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Alessandro Bratus, Mediatization in Popular Music Recorded Artifacts: Performance on Record and on Screen 亚历山德罗·布拉图斯,《流行音乐录音制品的媒介化:录音和屏幕上的表演》
Pub Date : 2021-12-15 DOI: 10.4000/volume.9553
Catherine Rudent
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引用次数: 0
Les musiques populaires dans l’enseignement et la recherche musicologiques en France 法国音乐教学与研究中的流行音乐
Pub Date : 2021-12-15 DOI: 10.4000/volume.9804
Christophe Pirenne
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引用次数: 0
Thomas Horeau, Le jazz et la scène 托马斯·霍罗,爵士乐和舞台
Pub Date : 2021-12-15 DOI: 10.4000/volume.9567
Clément Bresch
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引用次数: 0
Une préhistoire des Popular Music Studies : fonder la folk music comme objet des sciences sociales dans les États-Unis des années 1930 流行音乐研究的史前:20世纪30年代在美国建立民间音乐作为社会科学的对象
Pub Date : 2021-12-15 DOI: 10.4000/volume.9424
Yves Dorémieux, Camille Moreddu
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引用次数: 1
Les disques des parents 父母的记录
Pub Date : 2021-12-15 DOI: 10.4000/volume.9758
Sylvain Martet
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引用次数: 0
Jonathan Thomas, La propagande par le disque : Jean-Marie Le Pen, éditeur phonographique 乔纳森·托马斯,唱片宣传:让-玛丽·勒庞,留声机出版商
Pub Date : 2021-12-15 DOI: 10.4000/volume.9504
Grégoire Bienvenu
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引用次数: 1
K.E. Goldschmitt, Bossa Mundo: Brazilian Music in Transnational Media Industries 《世界的老板:跨国媒体产业中的巴西音乐》,K.E. Goldschmitt著
Pub Date : 2021-12-15 DOI: 10.4000/volume.9484
Frederico Lyra de Carvalho
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引用次数: 0
Experts / non experts des musiques populaires : au-delà des frontières 非流行音乐的专家/专家:越过边界
Pub Date : 2021-12-15 DOI: 10.4000/volume.9800
Christophe Levaux, Christophe Pirenne
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引用次数: 0
« Maybe it’s the third world / Maybe it’s the first time around » : variations autour du terme world music chez Paul Simon, de Graceland à Songs from the Capeman “也许这是第三世界/也许这是第一次”:保罗·西蒙的世界音乐的变化,de Graceland <e:1>来自海角的歌曲
Pub Date : 2021-12-15 DOI: 10.4000/volume.9748
C. Fraysse
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引用次数: 0
D’Erik Satie aux Smashing Pumpkins : à propos d’un riff de garçon fragile 从埃里克·萨蒂到粉碎南瓜:关于一个脆弱的男孩的即兴片段
Pub Date : 2021-12-15 DOI: 10.4000/volume.9722
Héctor Cavallaro, Michael Spanu
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引用次数: 0
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