{"title":"Pod patronatem Eurydyki. O \"Romantyzmie, czyli »inter esse«\" Magdaleny Siwiec z nieustającym odniesieniem do jej wcześniejszych książek. Rec.: Magdalena Siwiec, Romantyzm, czyli \"inter esse\". Warszawa 2017. \"Studia Romantyczne\"","authors":"Eliza Kącka","doi":"10.18318/pl.2020.3.15","DOIUrl":"https://doi.org/10.18318/pl.2020.3.15","url":null,"abstract":"","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124932218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Norwid w Bibliotece Polskiej w Paryżu","authors":"M. Abramczyk","doi":"10.18318/pl.2021.3.15","DOIUrl":"https://doi.org/10.18318/pl.2021.3.15","url":null,"abstract":"","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"212 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122647096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Oręż i pióro. Nieznane epizody z żołnierskiej biografii Stanisława Baczyńskiego","authors":"Anna Szawerna-Dyrszka","doi":"10.18318/pl.2021.4.12","DOIUrl":"https://doi.org/10.18318/pl.2021.4.12","url":null,"abstract":"","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"136 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127720408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Komunistyczna agitka czy jednak coś więcej? O powieści Brunona Jasieńskiego „Palę Paryż”","authors":"Marzenna Cyzman","doi":"10.18318/PL.2019.3.2","DOIUrl":"https://doi.org/10.18318/PL.2019.3.2","url":null,"abstract":"","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133690709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The author of the article examines the sources and the circumstances of producing a collection of Pas sion pieces by Stanisław Grochowski entitled Cudowne wiersze z indyjskiego języka przełożone [...] ( Wonderful Verses from the Indian Language , 1611), and especially Druga żałoba Panny Naświętszej ( Holy Mary’s Second Mourning ) contained in it. The poem turns out to be a paraphrased translation of a fragment De partu Virginis by Jacopo Sannazaro presenting in King David’s prophetic vision the future torment of Christ and the suffering of his mother. Sannazaro’s Planctus Mariae survived as a separate composition in a few handwritten codices and was also quoted as an independent piece in old preach ments and meditations about the Passion. An analysis of Grochowski’s poem proves that the Polish poet used this kind of account—the view is also supported by a comparative analysis as well as by the information added to the title of the poem about offering it to Pope Adrian VI.
本文作者考察了由Stanisław Grochowski创作的passion作品合集的来源和情况，题为Cudowne wierze z indyjskiego języka przełożone[…](《印度语的美妙诗句》，1611年)，尤其是其中包含的Druga żałoba Panny Naświętszej(圣玛丽的第二次哀悼)。这首诗原来是Jacopo Sannazaro对《De partu Virginis》片段的意译在大卫王的预言中描述了基督未来的折磨和他母亲的痛苦。桑那扎罗的《玛利亚plananctus Mariae》作为一个独立的作品保存在一些手写的抄本中，也被作为一个独立的作品引用在关于耶稣受难的古老布道和冥想中。对格罗霍夫斯基诗歌的分析证明，波兰诗人使用了这种说法——这一观点也得到了比较分析的支持，同时也得到了诗歌标题中关于将其献给教皇阿德里安六世的信息的支持。
{"title":"Jeszcze jeden przyczynek do recepcji twórczości Sannazara w literaturze staropolskiej","authors":"R. Mazurkiewicz","doi":"10.18318/pl.2020.2.16","DOIUrl":"https://doi.org/10.18318/pl.2020.2.16","url":null,"abstract":"The author of the article examines the sources and the circumstances of producing a collection of Pas sion pieces by Stanisław Grochowski entitled Cudowne wiersze z indyjskiego języka przełożone [...] ( Wonderful Verses from the Indian Language , 1611), and especially Druga żałoba Panny Naświętszej ( Holy Mary’s Second Mourning ) contained in it. The poem turns out to be a paraphrased translation of a fragment De partu Virginis by Jacopo Sannazaro presenting in King David’s prophetic vision the future torment of Christ and the suffering of his mother. Sannazaro’s Planctus Mariae survived as a separate composition in a few handwritten codices and was also quoted as an independent piece in old preach ments and meditations about the Passion. An analysis of Grochowski’s poem proves that the Polish poet used this kind of account—the view is also supported by a comparative analysis as well as by the information added to the title of the poem about offering it to Pope Adrian VI.","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"2019 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132124953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The subject of the article is De plagiariis et scriptorum alienorum compilatoribus [...] epistola , a letter by François Douaren (Duarein, Duarenus, a French lawyer and humanist. An analysis of the letter in the context of ancient and early modern discourse on the literary theft ( furtum litterarium ) confirms the thesis on the growing in the Renaissance awareness of existing specific copyright in refer-ence to intellectual property with simultaneous difficulties that the old scholars faced when defining the laws and with differentiating plagiarism broadly understood compilation and imitation.
这篇文章的主题是De plagiarism et scriptorum alienorum compiler[…]] epistola，法国律师、人道主义者弗朗索瓦·杜阿雷的一封信。在古代和早期现代文学盗窃(furtum litterarium)话语的背景下分析这封信，证实了文艺复兴时期对现有特定版权的认识日益增长，涉及知识产权，同时旧学者在定义法律时面临困难，并在区分广泛理解的抄袭时面临困难汇编和模仿。
{"title":"U początków wczesnonowożytnej refleksji dotyczącej własności intelektualnej François Douaren: „De plagiariis et scriptorum alienorum compilatoribus [...] epistola” (1550)","authors":"Wiesław Pawlak","doi":"10.18318/pl.2020.2.5","DOIUrl":"https://doi.org/10.18318/pl.2020.2.5","url":null,"abstract":"The subject of the article is De plagiariis et scriptorum alienorum compilatoribus [...] epistola , a letter by François Douaren (Duarein, Duarenus, a French lawyer and humanist. An analysis of the letter in the context of ancient and early modern discourse on the literary theft ( furtum litterarium ) confirms the thesis on the growing in the Renaissance awareness of existing specific copyright in refer-ence to intellectual property with simultaneous difficulties that the old scholars faced when defining the laws and with differentiating plagiarism broadly understood compilation and imitation.","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132346519","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
LUDMIŁA JANION University of Warsaw ORCID: 0000-0002-7325-1172 MILENA CHILIŃSKA University of Warsaw ORCID: 0000-0003-3940-3416 NO FUTURE A QUEER OBJECTION OF JULIUSZ SŁOWACKI’S “ANHELLI” IN THE CONTEXT OF THE POEM’S ATTEMPTED CONTINUATIONS The article applies negative queer theory to investigate the Polish Romanticism. Employing selected terms of queer theory, namely the Child, reproductive futurism, and queer asexuality, it interprets Juliusz Słowacki’s Anhelli as a poem which links the rejection of future with asexuality. In this reading, Anhelli’s melancholy becomes a literary exemplification of alienation from the Symbolic, emptiness of fractured Lacanian subject, while the title character becomes a future-denying queer outcast. This claim is supported with the analysis of the endings added to Anhelli by Kornel Ujejski and by Wacław Gasztowtt, which indicate a cultural resistance towards the queer call to abandon the fantasy of stable meanings, complete identity, and better future. 53 Zob. A. C v e t k o v i c h, An Archive of Feeling, Trauma, Sexuality, and Lesbian Public Cultures. Durham 2003. – L o v e, op. cit. – S. A h m e d, The Promise of Happiness. Durham 2010. – H a lb e r s t a m, op. cit.
{"title":"Bez przyszłości. Queerowy sprzeciw \"Anhellego\" Juliusza Słowackiego w kontekście prób kontynuacji poematu","authors":"Ludmiła Janion, Milena Chilińska","doi":"10.18318/pl.2023.1.1","DOIUrl":"https://doi.org/10.18318/pl.2023.1.1","url":null,"abstract":"LUDMIŁA JANION University of Warsaw ORCID: 0000-0002-7325-1172 MILENA CHILIŃSKA University of Warsaw ORCID: 0000-0003-3940-3416 NO FUTURE A QUEER OBJECTION OF JULIUSZ SŁOWACKI’S “ANHELLI” IN THE CONTEXT OF THE POEM’S ATTEMPTED CONTINUATIONS The article applies negative queer theory to investigate the Polish Romanticism. Employing selected terms of queer theory, namely the Child, reproductive futurism, and queer asexuality, it interprets Juliusz Słowacki’s Anhelli as a poem which links the rejection of future with asexuality. In this reading, Anhelli’s melancholy becomes a literary exemplification of alienation from the Symbolic, emptiness of fractured Lacanian subject, while the title character becomes a future-denying queer outcast. This claim is supported with the analysis of the endings added to Anhelli by Kornel Ujejski and by Wacław Gasztowtt, which indicate a cultural resistance towards the queer call to abandon the fantasy of stable meanings, complete identity, and better future. 53 Zob. A. C v e t k o v i c h, An Archive of Feeling, Trauma, Sexuality, and Lesbian Public Cultures. Durham 2003. – L o v e, op. cit. – S. A h m e d, The Promise of Happiness. Durham 2010. – H a lb e r s t a m, op. cit.","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134530236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper surveys the figures and images of the Russian women reproduced in the Polish interwar press discourse. It is an attempt to reinterpret the meanings of the images by deconstructing the gender stereotypes that deform them. The assessment analysis of the emancipation in the Soviet Union re - corded in the Polish interwar press concentrates on describing the phenomenon of emancipation through work and through adopting the male roles, e.g . military ones, by the Russian women. In this manner, the Polish-Russian cultural contacts are distorted as being entangled into the Polish models of gender roles and the ideas of Polish identity supporting the roles, deformed by the male version of the Polish national canon, as well as patriarchal social order based on interrelation of power, strength and violence. 69
{"title":"\"Czerwone Ewy\". Sowiecka emancypacja na łamach polskiej prasy międzywojennej (rozpoznanie wstępne)","authors":"Anna Sobieska","doi":"10.18318/pl.2022.4.7","DOIUrl":"https://doi.org/10.18318/pl.2022.4.7","url":null,"abstract":"The paper surveys the figures and images of the Russian women reproduced in the Polish interwar press discourse. It is an attempt to reinterpret the meanings of the images by deconstructing the gender stereotypes that deform them. The assessment analysis of the emancipation in the Soviet Union re - corded in the Polish interwar press concentrates on describing the phenomenon of emancipation through work and through adopting the male roles, e.g . military ones, by the Russian women. In this manner, the Polish-Russian cultural contacts are distorted as being entangled into the Polish models of gender roles and the ideas of Polish identity supporting the roles, deformed by the male version of the Polish national canon, as well as patriarchal social order based on interrelation of power, strength and violence. 69","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"108 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123003904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jak filomaci opowiadali swoją młodość? Analiza przemówień Towarzystwa Filomatycznego z lat 1818–1821","authors":"Patrycja Wojda","doi":"10.18318/pl.2022.3.6","DOIUrl":"https://doi.org/10.18318/pl.2022.3.6","url":null,"abstract":"","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125698899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Portrety Hrabiny Rozyny w tłumaczeniu. Kilka uwag o \"Porgi, amor\" i \"Dove sono i bei momenti\" Wolfganga Amadeusa Mozarta, Lorenza Da Pontego i Stanisława Barańczaka","authors":"Aleksandra Reimann-Czajkowska","doi":"10.18318/pl.2023.1.12","DOIUrl":"https://doi.org/10.18318/pl.2023.1.12","url":null,"abstract":"","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124840284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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