ABSTRACT:Each year the Ernest Hemingway Foundation and PEN America award the PEN/Hemingway prize for the year's best debut novel by an American author. The award is usually presented at a gala reception at the John F. Kennedy Library in Boston, Massachusetts; however, in 2022, the award celebration was held online via Zoom due to ongoing concern about COVID-19. The 2022 PEN/Hemingway prize was awarded to Torrey Peters for her book, Detransition, Baby (Penguin Random House). This year we are pleased to present the keynote address of American writer, educator, conservationist, and activist Terry Tempest Williams. Tempest Williams is the author of over twenty books including the environmental literature classic, Refuge: An Unnatural History of Family and Place. Her other books include Finding Beauty in a Broken World; When Women Were Birds; The Hour of Land - A Personal Topography of America's National Parks; and most recently, Erosion - Essays of Undoing. A recipient of a John S. Guggenheim Fellowship, a Lannan Literary Award in Creative Nonfiction, and the Robert Kirsch Award, Tempest Williams is writer-in-residence at the Harvard Divinity School. She is a member of the American Academy of Arts & Letters and divides her time between Cambridge, Massachusetts and Castle Valley, Utah.
摘要:每年，欧内斯特·海明威基金会和美国笔会都会颁发年度最佳美国作家处女作奖。该奖项通常在马萨诸塞州波士顿的约翰·肯尼迪图书馆(John F. Kennedy Library)举行的盛大招待会上颁发;然而，由于对COVID-19的持续担忧，2022年的颁奖典礼通过Zoom在线举行。2022年美国笔会/海明威奖授予托里·彼得斯，获奖作品是《蜕变，宝贝》(企鹅兰登书屋出版)。今年，我们很高兴邀请到美国作家、教育家、环保主义者和活动家特里·坦佩斯特·威廉姆斯发表主旨演讲。Tempest Williams是二十多本书的作者，其中包括环境文学经典《避难所:家庭和地方的非自然历史》。她的其他著作包括《在破碎的世界中寻找美》;当女人还是鸟的时候;土地的时刻——美国国家公园的个人地形图以及最近出版的《侵蚀——毁灭随笔》。Tempest Williams是哈佛神学院的常驻作家，曾获得约翰·s·古根海姆奖学金、兰南创意非虚构文学奖和罗伯特·基尔希奖。她是美国艺术与文学学院的成员，每天往返于马萨诸塞州的剑桥和犹他州的城堡谷。
{"title":"2022 PEN/Hemingway Keynote Address","authors":"T. Williams","doi":"10.1353/hem.2022.0028","DOIUrl":"https://doi.org/10.1353/hem.2022.0028","url":null,"abstract":"ABSTRACT:Each year the Ernest Hemingway Foundation and PEN America award the PEN/Hemingway prize for the year's best debut novel by an American author. The award is usually presented at a gala reception at the John F. Kennedy Library in Boston, Massachusetts; however, in 2022, the award celebration was held online via Zoom due to ongoing concern about COVID-19. The 2022 PEN/Hemingway prize was awarded to Torrey Peters for her book, Detransition, Baby (Penguin Random House). This year we are pleased to present the keynote address of American writer, educator, conservationist, and activist Terry Tempest Williams. Tempest Williams is the author of over twenty books including the environmental literature classic, Refuge: An Unnatural History of Family and Place. Her other books include Finding Beauty in a Broken World; When Women Were Birds; The Hour of Land - A Personal Topography of America's National Parks; and most recently, Erosion - Essays of Undoing. A recipient of a John S. Guggenheim Fellowship, a Lannan Literary Award in Creative Nonfiction, and the Robert Kirsch Award, Tempest Williams is writer-in-residence at the Harvard Divinity School. She is a member of the American Academy of Arts & Letters and divides her time between Cambridge, Massachusetts and Castle Valley, Utah.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"25 1","pages":"14 - 9"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82236909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reading Hemingway's Winner Take Nothing: Glossary and Commentary ed. by Mark Cirino and Susan Vandagriff (review)","authors":"Lisa Tyler","doi":"10.1353/hem.2022.0023","DOIUrl":"https://doi.org/10.1353/hem.2022.0023","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"32 1","pages":"107 - 110"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91280799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Norton Critical Edition: Ernest Hemingway In Our Time ed. by J. Gerald Kennedy (review)","authors":"L. Miller","doi":"10.1353/hem.2022.0022","DOIUrl":"https://doi.org/10.1353/hem.2022.0022","url":null,"abstract":"","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"2016 1","pages":"103 - 107"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86581383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT:Hemingway's second safari of 1953-1954 provided the basis for a manuscript Hemingway called the African Book. Unfinished at the time of his death, this book would be posthumously published: first as shorter excerpts in Sports Illustrated (1971), and later in two editions: True at First Light, an abridged version edited by Patrick Hemingway (1999) and Under Kilimanjaro, a comprehensive text edited by Robert W. Lewis and Robert E. Fleming (2005). Neither book has superseded the other as the definitive African Book treatment, and their significant differences illuminate one another. This article considers differences between the texts, including differences in genre, in portrayal of the "tribalization" of the author, and in Hemingway's attitude toward critical opinion.
{"title":"True at First Light and Under Kilimanjaro: The African Book in Two Parts","authors":"Michael D. Dubose","doi":"10.1353/hem.2022.0017","DOIUrl":"https://doi.org/10.1353/hem.2022.0017","url":null,"abstract":"ABSTRACT:Hemingway's second safari of 1953-1954 provided the basis for a manuscript Hemingway called the African Book. Unfinished at the time of his death, this book would be posthumously published: first as shorter excerpts in Sports Illustrated (1971), and later in two editions: True at First Light, an abridged version edited by Patrick Hemingway (1999) and Under Kilimanjaro, a comprehensive text edited by Robert W. Lewis and Robert E. Fleming (2005). Neither book has superseded the other as the definitive African Book treatment, and their significant differences illuminate one another. This article considers differences between the texts, including differences in genre, in portrayal of the \"tribalization\" of the author, and in Hemingway's attitude toward critical opinion.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"9 1","pages":"50 - 67"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87367417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT:The second instalment in "Hemingway as a Caribbean Writer" examines Hemingway's day-to-day life at the Finca Vigía and his influence on the development of a budding Cuban artist. The final article in this series, Enrique Cirules's "Ernest Hemingway and the Faded Fame of Antonio Gattorno" considers Hemingway's role in the life of a Antonio Gattorno, an artist from Havana who, in part from Hemingway's advice, relocated to the U.S.
{"title":"Ernest Hemingway, A Cuban Exile","authors":"Jeffrey Herlihy-Mera","doi":"10.1353/hem.2022.0019","DOIUrl":"https://doi.org/10.1353/hem.2022.0019","url":null,"abstract":"ABSTRACT:The second instalment in \"Hemingway as a Caribbean Writer\" examines Hemingway's day-to-day life at the Finca Vigía and his influence on the development of a budding Cuban artist. The final article in this series, Enrique Cirules's \"Ernest Hemingway and the Faded Fame of Antonio Gattorno\" considers Hemingway's role in the life of a Antonio Gattorno, an artist from Havana who, in part from Hemingway's advice, relocated to the U.S.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"260 1","pages":"80 - 84"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74517679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
L. La Rocque, Lisa Narbeshuber, Ricardo Marín Ruiz, Michael D. Dubose, Hideo Yanagisawa, Jeffrey Herlihy-Mera, Enrique Cirules, Peter L. Hays, L. Miller, Lisa Tyler, Ellen Andrews Knodt, Stacey Guill, Kelli A. Larson, S. Paul, T. Williams
ABSTRACT:Ernest Hemingway's "Big Two Hearted River" creates a utopian space for reimagining multiple senses of time, space, and embodiment. The story is not a mere escape into the woods to nourish the soul of the main character, Nick Adams. The text throughout keeps an eye on the structural forces (advanced technologies, techniques for controlling selves and collectives) homogenizing behavior, reductively streamlining concepts of place, objects, time, and bodies. The story carefully creates a counter-discourse (alternative structures), the aims of which are to facilitate embodiment (a human scale) and the possibility of engaging with forms of time and space that elude the processes of industrialization. Hemingway, through his open-ended style and increasingly embodied character, Nick, explores the possibility of relating to the world in a non-dominating, mindful way. The quality of consciousness mapped out are meant to be carried back to a modernist culture as a kind of revolution. Nick, then, is not a self so much as a revolutionary method.
{"title":"Addressing Modernity from the Woods: Utopian Counter-Discourses in \"Big Two-Hearted River\"","authors":"L. La Rocque, Lisa Narbeshuber, Ricardo Marín Ruiz, Michael D. Dubose, Hideo Yanagisawa, Jeffrey Herlihy-Mera, Enrique Cirules, Peter L. Hays, L. Miller, Lisa Tyler, Ellen Andrews Knodt, Stacey Guill, Kelli A. Larson, S. Paul, T. Williams","doi":"10.1353/hem.2022.0015","DOIUrl":"https://doi.org/10.1353/hem.2022.0015","url":null,"abstract":"ABSTRACT:Ernest Hemingway's \"Big Two Hearted River\" creates a utopian space for reimagining multiple senses of time, space, and embodiment. The story is not a mere escape into the woods to nourish the soul of the main character, Nick Adams. The text throughout keeps an eye on the structural forces (advanced technologies, techniques for controlling selves and collectives) homogenizing behavior, reductively streamlining concepts of place, objects, time, and bodies. The story carefully creates a counter-discourse (alternative structures), the aims of which are to facilitate embodiment (a human scale) and the possibility of engaging with forms of time and space that elude the processes of industrialization. Hemingway, through his open-ended style and increasingly embodied character, Nick, explores the possibility of relating to the world in a non-dominating, mindful way. The quality of consciousness mapped out are meant to be carried back to a modernist culture as a kind of revolution. Nick, then, is not a self so much as a revolutionary method.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"1 1","pages":"102 - 103 - 107 - 107 - 110 - 110 - 113 - 113 - 117 - 118 - 130 - 14 - 15 - 34 - 35 - 49 - 50 - 67 -"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83210437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT:This essay shows the connection between two fields Hemingway was particularly keen on—modern art and bullfighting. More specifically, this article pivots around "The Capital of the World," a story that contains several interesting examples of the influence that Cubism, one of the artistic movements most admired by Hemingway, had on his way of understanding tauromachy inside and outside the bullring. The use of certain stylistic techniques based on cubist pictorial techniques give shape and highlight some of the main ideas the American author had on bullfighting.
摘要:海明威酷爱的两个领域——现代艺术和斗牛之间的联系。更具体地说，这篇文章围绕着《世界之都》(The Capital of World)展开，这个故事包含了几个有趣的例子，说明海明威最欣赏的艺术运动之一立体主义对他理解斗牛场内外的斗牛术的影响。在立体派绘画手法的基础上，运用了一定的风格技巧，塑造并突出了这位美国作家对斗牛的一些主要思想。
{"title":"The Influence of Cubism in Hemingway's Conception of Bullfighting in \"The Capital of the World\"","authors":"R. Marín Ruiz","doi":"10.1353/hem.2022.0016","DOIUrl":"https://doi.org/10.1353/hem.2022.0016","url":null,"abstract":"ABSTRACT:This essay shows the connection between two fields Hemingway was particularly keen on—modern art and bullfighting. More specifically, this article pivots around \"The Capital of the World,\" a story that contains several interesting examples of the influence that Cubism, one of the artistic movements most admired by Hemingway, had on his way of understanding tauromachy inside and outside the bullring. The use of certain stylistic techniques based on cubist pictorial techniques give shape and highlight some of the main ideas the American author had on bullfighting.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"148 1","pages":"35 - 49"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77878565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ABSTRACT:Several roadmaps in the Hemingway Museum in Havana, which Ernest Hemingway probably used in the 1950s, contain marginalia, such as his name and highlighted travel routes. The markings on the roadmaps appear to allude to Hemingway's Cuba-U.S. driving tours in the 1950s and connect to his nostalgic memory as a writer and father of broken families, in "The Strange Country." Through several similarities with Hemingway's roadmaps in Cuba, "The Strange Country" might be understood as Hemingway's only road narrative.
{"title":"Hemingway's Roadmaps in Cuba: \"The Strange Country\" as a Postwar Road Narrative","authors":"Hideo Yanagisawa","doi":"10.1353/hem.2022.0018","DOIUrl":"https://doi.org/10.1353/hem.2022.0018","url":null,"abstract":"ABSTRACT:Several roadmaps in the Hemingway Museum in Havana, which Ernest Hemingway probably used in the 1950s, contain marginalia, such as his name and highlighted travel routes. The markings on the roadmaps appear to allude to Hemingway's Cuba-U.S. driving tours in the 1950s and connect to his nostalgic memory as a writer and father of broken families, in \"The Strange Country.\" Through several similarities with Hemingway's roadmaps in Cuba, \"The Strange Country\" might be understood as Hemingway's only road narrative.","PeriodicalId":22434,"journal":{"name":"The Hemingway Review","volume":"6 4 1","pages":"68 - 79"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82251179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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