Pub Date : 2022-09-14DOI: 10.1080/10350330.2022.2120387
Feifei Zhou
{"title":"Orality, multimodality and creativity in digital writing: Chinese users’ experiences and practices with bullet comments on Bilibili","authors":"Feifei Zhou","doi":"10.1080/10350330.2022.2120387","DOIUrl":"https://doi.org/10.1080/10350330.2022.2120387","url":null,"abstract":"","PeriodicalId":21775,"journal":{"name":"Social Semiotics","volume":" ","pages":""},"PeriodicalIF":2.0,"publicationDate":"2022-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43193017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-12DOI: 10.1080/10350330.2022.2121157
Liora Gvion
{"title":"What do vegans know and how do they learn? Veganism as a social text and a form of knowledge","authors":"Liora Gvion","doi":"10.1080/10350330.2022.2121157","DOIUrl":"https://doi.org/10.1080/10350330.2022.2121157","url":null,"abstract":"","PeriodicalId":21775,"journal":{"name":"Social Semiotics","volume":"1 1","pages":""},"PeriodicalIF":2.0,"publicationDate":"2022-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60013155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-25DOI: 10.1080/10350330.2022.2113971
A. Abdel-Raheem
{"title":"Taboo metaphtonymy, gender, and impoliteness: how male and female Arab cartoonists think and draw","authors":"A. Abdel-Raheem","doi":"10.1080/10350330.2022.2113971","DOIUrl":"https://doi.org/10.1080/10350330.2022.2113971","url":null,"abstract":"","PeriodicalId":21775,"journal":{"name":"Social Semiotics","volume":" ","pages":""},"PeriodicalIF":2.0,"publicationDate":"2022-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44984418","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-25DOI: 10.1080/10350330.2022.2113970
Huiqiao Yang
{"title":"Visible signs: an introduction to semiotics in the visual arts (3rd edition)","authors":"Huiqiao Yang","doi":"10.1080/10350330.2022.2113970","DOIUrl":"https://doi.org/10.1080/10350330.2022.2113970","url":null,"abstract":"","PeriodicalId":21775,"journal":{"name":"Social Semiotics","volume":" ","pages":""},"PeriodicalIF":2.0,"publicationDate":"2022-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47501820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-20DOI: 10.1080/10350330.2022.2113969
Xiangtao Du
{"title":"Advances in discourse analysis of translation and interpreting: linking linguistic approaches with socio-cultural interpretation","authors":"Xiangtao Du","doi":"10.1080/10350330.2022.2113969","DOIUrl":"https://doi.org/10.1080/10350330.2022.2113969","url":null,"abstract":"","PeriodicalId":21775,"journal":{"name":"Social Semiotics","volume":" ","pages":""},"PeriodicalIF":2.0,"publicationDate":"2022-08-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43163910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-18DOI: 10.1080/10350330.2022.2113974
Siyu Chen
{"title":"Key themes and new directions in systemic functional translation studies","authors":"Siyu Chen","doi":"10.1080/10350330.2022.2113974","DOIUrl":"https://doi.org/10.1080/10350330.2022.2113974","url":null,"abstract":"","PeriodicalId":21775,"journal":{"name":"Social Semiotics","volume":" ","pages":""},"PeriodicalIF":2.0,"publicationDate":"2022-08-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45001538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-08DOI: 10.1080/10350330.2022.2114724
Kellie Gonçalves, Tommaso M. Milani
ABSTRACT The last decades have seen the ideological transformations of graffiti and street art once constructed as criminal acts and associated with urban decay to being acceptable and profitable forms of commercial art. The spaces and places where these art forms are found have long transcended streets to art galleries and corporate advertising billboards and campaigns making them “the most visible forms of global urban culture and urban transgression” (Ferrell 2016, xxx; Bofkin 2014). This special issue on street art/art in the street explores street art's proliferation and complexity in different contexts as it relates to the political economy and neoliberal capitalism raising questions of social class, urban growth, cultural production, and consumerism. The themes investigated include notions of legality and illegality, regimes of visibility and invisibility, semiotic situated acts and art, ephemerality, permanence and mediatization, the political economy of place as well as the changing symbolic and economic value of street art tapping into issues of subcultural status and social class identities. This collection of papers draws on a range of theoretical frameworks and methodological approaches providing readers with interdisciplinary insights into the complex and changing nature of street art to account (and better understand) this social semiotic phenomena.
{"title":"Street art/art in the street – semiotics, politics, economy","authors":"Kellie Gonçalves, Tommaso M. Milani","doi":"10.1080/10350330.2022.2114724","DOIUrl":"https://doi.org/10.1080/10350330.2022.2114724","url":null,"abstract":"ABSTRACT The last decades have seen the ideological transformations of graffiti and street art once constructed as criminal acts and associated with urban decay to being acceptable and profitable forms of commercial art. The spaces and places where these art forms are found have long transcended streets to art galleries and corporate advertising billboards and campaigns making them “the most visible forms of global urban culture and urban transgression” (Ferrell 2016, xxx; Bofkin 2014). This special issue on street art/art in the street explores street art's proliferation and complexity in different contexts as it relates to the political economy and neoliberal capitalism raising questions of social class, urban growth, cultural production, and consumerism. The themes investigated include notions of legality and illegality, regimes of visibility and invisibility, semiotic situated acts and art, ephemerality, permanence and mediatization, the political economy of place as well as the changing symbolic and economic value of street art tapping into issues of subcultural status and social class identities. This collection of papers draws on a range of theoretical frameworks and methodological approaches providing readers with interdisciplinary insights into the complex and changing nature of street art to account (and better understand) this social semiotic phenomena.","PeriodicalId":21775,"journal":{"name":"Social Semiotics","volume":"32 1","pages":"425 - 443"},"PeriodicalIF":2.0,"publicationDate":"2022-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46475662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-08DOI: 10.1080/10350330.2022.2114727
Johan Järlehed
ABSTRACT This paper discusses the dialectics of urban place and its public image, approached via an examination of the public process of proposing, debating, and selecting new monuments for the city of Gothenburg, Sweden. The analysis shows that while the proposed monument to the local foodstuff halv special (a type of hot dog) is generally received in a positive way, the proposal of a monument to falafel is met with criticism. The results suggest that the two artworks represent different classed, gendered, and racialized imaginations of the city and its residents: while the hotdog reproduces a long-standing and dominant Social Democrat understanding of Gothenburg as the home of the white male worker, the falafel suggests an updated and more inclusive idea of the city as multilingual and multicultural.
{"title":"The white worker’s hotdog and the not-so-white worker’s falafel: food-based public art and urban redevelopment in a changing society","authors":"Johan Järlehed","doi":"10.1080/10350330.2022.2114727","DOIUrl":"https://doi.org/10.1080/10350330.2022.2114727","url":null,"abstract":"ABSTRACT This paper discusses the dialectics of urban place and its public image, approached via an examination of the public process of proposing, debating, and selecting new monuments for the city of Gothenburg, Sweden. The analysis shows that while the proposed monument to the local foodstuff halv special (a type of hot dog) is generally received in a positive way, the proposal of a monument to falafel is met with criticism. The results suggest that the two artworks represent different classed, gendered, and racialized imaginations of the city and its residents: while the hotdog reproduces a long-standing and dominant Social Democrat understanding of Gothenburg as the home of the white male worker, the falafel suggests an updated and more inclusive idea of the city as multilingual and multicultural.","PeriodicalId":21775,"journal":{"name":"Social Semiotics","volume":"32 1","pages":"484 - 501"},"PeriodicalIF":2.0,"publicationDate":"2022-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44908155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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