Pub Date : 2020-09-01DOI: 10.22618/TP.PJCV.20204.2.1763003
D. Cox, M. Levine
This paper contrasts two forms of violence depicted in film: entertainment violence and moral violence. To a first approximation, moral violence is a form of interpersonal aggression aimed at causing moral injury. We claim that what distinguishes entertainment violence from moral violence is that entertainment violence is a satisfying or fitting object of morbid curiosity. Moral violence typically isn’t such a thing. We explore how moral violence works in two films of Michael Haneke: Funny Games (1997, 2007) and The White Ribbon (2009).
本文对比了电影中表现的两种形式的暴力:娱乐暴力和道德暴力。首先,道德暴力是一种旨在造成道德伤害的人际攻击形式。我们认为,娱乐暴力与道德暴力的区别在于,娱乐暴力是病态好奇心的满足或合适的对象。道德暴力通常不是这样的事情。我们在Michael Haneke的两部电影《Funny Games》(1997年和2007年)和《The White Ribbon》(2009年)中探讨了道德暴力是如何发挥作用的。
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Pub Date : 1900-01-01DOI: 10.22618/tp.pjcv.20226.2.144.004
Nora Gosselink
This paper explores Johan Huizinga’s cultural pessimism and the developments in his thought during the 1930’s. It will contextualize the evolution of his methodology in relation to perhaps the most exemplary cultural pessimist of modernity, Oswald Spengler. This paper traces the evolution of Huizinga’s thought, from his initial refutation of Spengler’s ‘romantical and metaphysical’ outlook on world history in a book review, to his eventual assimilation of similar methods and ideas.
{"title":"Becoming a Cultural Pessimist: Johan Huizinga’s In the Shadow of Tomorrow and The Decline of the West","authors":"Nora Gosselink","doi":"10.22618/tp.pjcv.20226.2.144.004","DOIUrl":"https://doi.org/10.22618/tp.pjcv.20226.2.144.004","url":null,"abstract":"This paper explores Johan Huizinga’s cultural pessimism and the developments in his thought during the 1930’s. It will contextualize the evolution of his methodology in relation to perhaps the most exemplary cultural pessimist of modernity, Oswald Spengler. This paper traces the evolution of Huizinga’s thought, from his initial refutation of Spengler’s ‘romantical and metaphysical’ outlook on world history in a book review, to his eventual assimilation of similar methods and ideas.","PeriodicalId":220201,"journal":{"name":"The Philosophical Journal of Conflict and Violence","volume":"92 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127786223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.22618/tp.pjcv.20226.2.144.003
R. Phillips
Alexander Raven Thomson was a British fascist philosopher, active from 1932 to 1955. I outline Thomson’s Spenglerian views on civilization and decline. I argue that Thomson in his first book is an orthodox Spenglerian who accepts that decline is inevitable and thinks that it is morally required to destroy civilization in its final stages. I argue that this suffers from conceptual issues which may have caused Thomson’s change to a revised form of Spenglerianism, which is more authentically fascist. This authentically fascist view is then seen to fall prey into the problem inherent in the very idea of permanent rebirth.
{"title":"From Periodic Decline to Permanent Rebirth: Alexander Raven Thomson on Civilization, Pathology, and Violence","authors":"R. Phillips","doi":"10.22618/tp.pjcv.20226.2.144.003","DOIUrl":"https://doi.org/10.22618/tp.pjcv.20226.2.144.003","url":null,"abstract":"Alexander Raven Thomson was a British fascist philosopher, active from 1932 to 1955. I outline Thomson’s Spenglerian views on civilization and decline. I argue that Thomson in his first book is an orthodox Spenglerian who accepts that decline is inevitable and thinks that it is morally required to destroy civilization in its final stages. I argue that this suffers from conceptual issues which may have caused Thomson’s change to a revised form of Spenglerianism, which is more authentically fascist. This authentically fascist view is then seen to fall prey into the problem inherent in the very idea of permanent rebirth.","PeriodicalId":220201,"journal":{"name":"The Philosophical Journal of Conflict and Violence","volume":"125 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116851117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.22618/tp.pjcv.20204.2.1763007
Christine M. Ratzlaff
Aristotle offers us a way to deal with potential tragedy in our lives by viewing it through the process of catharsis, which releases our fears through either purgation or purification. After a detailed account of Aristotle’s catharsis, I demonstrate both functions by applying the theory to three post-apocalyptic television programs: The Walking Dead, The 100, and Zoo, evaluating catharsis in the face of physical dangers, social threats, fear of the “other,” and fear of advancing technology, among other concerns. I also evaluate whether these programs simply normalize violence for the viewing audience.
{"title":"Purgation or Purification: Violence in Post-Apocalyptic Television as Aristotle’s Catharsis","authors":"Christine M. Ratzlaff","doi":"10.22618/tp.pjcv.20204.2.1763007","DOIUrl":"https://doi.org/10.22618/tp.pjcv.20204.2.1763007","url":null,"abstract":"Aristotle offers us a way to deal with potential tragedy in our lives by viewing it through the process of catharsis, which releases our fears through either purgation or purification. After a detailed account of Aristotle’s catharsis, I demonstrate both functions by applying the theory to three post-apocalyptic television programs: The Walking Dead, The 100, and Zoo, evaluating catharsis in the face of physical dangers, social threats, fear of the “other,” and fear of advancing technology, among other concerns. I also evaluate whether these programs simply normalize violence for the viewing audience.","PeriodicalId":220201,"journal":{"name":"The Philosophical Journal of Conflict and Violence","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117116585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.22618/tp.pjcv.020204.1.203002
A. Ganjipour
The present paper aims to show how the return to Islam initially conceived by Muslim reformists has not been simply a conflictual reaction to the secular ideology sustaining modernity, but rather an effort to transform Islam into a religion within modernity. It argues that this return has in fact been a major paradigm shift within the theologico-political discourse of Islamic tradition and that it is this very shift that led to the reformation of this religion. In this perspective, this study shows how the reactivation of sharia by reformist thinkers did not mean a rejection of the Islamic intellectual tradition, but it was precisely the result of the encounter between this tradition and the modern social sciences. The paper then reconstructs the dialogue between Muslim reformists and 19th-century European thinkers, dialogue which was crucial in shaping Islamic reformation. It shows to what extent reformed Islam was a response of Muslim reformers to the diagnosis of the project of modernity made by European reformist thinkers such as François Guizot or Auguste Comte. Through their confrontation, the paper develops a comparison between the theoretical backdrop of European modernity and the premises of Islamic reformation as two alternative conceptions of the Enlightenment project. By discussing Kant, Foucault, Habermas and Koselleck’s thesis on the historical and philosophical roots of the European Enlightenment, this study ultimately seeks to understand in which way the theological structure of Islam has led the project of the Islamic Enlightenment in an analogous but fairly differentiated direction.
{"title":"Reinventing Islam, Sublating Modernity: A Conflict of Enlightenments","authors":"A. Ganjipour","doi":"10.22618/tp.pjcv.020204.1.203002","DOIUrl":"https://doi.org/10.22618/tp.pjcv.020204.1.203002","url":null,"abstract":"The present paper aims to show how the return to Islam initially conceived by Muslim reformists has not been simply a conflictual reaction to the secular ideology sustaining modernity, but rather an effort to transform Islam into a religion within modernity. It argues that this return has in fact been a major paradigm shift within the theologico-political discourse of Islamic tradition and that it is this very shift that led to the reformation of this religion. In this perspective, this study shows how the reactivation of sharia by reformist thinkers did not mean a rejection of the Islamic intellectual tradition, but it was precisely the result of the encounter between this tradition and the modern social sciences. The paper then reconstructs the dialogue between Muslim reformists and 19th-century European thinkers, dialogue which was crucial in shaping Islamic reformation. It shows to what extent reformed Islam was a response of Muslim reformers to the diagnosis of the project of modernity made by European reformist thinkers such as François Guizot or Auguste Comte. Through their confrontation, the paper develops a comparison between the theoretical backdrop of European modernity and the premises of Islamic reformation as two alternative conceptions of the Enlightenment project. By discussing Kant, Foucault, Habermas and Koselleck’s thesis on the historical and philosophical roots of the European Enlightenment, this study ultimately seeks to understand in which way the theological structure of Islam has led the project of the Islamic Enlightenment in an analogous but fairly differentiated direction.","PeriodicalId":220201,"journal":{"name":"The Philosophical Journal of Conflict and Violence","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129247848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.22618/tp.pjcv.20226.2.144.005
C. Roy
Along with Franz Rosenzweig (1886-1929), Eugen Rosenstock-Huessy (1888-1973) developed an existential Speech Thinking that he critically applied to Spengler’s Decline of the West, portraying it in an early essay as evidence of “The Suicide of Europe” through a Greek posture of objective detachment. He would return to it throughout his life as a foil to the narrative “We” of living memory unfolding in the historical sequence of European Revolutions he described in several books and lectures as the working-out of second-millennium Christianity, adumbrating a third-millennium Planetary Man born of world war.
{"title":"European Revolutions and World War as Way Stations to Planetary Man: Rosenstock-Huessy’s Christian Rejoinder to Spengler’s The Decline of the West","authors":"C. Roy","doi":"10.22618/tp.pjcv.20226.2.144.005","DOIUrl":"https://doi.org/10.22618/tp.pjcv.20226.2.144.005","url":null,"abstract":"Along with Franz Rosenzweig (1886-1929), Eugen Rosenstock-Huessy (1888-1973) developed an existential Speech Thinking that he critically applied to Spengler’s Decline of the West, portraying it in an early essay as evidence of “The Suicide of Europe” through a Greek posture of objective detachment. He would return to it throughout his life as a foil to the narrative “We” of living memory unfolding in the historical sequence of European Revolutions he described in several books and lectures as the working-out of second-millennium Christianity, adumbrating a third-millennium Planetary Man born of world war.","PeriodicalId":220201,"journal":{"name":"The Philosophical Journal of Conflict and Violence","volume":"60 32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126036875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.22618/tp.pjcv.20215.2.114007
Sequoya Yiaueki
Éric Weil presents one of the twentieth century’s most innovative analyses of violence. According to Weil, violence cannot be sufficiently grasped as stemming from ignorance or from the weakness of will. Weil accepts that discourse reduces violence, but also claims that reasonable discourse cannot overcome radical violence. Individuals are always faced with a choice between submitting to the norms of discourse or refusing to be bound by normative behavior. Callicles provides a clear example of this problem. The individual can always extract themselves from reasonable discourse, either by refusing to speak or by choosing violence.
{"title":"Callicles and the Refusal of Discourse in the Philosophy of Éric Weil","authors":"Sequoya Yiaueki","doi":"10.22618/tp.pjcv.20215.2.114007","DOIUrl":"https://doi.org/10.22618/tp.pjcv.20215.2.114007","url":null,"abstract":"Éric Weil presents one of the twentieth century’s most innovative analyses of violence. According to Weil, violence cannot be sufficiently grasped as stemming from ignorance or from the weakness of will. Weil accepts that discourse reduces violence, but also claims that reasonable discourse cannot overcome radical violence. Individuals are always faced with a choice between submitting to the norms of discourse or refusing to be bound by normative behavior. Callicles provides a clear example of this problem. The individual can always extract themselves from reasonable discourse, either by refusing to speak or by choosing violence.","PeriodicalId":220201,"journal":{"name":"The Philosophical Journal of Conflict and Violence","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131240800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.22618/tp.pjcv.20226.2.144.006
Hidde van der Wall
This article discusses how Philippine writer Nick Joaquin applied the ideas of Oswald Spengler in his historiography, notably the collection Culture and History (1988), his contribution to the post-authoritarian renegotiation of a national history fraught with colonial conflict and loss. This article argues that Joaquin adapted Spengler’s ideas, proposing the presence of a “Faustian” Filipino soul formed during the Spanish-colonial period, to a contradictory effect. It allowed him to assert a national identity that challenged the dichotomous ways in which Philippine history was conventionally conceived, but it also reintroduced Eurocentric and homogenizing schemes, reinforcing existing hegemonies in the postcolony.
{"title":"Tropical Faustian: Nick Joaquin’s Spenglerian Imagining of Colonial History in the Post-Authoritarian Philippines","authors":"Hidde van der Wall","doi":"10.22618/tp.pjcv.20226.2.144.006","DOIUrl":"https://doi.org/10.22618/tp.pjcv.20226.2.144.006","url":null,"abstract":"This article discusses how Philippine writer Nick Joaquin applied the ideas of Oswald Spengler in his historiography, notably the collection Culture and History (1988), his contribution to the post-authoritarian renegotiation of a national history fraught with colonial conflict and loss. This article argues that Joaquin adapted Spengler’s ideas, proposing the presence of a “Faustian” Filipino soul formed during the Spanish-colonial period, to a contradictory effect. It allowed him to assert a national identity that challenged the dichotomous ways in which Philippine history was conventionally conceived, but it also reintroduced Eurocentric and homogenizing schemes, reinforcing existing hegemonies in the postcolony.","PeriodicalId":220201,"journal":{"name":"The Philosophical Journal of Conflict and Violence","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116522773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.22618/tp.pjcv.20226.2.144.007
Ben Van de Wall
Through a discussion of Carl Schmitt's work this paper explores the theoretical implications of a war fought against a non-human enemy and suggests that Schmitt's work provides a useful framework of analysis for understanding the martial rhetoric that has surrounded Covid-19 policies. In Schmitt’s work we can identify the intricate relation between the absolutization and dehumanization of the enemy on the one hand and the dissolution of the distinction between the public and private sphere on the other. Schmitt’s warnings about the dangers of a global war in the name of humanity prove relevant to the war against a virus.
{"title":"The Invisible Enemy as Absolute Enemy: What Can Carl Schmitt Teach Us about War against a Virus?","authors":"Ben Van de Wall","doi":"10.22618/tp.pjcv.20226.2.144.007","DOIUrl":"https://doi.org/10.22618/tp.pjcv.20226.2.144.007","url":null,"abstract":"Through a discussion of Carl Schmitt's work this paper explores the theoretical implications of a war fought against a non-human enemy and suggests that Schmitt's work provides a useful framework of analysis for understanding the martial rhetoric that has surrounded Covid-19 policies. In Schmitt’s work we can identify the intricate relation between the absolutization and dehumanization of the enemy on the one hand and the dissolution of the distinction between the public and private sphere on the other. Schmitt’s warnings about the dangers of a global war in the name of humanity prove relevant to the war against a virus.","PeriodicalId":220201,"journal":{"name":"The Philosophical Journal of Conflict and Violence","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124831276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.22618/tp.pjcv.20215.2.114002
C. Guigon
In the Phaedrus, Plato describes the control of the epithumia by the reason as being extremely violent. The epithumia-black horse is brutalized and it becomes obedient by this brutality. The aim of this paper is to prove that this violence is not an image, but a psychological reality. Plato defends this point of view in the Timaeus, where he describes the psychophysiological process which occurs when the logos attacks the epithumia. But the Timaeus also shows that the thumos plays an important role in the realization of the rational violence.
{"title":"Psychology and Violence in Plato’s Phaedrus, Republic and Timaeus","authors":"C. Guigon","doi":"10.22618/tp.pjcv.20215.2.114002","DOIUrl":"https://doi.org/10.22618/tp.pjcv.20215.2.114002","url":null,"abstract":"In the Phaedrus, Plato describes the control of the epithumia by the reason as being extremely violent. The epithumia-black horse is brutalized and it becomes obedient by this brutality. The aim of this paper is to prove that this violence is not an image, but a psychological reality. Plato defends this point of view in the Timaeus, where he describes the psychophysiological process which occurs when the logos attacks the epithumia. But the Timaeus also shows that the thumos plays an important role in the realization of the rational violence.","PeriodicalId":220201,"journal":{"name":"The Philosophical Journal of Conflict and Violence","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130325437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}