Pub Date : 2021-03-17DOI: 10.4467/20843860pk.21.013.13467
Natalia Pamuła
Crippowanie i demontowanie. Wokol antologii Disability and Dissensus: Strategies of Disability Representation and Inclusion in Contemporary Culture
瘸子是魔鬼。残疾与异议:当代文化中的残疾表征与包容策略
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Pub Date : 2021-03-17DOI: 10.4467/20843860pk.21.006.13460
Marta Anna Raczek-Karcz
Art and the Anthropocene – Selected Artistic Strategies The article presents an analysis of the artistic projects of three graphic artists who for nearly a decade have been trying to illustrate the causes and effects of the Anthropocene in various ways. Each of the authors in question uses a separate language of forms and different artistic tools, but their common goal is to establish, as Angelos Koutsourakis excellently put it, “dialectical representation of the Anthropocene” based on “self-reflexive representational tropes”. This self-reflexivity is not about constantly reminding that what is in front of the viewer’s eyes and what he/she experiences when entering the space of the installation is an artistic construction, but to sensitize him/her to the fact that what he/she looks at and participates in – both through form and the content – is a way of representing the causes that produce specific effects and the effects behind which specific processes lie. In the case of Sean Caulfield, it is about making the viewer aware of the cumulative effect of individual actions, which, when depicted in the form of a gradually destroyed installation, direct attention to individual acts causing global changes. On the other hand, Angela Snieder sensitizes the viewer to the influence that the historical conditions shaping the production processes influenced the way people perceive nature. The artist uses the visual attractiveness of the dioramas to blur the border between what is natural and what is industrial, ultimately confronting the viewer with the artificiality of the created reality. While Ellen Karin Maehlum raises the problem of connection between histories often treated separately: human and natural. The organisms shown by her are creations in which natural factors and those resulting from human influence on the environment combine with each other. Recognizing this fact allows us to consider natural and human history as interconnected vessels and realms that interact with each other. The article analyzes the strategies used by these artists to establish an engaging dialogue between them and the viewers, which may result in awakening the viewers’ awareness of the complex causes and effects of the Anthropocene.
艺术与人类世——精选的艺术策略这篇文章介绍了三位平面艺术家的艺术项目的分析，他们近十年来一直试图以各种方式说明人类世的原因和影响。每个作者都使用不同的语言形式和不同的艺术工具，但他们的共同目标是建立，正如安吉洛斯·库特苏拉基斯(Angelos Koutsourakis)出色地指出的那样，基于“自我反思的代表性比喻”的“人类世的辩证表现”。这种自我反思并不是不断地提醒观者进入装置空间时眼前和所经历的是一种艺术建构，而是让观者意识到，他所观看和参与的——无论是通过形式还是内容——都是一种表现产生特定效果的原因和特定过程背后的效果的方式。在Sean Caulfield的案例中，它是关于让观众意识到个人行为的累积效应，当以逐渐被破坏的装置的形式描绘时，将注意力转移到引起全球变化的个人行为上。另一方面，安吉拉·斯奈德让观众意识到，塑造生产过程的历史条件影响了人们感知自然的方式。艺术家利用立体模型的视觉吸引力模糊了自然和工业之间的界限，最终使观众面对创造的现实的人为性。而Ellen Karin mahlum则提出了通常被分开对待的历史之间的联系问题:人类和自然。她所展示的生物是自然因素和人类对环境的影响相互结合的产物。认识到这一事实使我们能够将自然历史和人类历史视为相互联系的容器和领域，相互作用。本文分析了这些艺术家使用的策略，在他们与观众之间建立一种引人入胜的对话，这可能会唤醒观众对人类世复杂的原因和影响的认识。
{"title":"Sztuka wobec antropocenu – wybrane strategie artystyczne","authors":"Marta Anna Raczek-Karcz","doi":"10.4467/20843860pk.21.006.13460","DOIUrl":"https://doi.org/10.4467/20843860pk.21.006.13460","url":null,"abstract":"Art and the Anthropocene – Selected Artistic Strategies\u0000\u0000The article presents an analysis of the artistic projects of three graphic artists who for nearly a decade have been trying to illustrate the causes and effects of the Anthropocene in various ways. Each of the authors in question uses a separate language of forms and different artistic tools, but their common goal is to establish, as Angelos Koutsourakis excellently put it, “dialectical representation of the Anthropocene” based on “self-reflexive representational tropes”. This self-reflexivity is not about constantly reminding that what is in front of the viewer’s eyes and what he/she experiences when entering the space of the installation is an artistic construction, but to sensitize him/her to the fact that what he/she looks at and participates in – both through form and the content – is a way of representing the causes that produce specific effects and the effects behind which specific processes lie. In the case of Sean Caulfield, it is about making the viewer aware of the cumulative effect of individual actions, which, when depicted in the form of a gradually destroyed installation, direct attention to individual acts causing global changes. On the other hand, Angela Snieder sensitizes the viewer to the influence that the historical conditions shaping the production processes influenced the way people perceive nature. The artist uses the visual attractiveness of the dioramas to blur the border between what is natural and what is industrial, ultimately confronting the viewer with the artificiality of the created reality. While Ellen Karin Maehlum raises the problem of connection between histories often treated separately: human and natural. The organisms shown by her are creations in which natural factors and those resulting from human influence on the environment combine with each other. Recognizing this fact allows us to consider natural and human history as interconnected vessels and realms that interact with each other. The article analyzes the strategies used by these artists to establish an engaging dialogue between them and the viewers, which may result in awakening the viewers’ awareness of the complex causes and effects of the Anthropocene.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131826625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-17DOI: 10.4467/20843860pk.21.003.13457
Martyna Dziadek
(Post)humanities of the Anthropocentric Exodus: Towards plant societas The main aim of this article is an attempt at mapping the preventive strategy in the epoch of climate and ecology crisis through the lens of (post)humanities. Drawing upon posthuman perspectives, as well as methodologies and research tools, I will try to grasp the complexity of reality through relational ontologies, which linked Anthropos with the plant kingdom. As Małgorzata Praczyk pointed out, posthumanism is still not so investigated in humanities (especially in the historic field), and even when it finally appears, ended up at counterproductive reductionism. Trying to avoid this impasse, the author of this text is using the method of morphing history which allows changing the perspectives from anthropocentric one to the plants, thus polyphonic assemblages (A. Tsing) enables to re(present) the other and multispecies agency. Finally, I will map the possible perspectives in an epoch of Anthropocene according to the statement: “the environmental crisis brings a crisis of imagination”(L. Buell). In that sense, rethinking humanities with indigenous knowledge(s) is strongly needed as well as “deep adaptation” (J. Bendell) in order to understand that “humans interact not only with each other, but in all times, places and context of ecosystems, and are affected by them” (R.C. Foltz).
{"title":"(Post)humanistyka antropocentrycznego exodusu – w stronę roślinnego socjetas","authors":"Martyna Dziadek","doi":"10.4467/20843860pk.21.003.13457","DOIUrl":"https://doi.org/10.4467/20843860pk.21.003.13457","url":null,"abstract":"(Post)humanities of the Anthropocentric Exodus: Towards plant societas\u0000\u0000The main aim of this article is an attempt at mapping the preventive strategy in the epoch of climate and ecology crisis through the lens of (post)humanities. Drawing upon posthuman perspectives, as well as methodologies and research tools, I will try to grasp the complexity of reality through relational ontologies, which linked Anthropos with the plant kingdom. As Małgorzata Praczyk pointed out, posthumanism is still not so investigated in humanities (especially in the historic field), and even when it finally appears, ended up at counterproductive reductionism. Trying to avoid this impasse, the author of this text is using the method of morphing history which allows changing the perspectives from anthropocentric one to the plants, thus polyphonic assemblages (A. Tsing) enables to re(present) the other and multispecies agency. Finally, I will map the possible perspectives in an epoch of Anthropocene according to the statement: “the environmental crisis brings a crisis of imagination”(L. Buell). In that sense, rethinking humanities with indigenous knowledge(s) is strongly needed as well as “deep adaptation” (J. Bendell) in order to understand that “humans interact not only with each other, but in all times, places and context of ecosystems, and are affected by them” (R.C. Foltz).","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124538954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-17DOI: 10.4467/20843860pk.21.007.13461
A. Gołda, A. Kamińska, Ł. Wyciślik
Publication Models in the Science of Culture This article examines quantitatively the patterns of research phenomena being observed during last years in the field of cultural studies basing on the data acquired from Scopus – one of the biggest scientific bibliographic databases. The authors of the article were inspired to undertake such research from the recent amendment of Polish legislation called the Constitution for Science, which promotes inter-institutional and international research. Therefore, the results of the investigation were prepared for all countries publishing in Scopus indexed literature, but with particular emphasis on Polish participation. The conducted research allowed to identify the dominant publication languages in the studied field, the quantitative publication share of individual countries, the average number of authors per one publication from a given country, but also made it possible to identify countries willing to cooperate with each other, which was visualized on the so-called cooperation maps. In addition, Polish and global scientific productivity measured by the number of articles was embedded in the so-called Polish “ministerial list” of journals, which may give Polish scientists of the field of cultural studies hints on the choice of a journal dealing with relevant topics and being indexed in the Scopus database.
{"title":"Modele publikacyjne w nauce o kulturze","authors":"A. Gołda, A. Kamińska, Ł. Wyciślik","doi":"10.4467/20843860pk.21.007.13461","DOIUrl":"https://doi.org/10.4467/20843860pk.21.007.13461","url":null,"abstract":"Publication Models in the Science of Culture\u0000\u0000This article examines quantitatively the patterns of research phenomena being observed during last years in the field of cultural studies basing on the data acquired from Scopus – one of the biggest scientific bibliographic databases. The authors of the article were inspired to undertake such research from the recent amendment of Polish legislation called the Constitution for Science, which promotes inter-institutional and international research. Therefore, the results of the investigation were prepared for all countries publishing in Scopus indexed literature, but with particular emphasis on Polish participation. The conducted research allowed to identify the dominant publication languages in the studied field, the quantitative publication share of individual countries, the average number of authors per one publication from a given country, but also made it possible to identify countries willing to cooperate with each other, which was visualized on the so-called cooperation maps. In addition, Polish and global scientific productivity measured by the number of articles was embedded in the so-called Polish “ministerial list” of journals, which may give Polish scientists of the field of cultural studies hints on the choice of a journal dealing with relevant topics and being indexed in the Scopus database.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122436300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-17DOI: 10.4467/20843860pk.21.008.13462
Marcin Krassowski
Not-quite-agency. Anthropocene and Modernist Dreams The article deals with the issue of tension between management and unplanned consequences that result from it. By recalling the works of Anna Tsing, I indicate that management based on the modernist rationality led to the Anthropocene defined as the era of feral effects. The full agency of man, which is at the basis of modernist thinking about human-environment relations, is presented in the article as a myth. In fact, the actions leading to the Anthropocene were of the nature of not-quite-agency – their consequences were beyond the domain of human control. The article also deals with the issues of management in the Anthropocene itself, pointing out that global attempts to overcome the environmental crisis are also marked by not-quite-agency, which – in order to protect against possible negative side effects – requires inclusion in the design process by thinking about the internal resilience of the system.
{"title":"Niepełnosprawczość. Antropocen i modernistyczne sny","authors":"Marcin Krassowski","doi":"10.4467/20843860pk.21.008.13462","DOIUrl":"https://doi.org/10.4467/20843860pk.21.008.13462","url":null,"abstract":"Not-quite-agency. Anthropocene and Modernist Dreams\u0000\u0000The article deals with the issue of tension between management and unplanned consequences that result from it. By recalling the works of Anna Tsing, I indicate that management based on the modernist rationality led to the Anthropocene defined as the era of feral effects. The full agency of man, which is at the basis of modernist thinking about human-environment relations, is presented in the article as a myth. In fact, the actions leading to the Anthropocene were of the nature of not-quite-agency – their consequences were beyond the domain of human control. The article also deals with the issues of management in the Anthropocene itself, pointing out that global attempts to overcome the environmental crisis are also marked by not-quite-agency, which – in order to protect against possible negative side effects – requires inclusion in the design process by thinking about the internal resilience of the system.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128306522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-17DOI: 10.4467/20843860pk.21.002.13456
Małgorzata Ćwikła
Management in the Anthropocene and What Comes Out of It. Analysis of the Literature on the Entanglement of Phenomena The Anthropocene is a term that not only conjures up all kinds of images in the mind but provides an impulse to reconsider the scope of human responsibility for man-triggered processes and its place in the system of related factors on our planet. At the same time, it is a term treated by many with ambivalence, reluctance, and caution, as it often harbingers the imminent environmental doom, the awareness of which may change the current balance of political and economic forces. Additionally, it is still involved in emphasizing the central role of the human, it is sometimes romanticized and can lead to an aestheticization of the climate catastrophe instead of taking actions resulting not from the will of heroism, but from humility. The ongoing debate on the Anthropocene in the field of management studies is of extraordinary importance, because it provides a framework for undertaking any activity – the activity which either aggravates or alleviates the negative environmental impact. The purpose of this paper is to discuss the contexts in which the scientific literature in the field of management talks about the Anthropocene and to explore the level of gravity that is assigned to management in this conventional geological and cultural era. Particular attention is paid to the dominant trends of reflection which illustrate a wide variety of attitudes towards the Anthropocene, including the one that places the Anthropocene against the background of efforts to maintain the status quo and the one that perceives it as a prelude to concocting alternative or even anarchist visions of management. The paper focuses on theoretical voices, which determined the method of analysis based on the study of language and the interpretation of narratives and metaphors.
{"title":"Zarządzanie w antropocenie, czyli co w czym i co z tego. Analiza literatury dotyczącej splotu zjawisk","authors":"Małgorzata Ćwikła","doi":"10.4467/20843860pk.21.002.13456","DOIUrl":"https://doi.org/10.4467/20843860pk.21.002.13456","url":null,"abstract":"Management in the Anthropocene and What Comes Out of It. Analysis of the Literature on the Entanglement of Phenomena\u0000The Anthropocene is a term that not only conjures up all kinds of images in the mind but provides an impulse to reconsider the scope of human responsibility for man-triggered processes and its place in the system of related factors on our planet. At the same time, it is a term treated by many with ambivalence, reluctance, and caution, as it often harbingers the imminent environmental doom, the awareness of which may change the current balance of political and economic forces. Additionally, it is still involved in emphasizing the central role of the human, it is sometimes romanticized and can lead to an aestheticization of the climate catastrophe instead of taking actions resulting not from the will of heroism, but from humility. The ongoing debate on the Anthropocene in the field of management studies is of extraordinary importance, because it provides a framework for undertaking any activity – the activity which either aggravates or alleviates the negative environmental impact. The purpose of this paper is to discuss the contexts in which the scientific literature in the field of management talks about the Anthropocene and to explore the level of gravity that is assigned to management in this conventional geological and cultural era. Particular attention is paid to the dominant trends of reflection which illustrate a wide variety of attitudes towards the Anthropocene, including the one that places the Anthropocene against the background of efforts to maintain the status quo and the one that perceives it as a prelude to concocting alternative or even anarchist visions of management. The paper focuses on theoretical voices, which determined the method of analysis based on the study of language and the interpretation of narratives and metaphors.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133398391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.4467/20843860pk.20.044.12848
K. Wiącek
Inspired by the activities of the international scientific collective New Keywords Collective, I present mottoes that should accompany a new opening in the design of contemporary urbanized areas. The re-modelling of the dominant spatial planning policies into intersectional and horizontal, should lead to a process of sharing public goods and the inclusion of categories of ‘temporariness’ and ‘disassembling’ in the global discourse as inevitable in times of crisis.
{"title":"„Nowe otwarcie” w projektowaniu przestrzeni zurbanizowanych","authors":"K. Wiącek","doi":"10.4467/20843860pk.20.044.12848","DOIUrl":"https://doi.org/10.4467/20843860pk.20.044.12848","url":null,"abstract":"Inspired by the activities of the international scientific collective New Keywords Collective, I present mottoes that should accompany a new opening in the design of contemporary urbanized areas. The re-modelling of the dominant spatial planning policies into intersectional and horizontal, should lead to a process of sharing public goods and the inclusion of categories of ‘temporariness’ and ‘disassembling’ in the global discourse as inevitable in times of crisis.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"73 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122665340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.4467/20843860pk.20.034.12838
M. Madurowicz
The article deals with three issues: (1) how to understand the crisis in the context of the city, (2) what components in the urban crisis equation can be distinguished (constant, variable, unknown), and (3) according to which criteria the predictability of the dynamics of processes taking place in an urbanized environment should be understood. In the analysis, categories of text, code, narrative (discourse), structure and conditions were used as levels of crisis interpretation – in the light of findings of culture semiotician Y. Lotman and mathematician R. Thom. The main result of this study is that the crisis is a stable standard (rule) for all unstable morphologies, including cities.
{"title":"(Nie)przewidywalność dynamiki. Refleksje o kryzysie i mieście (na marginesie myśli Jurija Łotmana i René Thoma)","authors":"M. Madurowicz","doi":"10.4467/20843860pk.20.034.12838","DOIUrl":"https://doi.org/10.4467/20843860pk.20.034.12838","url":null,"abstract":"The article deals with three issues: (1) how to understand the crisis in the context of the city, (2) what components in the urban crisis equation can be distinguished (constant, variable, unknown), and (3) according to which criteria the predictability of the dynamics of processes taking place in an urbanized environment should be understood. In the analysis, categories of text, code, narrative (discourse), structure and conditions were used as levels of crisis interpretation – in the light of findings of culture semiotician Y. Lotman and mathematician R. Thom. The main result of this study is that the crisis is a stable standard (rule) for all unstable morphologies, including cities.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121328222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-22DOI: 10.4467/20843860PK.20.041.12845
Paweł Kubicki
The article discusses two ideas of the city in the Polish public discourse: the city as a commons and its antithesis – the city as the sum of private property. In the first part of the article, the author analyses the processes in which both ideas were developed. In the second part of the article the author analyses the role of Polish urban social movements, which are one of the few social actors that discussed the idea of the city as a commons when Polish public discourse was dominated by neoliberal dogmas in which the city was reduced to the sum of private property. In conclusion, according to Victor Turner’s concept of social change, the author analyses the impact of the COVID-19 pandemic on the reception of both ideas in Polish public discourse.
{"title":"Miasto jako dobro wspólne czy suma prywatnych własności? O polskiej kwestii miejskiej w kontekście działalności ruchów miejskich","authors":"Paweł Kubicki","doi":"10.4467/20843860PK.20.041.12845","DOIUrl":"https://doi.org/10.4467/20843860PK.20.041.12845","url":null,"abstract":"The article discusses two ideas of the city in the Polish public discourse: the city as a commons and its antithesis – the city as the sum of private property. In the first part of the article, the author analyses the processes in which both ideas were developed. In the second part of the article the author analyses the role of Polish urban social movements, which are one of the few social actors that discussed the idea of the city as a commons when Polish public discourse was dominated by neoliberal dogmas in which the city was reduced to the sum of private property. In conclusion, according to Victor Turner’s concept of social change, the author analyses the impact of the COVID-19 pandemic on the reception of both ideas in Polish public discourse.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116523266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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