Pub Date : 2020-12-31DOI: 10.1515/9789048527069-019
{"title":"5. Bodies’ Strange Stories : Les Revenants and The Leftovers","authors":"","doi":"10.1515/9789048527069-019","DOIUrl":"https://doi.org/10.1515/9789048527069-019","url":null,"abstract":"","PeriodicalId":220682,"journal":{"name":"Bodies of Stone in the Media, Visual Culture and the Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130938888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.1515/9789048527069-016
{"title":"2. On Jack Torrance As a Fossil Form","authors":"","doi":"10.1515/9789048527069-016","DOIUrl":"https://doi.org/10.1515/9789048527069-016","url":null,"abstract":"","PeriodicalId":220682,"journal":{"name":"Bodies of Stone in the Media, Visual Culture and the Arts","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123249089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.1515/9789048527069-006
{"title":"4. Animated Statues and Petrified Bodies : A Journey Inside Fantasy Cinema","authors":"","doi":"10.1515/9789048527069-006","DOIUrl":"https://doi.org/10.1515/9789048527069-006","url":null,"abstract":"","PeriodicalId":220682,"journal":{"name":"Bodies of Stone in the Media, Visual Culture and the Arts","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114892520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.1515/9789048527069-009
{"title":"1. Bodies That Matter: Miniaturisation and the Origin(s) of ‘Art’","authors":"","doi":"10.1515/9789048527069-009","DOIUrl":"https://doi.org/10.1515/9789048527069-009","url":null,"abstract":"","PeriodicalId":220682,"journal":{"name":"Bodies of Stone in the Media, Visual Culture and the Arts","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123055920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.1515/9789048527069-024
{"title":"4. The Well-Tempered Memorial : Abstraction, Anthropomorphism, Embodiment","authors":"","doi":"10.1515/9789048527069-024","DOIUrl":"https://doi.org/10.1515/9789048527069-024","url":null,"abstract":"","PeriodicalId":220682,"journal":{"name":"Bodies of Stone in the Media, Visual Culture and the Arts","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115092438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.1515/9789048527069-010
{"title":"2. Brancusi’s ‘Sculpture for the Blind’","authors":"","doi":"10.1515/9789048527069-010","DOIUrl":"https://doi.org/10.1515/9789048527069-010","url":null,"abstract":"","PeriodicalId":220682,"journal":{"name":"Bodies of Stone in the Media, Visual Culture and the Arts","volume":"24 12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130131549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.1515/9789048527069-013
{"title":"5. The Celluloid and the Death Mask : Bazin’s and Eisenstein’s Image Anthropology","authors":"","doi":"10.1515/9789048527069-013","DOIUrl":"https://doi.org/10.1515/9789048527069-013","url":null,"abstract":"","PeriodicalId":220682,"journal":{"name":"Bodies of Stone in the Media, Visual Culture and the Arts","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126341035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-31DOI: 10.1515/9789048527069-022
{"title":"2. Frozen into Allegory: Cleopatra’s Cultural Survival","authors":"","doi":"10.1515/9789048527069-022","DOIUrl":"https://doi.org/10.1515/9789048527069-022","url":null,"abstract":"","PeriodicalId":220682,"journal":{"name":"Bodies of Stone in the Media, Visual Culture and the Arts","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126416838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Traditionally, hyperrealistic mannequins have embodied the dream (or rather the nightmare) of animating the inanimate: by imitating the living model to such an extent that any distinction becomes (almost) impossible, they blur the threshold between life and inert matter. It thus comes as no surprise that wax figures have often been taken as a symbol of cinematic creation and its attempt to recreate motion (a quality immediately associated with life) by means of a sequence of static frames. By focusing on three classic movies—Robert Wiene’s The Cabinet of Dr. Caligari (1920), Paul Leni’s Waxworks (1923) and Michael Curtiz’s Mystery of the Wax Museum (1933)—the essay explores the tension between reality and unreality as the crux of cinema tout court.
{"title":"Cinema, Phenomenology and Hyperrealism","authors":"Pietro Conte","doi":"10.2307/j.ctv12sdvn4.13","DOIUrl":"https://doi.org/10.2307/j.ctv12sdvn4.13","url":null,"abstract":"Traditionally, hyperrealistic mannequins have embodied the dream\u0000 (or rather the nightmare) of animating the inanimate: by imitating the\u0000 living model to such an extent that any distinction becomes (almost)\u0000 impossible, they blur the threshold between life and inert matter. It thus\u0000 comes as no surprise that wax figures have often been taken as a symbol\u0000 of cinematic creation and its attempt to recreate motion (a quality immediately\u0000 associated with life) by means of a sequence of static frames.\u0000 By focusing on three classic movies—Robert Wiene’s The Cabinet of Dr.\u0000 Caligari (1920), Paul Leni’s Waxworks (1923) and Michael Curtiz’s Mystery\u0000 of the Wax Museum (1933)—the essay explores the tension between reality\u0000 and unreality as the crux of cinema tout court.","PeriodicalId":220682,"journal":{"name":"Bodies of Stone in the Media, Visual Culture and the Arts","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114920088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-06-29DOI: 10.5117/9789089648525_chi05
V. Hediger
At first sight, a statue that appears in a film is a prop among others. It can serve to situate the action, it can be an attribute of a character, indicating the person’s taste and social status, and it can become a world-making detail, as in historical epics set in antiquity, where statues serve as the kind of ornament used to describe the world of the film and lend it credibility. But as it appears in a film, it raises questions about film as an art of the gesture, and about the power of film to endow inanimate objects with agency.
{"title":"The Ephemeral Cathedral : Bodies of Stone and Configurations of Film","authors":"V. Hediger","doi":"10.5117/9789089648525_chi05","DOIUrl":"https://doi.org/10.5117/9789089648525_chi05","url":null,"abstract":"At first sight, a statue that appears in a film is a prop among others. It can\u0000 serve to situate the action, it can be an attribute of a character, indicating\u0000 the person’s taste and social status, and it can become a world-making\u0000 detail, as in historical epics set in antiquity, where statues serve as the kind\u0000 of ornament used to describe the world of the film and lend it credibility.\u0000 But as it appears in a film, it raises questions about film as an art of the\u0000 gesture, and about the power of film to endow inanimate objects with\u0000 agency.","PeriodicalId":220682,"journal":{"name":"Bodies of Stone in the Media, Visual Culture and the Arts","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115177651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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