Pub Date : 2021-12-30DOI: 10.4467/20843860pk.21.048.14965
Natalia Pamuła
Crip Testimonies: Disability and Protests in Poland in 2018 and 2020 Author uses the category of Robert McRuer’s “crip resistance” to think of two waves of disability related protests, which took place in Poland. In 2018 disabled people and their caregivers occupied the Parliament for 40 days to demand higher social security benefits and many people, including those without disabilities, took to the streets to support the protest. In 2020, the Polish Constitutional Tribunal prohibited abortion based on disability status, which caused anger among huge parts of Polish population, including women with disabilities. This article looks at disabled people’s statements made in 2018 in support of the interabled group occupying the Parliament and compares them with disabled women’s voices regarding recent introduction of the ban on abortion based on disability status. I call these five statements made by disabled people “crip testimonies” and analyze how Polish experiences of disability do not fit neatly within Western conceptions of disability developed within disability studies, most prominently, the social and the medical model of disability. In other words, this article pays attention to what is unique about Polish experiences of disability and makes a case for thinking about disability through people’s testimonies, not theories.
{"title":"Kalekie świadectwa. Niepełnosprawność i protesty w Polsce w 2018 i 2020 roku","authors":"Natalia Pamuła","doi":"10.4467/20843860pk.21.048.14965","DOIUrl":"https://doi.org/10.4467/20843860pk.21.048.14965","url":null,"abstract":"Crip Testimonies: Disability and Protests in Poland in 2018 and 2020\u0000\u0000Author uses the category of Robert McRuer’s “crip resistance” to think of two waves of disability related protests, which took place in Poland. In 2018 disabled people and their caregivers occupied the Parliament for 40 days to demand higher social security benefits and many people, including those without disabilities, took to the streets to support the protest. In 2020, the Polish Constitutional Tribunal prohibited abortion based on disability status, which caused anger among huge parts of Polish population, including women with disabilities. This article looks at disabled people’s statements made in 2018 in support of the interabled group occupying the Parliament and compares them with disabled women’s voices regarding recent introduction of the ban on abortion based on disability status. I call these five statements made by disabled people “crip testimonies” and analyze how Polish experiences of disability do not fit neatly within Western conceptions of disability developed within disability studies, most prominently, the social and the medical model of disability. In other words, this article pays attention to what is unique about Polish experiences of disability and makes a case for thinking about disability through people’s testimonies, not theories.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121249989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.4467/20843860pk.21.049.14966
Szymon Nożyński
Acousmaticity of Film Sound Effects: Media Mystification of Foley in the Context of Sound Design The text is about the foley profession, an important specialty performed as part of film sound design, at the post-production stage. What’s important here is both, the foley artist’s body, which becomes an instrument, and the ontology of created sounds, which are inserted into the finished film and synchronized with the picture. The author wonders if there is still a place for foley artists in the digital reality and common computerization of work. But the most important issue concerns the nature of sounds themselves, in the context of their production, acousmatics and the ubiquitous sound design. What is the sound implemented into the picture, does the picture give credence to the sound, even though the sound is “substituted” because it is produced in the studio? The situation is debatable, in the context of acousmatic listening (i.e. without the context of the source), because the picture provides a substitute context for the sound, and the viewer (listener) accepts this audio-visual relationship without reservation (as long as the sound is prepared well). Especially since by going to the cinema, the viewer agrees to a form of manipulation in the name of entertainment. Usually he or she is not aware of the mystification in the field of sound, which - within the oculocentric perception ‒ for him or her is only a complement to the picture, although, in fact, it plays a fundamental role in understanding what is happening on the screen. Other topics discussed in the text concern the communicativeness of sound and the historical background of the foley profession. Also important are the interrelations between foley and sound design and other areas of sound activity, as part of the preparation of all the audio layers of a film.
{"title":"Akuzmatyczność filmowych efektów dźwiękowych. Medialna mistyfikacja foley w kontekście sound designu","authors":"Szymon Nożyński","doi":"10.4467/20843860pk.21.049.14966","DOIUrl":"https://doi.org/10.4467/20843860pk.21.049.14966","url":null,"abstract":"Acousmaticity of Film Sound Effects: Media Mystification of Foley in the Context of Sound Design\u0000\u0000The text is about the foley profession, an important specialty performed as part of film sound design, at the post-production stage. What’s important here is both, the foley artist’s body, which becomes an instrument, and the ontology of created sounds, which are inserted into the finished film and synchronized with the picture. The author wonders if there is still a place for foley artists in the digital reality and common computerization of work. But the most important issue concerns the nature of sounds themselves, in the context of their production, acousmatics and the ubiquitous sound design.\u0000\u0000What is the sound implemented into the picture, does the picture give credence to the sound, even though the sound is “substituted” because it is produced in the studio? The situation is debatable, in the context of acousmatic listening (i.e. without the context of the source), because the picture provides a substitute context for the sound, and the viewer (listener) accepts this audio-visual relationship without reservation (as long as the sound is prepared well). Especially since by going to the cinema, the viewer agrees to a form of manipulation in the name of entertainment. Usually he or she is not aware of the mystification in the field of sound, which - within the oculocentric perception ‒ for him or her is only a complement to the picture, although, in fact, it plays a fundamental role in understanding what is happening on the screen. Other topics discussed in the text concern the communicativeness of sound and the historical background of the foley profession. Also important are the interrelations between foley and sound design and other areas of sound activity, as part of the preparation of all the audio layers of a film.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126728362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.4467/20843860pk.21.053.14970
Mariusz Oziębłowski
Stefan Morawski’s Critique of Postmodernism The matter under consideration is Stefan Morawski’s criticism of postmodernism. The author presents Morawski’s main arguments against postmodernism and analyzes their accuracy for the Richard Rorty’s and Francois Lyotard’s theories. In addition to this the author considers the impact of the art on the possibility of integration consumer society.
{"title":"Stefana Morawskiego krytyka postmodernizmu","authors":"Mariusz Oziębłowski","doi":"10.4467/20843860pk.21.053.14970","DOIUrl":"https://doi.org/10.4467/20843860pk.21.053.14970","url":null,"abstract":"Stefan Morawski’s Critique of Postmodernism\u0000\u0000The matter under consideration is Stefan Morawski’s criticism of postmodernism. The author presents Morawski’s main arguments against postmodernism and analyzes their accuracy for the Richard Rorty’s and Francois Lyotard’s theories. In addition to this the author considers the impact of the art on the possibility of integration consumer society.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116480180","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.4467/20843860pk.21.054.14971
Robert Rogoziecki
The text considers the concept of aestheticization and the influence of mass culture on it in the light of Stefan Morawski’s views. Morawski adopted a value-laden attitude towards mass art. That is why in his reflections on aestheticization processes its role remains unnoticed by him, contrary to his original declarations. This is why I have to ask Morawski questions that he leaves unanswered. Does in fact the spectacularity of contemporary life result in its “art-like” constitution? The author of the essay gives a positive answer here, stressing that mass art becomes the model for shaping life, and tries to answer what this pattern is based on. Thus Morawski’s views appear here as a negative point of reference. The positive part of the considerations, on the other hand, focuses on Walter Benjamin and Jean Baudrillard.
{"title":"Stefana Morawskiego wizja sztuki masowej i estetyzacji świata – uwagi krytyczne","authors":"Robert Rogoziecki","doi":"10.4467/20843860pk.21.054.14971","DOIUrl":"https://doi.org/10.4467/20843860pk.21.054.14971","url":null,"abstract":"The text considers the concept of aestheticization and the influence of mass culture on it in the light of Stefan Morawski’s views. Morawski adopted a value-laden attitude towards mass art. That is why in his reflections on aestheticization processes its role remains unnoticed by him, contrary to his original declarations. This is why I have to ask Morawski questions that he leaves unanswered. Does in fact the spectacularity of contemporary life result in its “art-like” constitution? The author of the essay gives a positive answer here, stressing that mass art becomes the model for shaping life, and tries to answer what this pattern is based on. Thus Morawski’s views appear here as a negative point of reference. The positive part of the considerations, on the other hand, focuses on Walter Benjamin and Jean Baudrillard.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130508811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.4467/20843860pk.21.047.14964
Karolina Sikorska
The article is an analysis of life stories of female visual artists connected with the Academy of Fine Arts in Krakow (Poland). It explores the specificity of women’s experiences and constitutes an attempt to examine the role models and gender hierarchies which dominate the artworld. The article emphasises two analytical categories – uncertainty and struggle – to demonstrate how they organise the life stories of female artists, and tries to explain how such life stories can lead to re-evaluation of the perception of art as a male profession and contribute to a greater appreciation of women’s activity in the artworld.
{"title":"Training for Art and Femininity: Analysis of Life Stories of Contemporary Polish Artists","authors":"Karolina Sikorska","doi":"10.4467/20843860pk.21.047.14964","DOIUrl":"https://doi.org/10.4467/20843860pk.21.047.14964","url":null,"abstract":"The article is an analysis of life stories of female visual artists connected with the Academy of Fine Arts in Krakow (Poland). It explores the specificity of women’s experiences and constitutes an attempt to examine the role models and gender hierarchies which dominate the artworld. The article emphasises two analytical categories – uncertainty and struggle – to demonstrate how they organise the life stories of female artists, and tries to explain how such life stories can lead to re-evaluation of the perception of art as a male profession and contribute to a greater appreciation of women’s activity in the artworld.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"23 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128394382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.4467/20843860pk.21.051.14968
J. Gorzelik
Wind from the North: The Discursive Construction of Heimat Exemplified by the Edifice of the Former Royal School of Building Crafts (Königliche Baugerwerkschule) in Katowice and its Decoration The paper examines the edifice of the former school of building crafts (Baugewerkschule) in Katowice, Upper Silesia, which opened in 1901, and its decoration. The works of architecture, painting and sculpture were interpreted as carriers of a discourse calculated to construct Heimat, located within the borders of the Prussian Silesian Province. The building’s forms, reminiscent of the brick Gothic of northern Germany, were characteristic of the milieu of the Technische Hochschule in Hannover, where the designers of the edifice were educated. The city’s coat of arms was depicted on the facade, the vaulted ceiling of the auditorium was decorated with dragon and gryphon motifs of Scandinavian origin, and its walls painted with images of St. Hedwig ‒ the patron saint of Silesia, viewed here as a deconfessionalized personification of the land ‒ the Prussian eagle, and four iconic monuments of historic Silesian architecture. Thus, references were made to various levels of identity ‒ local, regional, national, and the mythologised Germanic North. The narrative constructed in this way fits into the cultural nationalism of the educated German bourgeoisie (Bildungsbürgertum), which grows out of the Romantic tradition. At the same time, the emphasis on the opposition of the North and South can be seen as a strategy for overcoming the peripheral status of Silesia in a world organised by the West-East axis. The school’s building in Katowice exemplifies how the elites of the German Empire used visual means to construct modern imagined communities.
{"title":"Wiatr z Północy. Dyskursywne konstruowanie Heimat na przykładzie gmachu dawnej Królewskiej Szkoły Rzemiosł Budowlanych w Katowicach i jego wystroju","authors":"J. Gorzelik","doi":"10.4467/20843860pk.21.051.14968","DOIUrl":"https://doi.org/10.4467/20843860pk.21.051.14968","url":null,"abstract":"Wind from the North: The Discursive Construction of Heimat Exemplified by the Edifice of the Former Royal School of Building Crafts (Königliche Baugerwerkschule) in Katowice and its Decoration\u0000\u0000The paper examines the edifice of the former school of building crafts (Baugewerkschule) in Katowice, Upper Silesia, which opened in 1901, and its decoration. The works of architecture, painting and sculpture were interpreted as carriers of a discourse calculated to construct Heimat, located within the borders of the Prussian Silesian Province. The building’s forms, reminiscent of the brick Gothic of northern Germany, were characteristic of the milieu of the Technische Hochschule in Hannover, where the designers of the edifice were educated. The city’s coat of arms was depicted on the facade, the vaulted ceiling of the auditorium was decorated with dragon and gryphon motifs of Scandinavian origin, and its walls painted with images of St. Hedwig ‒ the patron saint of Silesia, viewed here as a deconfessionalized personification of the land ‒ the Prussian eagle, and four iconic monuments of historic Silesian architecture. Thus, references were made to various levels of identity ‒ local, regional, national, and the mythologised Germanic North. The narrative constructed in this way fits into the cultural nationalism of the educated German bourgeoisie (Bildungsbürgertum), which grows out of the Romantic tradition. At the same time, the emphasis on the opposition of the North and South can be seen as a strategy for overcoming the peripheral status of Silesia in a world organised by the West-East axis. The school’s building in Katowice exemplifies how the elites of the German Empire used visual means to construct modern imagined communities.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121325050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.4467/20843860pk.21.052.14969
A. Berleant
This essay interweaves Stefan Morawski’s critique of postmodernism and Jean-François Lyotard’s expression of the postmodern sublime as “the presentation of the unpresentable” in a wide-ranging appraisal of the culmination of the postmodern age. This juxtaposition finds expression in the concept of the two modes of a negative sublime: the negative dynamical sublime exemplified in the stockpiles of nuclear warheads scattered widely across the globe, and the negative mathematical sublime represented by the omniscient electronic informational web that increasingly entangles individuals and societies.
{"title":"The Sublime Troubles of Postmodernism. A Tribute to S.M.","authors":"A. Berleant","doi":"10.4467/20843860pk.21.052.14969","DOIUrl":"https://doi.org/10.4467/20843860pk.21.052.14969","url":null,"abstract":"This essay interweaves Stefan Morawski’s critique of postmodernism and Jean-François Lyotard’s expression of the postmodern sublime as “the presentation of the unpresentable” in a wide-ranging appraisal of the culmination of the postmodern age. This juxtaposition finds expression in the concept of the two modes of a negative sublime: the negative dynamical sublime exemplified in the stockpiles of nuclear warheads scattered widely across the globe, and the negative mathematical sublime represented by the omniscient electronic informational web that increasingly entangles individuals and societies.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126521314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-17DOI: 10.4467/20843860pk.21.014.13468
M. Buchowski
5 lutego 2021 roku, przeżywszy niecałe 64 lata, zmarł po ciężkiej chorobie profesor Wojciech J. Burszta. Urodził się 22 marca 1957 roku w Poznaniu. Był profesorem Uniwersytetu Humanistycznospołecznego SWPS oraz Instytutu Slawistyki Polskiej Akademii Nauk w Warszawie. Był w pełni sił twórczych, właściwie niemal do końca pracował i uczestniczył w życiu naukowym. Przez lata pracy opublikował jedenaście książek autorskich, dziewięć współautorskich. Ponadto zredagował cztery monografie, a dwadzieścia jeden współredagował. Napisał łącznie około czterystu artykułów, esejów, wypowiedzi i opinii. Wychował ponad trzydziestu doktorów i doktorek, napisał około stu recenzji prac doktorskich, habilitacyjnych i profesorskich. Polska humanistyka poniosła niepowetowaną stratę. Wojciech J. Burszta przez 28 lat związany był z Uniwersytetem im. Adama Mickiewicza w Poznaniu1. W 1975 roku rozpoczął studia magisterskie w ówczesnej Katedrze Etnografii, które ukończył w 1979 roku pracą napisaną pod kierunkiem prof. Jerzego Kmity pt. Claude’a Lévi-Straussa koncepcja badań etnograficznych. Praca ta otrzymała nagrodę Wydziału Historycznego UAM. W międzyczasie podjął studia na nowo utworzonym kierunku kulturoznawstwo, którego jednak nie ukończył, niemniej zaliczył trzy lata. Jak twierdził, sens ma studiowanie, a nie „kolekcjonowanie dyplomów”. Po uzyskaniu magisterium podjął natychmiast studia doktoranckie na Wydziale Historycznym UAM, które otwierano wówczas po raz pierwszy. Zwieńczyła je praca zatytułowana Język a kultura w myśli etnologicznej, obroniona w 1984 roku, której promotorem był również Jerzy Kmita. Opublikowana dwa lata
{"title":"Antropologiczne wędrówki po kulturze Wojciecha J. Burszty","authors":"M. Buchowski","doi":"10.4467/20843860pk.21.014.13468","DOIUrl":"https://doi.org/10.4467/20843860pk.21.014.13468","url":null,"abstract":"5 lutego 2021 roku, przeżywszy niecałe 64 lata, zmarł po ciężkiej chorobie profesor Wojciech J. Burszta. Urodził się 22 marca 1957 roku w Poznaniu. Był profesorem Uniwersytetu Humanistycznospołecznego SWPS oraz Instytutu Slawistyki Polskiej Akademii Nauk w Warszawie. Był w pełni sił twórczych, właściwie niemal do końca pracował i uczestniczył w życiu naukowym. Przez lata pracy opublikował jedenaście książek autorskich, dziewięć współautorskich. Ponadto zredagował cztery monografie, a dwadzieścia jeden współredagował. Napisał łącznie około czterystu artykułów, esejów, wypowiedzi i opinii. Wychował ponad trzydziestu doktorów i doktorek, napisał około stu recenzji prac doktorskich, habilitacyjnych i profesorskich. Polska humanistyka poniosła niepowetowaną stratę. Wojciech J. Burszta przez 28 lat związany był z Uniwersytetem im. Adama Mickiewicza w Poznaniu1. W 1975 roku rozpoczął studia magisterskie w ówczesnej Katedrze Etnografii, które ukończył w 1979 roku pracą napisaną pod kierunkiem prof. Jerzego Kmity pt. Claude’a Lévi-Straussa koncepcja badań etnograficznych. Praca ta otrzymała nagrodę Wydziału Historycznego UAM. W międzyczasie podjął studia na nowo utworzonym kierunku kulturoznawstwo, którego jednak nie ukończył, niemniej zaliczył trzy lata. Jak twierdził, sens ma studiowanie, a nie „kolekcjonowanie dyplomów”. Po uzyskaniu magisterium podjął natychmiast studia doktoranckie na Wydziale Historycznym UAM, które otwierano wówczas po raz pierwszy. Zwieńczyła je praca zatytułowana Język a kultura w myśli etnologicznej, obroniona w 1984 roku, której promotorem był również Jerzy Kmita. Opublikowana dwa lata","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129441091","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-17DOI: 10.4467/20843860pk.21.010.13464
Ewa Bińczyk
Antropocen to epoka nieodwracalnych strat środowiskowych i przekraczania tzw. granic planetarnych, gwarantujących stabilność znanego nam życia. Skala degradacji planety grozi wytrąceniem jej z dotychczasowego stanu równowagi. Zmagamy się z wielkim szóstym wymieraniem gatunków, katastrofą klimatyczną, utratą żyznych gleb i destabilizacją hydrosfery. Jak pisze członek grupy roboczej do spraw antropocenu, profesor geografii i badacz systemów środowiskowych, Erle Ellis:
{"title":"Nowe zarządzanie pieniądzem w epoce antropocenu. Ekologia człowieka Alfa Hornborga","authors":"Ewa Bińczyk","doi":"10.4467/20843860pk.21.010.13464","DOIUrl":"https://doi.org/10.4467/20843860pk.21.010.13464","url":null,"abstract":"Antropocen to epoka nieodwracalnych strat środowiskowych i przekraczania tzw. granic planetarnych, gwarantujących stabilność znanego nam życia. Skala degradacji planety grozi wytrąceniem jej z dotychczasowego stanu równowagi. Zmagamy się z wielkim szóstym wymieraniem gatunków, katastrofą klimatyczną, utratą żyznych gleb i destabilizacją hydrosfery. Jak pisze członek grupy roboczej do spraw antropocenu, profesor geografii i badacz systemów środowiskowych, Erle Ellis:","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132943079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-17DOI: 10.4467/20843860pk.21.011.13465
Markus Glatz-Schmallegger, E. Byrne, G. Mullally, I. Hughes, Connor McGookin, B. Ó. Gallachóir
Social Innovation and Deep Institutional Innovation for Sustainability and Human Development
可持续发展与人类发展的社会创新与深层次制度创新
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