{"title":"Pod patronatem Eurydyki. O \"Romantyzmie, czyli »inter esse«\" Magdaleny Siwiec z nieustającym odniesieniem do jej wcześniejszych książek. Rec.: Magdalena Siwiec, Romantyzm, czyli \"inter esse\". Warszawa 2017. \"Studia Romantyczne\"","authors":"Eliza Kącka","doi":"10.18318/pl.2020.3.15","DOIUrl":"https://doi.org/10.18318/pl.2020.3.15","url":null,"abstract":"","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124932218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Norwid w Bibliotece Polskiej w Paryżu","authors":"M. Abramczyk","doi":"10.18318/pl.2021.3.15","DOIUrl":"https://doi.org/10.18318/pl.2021.3.15","url":null,"abstract":"","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"212 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122647096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Oręż i pióro. Nieznane epizody z żołnierskiej biografii Stanisława Baczyńskiego","authors":"Anna Szawerna-Dyrszka","doi":"10.18318/pl.2021.4.12","DOIUrl":"https://doi.org/10.18318/pl.2021.4.12","url":null,"abstract":"","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"136 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127720408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Komunistyczna agitka czy jednak coś więcej? O powieści Brunona Jasieńskiego „Palę Paryż”","authors":"Marzenna Cyzman","doi":"10.18318/PL.2019.3.2","DOIUrl":"https://doi.org/10.18318/PL.2019.3.2","url":null,"abstract":"","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133690709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The author of the article examines the sources and the circumstances of producing a collection of Pas sion pieces by Stanisław Grochowski entitled Cudowne wiersze z indyjskiego języka przełożone [...] ( Wonderful Verses from the Indian Language , 1611), and especially Druga żałoba Panny Naświętszej ( Holy Mary’s Second Mourning ) contained in it. The poem turns out to be a paraphrased translation of a fragment De partu Virginis by Jacopo Sannazaro presenting in King David’s prophetic vision the future torment of Christ and the suffering of his mother. Sannazaro’s Planctus Mariae survived as a separate composition in a few handwritten codices and was also quoted as an independent piece in old preach ments and meditations about the Passion. An analysis of Grochowski’s poem proves that the Polish poet used this kind of account—the view is also supported by a comparative analysis as well as by the information added to the title of the poem about offering it to Pope Adrian VI.
本文作者考察了由Stanisław Grochowski创作的passion作品合集的来源和情况，题为Cudowne wierze z indyjskiego języka przełożone[…](《印度语的美妙诗句》，1611年)，尤其是其中包含的Druga żałoba Panny Naświętszej(圣玛丽的第二次哀悼)。这首诗原来是Jacopo Sannazaro对《De partu Virginis》片段的意译在大卫王的预言中描述了基督未来的折磨和他母亲的痛苦。桑那扎罗的《玛利亚plananctus Mariae》作为一个独立的作品保存在一些手写的抄本中，也被作为一个独立的作品引用在关于耶稣受难的古老布道和冥想中。对格罗霍夫斯基诗歌的分析证明，波兰诗人使用了这种说法——这一观点也得到了比较分析的支持，同时也得到了诗歌标题中关于将其献给教皇阿德里安六世的信息的支持。
{"title":"Jeszcze jeden przyczynek do recepcji twórczości Sannazara w literaturze staropolskiej","authors":"R. Mazurkiewicz","doi":"10.18318/pl.2020.2.16","DOIUrl":"https://doi.org/10.18318/pl.2020.2.16","url":null,"abstract":"The author of the article examines the sources and the circumstances of producing a collection of Pas sion pieces by Stanisław Grochowski entitled Cudowne wiersze z indyjskiego języka przełożone [...] ( Wonderful Verses from the Indian Language , 1611), and especially Druga żałoba Panny Naświętszej ( Holy Mary’s Second Mourning ) contained in it. The poem turns out to be a paraphrased translation of a fragment De partu Virginis by Jacopo Sannazaro presenting in King David’s prophetic vision the future torment of Christ and the suffering of his mother. Sannazaro’s Planctus Mariae survived as a separate composition in a few handwritten codices and was also quoted as an independent piece in old preach ments and meditations about the Passion. An analysis of Grochowski’s poem proves that the Polish poet used this kind of account—the view is also supported by a comparative analysis as well as by the information added to the title of the poem about offering it to Pope Adrian VI.","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"2019 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132124953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The subject of the article is De plagiariis et scriptorum alienorum compilatoribus [...] epistola , a letter by François Douaren (Duarein, Duarenus, a French lawyer and humanist. An analysis of the letter in the context of ancient and early modern discourse on the literary theft ( furtum litterarium ) confirms the thesis on the growing in the Renaissance awareness of existing specific copyright in refer-ence to intellectual property with simultaneous difficulties that the old scholars faced when defining the laws and with differentiating plagiarism broadly understood compilation and imitation.
这篇文章的主题是De plagiarism et scriptorum alienorum compiler[…]] epistola，法国律师、人道主义者弗朗索瓦·杜阿雷的一封信。在古代和早期现代文学盗窃(furtum litterarium)话语的背景下分析这封信，证实了文艺复兴时期对现有特定版权的认识日益增长，涉及知识产权，同时旧学者在定义法律时面临困难，并在区分广泛理解的抄袭时面临困难汇编和模仿。
{"title":"U początków wczesnonowożytnej refleksji dotyczącej własności intelektualnej François Douaren: „De plagiariis et scriptorum alienorum compilatoribus [...] epistola” (1550)","authors":"Wiesław Pawlak","doi":"10.18318/pl.2020.2.5","DOIUrl":"https://doi.org/10.18318/pl.2020.2.5","url":null,"abstract":"The subject of the article is De plagiariis et scriptorum alienorum compilatoribus [...] epistola , a letter by François Douaren (Duarein, Duarenus, a French lawyer and humanist. An analysis of the letter in the context of ancient and early modern discourse on the literary theft ( furtum litterarium ) confirms the thesis on the growing in the Renaissance awareness of existing specific copyright in refer-ence to intellectual property with simultaneous difficulties that the old scholars faced when defining the laws and with differentiating plagiarism broadly understood compilation and imitation.","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132346519","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
LUDMIŁA JANION University of Warsaw ORCID: 0000-0002-7325-1172 MILENA CHILIŃSKA University of Warsaw ORCID: 0000-0003-3940-3416 NO FUTURE A QUEER OBJECTION OF JULIUSZ SŁOWACKI’S “ANHELLI” IN THE CONTEXT OF THE POEM’S ATTEMPTED CONTINUATIONS The article applies negative queer theory to investigate the Polish Romanticism. Employing selected terms of queer theory, namely the Child, reproductive futurism, and queer asexuality, it interprets Juliusz Słowacki’s Anhelli as a poem which links the rejection of future with asexuality. In this reading, Anhelli’s melancholy becomes a literary exemplification of alienation from the Symbolic, emptiness of fractured Lacanian subject, while the title character becomes a future-denying queer outcast. This claim is supported with the analysis of the endings added to Anhelli by Kornel Ujejski and by Wacław Gasztowtt, which indicate a cultural resistance towards the queer call to abandon the fantasy of stable meanings, complete identity, and better future. 53 Zob. A. C v e t k o v i c h, An Archive of Feeling, Trauma, Sexuality, and Lesbian Public Cultures. Durham 2003. – L o v e, op. cit. – S. A h m e d, The Promise of Happiness. Durham 2010. – H a lb e r s t a m, op. cit.
{"title":"Bez przyszłości. Queerowy sprzeciw \"Anhellego\" Juliusza Słowackiego w kontekście prób kontynuacji poematu","authors":"Ludmiła Janion, Milena Chilińska","doi":"10.18318/pl.2023.1.1","DOIUrl":"https://doi.org/10.18318/pl.2023.1.1","url":null,"abstract":"LUDMIŁA JANION University of Warsaw ORCID: 0000-0002-7325-1172 MILENA CHILIŃSKA University of Warsaw ORCID: 0000-0003-3940-3416 NO FUTURE A QUEER OBJECTION OF JULIUSZ SŁOWACKI’S “ANHELLI” IN THE CONTEXT OF THE POEM’S ATTEMPTED CONTINUATIONS The article applies negative queer theory to investigate the Polish Romanticism. Employing selected terms of queer theory, namely the Child, reproductive futurism, and queer asexuality, it interprets Juliusz Słowacki’s Anhelli as a poem which links the rejection of future with asexuality. In this reading, Anhelli’s melancholy becomes a literary exemplification of alienation from the Symbolic, emptiness of fractured Lacanian subject, while the title character becomes a future-denying queer outcast. This claim is supported with the analysis of the endings added to Anhelli by Kornel Ujejski and by Wacław Gasztowtt, which indicate a cultural resistance towards the queer call to abandon the fantasy of stable meanings, complete identity, and better future. 53 Zob. A. C v e t k o v i c h, An Archive of Feeling, Trauma, Sexuality, and Lesbian Public Cultures. Durham 2003. – L o v e, op. cit. – S. A h m e d, The Promise of Happiness. Durham 2010. – H a lb e r s t a m, op. cit.","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134530236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
AgATA WdOWiK University of Warsaw ORcid: 0000-0002-3875-2115 ediTing AS liTeRARy HiSTORy The review discusses Tomasz chachulski’s book on the editing of the texts of the enlightenment. it consists of 14 essays referring to the 18th century literary culture and poetry and are arranged into three thematic parts, namely Szukanie kształtu (Looking for shape), Szukanie sensów (Looking for sense), and Szukanie źródeł (Looking for source). in the reviewer’s assessment, analysing the history of individual piece editions, chachulski proves that not only in theory, but also in practice, editing may be presently understood as a literary history. dOi: 10.18318/pl.2020.1.16 BARBARA WOlSKA Uniwersytet Łódzki O ŻyciU pUBlicznyM i pRyWATnyM OŚWiecOnycH B o ż e n a M a z u r k o w a, z pOTRzeBy cHWili i KU pAMiĘci... STUdiA O pOezji i pROzie OŚWieceniA. (Recenzent: Wiesław pusz). Warszawa 2019. instytut Badań literackich pAn – Wydawnictwo, ss. 468. „Rozprawy literackie”. Komitet Redakcyjny: paweł próchniak (przewodniczący), grzegorz Wołowiec (sekretarz), janina Abramowska, Alina Kowalczykowa, Aleksandra Okopień-Sławińska. nr 92. polska Akademia nauk. Komitet nauk o literaturze. Książka Bożeny Mazurkowej Z potrzeby chwili i ku pamięci... zainteresuje literaturoznawców, zwłaszcza badaczy literatury okolicznościowej, okazjonalno-towarzyskiej i użytkowej doby oświecenia – utworów, dla których inspiracją były zarówno wydarzenia najistotniejsze w dziejach narodu, jak i sprawy z życia prywatnego osób znanych z działań publicznych, ale i tekstów związanych z postaciami mniej eksponowanymi, a przybliżonymi przez autorkę. Mazurkowa (rozważająca we wcześniejszych rozprawach m.in. okoliczności oraz wydarzenia życia prywatnego i publicznego w dokumentacji poetyckiej „zabaw przyjemnych i pożytecznych”, jak też reakcje poetyckie na dzień ślubny i wieczór weselny w oświeceniu stanisławowskim) poszerzyła tu – w stosunku do swych dawniejszych prac – przestrzeń dokumentacyjną dotyczącą sfery prywatności oświeconych (nie tylko w poezji, ale i w prozie, zarówno w drukach, jak i w rękopisach). zajęła się utworami upamiętniającymi
{"title":"O życiu publicznym i prywatnym oświeconych. Rec.: Bożena Mazurkowa, Z potrzeby chwili i ku pamięci... Studia o poezji i prozie oświecenia. Warszawa 2019.","authors":"B. Wolska","doi":"10.18318/pl.2020.1.16","DOIUrl":"https://doi.org/10.18318/pl.2020.1.16","url":null,"abstract":"AgATA WdOWiK University of Warsaw ORcid: 0000-0002-3875-2115 ediTing AS liTeRARy HiSTORy The review discusses Tomasz chachulski’s book on the editing of the texts of the enlightenment. it consists of 14 essays referring to the 18th century literary culture and poetry and are arranged into three thematic parts, namely Szukanie kształtu (Looking for shape), Szukanie sensów (Looking for sense), and Szukanie źródeł (Looking for source). in the reviewer’s assessment, analysing the history of individual piece editions, chachulski proves that not only in theory, but also in practice, editing may be presently understood as a literary history. dOi: 10.18318/pl.2020.1.16 BARBARA WOlSKA Uniwersytet Łódzki O ŻyciU pUBlicznyM i pRyWATnyM OŚWiecOnycH B o ż e n a M a z u r k o w a, z pOTRzeBy cHWili i KU pAMiĘci... STUdiA O pOezji i pROzie OŚWieceniA. (Recenzent: Wiesław pusz). Warszawa 2019. instytut Badań literackich pAn – Wydawnictwo, ss. 468. „Rozprawy literackie”. Komitet Redakcyjny: paweł próchniak (przewodniczący), grzegorz Wołowiec (sekretarz), janina Abramowska, Alina Kowalczykowa, Aleksandra Okopień-Sławińska. nr 92. polska Akademia nauk. Komitet nauk o literaturze. Książka Bożeny Mazurkowej Z potrzeby chwili i ku pamięci... zainteresuje literaturoznawców, zwłaszcza badaczy literatury okolicznościowej, okazjonalno-towarzyskiej i użytkowej doby oświecenia – utworów, dla których inspiracją były zarówno wydarzenia najistotniejsze w dziejach narodu, jak i sprawy z życia prywatnego osób znanych z działań publicznych, ale i tekstów związanych z postaciami mniej eksponowanymi, a przybliżonymi przez autorkę. Mazurkowa (rozważająca we wcześniejszych rozprawach m.in. okoliczności oraz wydarzenia życia prywatnego i publicznego w dokumentacji poetyckiej „zabaw przyjemnych i pożytecznych”, jak też reakcje poetyckie na dzień ślubny i wieczór weselny w oświeceniu stanisławowskim) poszerzyła tu – w stosunku do swych dawniejszych prac – przestrzeń dokumentacyjną dotyczącą sfery prywatności oświeconych (nie tylko w poezji, ale i w prozie, zarówno w drukach, jak i w rękopisach). zajęła się utworami upamiętniającymi","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115343515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
MACIEJ LIBICH University of Warsaw ORCID: 0000-0002-8536-3315 TROUBLE SPOTS LEOPOLD BUCZKOWSKI’S WAR SPACES The paper attempts to reconstruct Leopold Buczkowski’s complicated war biography, which today remains the least penetrated period of his life. Resorting to the available sources, especially the ascertainments by Justyna Staroń, Zygmunt Trziszka, Jan Tomkowski, and Hanna Kirchner, as well as including Buczkowski’s own statements, the author of the sketch reconstructs the life of Buczkowski until the outbreak of the World War II: the history of September campaign of 1939, the years he spent in the village Podkamień, conspiracy, participation in the Warsaw Uprising, as well as after the war when he produced and completed Czarny potok (Black Torrent). Questioning for the unclear places in Buczkowski’s life, the author strives to restore the most probable train of events and points at those issues that deserve closer attention in future studies.
利奥波德·布茨科夫斯基的战争空间本文试图重建利奥波德·布茨科夫斯基复杂的战争传记，这是他一生中最不为人所知的时期。借助于现有的资料，特别是Justyna staroski, Zygmunt Trziszka, Jan Tomkowski和Hanna Kirchner的确定，以及包括Buczkowski自己的陈述，作者重建了Buczkowski直到第二次世界大战爆发的生活:1939年9月战役的历史，他在波德卡米耶村度过的岁月，阴谋，参与华沙起义，以及战争结束后他制作和完成的Czarny potok(黑色激流)。作者对布茨科夫斯基生活中不明确的地方提出质疑，力求还原最可能的事件序列，并指出那些值得在未来研究中更密切关注的问题。
{"title":"Miejsca zapalne. Przestrzenie wojenne Leopolda Buczkowskiego","authors":"Maciej Libich","doi":"10.18318/pl.2022.4.1","DOIUrl":"https://doi.org/10.18318/pl.2022.4.1","url":null,"abstract":"MACIEJ LIBICH University of Warsaw ORCID: 0000-0002-8536-3315 TROUBLE SPOTS LEOPOLD BUCZKOWSKI’S WAR SPACES The paper attempts to reconstruct Leopold Buczkowski’s complicated war biography, which today remains the least penetrated period of his life. Resorting to the available sources, especially the ascertainments by Justyna Staroń, Zygmunt Trziszka, Jan Tomkowski, and Hanna Kirchner, as well as including Buczkowski’s own statements, the author of the sketch reconstructs the life of Buczkowski until the outbreak of the World War II: the history of September campaign of 1939, the years he spent in the village Podkamień, conspiracy, participation in the Warsaw Uprising, as well as after the war when he produced and completed Czarny potok (Black Torrent). Questioning for the unclear places in Buczkowski’s life, the author strives to restore the most probable train of events and points at those issues that deserve closer attention in future studies.","PeriodicalId":213870,"journal":{"name":"Pamiętnik Literacki","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115366455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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