Pub Date : 2023-09-01DOI: 10.1353/hem.2023.a913495
Ian Marshall, Margaret E. Wright Cleveland
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Pub Date : 2023-09-01DOI: 10.1353/hem.2023.a913494
Jennifer Haigh
Abstract:Each year the Ernest Hemingway Foundation and PEN award the PEN/Hemingway prize for the year’s best debut novel. The award is presented at a gala reception at the John F. Kennedy Library in Boston, Massachusetts. The 2023 PEN/Hemingway prize was awarded to Oscar Hokeah for his book, Calling for a Blanket Dance. We are pleased to present the keynote address of Jennifer Haigh, a New York Times Best Selling author who has been called a “gifted chronicler of the human condition” (Washington Post Book World).
摘要:欧内斯特-海明威基金会和笔会每年都会为年度最佳处女作颁发笔会/海明威奖。该奖项在马萨诸塞州波士顿市约翰-肯尼迪图书馆举行的盛大招待会上颁发。2023 年的笔会/海明威奖授予了奥斯卡-霍卡（Oscar Hokeah），他的作品是《呼唤毯子舞》（Calling for a Blanket Dance）。我们很高兴邀请到《纽约时报》畅销书作家珍妮弗-海（Jennifer Haigh）发表主题演讲，她被誉为 "天才的人类状况记录者"（《华盛顿邮报》图书世界）。
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Pub Date : 2023-09-01DOI: 10.1353/hem.2023.a913492
Susan F. Beegel
Abstract:Susan F. Beegel, second editor of The Hemingway Review, remembers the important contributions and kind nature of Charles M. “Tod” Oliver, the founding editor, to Hemingway studies and to the Hemingway Society.
摘要:《海明威评论》第二任编辑苏珊-比格尔（Susan F. Beegel）回忆了创刊编辑查尔斯-M-"托德"-奥利弗（Charles M. "Tod" Oliver）对海明威研究和海明威协会的重要贡献和善良本性。
{"title":"Remembering Charles M. “Tod” Oliver: Founding Editor, The Hemingway Review 1932–2022","authors":"Susan F. Beegel","doi":"10.1353/hem.2023.a913492","DOIUrl":"https://doi.org/10.1353/hem.2023.a913492","url":null,"abstract":"Abstract:Susan F. Beegel, second editor of The Hemingway Review, remembers the important contributions and kind nature of Charles M. “Tod” Oliver, the founding editor, to Hemingway studies and to the Hemingway Society.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"58 1","pages":"10 - 13"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139343810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1353/hem.2023.a913504
Thomas Bevilacqua
{"title":"The Importance of Not Being Ernest: My Life with the Uninvited Hemingway by Mark Kurlansky (review)","authors":"Thomas Bevilacqua","doi":"10.1353/hem.2023.a913504","DOIUrl":"https://doi.org/10.1353/hem.2023.a913504","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"51 1","pages":"135 - 138"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139344900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1353/hem.2023.a913493
Kirk Curnutt
Abstract:We are reprinting this interview with Tod Oliver, which appeared in the Spring 2016 issue of The Hemingway Review to commemorate the thirty-fifth anniversary of the Review. In this interview, Tod reminisces about the early years of the journal. He recalls its evolution from Hemingway notes, the “technologies” available for producing an issue, the founding of the Hemingway Society, and important relationships and issues along the way.
{"title":"The Early Years of the Hemingway Review (1981–1992): An Interview with Charles M. (“Tod”) Oliver Reprinted from the Spring 2016 issue of The Hemingway Review","authors":"Kirk Curnutt","doi":"10.1353/hem.2023.a913493","DOIUrl":"https://doi.org/10.1353/hem.2023.a913493","url":null,"abstract":"Abstract:We are reprinting this interview with Tod Oliver, which appeared in the Spring 2016 issue of The Hemingway Review to commemorate the thirty-fifth anniversary of the Review. In this interview, Tod reminisces about the early years of the journal. He recalls its evolution from Hemingway notes, the “technologies” available for producing an issue, the founding of the Hemingway Society, and important relationships and issues along the way.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"22 1","pages":"14 - 20"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139346647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-09-01DOI: 10.1353/hem.2023.a913500
Ian Marshall
Abstract:In this essay, Ian Marshall analyzes Ernest Hemingway’s writing methodology in his short fiction, paying particular attention to constructions of labor, landscape, and African American male identity. Marshall argues that Hemingway was incapable of imagining a black working-class revolution, or a racially unified working-class revolution in the United States. This inability shapes his characters actions, particularly George, the main African American character in “The Porter,” and contributes to our understanding of revolutionary and social class consciousness in the U.S. as presented in Hemingway’s fiction.
{"title":"Constructions of Race and Revolution in Ernest Hemingway’s “The Porter”","authors":"Ian Marshall","doi":"10.1353/hem.2023.a913500","DOIUrl":"https://doi.org/10.1353/hem.2023.a913500","url":null,"abstract":"Abstract:In this essay, Ian Marshall analyzes Ernest Hemingway’s writing methodology in his short fiction, paying particular attention to constructions of labor, landscape, and African American male identity. Marshall argues that Hemingway was incapable of imagining a black working-class revolution, or a racially unified working-class revolution in the United States. This inability shapes his characters actions, particularly George, the main African American character in “The Porter,” and contributes to our understanding of revolutionary and social class consciousness in the U.S. as presented in Hemingway’s fiction.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"27 1","pages":"110 - 124"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139343858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Norton Critical Edition: Ernest Hemingway’s The Sun Also Rises ed. by Michael Thurston (review)","authors":"Donald A. Daiker","doi":"10.1353/hem.2023.0010","DOIUrl":"https://doi.org/10.1353/hem.2023.0010","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"16 1","pages":"116 - 120"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75612456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:While allusions to the Camino de Santiago are concealed in Ernest Hemingway’s The Sun Also Rises, Jake Barnes follows the Camino path in Paris, Burguete, Pamplona, San Sebastián and Madrid, and he visits the specific citygates, hostels, and hospitals used by Medieval pilgrims. The way Barnes uses language, perceives space and direction, depend largely upon his location in relation to the pilgrimage route. As his inner north, the Camino de Santiago provides a hidden structure in the novel: through a discussion of the social history of the Camino in Celtic and Catholic traditions, this article examines Hemingway’s first novel through the lens of the pilgrimage, an approach that sheds important light on how Hemingway’s conversion to Catholicism shaped his writing.
{"title":"The Sun Also Rises: A Pilgrimage Novel","authors":"Jeffrey Herlihy-Mera","doi":"10.1353/hem.2023.0004","DOIUrl":"https://doi.org/10.1353/hem.2023.0004","url":null,"abstract":"Abstract:While allusions to the Camino de Santiago are concealed in Ernest Hemingway’s The Sun Also Rises, Jake Barnes follows the Camino path in Paris, Burguete, Pamplona, San Sebastián and Madrid, and he visits the specific citygates, hostels, and hospitals used by Medieval pilgrims. The way Barnes uses language, perceives space and direction, depend largely upon his location in relation to the pilgrimage route. As his inner north, the Camino de Santiago provides a hidden structure in the novel: through a discussion of the social history of the Camino in Celtic and Catholic traditions, this article examines Hemingway’s first novel through the lens of the pilgrimage, an approach that sheds important light on how Hemingway’s conversion to Catholicism shaped his writing.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"12 1","pages":"25 - 55"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73003392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Two Scribner’s-excised passages from the manuscript of the posthumously published “The Last Good Country” reinforce the importance of the Indian girl Trudy in Hemingway’s fiction and of Prudence Boulton in his life. Both passages underline Nick’s depth of feeling for Trudy and the pain of her loss—a metaphor for the fate of Indians, who “all ended the same way. Long time ago good. Now no good.” But the theme of Indian extinction is itself a metaphor for the power, prominence, and even prevalence of loss in Hemingway’s fiction. Excepting the positive portrayals of Nick Adams and Jake Barnes, Hemingway’s earliest protagonists, loss dominates—in at least half the In Our Time stories, in the bitter conclusion of A Farewell to Arms, and in the four new tales of defeat and death that open The Fifth Column and the First Forty-Nine Stories. Hemingway agrees with Jig that “once they take it away, you never get it back.”
{"title":"Hemingway’s Nick Adams and His Lost “Indian Girl”","authors":"Donald A. Daiker","doi":"10.1353/hem.2023.0003","DOIUrl":"https://doi.org/10.1353/hem.2023.0003","url":null,"abstract":"Abstract:Two Scribner’s-excised passages from the manuscript of the posthumously published “The Last Good Country” reinforce the importance of the Indian girl Trudy in Hemingway’s fiction and of Prudence Boulton in his life. Both passages underline Nick’s depth of feeling for Trudy and the pain of her loss—a metaphor for the fate of Indians, who “all ended the same way. Long time ago good. Now no good.” But the theme of Indian extinction is itself a metaphor for the power, prominence, and even prevalence of loss in Hemingway’s fiction. Excepting the positive portrayals of Nick Adams and Jake Barnes, Hemingway’s earliest protagonists, loss dominates—in at least half the In Our Time stories, in the bitter conclusion of A Farewell to Arms, and in the four new tales of defeat and death that open The Fifth Column and the First Forty-Nine Stories. Hemingway agrees with Jig that “once they take it away, you never get it back.”","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"21 1","pages":"24 - 8"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73050535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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