Abstract:In The Paris Wife (2012), a work of historical fiction, Paula McLain offers a response to Ernest Hemingway's memoir A Moveable Feast, published posthumously in 1964. McLain elaborates on the Paris years, focusing on Hemingway's first wife Hadley Richardson. I argue that McLain positions herself as an ideal reader of AMoveable Feast and invites her readers to engage in a similar process of discovery. Readers with a keen knowledge of Hemingway's memoir can grippingly see what McLain is writing against, complementing and creatively "completing." Further, current debates on sexual politics allow readers to approach The Paris Wife from new perspectives.
{"title":"Revisiting and Rereading Hemingway's: A Moveable Feast and McLain's The Paris Wife","authors":"Claire Marrone","doi":"10.1353/hem.2022.0002","DOIUrl":"https://doi.org/10.1353/hem.2022.0002","url":null,"abstract":"Abstract:In The Paris Wife (2012), a work of historical fiction, Paula McLain offers a response to Ernest Hemingway's memoir A Moveable Feast, published posthumously in 1964. McLain elaborates on the Paris years, focusing on Hemingway's first wife Hadley Richardson. I argue that McLain positions herself as an ideal reader of AMoveable Feast and invites her readers to engage in a similar process of discovery. Readers with a keen knowledge of Hemingway's memoir can grippingly see what McLain is writing against, complementing and creatively \"completing.\" Further, current debates on sexual politics allow readers to approach The Paris Wife from new perspectives.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"30 1","pages":"19 - 30"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84378510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:The Sun Also Rises represents a case study for the relationship between so- cio-cultural stereotypes and disability studies. Focusing on Jake Barnes's res- toration of health, this essay suggests that Jake's self-mastery is accomplished through his submission to the cultivations he embarks upon during the fishing experience in Bayonne, the bullfight in Pamplona, and his solo trip to San Se- bastian. Through Jake, readers encounter the importance of embodiment and emplacement, that bodily restoration is in conjunction with ecological restora- tion. Jake's case further calls attention to a politics of cure that encourages the construction of environments whereby all forms of masculinity, physicality, and mental health are embraced.
{"title":"Toward a Politics of Cure: Jake Barnes's Embracing of Otherness in The Sun Also Rises","authors":"L. Ng","doi":"10.1353/hem.2022.0003","DOIUrl":"https://doi.org/10.1353/hem.2022.0003","url":null,"abstract":"Abstract:The Sun Also Rises represents a case study for the relationship between so- cio-cultural stereotypes and disability studies. Focusing on Jake Barnes's res- toration of health, this essay suggests that Jake's self-mastery is accomplished through his submission to the cultivations he embarks upon during the fishing experience in Bayonne, the bullfight in Pamplona, and his solo trip to San Se- bastian. Through Jake, readers encounter the importance of embodiment and emplacement, that bodily restoration is in conjunction with ecological restora- tion. Jake's case further calls attention to a politics of cure that encourages the construction of environments whereby all forms of masculinity, physicality, and mental health are embraced.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"21 1","pages":"31 - 48"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84666751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This essay focuses on an allusion to Hemingway's deep-sea fishing in Pound's Canto 40. The most direct source for Pound's allusion is probably Hemingway's letter to Pound dated 22 July 1933, in which he refers to his catching a world-record seven marlin in one day. Set in context, Pound's line about the record-setting, unnamed marlin fisherman groups him with monopolists who "extracted" natural resources such as oil for their private profits at the expense of the common good. Pound's reference in Canto 40 to Hemingway as a record-breaking marlin fisherman reflects tensions between the two writers that deepened in the 1930s.
{"title":"Hemingway's Marlin and Pound's Canto 40","authors":"John Beall","doi":"10.1353/hem.2022.0008","DOIUrl":"https://doi.org/10.1353/hem.2022.0008","url":null,"abstract":"Abstract:This essay focuses on an allusion to Hemingway's deep-sea fishing in Pound's Canto 40. The most direct source for Pound's allusion is probably Hemingway's letter to Pound dated 22 July 1933, in which he refers to his catching a world-record seven marlin in one day. Set in context, Pound's line about the record-setting, unnamed marlin fisherman groups him with monopolists who \"extracted\" natural resources such as oil for their private profits at the expense of the common good. Pound's reference in Canto 40 to Hemingway as a record-breaking marlin fisherman reflects tensions between the two writers that deepened in the 1930s.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"47 1","pages":"120 - 129"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86734316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Throughout his literary career, Ernest Hemingway shows characters making fateful decisions. But, at the same time, he is careful not to imply or account for how these decisions come about. His narrators and protagonists—Frederic Henry, Jake Barnes, Robert Jordan, and others—make life-defining choices but do not realize how momentous these are until much later. About the process (if there is one) by which they make the decisions that determine the course of their lives, Hemingway is silent. For their and, by implication, our own decisions, there is, in Hemingway's view, no explanation.
{"title":"No Explanations: Hemingway on the Making of Decisions","authors":"William E. Cain","doi":"10.1353/hem.2022.0004","DOIUrl":"https://doi.org/10.1353/hem.2022.0004","url":null,"abstract":"Abstract:Throughout his literary career, Ernest Hemingway shows characters making fateful decisions. But, at the same time, he is careful not to imply or account for how these decisions come about. His narrators and protagonists—Frederic Henry, Jake Barnes, Robert Jordan, and others—make life-defining choices but do not realize how momentous these are until much later. About the process (if there is one) by which they make the decisions that determine the course of their lives, Hemingway is silent. For their and, by implication, our own decisions, there is, in Hemingway's view, no explanation.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"44 1","pages":"49 - 74"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91525925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ernest's Way: An International Journey Through Hemingway's Life by Cristen Hemingway Jaynes (review)","authors":"H. K. Justice","doi":"10.1353/hem.2022.0012","DOIUrl":"https://doi.org/10.1353/hem.2022.0012","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"21 1","pages":"143 - 146"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82780282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hemingway, Trauma and Masculinity: In the Garden of the Uncanny by Stephen Gilbert Brown (review)","authors":"Sarah Anderson Wood","doi":"10.1353/hem.2022.0010","DOIUrl":"https://doi.org/10.1353/hem.2022.0010","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"499 1","pages":"136 - 139"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76917209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT:Ernest Hemingway’s popularity within the Soviet Union was connected to his participation in the Spanish Civil War. These activities were facilitated by Mikhail Kol’tsov, the Soviet foreign correspondent and Joseph Stalin’s unofficial man in Spain. This article examines the relationship of these two charismatic figures and suggests that much of Hemingway’s perception of events in Spain were sculpted by Soviet agents during the final, idealistic period of world revolution. For the Soviet Union, Hemingway’s anti-Fascist cultural production would be converted into ideological profits for internal and external audiences, marking the Soviet Hemingway as distinct from his western image.
摘要:海明威在苏联的知名度与他参加西班牙内战有关。这些活动是由苏联驻外记者米哈伊尔·科尔佐夫(Mikhail Kol tsov)促成的，他是约瑟夫·斯大林在西班牙的非官方人士。本文考察了这两位魅力人物的关系，并提出海明威对西班牙事件的大部分看法是由苏联特工在世界革命的最后理想主义时期塑造的。对于苏联来说，海明威的反法西斯文化生产将转化为对内对外的意识形态利益，标志着苏联的海明威与西方的海明威形象截然不同。
{"title":"Ideological Profit: Hemingway, Kol’tsov, and the Spanish Civil War","authors":"F. White","doi":"10.1353/hem.2021.0017","DOIUrl":"https://doi.org/10.1353/hem.2021.0017","url":null,"abstract":"ABSTRACT:Ernest Hemingway’s popularity within the Soviet Union was connected to his participation in the Spanish Civil War. These activities were facilitated by Mikhail Kol’tsov, the Soviet foreign correspondent and Joseph Stalin’s unofficial man in Spain. This article examines the relationship of these two charismatic figures and suggests that much of Hemingway’s perception of events in Spain were sculpted by Soviet agents during the final, idealistic period of world revolution. For the Soviet Union, Hemingway’s anti-Fascist cultural production would be converted into ideological profits for internal and external audiences, marking the Soviet Hemingway as distinct from his western image.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"1 1","pages":"43 - 67"},"PeriodicalIF":0.0,"publicationDate":"2021-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90158388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT:Hemingway said he read Her Privates We, a book by Frederic Manning, every year, and he began his Men at War with the first chapter of Manning’s book, an account of World War I service. Manning’s book, which was published under two titles, In the Middle Parts of Fortune and Her Privates We—the first volume privately printed and unexpurgated, the second initially bowdlerized—features a protagonist named Bourne. Bourne shares several features with his namesake David in The Garden of Eden, which Hemingway began shortly after the war and after publishing Men at War.
{"title":"Her Privates We","authors":"Peter L. Hays","doi":"10.1353/hem.2021.0021","DOIUrl":"https://doi.org/10.1353/hem.2021.0021","url":null,"abstract":"ABSTRACT:Hemingway said he read Her Privates We, a book by Frederic Manning, every year, and he began his Men at War with the first chapter of Manning’s book, an account of World War I service. Manning’s book, which was published under two titles, In the Middle Parts of Fortune and Her Privates We—the first volume privately printed and unexpurgated, the second initially bowdlerized—features a protagonist named Bourne. Bourne shares several features with his namesake David in The Garden of Eden, which Hemingway began shortly after the war and after publishing Men at War.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"22 1","pages":"101 - 105"},"PeriodicalIF":0.0,"publicationDate":"2021-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77989727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Hemingway Industry by David Faris (review)","authors":"T. Bevilacqua","doi":"10.1353/hem.2021.0024","DOIUrl":"https://doi.org/10.1353/hem.2021.0024","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"24 1","pages":"111 - 113"},"PeriodicalIF":0.0,"publicationDate":"2021-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78107902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：