Pub Date : 2020-06-22DOI: 10.17977/um034v5i1p54-59
R. Danniswara, Agung Eko Budiwaspada, Naomi Haswanto
Identity is an important aspect in the formation of a city branding. The identity that is used as a basis in the formation of city branding must be unique compared to other cities. A positive city identity will reflect a positive city image in the minds of the audience. Formulation of city identity can be done by applying competitive identity theory to communicate positive messages to be conveyed to the audience, through the six channels of city identity. The ideal city identity must be formulated based on the facts that occur in the city itself. Result of this research is “connectedness” as representative identity for Sidoarjo. “Connectedness” can be used as a basis for Sidoarjo city branding design.
{"title":"PERUMUSAN KONSEP IDENTITAS KABUPATEN SIDOARJO UNTUK CITY BRANDING MELALUI PENDEKATAN COMPETITIVE IDENTITY","authors":"R. Danniswara, Agung Eko Budiwaspada, Naomi Haswanto","doi":"10.17977/um034v5i1p54-59","DOIUrl":"https://doi.org/10.17977/um034v5i1p54-59","url":null,"abstract":"Identity is an important aspect in the formation of a city branding. The identity that is used as a basis in the formation of city branding must be unique compared to other cities. A positive city identity will reflect a positive city image in the minds of the audience. Formulation of city identity can be done by applying competitive identity theory to communicate positive messages to be conveyed to the audience, through the six channels of city identity. The ideal city identity must be formulated based on the facts that occur in the city itself. Result of this research is “connectedness” as representative identity for Sidoarjo. “Connectedness” can be used as a basis for Sidoarjo city branding design.","PeriodicalId":196673,"journal":{"name":"JADECS (Jurnal of Art, Design, Art Education & Cultural Studies)","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133400529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Film box office Lady Bird mendapatkan banyak penghargaan dan review positif dari para kritikus. Hal menarik yang dapat dibahas dari film Lady Bird adalah mengenai female gaze. Menganalisis dengan membandingkan teori Laura Mulvey mengenai female gaze dan male gaze melalui fenomena yang terdapat pada film Lady Bird yang menceritakan kehidupan seorang remaja perempuan pada umumnya. Image perempuan dalam film Lady Bird tidak tampak sebagai sebuah objek melainkan sebuah subjek, gaya pemeran perempaun dalam film Lady Bird tampil kuat, ambisius dan optimis. Lady Bird membuktikan bahwa teori Mulvey tentang dunia patriarkal tidak permanen dan tidak wajib.
{"title":"Female Gaze pada Film “Lady Bird”","authors":"Fathin Hanifah Langga","doi":"10.17977/um037v5i1p8-13","DOIUrl":"https://doi.org/10.17977/um037v5i1p8-13","url":null,"abstract":"Film box office Lady Bird mendapatkan banyak penghargaan dan review positif dari para kritikus. Hal menarik yang dapat dibahas dari film Lady Bird adalah mengenai female gaze. Menganalisis dengan membandingkan teori Laura Mulvey mengenai female gaze dan male gaze melalui fenomena yang terdapat pada film Lady Bird yang menceritakan kehidupan seorang remaja perempuan pada umumnya. Image perempuan dalam film Lady Bird tidak tampak sebagai sebuah objek melainkan sebuah subjek, gaya pemeran perempaun dalam film Lady Bird tampil kuat, ambisius dan optimis. Lady Bird membuktikan bahwa teori Mulvey tentang dunia patriarkal tidak permanen dan tidak wajib.","PeriodicalId":196673,"journal":{"name":"JADECS (Jurnal of Art, Design, Art Education & Cultural Studies)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132778873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-22DOI: 10.17977/um034v5i1p23-29
I. Agustina, Ida Bagus Ananta Wijaya
The brass craftsmen form Bejijong Village, Trowulan Subistrict , Mojokerto Regency, is a craftsmen community who had a heyday in Majapahit Era (1293-1500) and still operating until today. But now its existence are in stagnation due to the difficulty of getting the successor and weak competitiveness to the evolution of lifestyle and market tastes. The products produced by Bejijong craftsmen are limited to souvenir products, which resulting a very narrow-range market penetration. In international market, Bejijong craftmen’s product have a low product diversification compared to products from India and Thailand which have a similar qualities and product characteristics. Some of these problems make the Bejijong craftsmen’s products are difficult to compete in domestic and international market. Therefore, this research was held to contributing the diversification development of products that can be produced by Bejijong craftsmen, namely as a variety of interior functional products. This study uses the design thinking brainstorming with the use of transformative design method, and material combining, to creating a product novelty and market-price competitiveness. Data collection was obtained through literature studies on the richness locality and originality of Mojokerto’s motifs, shapes and patterns, as well as market research about consumer’s tastes and needs by field observations, conducting interviews as well as questionnaries with the Bejijong craftsmen communities and customers. Through this method, Mojokerto’s richness of local shape, motifs, and pattern will be applied to a variety of aesthetically-interior functional products that can address current market needs. It is hoped that by this product transformation can escalating the product competitiveness and offering the uniqueness of locality and identity to the Bejijong craftmen’s products
{"title":"REVITALISASI KUNINGAN MOJOKERTO: DIVERSIFIKASI PRODUK MELALUI TRANSFORMASI LOKALITAS MENUJU MODERNITAS","authors":"I. Agustina, Ida Bagus Ananta Wijaya","doi":"10.17977/um034v5i1p23-29","DOIUrl":"https://doi.org/10.17977/um034v5i1p23-29","url":null,"abstract":"The brass craftsmen form Bejijong Village, Trowulan Subistrict , Mojokerto Regency, is a craftsmen community who had a heyday in Majapahit Era (1293-1500) and still operating until today. But now its existence are in stagnation due to the difficulty of getting the successor and weak competitiveness to the evolution of lifestyle and market tastes. The products produced by Bejijong craftsmen are limited to souvenir products, which resulting a very narrow-range market penetration. In international market, Bejijong craftmen’s product have a low product diversification compared to products from India and Thailand which have a similar qualities and product characteristics. Some of these problems make the Bejijong craftsmen’s products are difficult to compete in domestic and international market. Therefore, this research was held to contributing the diversification development of products that can be produced by Bejijong craftsmen, namely as a variety of interior functional products. This study uses the design thinking brainstorming with the use of transformative design method, and material combining, to creating a product novelty and market-price competitiveness. Data collection was obtained through literature studies on the richness locality and originality of Mojokerto’s motifs, shapes and patterns, as well as market research about consumer’s tastes and needs by field observations, conducting interviews as well as questionnaries with the Bejijong craftsmen communities and customers. Through this method, Mojokerto’s richness of local shape, motifs, and pattern will be applied to a variety of aesthetically-interior functional products that can address current market needs. It is hoped that by this product transformation can escalating the product competitiveness and offering the uniqueness of locality and identity to the Bejijong craftmen’s products","PeriodicalId":196673,"journal":{"name":"JADECS (Jurnal of Art, Design, Art Education & Cultural Studies)","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126642754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstrak: Penelitian ini bertujuan untuk mengetahui karakteristik serta pola interaksi sosial antar pedagang di pasar Wilis, sekaligus untuk mengetahui faktor pendukung dan penghambat interaksi tersebut. Penelitian ini merupakan penelitian kualitatif. Teknik yang digunakan untuk mengumpulkan data dalam penelitian ini adalah observasi, wawancara, dan dokumentasi. Analisis data dalam penelitian ini mengacu pada model analisis interaktif yang diajukan Miles dan Huberman dengan tahapan: reduksi data, penyajian data, dan verifikasi data. Berdasarkan hasil penelitian, pola interaksi sosial antar pedagang yang terlihat berupa kerjasama, persaingan, konflik, dan akomodasi. Kerjasama perdagangan tersebut terjadi secara spontan baik dalam kegiatan sosial dan juga ekonomi. Sedangkan bentuk persaingannya adalah atas dasar persaingan ekonomi. Konflik yang ada juga bersifat pribadi dan juga tidak sampai anarkis. Akomodasi yang dilakukan oleh para pedagang juga tidak sampai pada pihak ke tiga. Faktor yang mendorong pola interaksi sosial antar pedagang di wilayah Ampel adalah (1) adanya tujuan; (2) dan situasi sosial. Sedangkan faktor yang menghambatnya adalah (1) hambatan sosiologi (2) hambatan antropologis (3) hambatan psikologis, dan (4) hambatan ekologis.Kata Kunci: interaksi sosial, pedagang.
{"title":"POLA INTERAKSI SOSIAL ANTAR PEDAGANG BUKU DI PASAR WILIS KOTA MALANG","authors":"Syamrotul Mu Arofah","doi":"10.17977/UM037V4I1P1-7","DOIUrl":"https://doi.org/10.17977/UM037V4I1P1-7","url":null,"abstract":"Abstrak: Penelitian ini bertujuan untuk mengetahui karakteristik serta pola interaksi sosial antar pedagang di pasar Wilis, sekaligus untuk mengetahui faktor pendukung dan penghambat interaksi tersebut. Penelitian ini merupakan penelitian kualitatif. Teknik yang digunakan untuk mengumpulkan data dalam penelitian ini adalah observasi, wawancara, dan dokumentasi. Analisis data dalam penelitian ini mengacu pada model analisis interaktif yang diajukan Miles dan Huberman dengan tahapan: reduksi data, penyajian data, dan verifikasi data. Berdasarkan hasil penelitian, pola interaksi sosial antar pedagang yang terlihat berupa kerjasama, persaingan, konflik, dan akomodasi. Kerjasama perdagangan tersebut terjadi secara spontan baik dalam kegiatan sosial dan juga ekonomi. Sedangkan bentuk persaingannya adalah atas dasar persaingan ekonomi. Konflik yang ada juga bersifat pribadi dan juga tidak sampai anarkis. Akomodasi yang dilakukan oleh para pedagang juga tidak sampai pada pihak ke tiga. Faktor yang mendorong pola interaksi sosial antar pedagang di wilayah Ampel adalah (1) adanya tujuan; (2) dan situasi sosial. Sedangkan faktor yang menghambatnya adalah (1) hambatan sosiologi (2) hambatan antropologis (3) hambatan psikologis, dan (4) hambatan ekologis.Kata Kunci: interaksi sosial, pedagang.","PeriodicalId":196673,"journal":{"name":"JADECS (Jurnal of Art, Design, Art Education & Cultural Studies)","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121894943","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Graphic reproduction courses or printing methods are one of the courses that always exist in every college of Visual Communication Design in Indonesia, with this course students are expected to understand how the Final Artwork (FA) printing process is correct, the result is the quality of the design work Finally, students have met print-ready standards in accordance with the graphic industry standard so that it has the potential to be offered to the public at large as ready-to-use works, but unfortunately the student's work has only ended up in storage. This study aims to optimize the potential that exists in the final design work to be more widely useful. This study uses a qualitative method with a descriptive approach aimed at analyzing the quality of student design assignments in the Gafika Reproduction Method course, and creating an online gallery as a means of channeling existing design potential
{"title":"OPTIMALISASI POTENSI KARYA MAHASISWA MATA KULIAH GRAFIKA DKV MELALUI GALERI ONLINE","authors":"A. M. Sulaiman, S. Sugiyanto","doi":"10.17977/um037v4i1p8-16","DOIUrl":"https://doi.org/10.17977/um037v4i1p8-16","url":null,"abstract":"Graphic reproduction courses or printing methods are one of the courses that always exist in every college of Visual Communication Design in Indonesia, with this course students are expected to understand how the Final Artwork (FA) printing process is correct, the result is the quality of the design work Finally, students have met print-ready standards in accordance with the graphic industry standard so that it has the potential to be offered to the public at large as ready-to-use works, but unfortunately the student's work has only ended up in storage. This study aims to optimize the potential that exists in the final design work to be more widely useful. This study uses a qualitative method with a descriptive approach aimed at analyzing the quality of student design assignments in the Gafika Reproduction Method course, and creating an online gallery as a means of channeling existing design potential","PeriodicalId":196673,"journal":{"name":"JADECS (Jurnal of Art, Design, Art Education & Cultural Studies)","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128498102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-22DOI: 10.17977/UM037V4I1P26-31
Giovanli Lauren, Tommy Pik
The importance of music in our daily life has given rise to an increased number of studies addressing the brain regions involved in its appreciation. Some of these studies controlled only for the familiarity of the stimuli, while others relied on pleasantness ratings, and others still on musical preferences. With a listening test and a recorded heart rate ratings experiment, we wished to clarify the role of familiarity in the brain correlates and the reaction of cardiovascular system of music appreciation by controlling, in the same study, for both familiarity and musical preferences. First, we conducted a listening test, in which participants rated the familiarity and liking of song excerpts from the classical repertoire and dangdut. Music the recorded fluctuation of heart rate gives us a slight information that there is/are factors that influence human biology system to respond music, aside from the natural respond of body to music in terms of experience that amateur and non-amateur musician had. Hence, familiarity seems to be a crucial factor in making the listeners emotionally engaged with music.
{"title":"Reaksi Detak Jantung Musisi Amatir dan Non-Amatir Terhadap Repatoar Klasik Bertempo Cepat dan Lambat dan Musik Dangdut.","authors":"Giovanli Lauren, Tommy Pik","doi":"10.17977/UM037V4I1P26-31","DOIUrl":"https://doi.org/10.17977/UM037V4I1P26-31","url":null,"abstract":"The importance of music in our daily life has given rise to an increased number of studies addressing the brain regions involved in its appreciation. Some of these studies controlled only for the familiarity of the stimuli, while others relied on pleasantness ratings, and others still on musical preferences. With a listening test and a recorded heart rate ratings experiment, we wished to clarify the role of familiarity in the brain correlates and the reaction of cardiovascular system of music appreciation by controlling, in the same study, for both familiarity and musical preferences. First, we conducted a listening test, in which participants rated the familiarity and liking of song excerpts from the classical repertoire and dangdut. Music the recorded fluctuation of heart rate gives us a slight information that there is/are factors that influence human biology system to respond music, aside from the natural respond of body to music in terms of experience that amateur and non-amateur musician had. Hence, familiarity seems to be a crucial factor in making the listeners emotionally engaged with music.","PeriodicalId":196673,"journal":{"name":"JADECS (Jurnal of Art, Design, Art Education & Cultural Studies)","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134604441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-22DOI: 10.17977/um037v4i1p18-25
Akhmad Fadly
A. AbstrakPerkembangan komik di Indonesia semakin menempati wilayah produktifnya, ditandai dengan mulai bermunculan platform komik digital sebagai wadah yang menghimpun karya komik, platform komik digital juga menyanggupi untuk memberi apresiasi berupa materi yang menjanjikan kepada komikus yang karyanya berhasil terbit di platform mereka. Dampak kemudahan serta apresiasi yang baik dari platform komik ini membuat semakin ramai pula komikus-komikus pemula bermunculan, namun tidak sedikit yang belum memenuhi standar yang baik dalam menghasilkan karya komik digital, mereka masih membutuhkan informasi dan edukasi mengenai langkah awal yang dilakukan, untuk menjadi komikus yang karyanya memenuhi standar industri platform komik digital.Metode perancangan menggunakan metode Triadik berfikir desain komunikasi visual oleh Sumbo Tinarbuko untuk memetakan proses perancangan secara kokoh, jelas dan mengcover semua elemen yang dibutuhkan dalam perancangan. Metode perancangan ini mengacu pada metode desain modern yang meliputi empat tahapan, yaitu identifikasi, analasis, sintesis, dan evaluasi.Konten tutorial merupakan materi pembentukan 4 aspek pra produksi berkarya komik, diantaranya adalah Outline, Character Design, Universe, dan Gimmick. Pesan visual disampaikan melalui desain ilustrasi karakter dari komik SAMPANA, dengan penerapan tema warna yang berbeda pada ilustrasi sebagai variasi untuk masing-masing materi. Media perancangan yang digunakan adalah Infografis dan Poster.Kata kunci: Tutorial, komik digital,
{"title":"Perancangan Infografis Tutorial COMIC PREPARATION untuk komikus pemula","authors":"Akhmad Fadly","doi":"10.17977/um037v4i1p18-25","DOIUrl":"https://doi.org/10.17977/um037v4i1p18-25","url":null,"abstract":"A. AbstrakPerkembangan komik di Indonesia semakin menempati wilayah produktifnya, ditandai dengan mulai bermunculan platform komik digital sebagai wadah yang menghimpun karya komik, platform komik digital juga menyanggupi untuk memberi apresiasi berupa materi yang menjanjikan kepada komikus yang karyanya berhasil terbit di platform mereka. Dampak kemudahan serta apresiasi yang baik dari platform komik ini membuat semakin ramai pula komikus-komikus pemula bermunculan, namun tidak sedikit yang belum memenuhi standar yang baik dalam menghasilkan karya komik digital, mereka masih membutuhkan informasi dan edukasi mengenai langkah awal yang dilakukan, untuk menjadi komikus yang karyanya memenuhi standar industri platform komik digital.Metode perancangan menggunakan metode Triadik berfikir desain komunikasi visual oleh Sumbo Tinarbuko untuk memetakan proses perancangan secara kokoh, jelas dan mengcover semua elemen yang dibutuhkan dalam perancangan. Metode perancangan ini mengacu pada metode desain modern yang meliputi empat tahapan, yaitu identifikasi, analasis, sintesis, dan evaluasi.Konten tutorial merupakan materi pembentukan 4 aspek pra produksi berkarya komik, diantaranya adalah Outline, Character Design, Universe, dan Gimmick. Pesan visual disampaikan melalui desain ilustrasi karakter dari komik SAMPANA, dengan penerapan tema warna yang berbeda pada ilustrasi sebagai variasi untuk masing-masing materi. Media perancangan yang digunakan adalah Infografis dan Poster.Kata kunci: Tutorial, komik digital,","PeriodicalId":196673,"journal":{"name":"JADECS (Jurnal of Art, Design, Art Education & Cultural Studies)","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128966049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-22DOI: 10.17977/UM037V4I1P32-38
Andhika Putra Herwanto, Andika Agung Sutrisno
Fotografi hadir sebagai unique distinction, yaitu kemampuannya berbicara (spoken) dan tulisan (writen) dan membuat menjadi partially (not complete), out of date (tidak bertahan lama). Pengetahuan subject dan implikasinya menjadi penting bagi fotografer selain persoalan teknikal optimalisasi lensa. Ketika membuat portrait, fotografer melakukan kegiatan menafsirkan objek (model) foto. Dalam fotografi, pencahayaan atau lighting dapat digolongkan ke dalam berbagai topik bahasan. Umumnya pembahasan tersebut berkaitan dengan sumber cahaya. Bila ditinjau dari sumbernya, cahaya yang ada bisa dibagi menjadi dua, yaitu cahaya alam (continous light) dan cahaya buatan (articial light)Kata kunci: fotografi portrait, continuous light, artificial light
{"title":"CONTINOUS LIGHT DAN ARTIFICIAL LIGHT PADA KARYA PORTRAIT FOTOGRAFI BANTENGAN","authors":"Andhika Putra Herwanto, Andika Agung Sutrisno","doi":"10.17977/UM037V4I1P32-38","DOIUrl":"https://doi.org/10.17977/UM037V4I1P32-38","url":null,"abstract":"Fotografi hadir sebagai unique distinction, yaitu kemampuannya berbicara (spoken) dan tulisan (writen) dan membuat menjadi partially (not complete), out of date (tidak bertahan lama). Pengetahuan subject dan implikasinya menjadi penting bagi fotografer selain persoalan teknikal optimalisasi lensa. Ketika membuat portrait, fotografer melakukan kegiatan menafsirkan objek (model) foto. Dalam fotografi, pencahayaan atau lighting dapat digolongkan ke dalam berbagai topik bahasan. Umumnya pembahasan tersebut berkaitan dengan sumber cahaya. Bila ditinjau dari sumbernya, cahaya yang ada bisa dibagi menjadi dua, yaitu cahaya alam (continous light) dan cahaya buatan (articial light)Kata kunci: fotografi portrait, continuous light, artificial light","PeriodicalId":196673,"journal":{"name":"JADECS (Jurnal of Art, Design, Art Education & Cultural Studies)","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126428564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-22DOI: 10.17977/UM037V4I1P39-47
Rully Aprilia Zandra
Keroncong is a genre of music that evolves and lives in Indonesia. Many versions have been raised about the origin of keroncong. There is a version states that keroncong music was originated from Portuguese, others state that keroncong is an Indonesian local genius. Surabaya as one of the cities in Indonesia with its dinamic political development was very possible has influence to its musical history, form, and presentation style. Based on this background, the question research is how are the form and presentation style of keroncong music in Surabaya? The method used in this research was qualitative, and case study approach. The results showed that Surabaya keroncong style is charachterized by the musical forms, lyric, presentation, instruments, and tuning.
{"title":"KERONCONG GAYA KEEMPAT (Kajian Bentuk dan Gaya Penyajian)","authors":"Rully Aprilia Zandra","doi":"10.17977/UM037V4I1P39-47","DOIUrl":"https://doi.org/10.17977/UM037V4I1P39-47","url":null,"abstract":"Keroncong is a genre of music that evolves and lives in Indonesia. Many versions have been raised about the origin of keroncong. There is a version states that keroncong music was originated from Portuguese, others state that keroncong is an Indonesian local genius. Surabaya as one of the cities in Indonesia with its dinamic political development was very possible has influence to its musical history, form, and presentation style. Based on this background, the question research is how are the form and presentation style of keroncong music in Surabaya? The method used in this research was qualitative, and case study approach. The results showed that Surabaya keroncong style is charachterized by the musical forms, lyric, presentation, instruments, and tuning.","PeriodicalId":196673,"journal":{"name":"JADECS (Jurnal of Art, Design, Art Education & Cultural Studies)","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132505164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-09-22DOI: 10.17977/UM037V4I1P48-55
Andy Pramono, P. Pujiyanto, A. R. Arimbawa
According to the Indonesian Ministry of Communication and Informatics data, at least 30 million children and adolescents in Indonesia are internet users, and digital media is currently the main choice of communication channels they use. One of the content that is the choice of users, especially children, is an interactive game. There is a strong assumption that interactive games can inhibit children's education, which makes children lazy to learn. The other side of character education is a target of the Indonesian government. Education about caring and perseverance is an important topic for children's character education. This article will discuss thematic learning media for raising children's awareness and perseverance which combines "game" and "learning" which are packaged with asynchronous models. Asynchronous was chosen because this character education still requires students to meet and discuss with teachers to find out the results of this education. This research is through a descriptive procedural research model, which outlines the steps that must be followed to produce a product. The data obtained in this design was taken by data observation, interview and documentation methods. Data observation method consists of visual data, library data and survey target audience. With the improvement of educational game design to increase children's care and perseverance, there will be an introduction, pattern and knowledge that can improve the character of children in life. This research can also be a guide for character education or one of the learning materials.
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