{"title":"LOPES (Henri), Il est déjà demain. Paris : JC Lattès, coll. Littérature française, 2018, 506 p. – EAN 9782709660624","authors":"P. Halen","doi":"10.7202/1068471ar","DOIUrl":"https://doi.org/10.7202/1068471ar","url":null,"abstract":"","PeriodicalId":247633,"journal":{"name":"Études littéraires africaines","volume":"33 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116747701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Écrire pour la presse : un tremplin pour les écrivains ? Le cas de Madagascar","authors":"D. Ranaivoson","doi":"10.7202/1068434ar","DOIUrl":"https://doi.org/10.7202/1068434ar","url":null,"abstract":"","PeriodicalId":247633,"journal":{"name":"Études littéraires africaines","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121600979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BORNAND (Sandra), DERIVE (Jean), dir., Les Canons du discours et la langue : parler juste. Paris : Karthala, coll. tradition orale, 2018, 330 p. – ISBN 978-2-8111-2510-3","authors":"X. Garnier","doi":"10.7202/1064763ar","DOIUrl":"https://doi.org/10.7202/1064763ar","url":null,"abstract":"","PeriodicalId":247633,"journal":{"name":"Études littéraires africaines","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121975403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TOIVANEN (Anna-Leena), Mobilities and Cosmopolitanisms in African and Afrodiasporic Literatures. Leiden : BRILL, coll. Textxet : Studies in Comparative Literature, vol. 95, 2021, xii-244 p. – ISBN 978-9-004-44475-1","authors":"Bernard De Meyer","doi":"10.7202/1098528ar","DOIUrl":"https://doi.org/10.7202/1098528ar","url":null,"abstract":"","PeriodicalId":247633,"journal":{"name":"Études littéraires africaines","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123964886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Cet article montre les tensions qui caracterisent le mensuel feminin africain Awa dirige par Annette Mbaye d’Erneville (1964-1973), entre revue et magazine : celui-ci ne se caracterise pas seulement par la polyphonie caracteristique du dispositif mediatique, il se revele contradictoire, voire agonistique. Etudiant les manieres dont les fictions thematisent et allegorisent la femme et leur rapport a la modernite, l’article revient notamment sur la question du titre-personnage, jamais innocente dans un periodique, notamment a travers des comparaisons avec d’autres magazines feminins comme Marie Claire et Elle, discretement mais regulierement convoques dans le magazine, ou Amina lance en 1973 par Michel de Breteuil. La capacite transfictionnelle du magazine a s’incarner dans un personnage emblematique, Awa, regulierement mobilise et invoque dans les pages du journal et en meme temps la diversite des representations ainsi figurees par les couvertures, les articles, le dessin, les photographies, les rubriques (« les cauris de Mam’Awa »), le courrier des lecteurs et meme par les fictions montrent la difficulte de l’equation du feminin.
这篇文章展示了Annette Mbaye d ' erneville(1964-1973)导演的非洲女性月刊《Awa》(Awa)在杂志和杂志之间的紧张关系:它的特点不仅是媒体媒介特有的复调，而且是矛盾的，甚至是激烈的。学生讨人喜欢的小说thematisent及其报告了modernite allegorisent和妻子回来条,特别是关于titre-personnage无辜,永远在一个定期比较的,特别是通过了与其他女性杂志Marie Claire和她一样,discretement但cocom convoques Amina 1973年由先锋杂志中或Michel de Breteuil)。载客量transfictionnelle magazine》中体现了定期emblematique Awa、劳工动员和依靠的人物同时在报纸的版面和雅figurees以及多样性的毛毯、文章、绘画、照片、标题(«曹睿的Mam’Awa»),读者的邮件,并且连l’equation小说所显示的困境的女性。
{"title":"Awa ou la difficile équation du féminin africain","authors":"Marie-Eve Therenty","doi":"10.7202/1064750ar","DOIUrl":"https://doi.org/10.7202/1064750ar","url":null,"abstract":"Cet article montre les tensions qui caracterisent le mensuel feminin africain Awa dirige par Annette Mbaye d’Erneville (1964-1973), entre revue et magazine : celui-ci ne se caracterise pas seulement par la polyphonie caracteristique du dispositif mediatique, il se revele contradictoire, voire agonistique. Etudiant les manieres dont les fictions thematisent et allegorisent la femme et leur rapport a la modernite, l’article revient notamment sur la question du titre-personnage, jamais innocente dans un periodique, notamment a travers des comparaisons avec d’autres magazines feminins comme Marie Claire et Elle, discretement mais regulierement convoques dans le magazine, ou Amina lance en 1973 par Michel de Breteuil. La capacite transfictionnelle du magazine a s’incarner dans un personnage emblematique, Awa, regulierement mobilise et invoque dans les pages du journal et en meme temps la diversite des representations ainsi figurees par les couvertures, les articles, le dessin, les photographies, les rubriques (« les cauris de Mam’Awa »), le courrier des lecteurs et meme par les fictions montrent la difficulte de l’equation du feminin.","PeriodicalId":247633,"journal":{"name":"Études littéraires africaines","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128426205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nka: Contemporary African Art, (Durham: Duke University Press), n°42-43 (Global black consciousness. Dir Salah M. Hassan & Margo N. Crawford), nov. 2018, 301 p.","authors":"Ninon Chavoz","doi":"10.7202/1068468ar","DOIUrl":"https://doi.org/10.7202/1068468ar","url":null,"abstract":"","PeriodicalId":247633,"journal":{"name":"Études littéraires africaines","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129549348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"DELAS (Daniel), dir., La Question de l’intime. Génétique et bio-graphie. Limoges : Presses universitaires, coll. L’Un et l’autre en français, 2018, 115 p. – ISBN 978-284-287-789-7","authors":"D. Ranaivoson","doi":"10.7202/1064768ar","DOIUrl":"https://doi.org/10.7202/1064768ar","url":null,"abstract":"","PeriodicalId":247633,"journal":{"name":"Études littéraires africaines","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129690703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article aims at analyzing a distinctive symbol of black women : their hair. In the last decade, many Afro-feminists (in America, France, the Caribbean and many other countries) have been reclaiming hair as part of their heritage and embracing its natural « nappy » state (for « natural » and « happy »). In my analysis of hair, I will compare and contrast how Leonora Miano in her novel Blues pour Elise and her short story « Corpus Christi » and Rokhaya Diallo, in her graphic novel Pari(s) d’amies !, seek to replace the self-loathing and deprecating narratives that women of color are commonly told about their hair and their physique. Instead, they reclaim these negative images of hair as well as of other bodily features by self-love and self-fulfillment. While some characters may still be struggling with this idea, I argue that the repossessing of one’s own hair constitutes a performative act.
这篇文章旨在分析黑人女性的一个独特的象征:她们的头发。在过去的十年里，许多非洲裔女权主义者(在美国、法国、加勒比地区和许多其他国家)一直在重新将头发作为他们遗产的一部分，并接受它自然的“尿布”状态(“自然”和“快乐”)。在我对头发的分析中，我将比较和对比Leonora Miano在她的小说《Blues pour Elise》和她的短篇小说《Corpus Christi》和Rokhaya Diallo在她的图画小说《Pari(s) d’amies !》中如何试图取代有色人种女性通常被告知的自我厌恶和贬低的叙述。相反，他们通过自爱和自我实现来恢复对头发和其他身体特征的负面印象。虽然有些角色可能还在为这个想法而挣扎，但我认为，重新拥有自己的头发构成了一种表演行为。
{"title":"Reading « Hairstories » and « Hairitages » in Léonora Miano’s and Rokhaya\u0000 Diallo’s Works","authors":"Johanna Montlouis-Gabriel","doi":"10.7202/1064755ar","DOIUrl":"https://doi.org/10.7202/1064755ar","url":null,"abstract":"This article aims at analyzing a distinctive symbol of black women : their hair. In the last decade, many Afro-feminists (in America, France, the Caribbean and many other countries) have been reclaiming hair as part of their heritage and embracing its natural « nappy » state (for « natural » and « happy »). In my analysis of hair, I will compare and contrast how Leonora Miano in her novel Blues pour Elise and her short story « Corpus Christi » and Rokhaya Diallo, in her graphic novel Pari(s) d’amies !, seek to replace the self-loathing and deprecating narratives that women of color are commonly told about their hair and their physique. Instead, they reclaim these negative images of hair as well as of other bodily features by self-love and self-fulfillment. While some characters may still be struggling with this idea, I argue that the repossessing of one’s own hair constitutes a performative act.","PeriodicalId":247633,"journal":{"name":"Études littéraires africaines","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131115599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fantasmagories : Henri Lopes et la Chine","authors":"Céline Gahungu","doi":"10.7202/1087065ar","DOIUrl":"https://doi.org/10.7202/1087065ar","url":null,"abstract":"","PeriodicalId":247633,"journal":{"name":"Études littéraires africaines","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122798942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La reflexion du feminisme noir et la complexite des enjeux concernes nous invitent a relire les oeuvres de certaines auteures noires africaines de la troisieme vague, comme La Parole aux Negresses de l’anthropologue senegalaise Awa Thiam, une oeuvre pionniere du feminisme noir africain. Cet ouvrage montre l’importance de la prise de parole par les femmes africaines en vue de faire entendre les realites de leur vecu et de mettre au jour les maux dont elles souffrent. En incitant ses soeurs africaines a une prise de conscience, l’auteure leve l’interdit et exprime son feminisme qu’elle situe dans un contexte africain largement influence par le Black feminism. Paru en 1978, La Parole aux Negresses suscite des axes de reflexion et ouvre des perspectives de liberation de la femme noire. Il pose des questions essentielles concernant l’avenir du feminisme en Afrique ; le relire aujourd’hui permet de le situer avec plus de recul, ainsi que d’autres textes feministes africains et noirs americains, dans le contexte africain et mondial de sa parution.
对黑人女权主义的反思和所涉及问题的复杂性邀请我们重读一些第三波非洲黑人作家的作品，如塞内加尔人类学家阿瓦·蒂亚姆的《La Parole aux Negresses》，这是非洲黑人女权主义的先驱作品。这本书展示了非洲妇女发声的重要性，以便让人们听到她们生活的现实，并揭露她们所遭受的痛苦。通过鼓励她的非洲姐妹们意识到这一点，作者leve禁止了这一点，并表达了她的女权主义，她将其置于非洲背景下，主要受到黑人女权主义的影响。1978年出版的《La Parole aux Negresses》激发了人们的思考，并为黑人女性的解放开辟了前景。它提出了关于非洲女权主义未来的关键问题;今天重读这本书，可以让我们更深入地了解它，以及其他非洲和美国黑人女权主义文本，在它出版的非洲和全球背景下。
{"title":"La Parole aux Négresses d’Awa Thiam : relecture d’une oeuvre pionnière du féminisme africain","authors":"Coudy Kane","doi":"10.7202/1079599ar","DOIUrl":"https://doi.org/10.7202/1079599ar","url":null,"abstract":"La reflexion du feminisme noir et la complexite des enjeux concernes nous invitent a relire les oeuvres de certaines auteures noires africaines de la troisieme vague, comme La Parole aux Negresses de l’anthropologue senegalaise Awa Thiam, une oeuvre pionniere du feminisme noir africain. Cet ouvrage montre l’importance de la prise de parole par les femmes africaines en vue de faire entendre les realites de leur vecu et de mettre au jour les maux dont elles souffrent. En incitant ses soeurs africaines a une prise de conscience, l’auteure leve l’interdit et exprime son feminisme qu’elle situe dans un contexte africain largement influence par le Black feminism. Paru en 1978, La Parole aux Negresses suscite des axes de reflexion et ouvre des perspectives de liberation de la femme noire. Il pose des questions essentielles concernant l’avenir du feminisme en Afrique ; le relire aujourd’hui permet de le situer avec plus de recul, ainsi que d’autres textes feministes africains et noirs americains, dans le contexte africain et mondial de sa parution.","PeriodicalId":247633,"journal":{"name":"Études littéraires africaines","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127315737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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