Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190033
L. T. C. Bastos
The present work seeks to make an overview of the poetic techniques used by Shakespeare’s predecessors in theater, more specifically in tragedy. We refer to Thomas Kyd and Christopher Marlowe. Kyd changed the structure of the Elizabethan theater. If in Gorboduc we find monologues uttered by almost every character of any importance, Kyd placed almost all monologues in the main character’s mouth, creating a backbone in the play and allowing psychological examination. Marlowe, on the other hand, transformed the iambic pentameter into a rich and flexible instrument, creating the medium of expression of theater from then on. Early in his career, Shakespeare relied heavily on these two authors. We will examine excerpts from each of them, pointing to the possibilities of influence.
{"title":"Kyd e marlowe: um panorama do teatro elisabetano encontrado por Shakespeare e seu uso em Henry VI","authors":"L. T. C. Bastos","doi":"10.5935/1679-5520.20190033","DOIUrl":"https://doi.org/10.5935/1679-5520.20190033","url":null,"abstract":"The present work seeks to make an overview of the poetic techniques used by Shakespeare’s predecessors in theater, more specifically in tragedy. We refer to Thomas Kyd and Christopher Marlowe. Kyd changed the structure of the Elizabethan theater. If in Gorboduc we find monologues uttered by almost every character of any importance, Kyd placed almost all monologues in the main character’s mouth, creating a backbone in the play and allowing psychological examination. Marlowe, on the other hand, transformed the iambic pentameter into a rich and flexible instrument, creating the medium of expression of theater from then on. Early in his career, Shakespeare relied heavily on these two authors. We will examine excerpts from each of them, pointing to the possibilities of influence.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116646227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190006
Silvania Núbia Chagas
Female characters stand out in the work of Chimamanda Adichie, whose narrative fabric is engendered around the feminine condition propitiated by the society in which they are inserted. Their lives are guided either by tradition or by modernity. However, they always have as their “backdrop” the intertwining between these two assumptions. Opposing this aspect, there is also the question of alterity, widely discussed, because the "I" who wants to be the "other", but does not renounce itself, generating the identity conflict in these characters, whose behavior oscillates between opacity and transparency. Supporting this dilemma is the process of colonization, largely responsible for the decimation of culture. The visibility of women in these societies is the result of a silent and constant struggle. Considering that, besides bearing the yoke of colonization, they also have to cope with the question of patriarchalism, that is, the hegemony of the male gender, which reveals itself from the beginning, because it underlies tradition and establishes itself in modernity. Thus, the female characters in Adichie’s work relate to this universe in which the feminine reveals itself in a silent way, through strategies that apparently are not aggressive, but determine and transform the future of the new generations. Analyzing the behavior of these characters is the purpose of this work. For theoretical foundation, we will use the studies of Said (1995), Bhabha (1998), Hall (2006), Spivak (2010), Bamisile (2007), Obiechina (1975), Bordieu (1999), among others.
{"title":"Opacidade e transparência no comportamento das personagens femininas na obra de Chimamanda Adichie","authors":"Silvania Núbia Chagas","doi":"10.5935/1679-5520.20190006","DOIUrl":"https://doi.org/10.5935/1679-5520.20190006","url":null,"abstract":"Female characters stand out in the work of Chimamanda Adichie, whose narrative fabric is engendered around the feminine condition propitiated by the society in which they are inserted. Their lives are guided either by tradition or by modernity. However, they always have as their “backdrop” the intertwining between these two assumptions. Opposing this aspect, there is also the question of alterity, widely discussed, because the \"I\" who wants to be the \"other\", but does not renounce itself, generating the identity conflict in these characters, whose behavior oscillates between opacity and transparency. Supporting this dilemma is the process of colonization, largely responsible for the decimation of culture. The visibility of women in these societies is the result of a silent and constant struggle. Considering that, besides bearing the yoke of colonization, they also have to cope with the question of patriarchalism, that is, the hegemony of the male gender, which reveals itself from the beginning, because it underlies tradition and establishes itself in modernity. Thus, the female characters in Adichie’s work relate to this universe in which the feminine reveals itself in a silent way, through strategies that apparently are not aggressive, but determine and transform the future of the new generations. Analyzing the behavior of these characters is the purpose of this work. For theoretical foundation, we will use the studies of Said (1995), Bhabha (1998), Hall (2006), Spivak (2010), Bamisile (2007), Obiechina (1975), Bordieu (1999), among others.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122691157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190041
S. V. Padilha
Valter Hugo Mãe is a Portuguese author who is known for the density of his text and for writing in remarkable poetic language. He received two important prizes for the novel A máquina de fazer espanhóis [The Machine for Making Spaniards]. The aim of this study is to highlight the proximity with photography that pervades the novel. In our analysis, we will emphasize the way the protagonist’s world – Mr. António Jorge da Silva – is shaped by his consciousness and memories. In his fictitious universe, Mãe employs verbal images that belong to the visual arts. This research intends to examine the relationship between photography and other elements of the book’s narrative. The study will be conducted in the light of theoretical perspectives by Boris Kossoy (2005, 2012), Irina Rajewsky (2012), Roland Barthes (2012), Susan Sontag (2004), among others.
瓦尔特·雨果·米是一位葡萄牙作家，以其文本的密度和非凡的诗意语言而闻名。他凭借小说A máquina de fazer espanhóis(制造西班牙人的机器)获得了两个重要奖项。本研究的目的是强调小说中与摄影的接近性。在我们的分析中，我们将强调主人公的世界——António豪尔赫·达席尔瓦先生——是由他的意识和记忆塑造的。在他虚构的宇宙中，梅使用了属于视觉艺术的语言图像。本研究旨在探讨摄影与书中其他叙事元素之间的关系。本研究将借鉴Boris Kossoy(2005、2012)、Irina Rajewsky(2012)、Roland Barthes(2012)、Susan Sontag(2004)等人的理论观点。
{"title":"Aspectos da visualidade no romance A máquina de fazer espanhóis","authors":"S. V. Padilha","doi":"10.5935/1679-5520.20190041","DOIUrl":"https://doi.org/10.5935/1679-5520.20190041","url":null,"abstract":"Valter Hugo Mãe is a Portuguese author who is known for the density of his text and for writing in remarkable poetic language. He received two important prizes for the novel A máquina de fazer espanhóis [The Machine for Making Spaniards]. The aim of this study is to highlight the proximity with photography that pervades the novel. In our analysis, we will emphasize the way the protagonist’s world – Mr. António Jorge da Silva – is shaped by his consciousness and memories. In his fictitious universe, Mãe employs verbal images that belong to the visual arts. This research intends to examine the relationship between photography and other elements of the book’s narrative. The study will be conducted in the light of theoretical perspectives by Boris Kossoy (2005, 2012), Irina Rajewsky (2012), Roland Barthes (2012), Susan Sontag (2004), among others.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114922972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190014
Enedir Silva Santos
Erected on ideals of transgression and resistance, the texts of Márcia Denser (2003) deconstruct stereotypes that subordinate the feminine to male superiority in several ways: in this case, the author uses eroticism to deconstruct the interdict of female virginity as an ideal of purity. The interdicts, established by Bataille (1987) as rules that regulate human behavior, have always understood the feminine subject as submissive to masculine power and, in a macho-patriarchal society such as ours, they have taken on multiple authoritarian and authorized discourses to condemn women who dared to oppose these rules. Narrated acidly and sarcastically, the texts deconstruct these regulations, subverting them from the viewpoint of female sexual experience, resulting in narratives that transgress social dictates.
{"title":"O interdito da sexualidade feminina na narrativa de Márcia Denser: transgredir para resistir","authors":"Enedir Silva Santos","doi":"10.5935/1679-5520.20190014","DOIUrl":"https://doi.org/10.5935/1679-5520.20190014","url":null,"abstract":"Erected on ideals of transgression and resistance, the texts of Márcia Denser (2003) deconstruct stereotypes that subordinate the feminine to male superiority in several ways: in this case, the author uses eroticism to deconstruct the interdict of female virginity as an ideal of purity. The interdicts, established by Bataille (1987) as rules that regulate human behavior, have always understood the feminine subject as submissive to masculine power and, in a macho-patriarchal society such as ours, they have taken on multiple authoritarian and authorized discourses to condemn women who dared to oppose these rules. Narrated acidly and sarcastically, the texts deconstruct these regulations, subverting them from the viewpoint of female sexual experience, resulting in narratives that transgress social dictates.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"5 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120901695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190012
G. Bellin, R. D. C. M. Alcaraz
{"title":"O que é identidade de gênero?","authors":"G. Bellin, R. D. C. M. Alcaraz","doi":"10.5935/1679-5520.20190012","DOIUrl":"https://doi.org/10.5935/1679-5520.20190012","url":null,"abstract":"","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"168 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114099134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190003
João Claudio Arendt, Roberto Rossi Menegotto
In The Dunwich horror, cosmic horror novel by H. P. Lovecraft, we can notice the opression suffered by Lavinia Whateley, imposed by her father, Old Whateley, and her son, Wilbur Whateley. Female, albino and deformed, Lavinia is deprived of social equality, manipulated to accept a religion based on adoration of horrifying monsters, and offered, by her own father, to gestate Yog-Sothoth’s offspring. In view of the issues mentioned above, the purpose of this article is to analyze the symbols that structure three contexts in which the disparity, between female and male genders, is evidenced, so as to highlight Lavinia Whateley’s negative characterization. Our theoretical framework consists of authors such as Gilbert Durand (1995; 1998; 2002), Jean Chevalier and Alain Gheerbrant (2017), H. P. Lovecraft (2007), Michelle Perrot (1991a; 1991b), Pierre Bourdieu (2012) and Simone de Beauvoir (1980a; 1980b).
{"title":"Gênero, opressão e horror cósmico: a caracterização de Lavinia Whateley em O horror de Dunwich, de H. P. Lovecraft","authors":"João Claudio Arendt, Roberto Rossi Menegotto","doi":"10.5935/1679-5520.20190003","DOIUrl":"https://doi.org/10.5935/1679-5520.20190003","url":null,"abstract":"In The Dunwich horror, cosmic horror novel by H. P. Lovecraft, we can notice the opression suffered by Lavinia Whateley, imposed by her father, Old Whateley, and her son, Wilbur Whateley. Female, albino and deformed, Lavinia is deprived of social equality, manipulated to accept a religion based on adoration of horrifying monsters, and offered, by her own father, to gestate Yog-Sothoth’s offspring. In view of the issues mentioned above, the purpose of this article is to analyze the symbols that structure three contexts in which the disparity, between female and male genders, is evidenced, so as to highlight Lavinia Whateley’s negative characterization. Our theoretical framework consists of authors such as Gilbert Durand (1995; 1998; 2002), Jean Chevalier and Alain Gheerbrant (2017), H. P. Lovecraft (2007), Michelle Perrot (1991a; 1991b), Pierre Bourdieu (2012) and Simone de Beauvoir (1980a; 1980b).","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"145 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127573217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190007
J. Saraiva, Éderson de Oliveira Cabral
{"title":"Identidade e memória do horror em O prisioneiro, de Érico Veríssimo","authors":"J. Saraiva, Éderson de Oliveira Cabral","doi":"10.5935/1679-5520.20190007","DOIUrl":"https://doi.org/10.5935/1679-5520.20190007","url":null,"abstract":"","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124538524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190030
Marcel Álvaro de Amorin
{"title":"Transconstruindo Shakespeare no palco e nas telas","authors":"Marcel Álvaro de Amorin","doi":"10.5935/1679-5520.20190030","DOIUrl":"https://doi.org/10.5935/1679-5520.20190030","url":null,"abstract":"","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134282666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190008
Derneval Andrade Ferreira, Adelino Pereira dos Santos
The novel Noites de vigília, by the Angolan writer Boaventura Cardoso, presents a narrative that is marked by a construction nourished by both the literary aesthetics and the historical process in which it is inserted. The novel presents a pluralistic aesthetic and its main approaches unfold in so many others, thus allowing negotiations of meaning in a game of polysemy. It was from these conceptions of textual and literary analysis that this essay was articulated, whose objective is to discuss the problematic of colonialist and anticolonialist discourse as necessary tools to better understand the libertarian and autonomous construction of aspects related to Angolan society in its national formation.
安哥拉作家博阿文图拉·卡多佐(Boaventura Cardoso)的小说《札记vigília》(Noites de vigília)呈现了一种以文学美学和历史进程为基础的叙事结构。小说呈现出一种多元化的审美，其主要的方法在许多其他方面展开，从而允许在一种多义词的游戏中进行意义的协商。正是从这些文本和文学分析的概念出发，本文的目的是讨论殖民主义和反殖民主义话语的问题，作为更好地理解安哥拉社会在其国家形成过程中有关方面的自由意志主义和自主建设的必要工具。
{"title":"Noites de vigília: um romance contemporâneo entre a literatura e a história angolana","authors":"Derneval Andrade Ferreira, Adelino Pereira dos Santos","doi":"10.5935/1679-5520.20190008","DOIUrl":"https://doi.org/10.5935/1679-5520.20190008","url":null,"abstract":"The novel Noites de vigília, by the Angolan writer Boaventura Cardoso, presents a narrative that is marked by a construction nourished by both the literary aesthetics and the historical process in which it is inserted. The novel presents a pluralistic aesthetic and its main approaches unfold in so many others, thus allowing negotiations of meaning in a game of polysemy. It was from these conceptions of textual and literary analysis that this essay was articulated, whose objective is to discuss the problematic of colonialist and anticolonialist discourse as necessary tools to better understand the libertarian and autonomous construction of aspects related to Angolan society in its national formation.","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"320 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122707670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.5935/1679-5520.20190021
L. Silva, Karin Volobuef
{"title":"Outra olímpia, olímpia outra: a leitura de Hans Bellmer da Boneca Romântica de E. T. A. Hoffmann","authors":"L. Silva, Karin Volobuef","doi":"10.5935/1679-5520.20190021","DOIUrl":"https://doi.org/10.5935/1679-5520.20190021","url":null,"abstract":"","PeriodicalId":197371,"journal":{"name":"REVISTA Scripta Uniandrade","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114736736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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