Aref Azizpour Shoubi, P. Hashempour, Ahad Nezhad ebrahimi
The Saqa-Nefar are specific architecture of Mazandaran province, and the origin of their formation are date to ritual traditions of pre-Islamic periods. Currently, those are known as architecture of Ashura that are in order to protect the sanctity of water and attributed to Aboulfazl (AS). Their architecture is combination of architecture combination with semantic components in format of motifs and formation, local and structural symbols which had undergone transformation of structural and formation according to cultural context during various historical periods. The current research is seeking to answer for this question: what cultural backgrounds were due to choose Nefar for keep up Ashura event and what signs remain in those from pre-Islamic ritual architecture? This research is fundamental and theoretical research that had been done through descriptive and analytical method. Data collection is based on library source and field surveys. In regard to the research goal that it is finds Causes of evolution Nefar to Saqa-Nefar according to cultural context. The results of this research show: The survival of any society over time is conditional on the transmission of values from one generation to the next, which leads to the creation of "cultural heritage" and social memory. Architecture as a sub-branch of culture isn’t a exception. What is passed from generation to generation as an architectural culture is the result of the mental imagination, body and function of a building. The different cultures build their special building and with symbolism define their cultural span. the cherishing of water origin from ancient ritual of Iran that it be conformed to Islamic attitudes during Islamic period. The name of the nep, existence wells, holly trees and historical geography of this region expresses signs of goddess of water (Anahita). The conformity of the form of this building with the surviving fire temples and the roots of the decorations from ancient myths show that this building had a function in accordance with the fire temples. There were two kinds of Nefar during pre-Islamic period: one type belongs goddess of water that was beside water source to worship, another type was used beside the farms to care water. Thus, from beginning, Nefar had two duties (protection and worship). For this reason, they had transferred Nefar as Saqa-Nefar during Islamic period. In perspective of physical and decoration structure are continuation of ancient temple that aligned with Shieh symbols. Keyword: Saqa-Nefar, Nefar, cultural continuity, symbolization of Ashura in architecture 60 D ow nl oa de d fr om jr ia .iu st .a c. ir at 1 9: 54 IR S T o n T ue sd ay N ov em be r 9t h 20 21 [ D O I: 10 .5 25 47 /jr ia .9 .2 .3 9 ]
Saqa-Nefar是Mazandaran省的特殊建筑，其形成的起源可以追溯到前伊斯兰时期的仪式传统。目前，这些被称为阿舒拉的建筑是为了保护水的神圣性，并归因于Aboulfazl (as)。他们的建筑是建筑与语义成分的组合，以母题和形式的形式，局部和结构符号的形式，在不同的历史时期根据文化语境经历了结构和形式的转变。目前的研究正在寻求这个问题的答案:什么样的文化背景是由于选择了Nefar来保持阿舒拉节活动，以及从前伊斯兰仪式建筑中保留了哪些标志?本研究是通过描述性和分析性的方法进行的基础性和理论性研究。数据收集是基于图书馆资料和实地调查。就研究目标而言，它是根据文化背景找到Nefar向Saqa-Nefar进化的原因。研究结果表明:任何一个社会的生存都取决于价值观念的代代相传，这就导致了“文化遗产”和社会记忆的产生。建筑作为文化的一个分支也不例外。作为一种建筑文化代代相传的东西是建筑的精神想象、身体和功能的结果。不同的文化构建了各自独特的建筑，并以象征主义定义了各自的文化跨度。对水的珍惜源于伊朗古老的仪式，符合伊斯兰教时期伊斯兰教的态度。nep的名字，存在的井，冬青树和这个地区的历史地理都表达了水女神(Anahita)的迹象。该建筑的形式与现存的火神庙的一致性以及古代神话中装饰的根源表明，该建筑具有与火神庙一致的功能。在前伊斯兰时期，有两种Nefar:一种是供奉在水源旁的水神，另一种是供奉在农田旁的护水女神。因此，从一开始，Nefar就有两个职责(保护和崇拜)。因此，他们在伊斯兰时期将Nefar改为Saqa-Nefar。从实体和装饰结构的角度来看，是对古代寺庙的延续，与谢氏符号保持一致。关键词:Saqa-Nefar, Nefar，文化传承，阿舒拉在建筑中的象征意义60 D .现在，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar，从Nefar到Nefar。
{"title":"The inquiry to identify the cultural contex of architecture from Nefar to Saqa-Nefar","authors":"Aref Azizpour Shoubi, P. Hashempour, Ahad Nezhad ebrahimi","doi":"10.52547/jria.9.2.39","DOIUrl":"https://doi.org/10.52547/jria.9.2.39","url":null,"abstract":"The Saqa-Nefar are specific architecture of Mazandaran province, and the origin of their formation are date to ritual traditions of pre-Islamic periods. Currently, those are known as architecture of Ashura that are in order to protect the sanctity of water and attributed to Aboulfazl (AS). Their architecture is combination of architecture combination with semantic components in format of motifs and formation, local and structural symbols which had undergone transformation of structural and formation according to cultural context during various historical periods. The current research is seeking to answer for this question: what cultural backgrounds were due to choose Nefar for keep up Ashura event and what signs remain in those from pre-Islamic ritual architecture? This research is fundamental and theoretical research that had been done through descriptive and analytical method. Data collection is based on library source and field surveys. In regard to the research goal that it is finds Causes of evolution Nefar to Saqa-Nefar according to cultural context. The results of this research show: The survival of any society over time is conditional on the transmission of values from one generation to the next, which leads to the creation of \"cultural heritage\" and social memory. Architecture as a sub-branch of culture isn’t a exception. What is passed from generation to generation as an architectural culture is the result of the mental imagination, body and function of a building. The different cultures build their special building and with symbolism define their cultural span. the cherishing of water origin from ancient ritual of Iran that it be conformed to Islamic attitudes during Islamic period. The name of the nep, existence wells, holly trees and historical geography of this region expresses signs of goddess of water (Anahita). The conformity of the form of this building with the surviving fire temples and the roots of the decorations from ancient myths show that this building had a function in accordance with the fire temples. There were two kinds of Nefar during pre-Islamic period: one type belongs goddess of water that was beside water source to worship, another type was used beside the farms to care water. Thus, from beginning, Nefar had two duties (protection and worship). For this reason, they had transferred Nefar as Saqa-Nefar during Islamic period. In perspective of physical and decoration structure are continuation of ancient temple that aligned with Shieh symbols. Keyword: Saqa-Nefar, Nefar, cultural continuity, symbolization of Ashura in architecture 60 D ow nl oa de d fr om jr ia .iu st .a c. ir at 1 9: 54 IR S T o n T ue sd ay N ov em be r 9t h 20 21 [ D O I: 10 .5 25 47 /jr ia .9 .2 .3 9 ]","PeriodicalId":192864,"journal":{"name":"Journal of Research in Islamic Architecture","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115719828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Chinese culture is one of the world's oldest which originating thousands of years. Islam in China can be dated back to the time when Muhammad's uncle headed a mission to China and built the Hashing Mosque, one of the oldest mosques in the world. During the Song Dynasty, Chinese Muslims monopolized the foreign trade and gradually became a force to be reckoned with at court. The history of Islam in China began when the first ambassador of Islamic caliphate in 654 AD, gained the court of the Chinese emperor. After that Islam has been spread throughout there during a century. In this study, authors try to study about how architectural elements and spatial forms are effected from Islam or Buddhist-Chinese tradition. Then, at the first it must be clear that which symbol are predominant in architectural culture of china. After that with a comparative study with Islamic symbol and spatial arrangement it may be understand the Chinese mosque concept instead of west Asia traditional design, especially with Irano-islamic architecture. Chinese symbols and meanings revolve around good fortune, and positive elements that are inspired of Buddhism, Confucius and Taoism. It is the Chinese belief that by filling their lives with lucky objects and images, they increase prosperity and happy circumstances, making their existence joyful and fulfilling. Symbols and signs have graced their architecture, language, artwork, and everyday objects for centuries. In Chinese decorative arts pictured flowers, fruits, and trees are representations for various aspects of life. Knowing the symbolic meaning of a plant enables you to understand the hidden message. Color in Chinese culture refers to the certain values that Chinese culture attaches to colors, like which colors are considered auspicious or inauspicious Most Chinese decorative art are based on its symbolic values. These symbols could be understood and interpreted and only when we do that the true meaning of the objects reveals itself. The purpose of this study is to find the genealogy of symbol between china and Islam semiotic studies. The authors discuss on symbolism in Chinese architecture and then the extent to which these symbols are used in the architecture of mosques in different parts of the country. This research is based on reviewing some mosques in china. Content analysis based on library documents and resources. Finally, the results of this research show that since the arrival of Muslims and the increasing interactions between Chinese with Muslim, monuments of temples and houses The Chinese were used as mosques, which did not include any elements of the architecture of the Islamic Mosque. With the overtime, the primary period of Islamic architecture, these mosques seem to have some Islamic symbol by adding elements such as domes, minarets and arches. Still, in these buildings, Buddhist symbols were seen. In the fourth period of the Islamic architecture of 101 D ow nl oa de d fr om jr ia .iu st .a c. ir at 1 9:
中国文化是世界上最古老的文化之一，有几千年的历史。伊斯兰教在中国的历史可以追溯到穆罕默德的叔叔率领使团到中国建造哈希清真寺的时候，哈希清真寺是世界上最古老的清真寺之一。宋朝时期，中国穆斯林垄断了对外贸易，逐渐成为朝廷不可忽视的力量。伊斯兰教在中国的历史始于公元654年伊斯兰哈里发的第一位大使获得中国皇帝的朝廷。从那以后，伊斯兰教在一个世纪内传遍了整个地区。在这项研究中，作者试图研究伊斯兰教或佛教-中国传统对建筑元素和空间形式的影响。那么，首先要弄清楚哪些符号在中国建筑文化中占主导地位。然后通过与伊斯兰教符号和空间安排的比较研究，可以理解中国清真寺的概念，而不是西亚传统的设计，特别是伊朗-伊斯兰建筑。中国的象征和意义围绕着好运和积极的元素，这些元素受到佛教、孔子和道教的启发。中国人相信，用幸运的物品和形象填满他们的生活，他们会增加繁荣和幸福的环境，使他们的生活变得快乐和充实。几个世纪以来，符号和标志为他们的建筑、语言、艺术品和日常用品增添了光彩。在中国的装饰艺术中，画中的花、水果和树木代表着生活的各个方面。知道了一株植物的象征意义，你就能理解其中隐藏的信息。在中国文化中，颜色是指中国文化赋予颜色的某种价值，比如哪些颜色被认为是吉祥的，哪些是不吉祥的，大多数中国装饰艺术都是基于它的象征价值。这些符号是可以被理解和解释的，只有当我们这样做的时候，这些物体的真正意义才会显露出来。本研究的目的在于找出中国与伊斯兰符号学研究的符号谱系。作者讨论了中国建筑中的象征主义，然后讨论了这些象征主义在中国不同地区清真寺建筑中的应用程度。本研究是基于对中国一些清真寺的考察。基于图书馆文献资源的内容分析。最后，本研究的结果表明，自穆斯林的到来和中国人与穆斯林之间的互动日益增加以来，中国人的寺庙和房屋的纪念碑被用作清真寺，其中不包括任何伊斯兰清真寺的建筑元素。随着时间的推移，这是伊斯兰建筑的初级时期，这些清真寺通过添加圆顶、尖塔和拱门等元素似乎具有了一些伊斯兰的象征。然而，在这些建筑中，仍然可以看到佛教的标志。伊斯兰建筑的第四期101 D噢问oa de D fr om jr ia .iu圣。c .红外1 9:53 ir S T o n T问题sd ay n ov em是r 9 T h 20 21(小D o我:10。5 25 47 / ia。9。2。8 5]102شهوژپهمانلصفناتسبات/مکیویسهرامش/یملاسایرامعمیاه1400مهنلاس/中国,类似的颜色和元素,如圆顶拱门,尖塔和缺口,用于其他清真寺在这些清真寺的穆斯林世界。当然，在中国各地，清真寺一直保持着相同的传统和原始形式。中国的建筑师以他们的民族认同接受了伊斯兰元素，中国的民族和宗教认同表现在颜色和符号的形式以及清真寺入口的元素上。在中国清真寺的元素中，佛祖和曼陀罗的象征比任何人都多。在清真寺建筑中，红色被视为中国建筑的一个特征元素。这种颜色在其他清真寺的装饰中是看不到的。中国符号在伊斯兰建筑中变成了伊斯兰符号。其中一些符号根植于宗教符号，如佛像、龙、凤凰等。形式转换是中国伊斯兰建筑最重要的特征。这种转变的根源是一种民族、气候和地理依赖的形式。中国本土建筑中有龙的元素，在中国的清真寺中被用作斯理米。中国的伊斯兰建筑可以被认为是一个保持本土符号和伊斯兰价值观一致的建筑的例子。希望研究者在未来的研究中，能够关注民族和本土成分对伊斯兰建筑造型的影响。
{"title":"Spatial and symbolic recognition of Chinese mosques","authors":"B. Vasigh, hosain naseri","doi":"10.52547/jria.9.2.85","DOIUrl":"https://doi.org/10.52547/jria.9.2.85","url":null,"abstract":"Chinese culture is one of the world's oldest which originating thousands of years. Islam in China can be dated back to the time when Muhammad's uncle headed a mission to China and built the Hashing Mosque, one of the oldest mosques in the world. During the Song Dynasty, Chinese Muslims monopolized the foreign trade and gradually became a force to be reckoned with at court. The history of Islam in China began when the first ambassador of Islamic caliphate in 654 AD, gained the court of the Chinese emperor. After that Islam has been spread throughout there during a century. In this study, authors try to study about how architectural elements and spatial forms are effected from Islam or Buddhist-Chinese tradition. Then, at the first it must be clear that which symbol are predominant in architectural culture of china. After that with a comparative study with Islamic symbol and spatial arrangement it may be understand the Chinese mosque concept instead of west Asia traditional design, especially with Irano-islamic architecture. Chinese symbols and meanings revolve around good fortune, and positive elements that are inspired of Buddhism, Confucius and Taoism. It is the Chinese belief that by filling their lives with lucky objects and images, they increase prosperity and happy circumstances, making their existence joyful and fulfilling. Symbols and signs have graced their architecture, language, artwork, and everyday objects for centuries. In Chinese decorative arts pictured flowers, fruits, and trees are representations for various aspects of life. Knowing the symbolic meaning of a plant enables you to understand the hidden message. Color in Chinese culture refers to the certain values that Chinese culture attaches to colors, like which colors are considered auspicious or inauspicious Most Chinese decorative art are based on its symbolic values. These symbols could be understood and interpreted and only when we do that the true meaning of the objects reveals itself. The purpose of this study is to find the genealogy of symbol between china and Islam semiotic studies. The authors discuss on symbolism in Chinese architecture and then the extent to which these symbols are used in the architecture of mosques in different parts of the country. This research is based on reviewing some mosques in china. Content analysis based on library documents and resources. Finally, the results of this research show that since the arrival of Muslims and the increasing interactions between Chinese with Muslim, monuments of temples and houses The Chinese were used as mosques, which did not include any elements of the architecture of the Islamic Mosque. With the overtime, the primary period of Islamic architecture, these mosques seem to have some Islamic symbol by adding elements such as domes, minarets and arches. Still, in these buildings, Buddhist symbols were seen. In the fourth period of the Islamic architecture of 101 D ow nl oa de d fr om jr ia .iu st .a c. ir at 1 9:","PeriodicalId":192864,"journal":{"name":"Journal of Research in Islamic Architecture","volume":"112 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124130951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Analyzing the Quality of in-between Spaces of Mosque and City: Comparative study of Entrances in Regional “Traditional and Modern” contemporary Mosque in Tehran","authors":"Elham Nouri, A. Eynifar","doi":"10.52547/jria.9.2.1","DOIUrl":"https://doi.org/10.52547/jria.9.2.1","url":null,"abstract":"","PeriodicalId":192864,"journal":{"name":"Journal of Research in Islamic Architecture","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127790692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Mahnaz Peyrovi, Mohammad Bagher Kabirsaber, Mohammad Reza Pakdelfard, A. Ferdousi
During the last few decades the western societies have accomplished successful projects by creative utilization of architectural technology in architectural conservation such as the Columbia Museum of Art, New Acropolis Museum, and dozens of other projects. This is while in Iran we have not been able to benefit from architectural technology in architectural conservation measures in a creative way yet. It is obvious that architectural technology in Iran has not been progressed step by step with western societies, and there is a ponderable gap in this field between Iran and the mentioned societies; however, the research problem is that we cannot even benefit from what we have from technological developments in architecture field in architectural conservation measures. This issue is important because nowadays the architectural conservation measures in Iran do not meet the current needs from architectural heritage, and in this respect and considering the richness of this heritage in the country, we have lost and are losing many material and spiritual opportunities that we could have achieved from this potential. Accordingly, the purpose of the present research is to investigate the cause of Iran's backwardness in this field compared to the mentioned societies, and the question that is proposed based on this purpose is: "Why do the western countries have a more successful performance in comparison to Iran in utilizing architectural technology common in architectural conservation?" If the focus is on a wider timeframe, it is found that since the Renaissance period that is from the emergence period of modern technology and thought backgrounds in western societies, the relationship of the specialized fields with each other and with the society began to break down and consequently some challenges in the field of architecture and architectural conservation were also created for these societies. Accordingly, in the present research, firstly, the evolutions history of each of the architectural technology fields – including engineering and architecture form – and architectural conservation and evolution of the relationship of these two fields 121 D ow nl oa de d fr om jr ia .iu st .a c. ir at 2 0: 03 IR S T o n T ue sd ay N ov em be r 9t h 20 21 [ D O I: 10 .5 25 47 /jr ia .9 .2 .1 03 ] 122 همانلصف شهوژپ یس هرامش /یملاسا یرامعم یاه مکی و / ناتسبات 1400 مهن لاس / in western countries and Iran were investigated, and secondly, the type of the relationship of the specialties with the society and with each other have been focused in investigating these evolutions. In order to answer the research question, the relationship between the two fields of architectural technology and architectural conservation during the periods of tradition, passing from tradition to industry after passing from tradition to industry and the present time have been studied comparatively with a qualitative approach, historical research method, and comparative analysis from the subsets of th
{"title":"The Comparative Study of Utilizing \"Architectural Technology\" in \"Architectural Conservation\" in Iran and the West","authors":"Mahnaz Peyrovi, Mohammad Bagher Kabirsaber, Mohammad Reza Pakdelfard, A. Ferdousi","doi":"10.52547/jria.9.2.103","DOIUrl":"https://doi.org/10.52547/jria.9.2.103","url":null,"abstract":"During the last few decades the western societies have accomplished successful projects by creative utilization of architectural technology in architectural conservation such as the Columbia Museum of Art, New Acropolis Museum, and dozens of other projects. This is while in Iran we have not been able to benefit from architectural technology in architectural conservation measures in a creative way yet. It is obvious that architectural technology in Iran has not been progressed step by step with western societies, and there is a ponderable gap in this field between Iran and the mentioned societies; however, the research problem is that we cannot even benefit from what we have from technological developments in architecture field in architectural conservation measures. This issue is important because nowadays the architectural conservation measures in Iran do not meet the current needs from architectural heritage, and in this respect and considering the richness of this heritage in the country, we have lost and are losing many material and spiritual opportunities that we could have achieved from this potential. Accordingly, the purpose of the present research is to investigate the cause of Iran's backwardness in this field compared to the mentioned societies, and the question that is proposed based on this purpose is: \"Why do the western countries have a more successful performance in comparison to Iran in utilizing architectural technology common in architectural conservation?\" If the focus is on a wider timeframe, it is found that since the Renaissance period that is from the emergence period of modern technology and thought backgrounds in western societies, the relationship of the specialized fields with each other and with the society began to break down and consequently some challenges in the field of architecture and architectural conservation were also created for these societies. Accordingly, in the present research, firstly, the evolutions history of each of the architectural technology fields – including engineering and architecture form – and architectural conservation and evolution of the relationship of these two fields 121 D ow nl oa de d fr om jr ia .iu st .a c. ir at 2 0: 03 IR S T o n T ue sd ay N ov em be r 9t h 20 21 [ D O I: 10 .5 25 47 /jr ia .9 .2 .1 03 ] 122 همانلصف شهوژپ یس هرامش /یملاسا یرامعم یاه مکی و / ناتسبات 1400 مهن لاس / in western countries and Iran were investigated, and secondly, the type of the relationship of the specialties with the society and with each other have been focused in investigating these evolutions. In order to answer the research question, the relationship between the two fields of architectural technology and architectural conservation during the periods of tradition, passing from tradition to industry after passing from tradition to industry and the present time have been studied comparatively with a qualitative approach, historical research method, and comparative analysis from the subsets of th","PeriodicalId":192864,"journal":{"name":"Journal of Research in Islamic Architecture","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115370533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The quality of unity of opposites in the visual enhancement of Yazd Traditional Houses","authors":"Maryam Soleimani, I. Hojat, P. Hashempour","doi":"10.52547/jria.9.1.4","DOIUrl":"https://doi.org/10.52547/jria.9.1.4","url":null,"abstract":"","PeriodicalId":192864,"journal":{"name":"Journal of Research in Islamic Architecture","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123627357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Impact of Architectural Space on Aesthetic Response (Case Study Shrine of Imam Reza)","authors":"Naeeme Danesh","doi":"10.52547/jria.9.1.7","DOIUrl":"https://doi.org/10.52547/jria.9.1.7","url":null,"abstract":"","PeriodicalId":192864,"journal":{"name":"Journal of Research in Islamic Architecture","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116360759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Comparative Study of Jewish Religious Buildings and Mosques in Islam Focusing on the Study and Analysis of the Formation of the Early Buildings Based On Theoretical and Religious Texts","authors":"امیر صادقی نژاد, عباس مسعودی","doi":"10.52547/jria.9.1.5","DOIUrl":"https://doi.org/10.52547/jria.9.1.5","url":null,"abstract":"","PeriodicalId":192864,"journal":{"name":"Journal of Research in Islamic Architecture","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128336559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Analytical Approach to the Invitation quality of Contemporary Mosques (Case Study: Mosques of Tehran)","authors":"Hosna Varmaghani","doi":"10.52547/jria.9.1.1","DOIUrl":"https://doi.org/10.52547/jria.9.1.1","url":null,"abstract":"","PeriodicalId":192864,"journal":{"name":"Journal of Research in Islamic Architecture","volume":"7 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114011974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
راحله عبدالهی, اسلام کرمی, احد نژادابراهیمی, لیلا رحیمی
{"title":"Components Affecting the Resilience of Historical Bazaars Space with Emphasis on Capabilities of the Physical-Functional Dimension of Space Case Study: Amir Complex at Tabriz Historical Bazaar","authors":"راحله عبدالهی, اسلام کرمی, احد نژادابراهیمی, لیلا رحیمی","doi":"10.52547/jria.9.1.3","DOIUrl":"https://doi.org/10.52547/jria.9.1.3","url":null,"abstract":"","PeriodicalId":192864,"journal":{"name":"Journal of Research in Islamic Architecture","volume":"56 49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123016789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Typology of urban space and related rights from the perspective of Islamic jurisprudence and rights","authors":"حمید رضا آرامی","doi":"10.52547/jria.9.1.6","DOIUrl":"https://doi.org/10.52547/jria.9.1.6","url":null,"abstract":"","PeriodicalId":192864,"journal":{"name":"Journal of Research in Islamic Architecture","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134121434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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