{"title":"Étudier et enseigner les musiques actuelles : les frontières floues d’une expertise en devenir","authors":"Danick Trottier","doi":"10.4000/volume.9444","DOIUrl":"https://doi.org/10.4000/volume.9444","url":null,"abstract":"","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82272453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Écrans, médiations et authenticité dans le concert pop : deux cas d’étude","authors":"Giulia Sarno","doi":"10.4000/volume.9768","DOIUrl":"https://doi.org/10.4000/volume.9768","url":null,"abstract":"","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"90 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85353608","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‟Original Artyfacts”: Rethinking Object Biography in Popular Music Studies","authors":"José Vicente Neglia","doi":"10.4000/volume.9428","DOIUrl":"https://doi.org/10.4000/volume.9428","url":null,"abstract":"","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78874201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Susan Fast & Craig Jennex, Popular Music and the Politics of Hope","authors":"Louise Barrière","doi":"10.4000/volume.9523","DOIUrl":"https://doi.org/10.4000/volume.9523","url":null,"abstract":"","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"99 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85240563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lori A. Burns & Stan Hawkins, The Bloomsbury Handbook of Popular Music Video Analysis","authors":"Antoine Gaudin","doi":"10.4000/volume.9579","DOIUrl":"https://doi.org/10.4000/volume.9579","url":null,"abstract":"","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84281801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Marta Amico, La Fabrique d’une musique touarègue. Un son du désert dans la world music","authors":"N. Puig","doi":"10.4000/volume.9542","DOIUrl":"https://doi.org/10.4000/volume.9542","url":null,"abstract":"","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"41 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84114367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article explores the capacity of the comics medium to represent a complex opera cycle in a graphic narrative. It analyses specific features of transmedial transmission between opera and comics through the example of the most recent graphic adaptation of Richard Wagner’s dramatic tetralogy The Ring of the Nibelung by P. Craig Russell, published by Dark Horse Comics (2000–2001). The adaptation, which fuses the disparate worlds of opera, comics, and fantasy culture, is stripped of Wagner’s controversial ideology. Russell interprets the Ring Cycle as an essential source of inspiration for American comics, thereby making this complex magnum opus attractive and accessible to wider audiences. His chief aim, however, is to reproduce an operatic effect by way of graphic mythic grandiosity. The study explores the visual aspects of the adaptation, addressing the potential of the comics medium to capture Wagner’s original vision. With a focus on illustration style and character depiction, this article discusses Russell’s imagery, which combines the classic illustrations of Arthur Rackham and Carl Emil Doepler, images from American popular culture, and Alan Lee’s illustrations of Tolkien’s series The Lord of the Rings. This article further analyses the methods of transmission of sounds into the silent medium, including both linguistic and visual means of expressing the intensity and quality of sound. Special attention is paid to the meaning and visual form of the Wagnerian leitmotiv as well as the use of colouring in relation to timing.
{"title":"Opera as Comics: Richard Wagner’s The Ring of the Nibelung in Craig P. Russell’s Graphic Adaptation","authors":"Michael Weiss, Miroslav Urbanec","doi":"10.16995/OLH.4680","DOIUrl":"https://doi.org/10.16995/OLH.4680","url":null,"abstract":"The article explores the capacity of the comics medium to represent a complex opera cycle in a graphic narrative. It analyses specific features of transmedial transmission between opera and comics through the example of the most recent graphic adaptation of Richard Wagner’s dramatic tetralogy The Ring of the Nibelung by P. Craig Russell, published by Dark Horse Comics (2000–2001). The adaptation, which fuses the disparate worlds of opera, comics, and fantasy culture, is stripped of Wagner’s controversial ideology. Russell interprets the Ring Cycle as an essential source of inspiration for American comics, thereby making this complex magnum opus attractive and accessible to wider audiences. His chief aim, however, is to reproduce an operatic effect by way of graphic mythic grandiosity. The study explores the visual aspects of the adaptation, addressing the potential of the comics medium to capture Wagner’s original vision. With a focus on illustration style and character depiction, this article discusses Russell’s imagery, which combines the classic illustrations of Arthur Rackham and Carl Emil Doepler, images from American popular culture, and Alan Lee’s illustrations of Tolkien’s series The Lord of the Rings. This article further analyses the methods of transmission of sounds into the silent medium, including both linguistic and visual means of expressing the intensity and quality of sound. Special attention is paid to the meaning and visual form of the Wagnerian leitmotiv as well as the use of colouring in relation to timing.","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86700884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article analyses the current state of our discipline, particularly its decoloniality and inclusivity. This is investigated via two lenses: data from Roman Archaeology Conferences and Theoretical Roman Archaeology Conferences from 1991 to 2019; and data from the 2019 Roman Archaeology Teaching Survey. These two lenses provide ways into thinking about whose voices are heard in the discipline, current barriers to more diverse voices, and biases within the topics and regions of the Roman world in our research and teaching. The article argues that these data demonstrate a need for change within our discipline, across research and teaching, in order to promote a healthier, decolonial, and more inclusive discipline for the future. As a consequence, this article also makes numerous recommendations and suggestions for action to bring about positive change.
{"title":"Rebalancing Roman Archaeology: from disciplinary inertia to decolonial and inclusive action","authors":"Zena Kamash","doi":"10.16995/TRAJ.4330","DOIUrl":"https://doi.org/10.16995/TRAJ.4330","url":null,"abstract":"This article analyses the current state of our discipline, particularly its decoloniality and inclusivity. This is investigated via two lenses: data from Roman Archaeology Conferences and Theoretical Roman Archaeology Conferences from 1991 to 2019; and data from the 2019 Roman Archaeology Teaching Survey. These two lenses provide ways into thinking about whose voices are heard in the discipline, current barriers to more diverse voices, and biases within the topics and regions of the Roman world in our research and teaching. The article argues that these data demonstrate a need for change within our discipline, across research and teaching, in order to promote a healthier, decolonial, and more inclusive discipline for the future. As a consequence, this article also makes numerous recommendations and suggestions for action to bring about positive change.","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78920197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-06-01DOI: 10.36336/AKUSTIKA202139277
O. Kustov, V. Palchikovskiy, Igor Khramstov, R. Bulbovich
The study considers the influence of control of the pressing force applied to an acoustic liner sample in a normal incidence impedance tube on the spread of acoustic characteristics of the tested sample. The design of a normal incidence impedance tube with a control system of a sample pressing force is presented. This system is implemented as a piston in a pneumatic cylinder with a pressure control unit. The measurements were taken on days when the characteristics of the environment were different from each other. This made it possible to better track the influence of the pressing force on reducing the spread of acoustic characteristics. In total, 10 measurements of the acoustic liner sample were carried out on a normal incidence impedance tube with and without control of the pressing force. The measurements were carried out for six months. As a result, the study has shown that the control of the pressing force applied to the acoustic liner sample provides a smaller spread of the obtained acoustic characteristics.
{"title":"ON CONTROL OF A PRESSING FORCE APPLIED TO ACOUSTIC LINER SAMPLE IN A NORMAL INCIDENCE IMPEDANCE TUBE","authors":"O. Kustov, V. Palchikovskiy, Igor Khramstov, R. Bulbovich","doi":"10.36336/AKUSTIKA202139277","DOIUrl":"https://doi.org/10.36336/AKUSTIKA202139277","url":null,"abstract":"The study considers the influence of control of the pressing force applied to an acoustic liner sample in a normal incidence\u0000impedance tube on the spread of acoustic characteristics of the tested sample. The design of a normal incidence impedance tube with\u0000a control system of a sample pressing force is presented. This system is implemented as a piston in a pneumatic cylinder with a pressure\u0000control unit. The measurements were taken on days when the characteristics of the environment were different from each other.\u0000This made it possible to better track the influence of the pressing force on reducing the spread of acoustic characteristics. In total, 10\u0000measurements of the acoustic liner sample were carried out on a normal incidence impedance tube with and without control of the\u0000pressing force. The measurements were carried out for six months. As a result, the study has shown that the control of the pressing force\u0000applied to the acoustic liner sample provides a smaller spread of the obtained acoustic characteristics.","PeriodicalId":23663,"journal":{"name":"Volume!","volume":"58 3 1","pages":"277"},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78389970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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