaks for a unique frame which (wo)man composes while interacting with other (wo)men. This is an anthropological perspective framed as a particular case. The author refers to a number of American anthropologists who directly or indirectly yet critically appeal to Geertz’s heritage to show what is necessary to compose the foundations of the perspective in question. In this respect, G. Marcus’s and M. Fischer’s crisis of representation, L. Abu-Lughod’s the particular, J. Limón’s modernity-postmodernity relation, and P. Rabinow’s, A. Stavrianakis’s and J. Faubion’s triad of the present, the actual and the contemporary is discussed. The author offers a model to analyse the interaction in question. At the same time, the author suggests that the anthropological perspective should be understood in terms of self-awareness and complexity to approach other (wo)men creatively and critically.
{"title":"An Anthropological Perspective. A Particular Case","authors":"Andrzej Zaporowski","doi":"10.4467/20843860pk.21.021.14078","DOIUrl":"https://doi.org/10.4467/20843860pk.21.021.14078","url":null,"abstract":"This essay addresses the idea of perspective as it is suggested by C. Geertz. This idea presupposes that (wo)man interacts with the surrounding physical world while taking separate yet overlapping positions grounded in such frames as common-sense, aesthetics, religion, science, and others. The author proposes to introduce another perspective which speaks for a unique frame which (wo)man composes while interacting with other (wo)men. This is an anthropological perspective framed as a particular case. The author refers to a number of American anthropologists who directly or indirectly yet critically appeal to Geertz’s heritage to show what is necessary to compose the foundations of the perspective in question. In this respect, G. Marcus’s and M. Fischer’s crisis of representation, L. Abu-Lughod’s the particular, J. Limón’s modernity-postmodernity relation, and P. Rabinow’s, A. Stavrianakis’s and J. Faubion’s triad of the present, the actual and the contemporary is discussed. The author offers a model to analyse the interaction in question. At the same time, the author suggests that the anthropological perspective should be understood in terms of self-awareness and complexity to approach other (wo)men creatively and critically.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123806329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4467/20843860pk.19.005.10900
Anastasia Nabokina
{"title":"Tańcząc w ciemnościach. Rosyjska kultura nieoficjalna w warunkach totalitaryzmu na przykładzie studia „Heptachor”","authors":"Anastasia Nabokina","doi":"10.4467/20843860pk.19.005.10900","DOIUrl":"https://doi.org/10.4467/20843860pk.19.005.10900","url":null,"abstract":"","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122320864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4467/20843860pk.20.039.12843
J. Pankau
The article focuses on the artistic-activist practicies of mapping urban crises, asking about their critical and transformational potential. Artivistic mapping – combining artistic practices with a form of political activism – is recognized in context of extracting inequalities in monitoring crisis areas, as well as the city’s transformational capabilities. Looking at the involvement of artists and activists in mapping projects is combined with the question of the potential for anti-crisis action – shaping political perceptions and stimulating alternative practical responses to generated urban problems. The following issues are addressed: (1) counter-mapping and the relationship of artistic practices with critical cartography, (2) the development of activist mapping forms – maptivism and crisis mapping, and (3) references to the interests of new urban ontologies, in particular the on-epistemological dimension of urban mapping assemblage, binding issues of updating and the potential of cities. Mapping is recognized in the critical-activating dimension as a form of cognition oriented on creative experimentation and interference in existing reality. Because of this, it is an interesting and prolific area for practical consideration of the form of ‘engagement policy’ through ‘research of potentiality’. It is worth considering in what sense the practices of artistic and activist crisis mapping can be a “turning point” – opening “a window to new ways of seeing and imagining” (K. Dovey, M. Ristic). It is primarily a field for asking questions about transformational mapping possibilities – perceiving the city as a place of “radical potentiality” (C. McFarlane). In order to illustrate the problem more clearly, the last part of the work analyzes the anti-gentrification activities in the San Francisco Bay Area, in particular the mapping practices undertaken by Anti-Eviction Mapping Project.
这篇文章聚焦于描绘城市危机的艺术活动家的实践，询问他们的关键和变革潜力。艺术制图——将艺术实践与一种形式的政治活动相结合——在监测危机地区和城市转型能力中提取不平等的背景下得到认可。观察艺术家和活动家参与绘图项目，与反危机行动的潜力问题相结合——塑造政治观念，激发对产生的城市问题的替代实际反应。本文讨论了以下问题:(1)反测绘和艺术实践与批判性制图的关系，(2)积极测绘形式的发展——测绘主义和危机测绘，以及(3)对新城市本体论的兴趣的参考，特别是城市测绘组合的非认识论维度，更新和城市潜力的绑定问题。在批判性激活维度中，映射被认为是一种以创造性实验和对现有现实的干扰为导向的认知形式。正因为如此，通过“潜力研究”对“接触政策”的形式进行实际考虑是一个有趣而多产的领域。值得考虑的是，在何种意义上，艺术和激进主义危机映射的实践可以成为一个“转折点”——打开“一扇窗口，以新的方式观察和想象”(K. Dovey, M. Ristic)。它主要是一个提出关于转换映射可能性的问题的领域-将城市视为一个“激进潜力”的地方(C.麦克法兰)。为了更清楚地说明这个问题，文章的最后一部分分析了旧金山湾区的反中产阶级化活动，特别是反驱逐测绘项目所进行的测绘实践。
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Pub Date : 1900-01-01DOI: 10.4467/20843860pk.19.032.11928
A. Kuropatnicki
{"title":"Recenzja książki Ernsta Schuberta Jedzenie i picie w średniowieczu","authors":"A. Kuropatnicki","doi":"10.4467/20843860pk.19.032.11928","DOIUrl":"https://doi.org/10.4467/20843860pk.19.032.11928","url":null,"abstract":"","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129707905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4467/20843860pk.21.046.14366
M. Urbańska
The review focuses on the analysis of PawełTański’s book Głosy i performanse tekstów. Literatura – piosenki – ciało [Voices and Performances of Texts: Literature – Songs – Body]. Contrary to the title, textual analysis overwhelmingly prevails over performance studies in Tański’s work which also abstains from research into this field. The author carries out a sketchy review of cultural texts – mainly poetry and songs. In my article I examine Tański’s study, with particular attention to his favourite motifs, i.e. self-referentiality, love for poetry and counter-culture. As the author often reduces scientific description to emotional interpretation and expresses personal preferences in an exaggeratedly emotional form, the reader receives a cumulative expression of love for literature in the form of a report from the inside. This is also evidenced by the number of literary references and extensive citations. In my review, I critically follow this affective delight, and recognise Tański’s analyses to not only be personally tinged but also to draw from performative writing.
本综述重点分析了PawełTański的图书Głosy i性能tekstów。Literatura - piosenki - ciało[文本的声音与表演:文学-歌曲-身体]。与标题相反，在Tański的工作中，文本分析压倒性地压倒了绩效研究，同时也回避了对这一领域的研究。作者对文化文本——主要是诗歌和歌曲——进行了粗略的回顾。在我的文章中，我考察了Tański的研究，特别关注他最喜欢的主题，即自我指涉，对诗歌和反文化的热爱。由于作者经常将科学描述简化为情感解读，并以夸张的情感形式表达个人喜好，因此读者以一份来自内心的报告的形式获得了对文学的热爱的累积表达。文学参考文献的数量和广泛的引用也证明了这一点。在我的评论中，我批判性地遵循了这种情感上的愉悦，并认识到Tański的分析不仅带有个人色彩，而且还借鉴了表演写作。
{"title":"Pisanie performatywne (Głosy i performanse tekstów. Literatura – piosenki – ciało Pawła Tańskiego)","authors":"M. Urbańska","doi":"10.4467/20843860pk.21.046.14366","DOIUrl":"https://doi.org/10.4467/20843860pk.21.046.14366","url":null,"abstract":"The review focuses on the analysis of PawełTański’s book Głosy i performanse tekstów. Literatura – piosenki – ciało [Voices and Performances of Texts: Literature – Songs – Body]. Contrary to the title, textual analysis overwhelmingly prevails over performance studies in Tański’s work which also abstains from research into this field. The author carries out a sketchy review of cultural texts – mainly poetry and songs. In my article I examine Tański’s study, with particular attention to his favourite motifs, i.e. self-referentiality, love for poetry and counter-culture. As the author often reduces scientific description to emotional interpretation and expresses personal preferences in an exaggeratedly emotional form, the reader receives a cumulative expression of love for literature in the form of a report from the inside. This is also evidenced by the number of literary references and extensive citations. In my review, I critically follow this affective delight, and recognise Tański’s analyses to not only be personally tinged but also to draw from performative writing.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125620412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4467/20843860pk.19.025.11921
H. Łapińska, Joanna Łapińska
{"title":"Ogród sensoryczny jako miejsce afektywnej współegzystencji podmiotów ludzkich i nie-ludzkich w mieście","authors":"H. Łapińska, Joanna Łapińska","doi":"10.4467/20843860pk.19.025.11921","DOIUrl":"https://doi.org/10.4467/20843860pk.19.025.11921","url":null,"abstract":"","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134061316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.4467/20843860pk.19.030.11926
Łukasz Suchy
{"title":"Zdjęcia ptaków robione komórką przez lornetkę - wstęp do fotoeseju","authors":"Łukasz Suchy","doi":"10.4467/20843860pk.19.030.11926","DOIUrl":"https://doi.org/10.4467/20843860pk.19.030.11926","url":null,"abstract":"","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"2013 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127425477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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