The Romanian Constitution of 1923 is framed on the backdrop of a long historical journey, lasting more than a century, of state-building and the emergence of a specific Romanian constitutional tradition. The aim is to retrace this path in its broad phases, attempting to explain it in the light of an interpretative scheme based on a generational approach, taken as a measure of periodization and as an expression of historical and political continuities and changes. The article shows the relevance in Romanian political culture of the principle of national sovereignty, expressed in the concepts of the unity of the state’s territory and independence. Going back to the first reform projects in the first half of the nineteenth century, the article outlines the main attempts at political change based on the link between national integration and territorial unification: from the Romanian national initiatives of the first half of the century (with special attention to the 1848 Revolution) to the Constitution of 1866 and the new reality of Greater Romania after the First World War. A substantial continuity of values and ideas is outlined, assessing the intergenerational dimension of the concept of national sovereignty in Romanian political culture.
{"title":"National Sovereignty and Territorial Unification of the Romanian Space: An Intergenerational Concept","authors":"Antonio D’Alessandri","doi":"10.33993/tr.2023.4.01","DOIUrl":"https://doi.org/10.33993/tr.2023.4.01","url":null,"abstract":"The Romanian Constitution of 1923 is framed on the backdrop of a long historical journey, lasting more than a century, of state-building and the emergence of a specific Romanian constitutional tradition. The aim is to retrace this path in its broad phases, attempting to explain it in the light\u0000of an interpretative scheme based on a generational approach, taken as a measure of periodization\u0000and as an expression of historical and political continuities and changes. The article shows the\u0000relevance in Romanian political culture of the principle of national sovereignty, expressed in the\u0000concepts of the unity of the state’s territory and independence. Going back to the first reform\u0000projects in the first half of the nineteenth century, the article outlines the main attempts at political change based on the link between national integration and territorial unification: from the\u0000Romanian national initiatives of the first half of the century (with special attention to the 1848\u0000Revolution) to the Constitution of 1866 and the new reality of Greater Romania after the First\u0000World War. A substantial continuity of values and ideas is outlined, assessing the intergenerational\u0000dimension of the concept of national sovereignty in Romanian political culture.","PeriodicalId":23235,"journal":{"name":"Transylvanian Review","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140449709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article discusses Montenegrin–Bulgarian relations before the First Balkan War, which Montenegro and Bulgaria, together with their allies Serbia and Greece, waged against Turkey. Montenegrin–Bulgarian relations improved from 1878 to 1912. These two states had no territorial conflicts, but both were conscious that war against Turkey would be essential if they were to liberate the Balkans from the Ottoman occupation that had lasted five centuries. There was also an emotional basis for this idea of a war. Both countries were Slavic, a feature also shared by Russia, the protector of the Balkan League. Russia wanted to expel the Ottoman state from the Balkans. The Balkan League of States under its patronage was against the thesis of the Central Powers. The way events turned out at the end of the First Balkan War, as well as the fact that Montenegro was ethnically closer to Serbia than to Bulgaria, led to Montenegro going to war against Bulgaria in 1913, although Montenegro had no particular benefit from that war.
{"title":"Montenegrin–Bulgarian Relations before and during the First Balkan War","authors":"Aleksandar Stamatović","doi":"10.33993/tr.2023.4.08","DOIUrl":"https://doi.org/10.33993/tr.2023.4.08","url":null,"abstract":"This article discusses Montenegrin–Bulgarian relations before the First Balkan War, which Montenegro and Bulgaria, together with their allies Serbia and Greece, waged against Turkey. Montenegrin–Bulgarian relations improved from 1878 to 1912. These two states had no territorial\u0000conflicts, but both were conscious that war against Turkey would be essential if they were to liberate the Balkans from the Ottoman occupation that had lasted five centuries. There was also an\u0000emotional basis for this idea of a war. Both countries were Slavic, a feature also shared by Russia,\u0000the protector of the Balkan League. Russia wanted to expel the Ottoman state from the Balkans.\u0000The Balkan League of States under its patronage was against the thesis of the Central Powers. The\u0000way events turned out at the end of the First Balkan War, as well as the fact that Montenegro was\u0000ethnically closer to Serbia than to Bulgaria, led to Montenegro going to war against Bulgaria in\u00001913, although Montenegro had no particular benefit from that war.","PeriodicalId":23235,"journal":{"name":"Transylvanian Review","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140450178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A singular Romanian writer, often considered a precursor of the avant-garde, Urmuz (1883– 1923) left a complex representation of time in his work. Alongside chronological temporality, we find the elements of a more complex temporal imaginary, which is essentially critical of notions of progress. The paper proposes a close reading of the prose endings, to underline the particular aspects of the representation of time: the integration of destruction, its indefinite continuity, its positioning in relation to the future. Drawing on Giorgio Agamben’s reading of the Epistle to the Romans, we highlight the messianic character of the time represented in Urmuz’s prose. Through an analysis of the linguistic dimensions of temporal expressions, as well as an analysis of the relationship between time and the imaginary of filiation, we attempt to discuss the possibility of a critique of modernity and what we might call, with a notion borrowed from François Hartog, an alternative regime of historicity.
{"title":"« Petit à petit, progressivement, pour toujours »: Images du temps dans les proses de Urmuz","authors":"Adrian Tudurachi","doi":"10.33993/tr.2023.4.06","DOIUrl":"https://doi.org/10.33993/tr.2023.4.06","url":null,"abstract":"A singular Romanian writer, often considered a precursor of the avant-garde, Urmuz (1883–\u00001923) left a complex representation of time in his work. Alongside chronological temporality, we\u0000find the elements of a more complex temporal imaginary, which is essentially critical of notions\u0000of progress. The paper proposes a close reading of the prose endings, to underline the particular\u0000aspects of the representation of time: the integration of destruction, its indefinite continuity, its\u0000positioning in relation to the future. Drawing on Giorgio Agamben’s reading of the Epistle to the\u0000Romans, we highlight the messianic character of the time represented in Urmuz’s prose. Through\u0000an analysis of the linguistic dimensions of temporal expressions, as well as an analysis of the relationship between time and the imaginary of filiation, we attempt to discuss the possibility of a\u0000critique of modernity and what we might call, with a notion borrowed from François Hartog, an\u0000alternative regime of historicity.","PeriodicalId":23235,"journal":{"name":"Transylvanian Review","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140450774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article seeks to provide a partial but genuine account of the translations from English and American literatures into Romanian in the censorship-governed, communist period. It rests on the historical, political and ideological pre-requisites that set the scene for translational censorship in Romania and focuses on issues like: the number of published translations, editorial policies, revision methods, translators and their status. Finally, it overviews the 21st century debates and further investigative initiatives on censorship and translations.
{"title":"Censorship-Governed Translations in Communist Romania","authors":"S. Irimiea, Olivia Narcisa Petrescu","doi":"10.33993/tr.2023.4.09","DOIUrl":"https://doi.org/10.33993/tr.2023.4.09","url":null,"abstract":"The article seeks to provide a partial but genuine account of the translations from English and\u0000American literatures into Romanian in the censorship-governed, communist period. It rests on\u0000the historical, political and ideological pre-requisites that set the scene for translational censorship\u0000in Romania and focuses on issues like: the number of published translations, editorial policies,\u0000revision methods, translators and their status. Finally, it overviews the 21st century debates and\u0000further investigative initiatives on censorship and translations.","PeriodicalId":23235,"journal":{"name":"Transylvanian Review","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140450497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the 1920s Romania underwent a major political, cultural, and social change. A new generation of young people attended universities and started being involved in political life in a bigger country where access to civil and political rights was granted to all citizens. Influenced by the international context characterized by the rise of ideologies and by the habit of violence inherited from the Great War, a part of them considered terrorism as a possible instrument of action. Corneliu Zelea Codreanu’s movement was the main representative of such an attitude. Political homicides were not only a settling of scores, also transmitting the message that there was a justice that was superior to that imposed by law and it was based on the authentical values of Romanian identity. After the death of Codreanu, the Iron Guard, led by Horia Sima, did not give up terrorism, but it became a conscious method of political action with the aim of destabilizing and creating a climate of uncertainty and terror.
{"title":"A New Generation, a New Political Action: Terrorism in Romania (1920–1940)","authors":"Emanuela Costantini","doi":"10.33993/tr.2023.4.03","DOIUrl":"https://doi.org/10.33993/tr.2023.4.03","url":null,"abstract":"In the 1920s Romania underwent a major political, cultural, and social change. A new generation\u0000of young people attended universities and started being involved in political life in a bigger country where access to civil and political rights was granted to all citizens. Influenced by the international context characterized by the rise of ideologies and by the habit of violence inherited from\u0000the Great War, a part of them considered terrorism as a possible instrument of action. Corneliu\u0000Zelea Codreanu’s movement was the main representative of such an attitude. Political homicides\u0000were not only a settling of scores, also transmitting the message that there was a justice that was\u0000superior to that imposed by law and it was based on the authentical values of Romanian identity.\u0000After the death of Codreanu, the Iron Guard, led by Horia Sima, did not give up terrorism, but it\u0000became a conscious method of political action with the aim of destabilizing and creating a climate\u0000of uncertainty and terror.","PeriodicalId":23235,"journal":{"name":"Transylvanian Review","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140450878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The anniversary of one hundred and fifty years since the passing of Saint Metropolitan Andrei Şaguna (28 June 1873) is the right moment to reflect on his portrait in history, his theological legacy, and his positive role in the historical evolution of the Romanians in Transylvania, Banat and Hungary in the second half of the 19th century. The study approaches a topic less discussed in Romanian, German or English historiography and theology, namely: the coats of arms of Andrei Şaguna, by the mercy of God “archbishop and metropolitan of the Orthodox Romanians of Transylvania and Hungary” and by the grace of Franz Joseph, Emperor of Austria, Baron of the Austrian Empire. Among all Transylvanian Romanian Orthodox hierarchs, Metropolitan Şaguna is the only one who was raised by the Austrian emperor to the noble rank of baron. The title was conferred on him by Emperor Franz Joseph in 1852, being assumed by the hierarch both in his signature and in the official title used in his correspondence with the civil, military and ecclesiastical authorities of the Habsburg Monarchy and the Romanian Principalities, as well as on the title pages of books printed in Sibiu. The royal titles and orders, the baronial coat of arms and the metropolitan emblem illustrate the historical effigies and aristocratic stature of the complex personality of Metropolitan Andrei Şaguna and represent the new legal status and public dignity that the Romanian nation and the Transylvanian Orthodox Church acquired during his pastorate.
{"title":"The Coats of Arms of Metropolitan Andrei, Baron of Şaguna","authors":"M. Abrudan","doi":"10.33993/tr.2023.4.05","DOIUrl":"https://doi.org/10.33993/tr.2023.4.05","url":null,"abstract":"The anniversary of one hundred and fifty years since the passing of Saint Metropolitan Andrei Şaguna (28 June 1873) is the right moment to reflect on his portrait in history, his theological legacy, and his positive role in the historical evolution of the Romanians in Transylvania, Banat and Hungary in the second half of the 19th century. The study approaches a topic less discussed in Romanian, German or English historiography and theology, namely: the coats of arms of Andrei Şaguna, by the mercy of God “archbishop and metropolitan of the Orthodox Romanians of Transylvania and Hungary” and by the grace of Franz Joseph, Emperor of Austria, Baron of the Austrian Empire. Among all Transylvanian Romanian Orthodox hierarchs, Metropolitan Şaguna is the only one who was raised by the Austrian emperor to the noble rank of baron. The title was conferred on him by Emperor Franz Joseph in 1852, being assumed by the hierarch both in his signature and in the official title used in his correspondence with the civil, military and ecclesiastical authorities of the Habsburg Monarchy and the Romanian Principalities, as well as on the title pages of books printed in Sibiu. The royal titles and orders, the baronial coat of arms and the metropolitan emblem illustrate the historical effigies and aristocratic stature of the complex personality of Metropolitan Andrei Şaguna and represent the new legal status and public dignity that the Romanian nation and the Transylvanian Orthodox Church acquired during his pastorate.","PeriodicalId":23235,"journal":{"name":"Transylvanian Review","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140450225","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The present study is a preliminary analysis, from a socio-professional perspective, of the first set of quantitative data on the generations of Romanian students who studied at the pontifical universities in Rome between 1853 and 1948. Without research that could piece together the general picture of all the students educated in Rome during the discussed period, this study identifies the generations of students trained over a century, their formative patterns, their contacts and particularities, and the professional paths followed by the graduates. It outlines the socio-cultural climate in which the three generations of students were educated and its impact on their theological and intellectual profile. A special part of this study is dedicated to identifying and analyzing the factors that contributed to the selection of the students and their career paths, focusing particularly on the impact of social origin, education, kinship relations, as well as on political factors. Last but not least, it also considers the dynamics of the emblematic figures of each generation, the university dropout phenomenon, and the reasons behind career changes.
{"title":"Romanian Students at the Pontifical Universities in Rome (1853–1948): Career Paths and Generational Patterns","authors":"Ana Victoria Sima","doi":"10.33993/tr.2023.4.02","DOIUrl":"https://doi.org/10.33993/tr.2023.4.02","url":null,"abstract":"The present study is a preliminary analysis, from a socio-professional perspective, of the first set of\u0000quantitative data on the generations of Romanian students who studied at the pontifical universities in Rome between 1853 and 1948. Without research that could piece together the general\u0000picture of all the students educated in Rome during the discussed period, this study identifies the\u0000generations of students trained over a century, their formative patterns, their contacts and particularities, and the professional paths followed by the graduates. It outlines the socio-cultural climate\u0000in which the three generations of students were educated and its impact on their theological and\u0000intellectual profile. A special part of this study is dedicated to identifying and analyzing the factors\u0000that contributed to the selection of the students and their career paths, focusing particularly on\u0000the impact of social origin, education, kinship relations, as well as on political factors. Last but not\u0000least, it also considers the dynamics of the emblematic figures of each generation, the university\u0000dropout phenomenon, and the reasons behind career changes.","PeriodicalId":23235,"journal":{"name":"Transylvanian Review","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140450902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Italo-Ethiopian War (1935–1936) represents, par excellence, the war of fascism for fascism. It is no coincidence that the extensive use of military resources was accompanied by an extraordinary propaganda campaign, which also had clear and evident pedagogical implications. The regime, at the peak of its consensus and in the full deployment of its totalitarian vocation, took on the objective of raising the young and very young generations “to the level of the Empire.” The pedagogical project of the homo novus experienced a qualitative leap. The combination of war and Africa, filled with heroic fascination and ancestral mystery, stroke the imagination of teachers, educators, textbook compilers, and, similarly, excited the imagination of the youth. The enthusiasm generated by propaganda, or the propaganda itself artificially returned to the public sphere, promoted the psychological dynamics of “celebration” and play. Although fascist pedagogy underestimated the relationship between learning and play, the playful element actually emerged as an important factor in political mobilization and, above all, imperialistic education. The didactic strategies of elementary school teachers, developed in preparation for and during the African conflict, are proof of this. However, even the private industry aligned itself with the pedagogical influences of the regime, introducing a wide variety of toys on the market that served to shape an imperialist, warlike, chauvinistic, and racist mentality. The province of Perugia is undoubtedly an interesting field of investigation: on the territory of the “capital of the fascist revolution,” starting from 1923, governing groups making loyalty to the Duce the driving force of their political rise took over the institutional and administrative structures. But that’s not all: unlike elsewhere, the Gentile reform enjoyed widespread consensus in Perugia from the beginning. Moreover, the majority of teachers joined Mussolini’s movement from the very beginning.
{"title":"Homo Novus in the Conquest of the Empire: The Playful Element in Fascist Propaganda and Pedagogy: A Case Study","authors":"Valerio Marinelli","doi":"10.33993/tr.2023.4.04","DOIUrl":"https://doi.org/10.33993/tr.2023.4.04","url":null,"abstract":"The Italo-Ethiopian War (1935–1936) represents, par excellence, the war of fascism for fascism.\u0000It is no coincidence that the extensive use of military resources was accompanied by an extraordinary propaganda campaign, which also had clear and evident pedagogical implications. The\u0000regime, at the peak of its consensus and in the full deployment of its totalitarian vocation, took\u0000on the objective of raising the young and very young generations “to the level of the Empire.”\u0000The pedagogical project of the homo novus experienced a qualitative leap. The combination of war\u0000and Africa, filled with heroic fascination and ancestral mystery, stroke the imagination of teachers,\u0000educators, textbook compilers, and, similarly, excited the imagination of the youth. The enthusiasm generated by propaganda, or the propaganda itself artificially returned to the public sphere,\u0000promoted the psychological dynamics of “celebration” and play. Although fascist pedagogy underestimated the relationship between learning and play, the playful element actually emerged as\u0000an important factor in political mobilization and, above all, imperialistic education. The didactic\u0000strategies of elementary school teachers, developed in preparation for and during the African\u0000conflict, are proof of this. However, even the private industry aligned itself with the pedagogical\u0000influences of the regime, introducing a wide variety of toys on the market that served to shape an\u0000imperialist, warlike, chauvinistic, and racist mentality. The province of Perugia is undoubtedly an\u0000interesting field of investigation: on the territory of the “capital of the fascist revolution,” starting from 1923, governing groups making loyalty to the Duce the driving force of their political\u0000rise took over the institutional and administrative structures. But that’s not all: unlike elsewhere,\u0000the Gentile reform enjoyed widespread consensus in Perugia from the beginning. Moreover, the\u0000majority of teachers joined Mussolini’s movement from the very beginning.","PeriodicalId":23235,"journal":{"name":"Transylvanian Review","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140450338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this study, we aim to present some cases of witchcraft on the European continent. Based on unpublished archival information, the study shows how the state, the Church and the society reacted to magic, witchcraft, and alchemy. The life stories of the magical agents presented in these pages also provide an opportunity to revisit the political and social context from France to Transylvania throughout the 17th and 18th centuries. Beyond the beauty of the magical symbolism lies the dramatic fate of those involved, who ended their lives tragically. Their testimonies, however, are important for the researcher who wishes to investigate the magical phenomenon.
{"title":"Untold Life Stories about Magic and Witchcraft (17th–18th Centuries)","authors":"Marius Eppel","doi":"10.33993/tr.2023.4.07","DOIUrl":"https://doi.org/10.33993/tr.2023.4.07","url":null,"abstract":"In this study, we aim to present some cases of witchcraft on the European continent. Based on\u0000unpublished archival information, the study shows how the state, the Church and the society reacted to magic, witchcraft, and alchemy. The life stories of the magical agents presented in these\u0000pages also provide an opportunity to revisit the political and social context from France to Transylvania throughout the 17th and 18th centuries. Beyond the beauty of the magical symbolism lies\u0000the dramatic fate of those involved, who ended their lives tragically. Their testimonies, however,\u0000are important for the researcher who wishes to investigate the magical phenomenon.","PeriodicalId":23235,"journal":{"name":"Transylvanian Review","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140451584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article represents a revised chapter of my book György Ligeti’s Creation in the Stylistic Context of the 20st Century, published in 1999. It shows the divergent and contrasting aspects of the com poser’s pieces, their synaesthesis and their preference for allusions and illusions. Ligeti’s whole work is a large spectrum built with associable musical structures that are also found with other composers or even in extramusical artistic productions. But despite this, it remains original and innovative, not belonging to any stylistic orientation of 20th century music.
{"title":"Aesthetic Considerations on György Ligeti’s Works","authors":"Dora Cojocaru","doi":"10.33993/tr.2023.3.07","DOIUrl":"https://doi.org/10.33993/tr.2023.3.07","url":null,"abstract":"This article represents a revised chapter of my book György Ligeti’s Creation in the Stylistic Context of the 20st Century, published in 1999. It shows the divergent and contrasting aspects of the com poser’s pieces, their synaesthesis and their preference for allusions and illusions. Ligeti’s whole work is a large spectrum built with associable musical structures that are also found with other composers or even in extramusical artistic productions. But despite this, it remains original and innovative, not belonging to any stylistic orientation of 20th century music.","PeriodicalId":23235,"journal":{"name":"Transylvanian Review","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140509514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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