{"title":"South Asian Filmscapes: Transregional Encounters ed. by Elora Halim Chowdhury and Esha Niyogi De (review)","authors":"Sushmita Chatterjee","doi":"10.1353/ff.2021.0059","DOIUrl":"https://doi.org/10.1353/ff.2021.0059","url":null,"abstract":"","PeriodicalId":190295,"journal":{"name":"Feminist Formations","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124278322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On the Limits of Globalizing Black Feminist Commitments: \"Me Too\" and its White Detours","authors":"Shireen Roshanravan","doi":"10.1353/ff.2021.0047","DOIUrl":"https://doi.org/10.1353/ff.2021.0047","url":null,"abstract":"","PeriodicalId":190295,"journal":{"name":"Feminist Formations","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122551288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
[...]Legacy Russell's Glitch Feminism: A Manifesto declares that our online self is directly tied to our offline self, and this looping connection is something we can analyze and harness to expand conversations surrounding our understanding of the body. Russell, who is the Associate Curator of Exhibitions at The Studio Museum in Harlem, also emphasizes the value of digital art and its capacity for allowing escape from gendered and racialized body expectations by incorporating images from queer artists and artists of color. According to Russell, "A glitch is an error, mistake, a failure to function . . . an indicator of something having gone wrong" (7). [...]with many universities moving to exclusively online instruction in the wake of the pandemic, Russell's artist examples show us how we might inspire our students to harness the power of the Internet to distribute messages about bodies and identity in ways that undermine society's exclusionary structures.
[…拉塞尔的《故障女权主义:宣言》宣称，我们线上的自我与线下的自我是直接联系在一起的，这种循环联系是我们可以分析和利用的，可以围绕我们对身体的理解展开对话。罗素是哈林区工作室博物馆(the Studio Museum)的展览副策展人，他还强调了数字艺术的价值，以及它通过融合酷儿艺术家和有色人种艺术家的图像，让人们摆脱性别和种族化的身体期望的能力。根据罗素的说法，“故障是一个错误，错误，失败的功能……一个出现问题的迹象”(7)。随着许多大学在疫情之后转向专门的在线教学，罗素的艺术家例子向我们展示了我们如何激励学生利用互联网的力量，以破坏社会排他性结构的方式传播有关身体和身份的信息。
{"title":"Glitch Feminism: A Manifesto by Legacy Russell (review)","authors":"Miranda Findlay","doi":"10.1353/ff.2021.0058","DOIUrl":"https://doi.org/10.1353/ff.2021.0058","url":null,"abstract":"[...]Legacy Russell's Glitch Feminism: A Manifesto declares that our online self is directly tied to our offline self, and this looping connection is something we can analyze and harness to expand conversations surrounding our understanding of the body. Russell, who is the Associate Curator of Exhibitions at The Studio Museum in Harlem, also emphasizes the value of digital art and its capacity for allowing escape from gendered and racialized body expectations by incorporating images from queer artists and artists of color. According to Russell, \"A glitch is an error, mistake, a failure to function . . . an indicator of something having gone wrong\" (7). [...]with many universities moving to exclusively online instruction in the wake of the pandemic, Russell's artist examples show us how we might inspire our students to harness the power of the Internet to distribute messages about bodies and identity in ways that undermine society's exclusionary structures.","PeriodicalId":190295,"journal":{"name":"Feminist Formations","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123803244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:The article engages the work of Audre Lorde on rage between Black women. Focusing on her 1984 essay "Eye to Eye: Black Women, Hatred, and Anger," the article explores destructive rage and Lorde's concern about the effect of this rage on Black women's capacity to build community together and feminist politics more broadly. Adopting an affective reading of Lorde's analysis, the article dissects her attention to the affect of rage as interwoven with other affective registers that include hate and pain. Lorde's insight and politics highlights a dimension of rage that is important to consider in contemporary Black women's feminist politics and organizing—the capacity for rage to destroy sisterhood and authentic healing. Her project of attending to such rage as a means to render it less powerful in effect remains an urgent one for us today.
摘要:本文研究了奥德丽·洛德关于黑人女性之间愤怒的作品。这篇文章聚焦于她1984年的文章《眼对眼:黑人女性、仇恨和愤怒》(Eye to Eye: Black Women, hate, and Anger)，探讨了破坏性的愤怒，以及洛德对这种愤怒对黑人女性共同建立社区的能力和更广泛的女权主义政治的影响的担忧。文章对洛德的分析进行了情感解读，剖析了她对愤怒影响的关注，并将其与包括仇恨和痛苦在内的其他情感表达交织在一起。洛德的洞察力和政治观点突出了愤怒的一个维度，这在当代黑人女性的女权主义政治和组织中是很重要的——愤怒摧毁姐妹情谊和真正治愈的能力。她对这种愤怒的关注，作为一种手段，使其不那么强大，这一计划对我们今天来说仍然是一个紧迫的任务。
{"title":"Training Anger with Accuracy: Audre Lorde's Invitation to Black Women","authors":"Peace Kiguwa","doi":"10.1353/ff.2021.0045","DOIUrl":"https://doi.org/10.1353/ff.2021.0045","url":null,"abstract":"Abstract:The article engages the work of Audre Lorde on rage between Black women. Focusing on her 1984 essay \"Eye to Eye: Black Women, Hatred, and Anger,\" the article explores destructive rage and Lorde's concern about the effect of this rage on Black women's capacity to build community together and feminist politics more broadly. Adopting an affective reading of Lorde's analysis, the article dissects her attention to the affect of rage as interwoven with other affective registers that include hate and pain. Lorde's insight and politics highlights a dimension of rage that is important to consider in contemporary Black women's feminist politics and organizing—the capacity for rage to destroy sisterhood and authentic healing. Her project of attending to such rage as a means to render it less powerful in effect remains an urgent one for us today.","PeriodicalId":190295,"journal":{"name":"Feminist Formations","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116557327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"#MeToo Activism in Namibia: Sex-Positive Feminism and State Cooperation in the Fight to Stop Rape","authors":"Ashley Currier, E. Winchester, Emily Chien","doi":"10.1353/ff.2021.0049","DOIUrl":"https://doi.org/10.1353/ff.2021.0049","url":null,"abstract":"","PeriodicalId":190295,"journal":{"name":"Feminist Formations","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131061009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:The television series The Assassination of Gianni Versace (2018) has been widely praised for telling the tragic stories of Italian fashion designer Gianni Versace, his murderer, Andrew Cunanan, and queer life in the 1980s and 1990s. As this paper explores, however, this tale of queer tragedy is haunted by the ghostly presence of Cunanan's primitive and abject queer Filipinxness. By reading the relationship between the on-screen Andrew Cunanan and Darren Criss, the celebrated actor who plays the spree killer in Assassination, this paper explores the ways in which a primitive and abject queer Filipinxness continues to shape how we come to know Filipinxness in the present moment. In an attempt to acknowledge and bring forth this queer Filipinx ghost, I use a queer of color critical reading practice to look at the relationship between Assassination, the mythology surrounding Cunanan, and the celebration of Criss. In doing so, I wish to disrupt the temporal paradigm that places Cunanan in the past and the celebration of Criss in the modern present in order to get at what continues to haunt Filipinx being: the residues of US empire.
{"title":"Out of Place and Out of Time: Andrew Cunanan, Darren Criss, and Queer Filipinx Haunting","authors":"Alana J. Bock","doi":"10.1353/ff.2021.0039","DOIUrl":"https://doi.org/10.1353/ff.2021.0039","url":null,"abstract":"Abstract:The television series The Assassination of Gianni Versace (2018) has been widely praised for telling the tragic stories of Italian fashion designer Gianni Versace, his murderer, Andrew Cunanan, and queer life in the 1980s and 1990s. As this paper explores, however, this tale of queer tragedy is haunted by the ghostly presence of Cunanan's primitive and abject queer Filipinxness. By reading the relationship between the on-screen Andrew Cunanan and Darren Criss, the celebrated actor who plays the spree killer in Assassination, this paper explores the ways in which a primitive and abject queer Filipinxness continues to shape how we come to know Filipinxness in the present moment. In an attempt to acknowledge and bring forth this queer Filipinx ghost, I use a queer of color critical reading practice to look at the relationship between Assassination, the mythology surrounding Cunanan, and the celebration of Criss. In doing so, I wish to disrupt the temporal paradigm that places Cunanan in the past and the celebration of Criss in the modern present in order to get at what continues to haunt Filipinx being: the residues of US empire.","PeriodicalId":190295,"journal":{"name":"Feminist Formations","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123704916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Infamous Bodies: Early Black Women's Celebrity and the Afterlives of Rights by Samantha Pinto (review)","authors":"D. Bainbridge","doi":"10.1353/ff.2021.0057","DOIUrl":"https://doi.org/10.1353/ff.2021.0057","url":null,"abstract":"","PeriodicalId":190295,"journal":{"name":"Feminist Formations","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129985106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From Madwomen to Whistleblowers: MeToo in South Korea as an Institutional Critique","authors":"Hae Yeon Choo","doi":"10.1353/ff.2021.0048","DOIUrl":"https://doi.org/10.1353/ff.2021.0048","url":null,"abstract":"","PeriodicalId":190295,"journal":{"name":"Feminist Formations","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121665533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Borders of #MeToo: A Conversation about Sexual Violence Against Women in Ciudad Juárez","authors":"G. González-López, Lydia Cordero Cabrera","doi":"10.1353/ff.2021.0054","DOIUrl":"https://doi.org/10.1353/ff.2021.0054","url":null,"abstract":"","PeriodicalId":190295,"journal":{"name":"Feminist Formations","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125751284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Monster, and: To The Pigs","authors":"Choi Young-mi, Seung-hee Jeon, Alice Kim","doi":"10.1353/ff.2021.0056","DOIUrl":"https://doi.org/10.1353/ff.2021.0056","url":null,"abstract":"","PeriodicalId":190295,"journal":{"name":"Feminist Formations","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132503797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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