Emma Trelles, Darrel Alejandro Holnes, James Mesiti, John Rubio, J. Cutler, A. Varón, Stephanie Fetta, Andrés Montoya, J. Morales, Aitor Bouso Gavín, Eliza Rodriguez, Francisco Aragón, F. Zamora, David Campos, Sheryl Luna, Paul Martinez Pompa, L. A. Guerrero, Gabe Gomez, heidi andrea restrepo rhodes
Abstract:In this essay, I examine the posthumous collection a jury of trees (2017) by Chicano poet Andrés Montoya (1968–1999). I argue that post-1960s attempts to roll back achievements of the broader Civil Rights Movement shape Montoya’s view of spirituality-as-politics and his concept of a long Chicano/Chicana/Chicanx social justice movement. The study follows the chronological trajectory of Montoya’s development as a poet and activist, focusing on Montoya’s critique of multiculturalism and its relation to the articulation of a decolonial imperative in a jury of trees.
{"title":"Oración","authors":"Emma Trelles, Darrel Alejandro Holnes, James Mesiti, John Rubio, J. Cutler, A. Varón, Stephanie Fetta, Andrés Montoya, J. Morales, Aitor Bouso Gavín, Eliza Rodriguez, Francisco Aragón, F. Zamora, David Campos, Sheryl Luna, Paul Martinez Pompa, L. A. Guerrero, Gabe Gomez, heidi andrea restrepo rhodes","doi":"10.2307/j.ctv86dgt3.65","DOIUrl":"https://doi.org/10.2307/j.ctv86dgt3.65","url":null,"abstract":"Abstract:In this essay, I examine the posthumous collection a jury of trees (2017) by Chicano poet Andrés Montoya (1968–1999). I argue that post-1960s attempts to roll back achievements of the broader Civil Rights Movement shape Montoya’s view of spirituality-as-politics and his concept of a long Chicano/Chicana/Chicanx social justice movement. The study follows the chronological trajectory of Montoya’s development as a poet and activist, focusing on Montoya’s critique of multiculturalism and its relation to the articulation of a decolonial imperative in a jury of trees.","PeriodicalId":240236,"journal":{"name":"Chiricú Journal: Latina/o Literatures, Arts, and Cultures","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124737941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:In this essay, I examine the posthumous collection a jury of trees (2017) by Chicano poet Andrés Montoya (1968–1999). I argue that post-1960s attempts to roll back achievements of the broader Civil Rights Movement shape Montoya’s view of spirituality-as-politics and his concept of a long Chicano/Chicana/Chicanx social justice movement. The study follows the chronological trajectory of Montoya’s development as a poet and activist, focusing on Montoya’s critique of multiculturalism and its relation to the articulation of a decolonial imperative in a jury of trees.
{"title":"“Walking like Christ” through the Long Chicano/a/x Movement: Spirituality, Racialization, and Visions of the Decolonial in Andrés Montoya’s a jury of trees","authors":"J. Morales","doi":"10.2979/chiricu.7.1.04","DOIUrl":"https://doi.org/10.2979/chiricu.7.1.04","url":null,"abstract":"Abstract:In this essay, I examine the posthumous collection a jury of trees (2017) by Chicano poet Andrés Montoya (1968–1999). I argue that post-1960s attempts to roll back achievements of the broader Civil Rights Movement shape Montoya’s view of spirituality-as-politics and his concept of a long Chicano/Chicana/Chicanx social justice movement. The study follows the chronological trajectory of Montoya’s development as a poet and activist, focusing on Montoya’s critique of multiculturalism and its relation to the articulation of a decolonial imperative in a jury of trees.","PeriodicalId":240236,"journal":{"name":"Chiricú Journal: Latina/o Literatures, Arts, and Cultures","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126649238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Love at the End","authors":"Darrel Alejandro Holnes","doi":"10.2979/chiricu.7.1.18","DOIUrl":"https://doi.org/10.2979/chiricu.7.1.18","url":null,"abstract":"","PeriodicalId":240236,"journal":{"name":"Chiricú Journal: Latina/o Literatures, Arts, and Cultures","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128830318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ren Ellis Neyra, The Cry of the Senses: Listening to Latinx and Caribbean Poetics","authors":"Pamela Zamora Quesada","doi":"10.2979/chiricu.6.2.10","DOIUrl":"https://doi.org/10.2979/chiricu.6.2.10","url":null,"abstract":"","PeriodicalId":240236,"journal":{"name":"Chiricú Journal: Latina/o Literatures, Arts, and Cultures","volume":"473 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131642256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Theorized in this essay as a central element of ecoGothic horror, the threat of gendered violence functions in contemporary ecoGothic texts as a revision of traditional conflicts between agential nature and the human. Examining the arthropoetic works of Fronterista poet and educator Natalie Scenters-Zapico, this essay argues that heteropatriarchy complicates understandings of "the human" in ecoGothic literature, as the already flawed idea of human agency is markedly less stable in the context of Scenters-Zapico's women speakers. In examining the ways that sexism, gender inequality, and gendered violence inhabit a large portion of the ecoGothic, this essay also charts new territory in critical scholarship by focusing on the role of insects in literary representations of the ecoGothic. Read through the lens of what I deem the Latinx ecoGothic, this essay suggests that the poems "The Hunt," "He Finds a Kissing Bug," and "Last Night I Was Killed by Man" situate their female speakers in ambivalent relationships with insects and arachnids in ways that mirror the horrors of sexualized/gendered violence as well as the actions that subjects of said violence take to resist these horrors.
{"title":"Vectors and Vermin: Gendered Violence and the Role of Insects in the Arthropoetics of Natalie Scenters-Zapico","authors":"Krysten Voelkner","doi":"10.2979/chiricu.6.2.03","DOIUrl":"https://doi.org/10.2979/chiricu.6.2.03","url":null,"abstract":"Abstract:Theorized in this essay as a central element of ecoGothic horror, the threat of gendered violence functions in contemporary ecoGothic texts as a revision of traditional conflicts between agential nature and the human. Examining the arthropoetic works of Fronterista poet and educator Natalie Scenters-Zapico, this essay argues that heteropatriarchy complicates understandings of \"the human\" in ecoGothic literature, as the already flawed idea of human agency is markedly less stable in the context of Scenters-Zapico's women speakers. In examining the ways that sexism, gender inequality, and gendered violence inhabit a large portion of the ecoGothic, this essay also charts new territory in critical scholarship by focusing on the role of insects in literary representations of the ecoGothic. Read through the lens of what I deem the Latinx ecoGothic, this essay suggests that the poems \"The Hunt,\" \"He Finds a Kissing Bug,\" and \"Last Night I Was Killed by Man\" situate their female speakers in ambivalent relationships with insects and arachnids in ways that mirror the horrors of sexualized/gendered violence as well as the actions that subjects of said violence take to resist these horrors.","PeriodicalId":240236,"journal":{"name":"Chiricú Journal: Latina/o Literatures, Arts, and Cultures","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116890301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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