Bulletin of Lviv National Academy of Arts最新文献

{"title":"Drawing legacy of professor of Kyiv State Art Institute Kostiantyna (Kostia) Yelevy","authors":"Yuliia Maistrenko-Vakulenko","doi":"10.37131/2524-0943-2019-40-6","DOIUrl":"https://doi.org/10.37131/2524-0943-2019-40-6","url":null,"abstract":"The study attempts to illuminate and analyze facts from the biography of the professor of the Kyiv Art Institute Kostia Yeleva. The creative and pedagogical path of Kostia Yeleva is investigated, in particular, attention is paid to the artistic analysis of his drawing heritage. The chronology of Professor K. Yeleva's teaching period at the Kiev Art Institute has been clarified. Kostya Yeleva played the role of a historical link between M. Boichuk's school and the modern art process through his students: professor of the department of drawings Y. Iatchenko, professors of the department of painting and composition T. Holembiievska, O. Lopukhova, V. Puzyrkova, V. Chekaniuk, V. Shatalina, T. Yablonska. In turn, they taught many generations of students. The creativity of the K.Yeleva as an drawing artist was studied. Based on a educational and methodological collection of the department of drawing, the artist's heritage was analyzed by the varieties: drawings of landscape and living nature, sketches of figures, drawings of the figure, head and nude nature. The analytical approach of the master to the interpretation of form, generalization, monumentality, linear solution with minimal input of tone, emphasized constructiveness are emphasized.\u0000A comparative analysis of K. Yeleva's drawings with the works of M. Boichuk, O. Bohomazov is carried through. Dating of certain drawings of the naked nature of K. Yeleva in the 1920s-1930s is specified. The results of the research give reasons to claim that Kostya Yelev made a significant contribution to the development of Ukrainian art of the twentieth century.","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133975859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Unpublished art works of Volodymyr Sichynskyi. Systematization issues and prospects for research","authors":"R. Patyk","doi":"10.37131/2524-0943-2019-40-2","DOIUrl":"https://doi.org/10.37131/2524-0943-2019-40-2","url":null,"abstract":"Volodymyr Sichynskyi's art studies have been researched, which remain under-researched and little-known in the scientific community, some of which have not yet been published. First of all, we know about the works «Fine Arts (Industrial, Historical and Folk Art)», «Dictionary of Ukrainian Artists», «Methodological Scheme of Art Studies», «History of Ukrainian Art». The work of the scientist is characterized by a European approach to the study, research and art of generalizing scientific material. His scientific and creative achievements are presented to the world community by the greatness of Ukrainian culture and art.","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117021331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Сoncepts of optical art in contemporary wood plastic","authors":"Nazar Symotiuk","doi":"10.37131/2524-0943-2019-40-10","DOIUrl":"https://doi.org/10.37131/2524-0943-2019-40-10","url":null,"abstract":"The article reviews the basic concepts of the formation of optical art. The key ideas of op-art development and the importance of the popularity of the style of optical art have been listed. The article demonstrates the significance of the influence of op-art on the formation of modern wood plastic with the use of optical techniques.\u0000This study aims to broaden the modern view of abstract wood plasticity and deprive it of traditional canonization. \u0000The psychophysical influence of optical illusions on the viewer has been considered. The influence of technological progress on the formation of optical techniques in visual practices has been determined, their specificity and transformation in different spheres of artistic process have been determined. The value of synthesis of op-art and kinetic art in creation of various visual effects in modern wooden plastic has been traced. \u0000The analysis of recent publications, which emphasizes the interest of scientists in this direction, has been carried out. In particular, the peculiarities of application of methods of optical art in wood plastic on the example of creativity of the young generation of Lviv artists, graduates of the department of artistic wood of LNAA, have been determined. At the same time, the importance of further research of the poorly explored synthesis of optical art and wood plastics has been emphasized.","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117160323","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A sculptural portrait in the work of Emmanuil Myskо: the evolution of plastic language","authors":"O. Honcharuk","doi":"10.37131/2524-0943-2019-40-7","DOIUrl":"https://doi.org/10.37131/2524-0943-2019-40-7","url":null,"abstract":"In this article a complex analysis of visual structural features in portraits series of representatives of Ukrainian intellectuals, which was created by E. Myskо. In particular, there were identi ed the speci city of visual interpretations and conceptual foundations of that series in view of professional and personal characteristics portrayed. Except that in this article have been made comparative analysis of the essential series, which displayed the unique character and features of Emmanuil Mysko’s artistic style, his method of working with nature, and especially visual features of pictured characters which are called «living sculpture». Accordingly, the main focus was applied on the representation characteristics of formal-plastic solutions in the sculptures of artist Ivan Muzychko, І.Khoma, M. Labunkа, W. Sternyuk, J. Slipyj. In addition, in this article individualized composition, forming and psychological accents, which was made by E. Mysko in each of these portraits have been noted.","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132975404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The influence of Blek le Rat and Banksy art works on the mural art in Lviv. Stencil graffiti","authors":"Borys Gavryliuk","doi":"10.37131/2524-0943-2019-40-12","DOIUrl":"https://doi.org/10.37131/2524-0943-2019-40-12","url":null,"abstract":"The article is dedicated to alalysis of mural art illustrated by the works of Blek le Rat and Banksy and undertaking of study of their influence on the urbanistic art of Lviv. Research material is briefly reviewing biographical information of the world-renowned stars of street art. The main art projects, locations and art space are described, the determinations that are little-known in Ukrainian art literature as «brandalism» and «stencil graffiti» are explained. It proves that the rapid improvement of сontemporary Ukrainian art is closely related with the process of globalization in multicultiral world. The projects of the artists in public space are being expressed more frequently and made performative and socio-political sense. The cities and the streets that are disappearing or are saved and idealized are considered as the objects for the large-scale paintings. It is established that the researchers of the leading urbanistic painters of the Ukrainian contemporary art are almost absent.","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122676528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Periodization of the history of Ukrainian culture of the nineteenth century: basic models","authors":"Oksana Malanchuk-Rybak","doi":"10.37131/2524-0943-2019-40-1","DOIUrl":"https://doi.org/10.37131/2524-0943-2019-40-1","url":null,"abstract":"The article explores the\u0000historiographical developments concerning the\u0000periodization of the history of Ukrainian culture of the\u000019th century. The first model is the periodization of\u0000cultural and national revival in 19th century Ukraine.\u0000Main periods: academic (the time of collecting\u0000cultural and historical heritage); organizational (the\u0000time of creation of national cultural and educational\u0000organizations); political (the time of creation of parties\u0000and other organizations that enable the nation to\u0000participate in political processes). The basic idea\u0000of this periodization is to show the processes of\u0000building of the nation and building of the country\u0000in the nineteenth century through the emergence\u0000and development of new phenomena in culture.\u0000The second model is the Pan-European cultural and\u0000historical periodization, which identifies such major\u0000periods of the nineteenth-century cultural history like\u0000Romanticism and Positivism.","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128011717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The images of the warrior saints in the Ukrainian icons with the life scenes of the late Middle Ages","authors":"M. Moskal","doi":"10.37131/2524-0943-2019-40-8","DOIUrl":"https://doi.org/10.37131/2524-0943-2019-40-8","url":null,"abstract":"Introduction. The images of Demetrius, Borys and Hlib, Archangel Michael, St. George constitute the largest number of monuments in the Ukrainian icon painting of the Late Middle Ages, which can be enlisted as a rank of holy warriors. \u0000Problem Statement. In icon painting of the Late Middle Ages the figures of warrior saints are presented with the added scenes of life and their activities. A detailed analysis of the iconographic, artistic and stylistic features of the icons of holy warriors in the context of the development of national culture will allow to analyze the images of the saints, to reveal the content of the works.\u0000Purpose of the article is to ostend of artistic-stylistic, compositional, iconographic, figurative-content content of works of icon painting of the second half of XIV – beginning of XVI century, in which the image of holy warriors are present with the life scenes and scenes of their deeds.\u0000Methods. In the article were uses general scientific methods: historical – in the reconstruction of the cultural situation of XIV – beginning of XVI century in the context of sacred art; systematic, with which it was possible to trace the dynamics of changes in the icon-painting canon of the holy warrior on the territory of Ukraine; comparative – in revealing stylistic tendencies in painting traditions on the basis of canonical plots of Orthodox icon painting; iconographic – in revealing the sign stability of images in the system of stylistic coordinates of the icon-canon, as well as stylistic changes that took place in the iconography of the studied period; art studies – to study the compositional-stylistic features of icon-painting monuments of this period.\u0000Results. On example of memorials of Ukrainian art with the depiction of warriors saints with the scenes of life revealed the images of holy warriors, analyzed compositional construction, iconography, artistic-stylistic features. Payed attention to the iconographic plot \"Killing the dragon\" presented in \"expanded\" and \"laconic\" variants, as a reflection of the scene of life and miracles of St. George. \u0000Conclusion images of life cycles of holy warriors in the art of the Late Middle Ages are a significant thematic group among the complex of Ukrainian icons. In the meanwhile, holy warriors portrayed frontal, full-length (iconographic type of foot soldier), with ascetic gaze, monumental interpretation of the image, expressive drawing. Since in the medium the artists depicted the soldiers in a severe static image, the figures of the saints in the stamps were more free and dynamic to reveal the narrative of the plot of their acts. Artistic-style features of icons depicting holy warriors late XIV-early XV centuries. continue the principles of painting Kievan Rus in combination with the traditions Paleologicheskogo icon-painting style. From the XV century in the icons there are elements of Gothic that manifested itself in the image of an elongated figure of soldiers, helmets, and weapons – a swo","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121503530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Historical aspect of the development of op-art late XX – beginning of XXI century","authors":"Nazar Symotiuk","doi":"10.37131/2524-0943-2019-39-20","DOIUrl":"https://doi.org/10.37131/2524-0943-2019-39-20","url":null,"abstract":"Background. Analyzing the recent publications one can observe that scientists are quite interested in optical art. The issues of op-art in the Ukrainian art have been investigated by V.Kosiv, N.Diadiukh-Bohatko and L.Andrushko, I.Kuznetsova and O.Arbuzova, S.Bodnarenko and V.Nekrasa. The research of foreign scientists, where the authors argue that studies in fine arts can bring important conclusions about the visual system, is of importance in the development of this topic.Therefore, analyzing the processes of the development of traditional and modern artistic forms, it can be stated that op-art both in the Ukrainian cultural environment and in general, continues to exist, but in somewhat modified form.\u0000Goals. The purpose of this article is to review key ideas, author's models and preconditions for the development of op-art in XX - beginning of XXI centuries. The objective of the proposed publication is the widest representation of op-art in various spheres and directions of the modern artistic process, as well as to reveal the potential opportunities for the creation of a new visual art.\u0000Methods. In the course of this work, generalization and idealization were taken for the main methods. Basic methods such as abstraction, analogy, modeling and hypothetical approach were also used in this study.\u0000Results. The article reviews the origins and formation of optical art. The psychophysical influence of optical illusions on the recipient has been considered. The key concepts of op-art development and their influence on the development of contemporary art in general have been outlined. The emergence and significance of anonymous groups in Western Europe that explore a wide range of kinetic art and optical effects using various types of artificial light and mechanical motion has been explored. The influence of technological progress on the formation of optical techniques in art has been determined, as well as their specificity and transformation into various areas of the artistic process. The role of synthesis of op-art and kinetic art in creating a wide range of visual effects has been traced. Possibilities of application of optical illusions in various aspects of cultural and artistic process have been revealed. The history of the creation of anonymous groups and their influence on the stylistic peculiarities of the art has been studied.\u0000The article demonstrates the significance of volumetric - spatial structures in the modern globalized world and their convergence with the forms of massive spectacles and attractions using optical techniques. At the same time, the importance of further research of the little-known phenomenon of optical art in Ukraine has been emphasized.\u0000Conclusions. Summing up the influence and historical aspects of the development of op-art, one can confidently state that there is no clear answer and criteria for designating a direction to specific frames, since there are many different factors, each of which makes some modifications ","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"464 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125826322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Iconostasis of the Church of the Assumption of the Blessed Virgin Mary in Nakonechne village - the most complete iconostasis ensemble of the XVI century","authors":"Mariia Helytovych","doi":"10.37131/2524-0943-2019-39-05","DOIUrl":"https://doi.org/10.37131/2524-0943-2019-39-05","url":null,"abstract":"The article contains an analysis of the iconostasis of the Assumption of Mary Church located in the vil. Nakonechne (Yavoriv district, Lviv region), which represents the most fully preserved iconostasis ensemble of the XVI century. For the first time, its reconstruction was completed taking into account all saved icons. The article deals with stylistic, iconographic and artistic features of this ensemble, as well as its connection with other iconostases of that time. More precisely, the dating of the monument is argued. In the article, the author suggests to consider an ensemble from Nakonechne as a phenomenon in the history of Ukrainian icon painting, which reflected the most characteristic tendencies that took place in the painting of the second half of the XVI century. The author traces his influence on the iconography of the end of the XVI – the beginning of the XVII century","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126935348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Requirements for packing as communicative objects and ways of their realization","authors":"Tetyana Bozhko","doi":"10.37131/2524-0943-2019-39-14","DOIUrl":"https://doi.org/10.37131/2524-0943-2019-39-14","url":null,"abstract":"The relevance of this publication is linked to the constant expansion of the range of packing products offered to the consumer market and the need to ensure the communicative function of packaging that embodies the dual requirements, one of which is the need for assimilation products to existing trade row, and the other - the selection of merchandise goods number by packing. The goal is to highlight all aspects of the problem associated with the communicative function of packaging products and outline the ways to solve them.\u0000Research Methodology: a tested method of complex analysis is introduced. It establishes the presence of domestic communicative aspects relevant to each of the above requirements and ways to implement them through the provision of a number of design techniques that can be guided by the designer in the implementation of project tasks.\u0000The scientific novelty is to identify all aspects of the communication requirements for packaging products and to establish conformity between each aspect and design methods that ensures their implementation. The advantages and disadvantages of each of the methods are considered in detail, namely: demonstration of images of the idealized consumer (advertising character) or the image of the idealized commodity producer; demonstration of hyperbolized consumer goods characteristics; accentuation of awards and signs of ecological safety; the dominance of typographic design and advertising block units over figurative elements; introduction of innovative and original shaping in packing designs. The importance of formulation of assortment of packaging products is separately highlighted, which represents a specific visual text - information that allows to trace the functional purpose of packaging and the presence of common and distinctive features.\u0000The studies have found that methods of demonstration images of idealized consumer (advertising character) or an idealized image producers meet the communication requirements such as: instant identification of goods, providing clear and unambiguous information about its content; the requirements for attracting attention through the visual images embodied in the packaging; creation of attractive communicative images from consciously active to accented-neutral. However, advertising characters are more likely to personally consciously active images. At the same time not all consumers are convinced of the perception of such an active position. The consideration of the mentality of such consumers makes it possible to resort to demonstration of images of the final product with hyperbolized consumer qualities. The use of such reception is the most common way of presenting food products under the conditions present in Slavic commodity markets and sometimes leads to the effect of over-supply of properties of such goods in an idealized form that loses communication product in real disposable bag. Obviously, the observation of differences between desired and available prod","PeriodicalId":246398,"journal":{"name":"Bulletin of Lviv National Academy of Arts","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124063140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}