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Music Educators Journal最新文献

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The President’s Prose: Inside, Outside, Upside Down 总统散文:内外颠倒
Pub Date : 2022-09-01 DOI: 10.1177/00274321221126265
Scott R. Sheehan
The author discusses challenges faced due to the global health crisis caused by the pandemic on music education and several aspect of life, and mentions online tools and resources created by music teachers. Topics discussed include schools to face inequities of resources and reliable internet, music education impacted by budget reduction and school fundings and efforts of the National Association for Music Education (NAFME) to address the issues.
作者讨论了全球健康危机对音乐教育和生活的几个方面所面临的挑战,并提到了音乐教师创造的在线工具和资源。讨论的主题包括学校面临资源和可靠互联网的不平等,音乐教育受到预算削减和学校资金的影响,以及国家音乐教育协会(NAFME)为解决这些问题所做的努力。
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引用次数: 0
Groove and Percussion in the Music Classroom 音乐课堂中的律动与打击乐
Pub Date : 2022-09-01 DOI: 10.1177/00274321221110228
G. Smith
In this article, I explain how percussion and groove are at the core of many musics created and enjoyed today, yet they can be overlooked in music teaching and learning. A pervasive culture of pitched-instrument prejudice makes it difficult to take rhythm and groove seriously, although these can be at the core of meaningful music-making experiences in schools. I provide an original, flexible composition for nonpitched percussion, with easy-to-follow instructions and video demonstration. The article invites teachers to consider embracing an engaging, Afrological approach to making music that emphasizes feel and groove.
在这篇文章中,我解释了为什么打击乐和律动是当今许多音乐创作和欣赏的核心,但它们在音乐教学和学习中却被忽视了。一种普遍存在的对音高乐器的偏见使得人们很难认真对待节奏和节奏,尽管这些可能是学校里有意义的音乐创作经验的核心。我提供了一个原始的,灵活的组成,非音调打击,易于遵循的说明和视频演示。这篇文章邀请教师们考虑采用一种引人入胜的、非生物学的方法来制作强调感觉和最佳状态的音乐。
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引用次数: 0
Responding: A Discussion Protocol for Creative Classrooms 回应:创造性课堂的讨论协议
Pub Date : 2022-06-01 DOI: 10.1177/00274321221107138
Megan T. DiSciscio
An essential element of creative musicianship is the ability to seek, provide, and respond to feedback. This article presents a method of teaching elementary music students to respond to creative work in a way that is productive and uplifting, using a discussion protocol. Grounded in the work of Lerman and Borstel’s critical response and Seidel’s collaborative assessment conference, this protocol is designed to give young students the language to participate in creative discourse. This protocol can be used in the revision or assessment stages of a project, and it allows students to take ownership of their own creative community while laying the groundwork for meaningful and authentic assessment.
创造性音乐的一个基本要素是寻求、提供和回应反馈的能力。本文介绍了一种使用讨论协议的方法,以一种富有成效和令人振奋的方式教小学音乐学生对创造性工作做出反应。基于Lerman和Borstel的批判性回应和Seidel的合作评估会议的工作,该协议旨在为年轻学生提供参与创造性话语的语言。该协议可用于项目的修订或评估阶段,它允许学生拥有自己的创意社区,同时为有意义和真实的评估奠定基础。
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引用次数: 1
Link to the Library of Congress: Concerts from the Library of Congress: Pick of the Week 链接到国会图书馆:国会图书馆音乐会:本周精选
Pub Date : 2022-06-01 DOI: 10.1177/00274321221107578
Lee Ann Potter
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引用次数: 0
Leadership Info for June 2022 TOC 2022年6月TOC的领导信息
Pub Date : 2022-06-01 DOI: 10.1177/00274321221108062
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引用次数: 0
Autonomy-Supportive Teaching in the Large Ensemble: Positive Outcomes for Student Motivation and Teacher Satisfaction 大集合中的自主支持教学:学生动机和教师满意度的积极结果
Pub Date : 2022-06-01 DOI: 10.1177/00274321221107537
Timothy Butler
Autonomy-supportive teaching, self-determination theory, and self-regulated learning can be effective methods for increasing student motivation in a range of classroom settings. However, music educators struggle to apply principles of student autonomy in ensemble rehearsals. Using intent-based leadership as a practical model for guiding students toward self-directed habits, I describe one approach to shape self-sufficient student musicians in the ensemble setting. By creatively harnessing students’ capacity for independent learning, their musical skills and motivation for music learning can improve dramatically.
自主支持教学、自我决定理论和自我调节学习可以是在一系列课堂环境中提高学生动机的有效方法。然而,音乐教育者很难在集体排练中运用学生自主的原则。使用基于意图的领导作为指导学生养成自我导向习惯的实用模型,我描述了一种在合奏环境中塑造自给自足的学生音乐家的方法。通过创造性地利用学生的自主学习能力,他们的音乐技能和音乐学习的动机可以显著提高。
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引用次数: 0
Teaching and Mentoring toward Culturally Responsive Practices 对文化响应实践的教学和指导
Pub Date : 2022-06-01 DOI: 10.1177/00274321221107610
Erin Zaffini
With the ever-growing diversity of students in our schools, so too are the cultures and experiences that our students bring with them into the classroom. Yet many teachers feel ill-equipped to teach their students in a culturally responsive way. This article includes strategies for music mentors to successfully mentor beginning teachers toward becoming more culturally responsive, even as they themselves are also striving toward that same goal. Strategies include shared reflections, using targeted “conversation starters” to foster beginning teachers’ self-reflection, and harnessing the characteristics associated with beginning teachers’ developmental stages. Recommendations for reframing beginning teachers’ expectations for culturally responsive pedagogy are offered.
随着我们学校的学生越来越多样化,我们的学生把他们带到课堂上的文化和经历也越来越多样化。然而,许多教师觉得自己没有能力以一种对文化有反应的方式来教学生。这篇文章包括音乐导师的策略,以成功地指导初学教师变得更有文化反应能力,即使他们自己也在朝着同样的目标努力。策略包括共同反思,使用有针对性的“对话启动者”来促进初级教师的自我反思,以及利用与初级教师发展阶段相关的特征。本文对初任教师对文化响应教学法的期望提出了建议。
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引用次数: 0
For Your Library 给你的图书馆
Pub Date : 2022-06-01 DOI: 10.1177/00274321221107621
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引用次数: 0
Equity in Music Education: The St. Louis Symphony IN UNISON Chorus: Bridging the Divide 音乐教育中的公平:圣路易斯交响乐团合唱:弥合鸿沟
Pub Date : 2022-06-01 DOI: 10.1177/00274321221107067
B. Williams
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引用次数: 0
Grateful Reflections 感激反射
Pub Date : 2022-06-01 DOI: 10.1177/00274321221108504
Mackie V. Spradley
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引用次数: 0
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Music Educators Journal
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