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ANALISIS WACANA KRITIS POLEMIK UU CIPTA KERJA
Pub Date : 2021-12-03 DOI: 10.14421/ajbs.2021.05205
Hilma Azmi Azizah, S. Triyono
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引用次数: 0
MAKNA GURU DALAM TRADISI ISLAM SASAK: REPRESENTASI LOMBOK DALAM NOVEL SANGGARGURI
Pub Date : 2021-12-01 DOI: 10.14421/ajbs.2021.05204
Dharma Satrya HD
This article discusses the meaning of Lombok in contemporary Indonesian novels with a focus on the novel Sanggarguri. The novel discusses the concept of heterodox teachers in Islam. The novel is presented in the context of opposing orthodox Islamic discourse on the concept of ‘guru’. To discover the concept of ‘guru’ in Sanggarguri, this article applies representation theory with a constructionist approach. With that approach, the novel is assumed not to be a presentation about Lombok, but a representation of Lombok. Data were language, both word and paragraph, both in narrative and metaphorical form. Data analysis was performed using semiotic and discourse methods. The results of the analysis show that the novel Sanggarguri conceptualizes Lombok into a traditional discourse by using the names of flowers (kembang) as stages that exist in Sasak Islamic spirituality. The stages from gadung flower to ‘Sanggar Guri teacher’, a wisdom expert teacher, reveal that the concept of a teacher in heterodox Sasak Islam is open to anyone. It belongs to anyone and anywhere. The concept is different from the concept of ‘guru’ in orthodox Islam promoted by ‘tuan guru’, whose knowledge is connected to Haramain. Therefore, only a few people can become ‘tuan guru’. The discourse of ‘guru’ in Sanggarguri is against the discourse of ‘tuan guru’ on the meaning of ‘guru’.
本文以小说《Sanggarguri》为中心,探讨龙目岛在当代印尼小说中的意义。小说探讨了伊斯兰教中非正统教师的概念。这部小说是在反对正统伊斯兰教关于“大师”概念的话语的背景下呈现的。本文运用建构主义的表征理论,探索上迦古里“上师”的概念。通过这种方法,小说被认为不是关于龙目岛的介绍,而是龙目岛的代表。数据就是语言,无论是单词还是段落,无论是叙事形式还是隐喻形式。使用符号学和话语方法进行数据分析。分析结果表明,小说《尚迦古里》将花的名字(肯邦)作为Sasak伊斯兰精神存在的阶段,将龙目岛概念化为传统话语。从gadung flower到“Sanggar Guri老师”,一个智慧专家老师的阶段,揭示了在非正统的萨萨克伊斯兰教中,老师的概念是向任何人开放的。它属于任何人,任何地方。这个概念不同于正统伊斯兰教中由“团上师”倡导的“上师”概念,后者的知识与哈拉曼有关。因此,只有少数人能成为“团师”。Sanggarguri的“上师”话语与“团上师”关于“上师”意义的话语是对立的。
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引用次数: 0
SYMBOLIC ANNIHILATION TERHADAP EKSISTENSI PEREMPUAN DALAM SERIAL BRIDGERTON (2020)
Pub Date : 2021-11-29 DOI: 10.14421/ajbs.2021.05203
R. A. Putri, Nur Saktiningrum
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引用次数: 0
Kesalahan Pengucapan Vokal Bahasa Inggris Mahasiswa 'Kelas Berbicara' UIN Sunan Gunung Djati 学生英语发音错误在Djati山脚下发现了错误
Pub Date : 2021-11-28 DOI: 10.14421/ajbs.2021.05202
Ilham Munandar, Dian Indira, Nani Darmayanti
Error pronunciation is one of the language learning processes. It may happen to all of the language learners, especially in learning a foreign language which the goal is to have more than one language in language skill. This research aims to describe the types of error pronunciation of English vowels which is spoken by ‘Speaking Class’ students in the Language Center of UIN Sunan Gunung Djati. The method used in this research is the descriptive qualitative method. This research uses the combination of vowel theories from Roach, McMahon, and Kelly, as well as the error analysis theory from Brown and Crystal. Based on the result, there are three types of error pronunciation of English, namely vowel addition of [e], [ɪ], [a], [ɜː], [ə]; vowel substitution of [ə], [æ], [uː], [ɔː], [ɪ], [iː], [e], [ʌ], [ɑː], [ɒ], [ɜː], [aɪ], [aʊ], [ɪə], [eɪ], [əʊ], [ɔɪ], [eə], [aʊə]; and vowel omission of [ɪ], [ə], [a], [e].
发音错误是语言学习的过程之一。这可能发生在所有的语言学习者身上,尤其是在学习一门外语时,目标是掌握不止一种语言的语言技能。本研究旨在描述苏南古农书院语言中心“口语班”学生的英语元音读音错误类型。本研究采用的方法是描述性定性方法。本研究结合了Roach、McMahon和Kelly的元音理论,以及Brown和Crystal的误差分析理论。根据结果,英语的发音有三种类型的错误,即[e], [/], [a],[/],[/]的元音加法;元音替换[ə],[æ],[uː],[ɔː],[ɪ],[我ː],[e],[ʌ],[ɑː],[ɒ],[ɜː],[ɪ],[ʊ],[ɪə],[eɪ],[əʊ],[ɔɪ],[eə],[ʊə];省略[/],[/],[a], [e]的元音。
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引用次数: 1
MEMORI, TRAUMA, DAN UPAYA REKONSILIASI PERANG TELUK II DALAM NOVEL SĀ’ATU BAGDĀD KARYA SYAHAD AL-RĀWIY 记忆、创伤和小说中的第二次海湾战争的和解努力Ā' ATU BAGDĀD SYAHAD作品AL-RĀWIY
Pub Date : 2021-11-11 DOI: 10.14421/ajbs.2020.04201
Arofah Arofah, Muh. Arif Rokhman
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引用次数: 0
MENILIK MODAL SIMBOLIK HALIMI ZUHDY SEBAGAI SASTRAWAN ARAB DARI INDONESIA 研究印尼阿拉伯作家哈里米-祖迪的象征资本
Pub Date : 2021-06-29 DOI: 10.14421/ajbs.2021.05106
Mukhamad Syaiful Milal
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引用次数: 0
PEMBACAAN EKOFEMINIS TERHADAP KARYA BARBARA KINGSOLVER, HOMELAND 国土安全部芭芭拉·KINGSOLVER对生态女权主义的解读
Pub Date : 2021-06-27 DOI: 10.14421/ajbs.2021.05105
Rini Susanti Wulandari
This paper aims to present ecofeminist insights into the connection between the domination toward women and nature through reading of Barbara Kingsolver’s short story, Homeland. Environment destruction that has occurred in decades endangers the life on earth. Based on the ecofeminism, the one who gets the worst impact of this devastation is women. Furthermore, the ecofeminists say that there is a very close relation between women and nature.  Clean water, forest, farming, and health become women’s concern. In short, these two ideas let women become aware of the environmental issues. They will take action or speak out whenever environment is mistreated or abused. In Homeland, Kingsolver presents a picture of American Indian descendants life that gives high appreciation to nature embedded in their traditional values and customs through the female characters.  She brings us to the fascinating exploration of the values that shows the connection between domination over women and nature. However, modernism brings about alienation toward her ancestor’s land.  
本文旨在通过阅读芭芭拉·金索沃的短篇小说《国土》,从生态女性主义的角度探讨对女性的统治与自然之间的联系。几十年来发生的环境破坏危及地球上的生命。根据生态女权主义,受这种破坏影响最严重的是女性。此外,生态女权主义者说,妇女与自然之间有着非常密切的关系。清洁的水、森林、农业和健康成为妇女关心的问题。总之,这两个理念让女性意识到了环境问题。每当环境受到虐待时,他们都会采取行动或大声疾呼。在《国土安全》中,金索沃通过女性角色展现了印第安人传统价值观和习俗中对自然的高度欣赏的生活图景。她带领我们对价值观进行了迷人的探索,揭示了对女性的统治与自然之间的联系。然而,现代主义带来了她对祖先土地的异化。
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引用次数: 0
SUBALTERN DAN NASIONALISME DALAM NOVEL NYAI DASIMA (1960) KARYA S. M. ARDAN
Pub Date : 2021-06-25 DOI: 10.14421/ajbs.2021.05104
Mcfulvia Hy
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引用次数: 0
SOUNDTRACK LA TABKI YA ṢAGHIRĪ DALAM FILM ABṬALU DĪGITAL (ANALISIS SEMIOTIK RIFFATERRE)
Pub Date : 2021-06-20 DOI: 10.14421/ajbs.2021.05103
Isyqie Firdausah
This research has “Lā Tabki yā Ṣaghīrī” as a material object, an original soundtrack of Abṭalu Dīgital, a very popular movie in s2000. The song lyric is analyzed by Riffaterre’s Semiotics Theory which introduces two levels of reading.  Based on the analysis of this research, the potential hypogram shows that the parents give advices about reaching for dreams to their child who is in despair. The dream has something to do with raindrops philosophy. The models found are juhdun ‘effort’, amal ‘dream’, alwān ‘colours’, dan hayāh ‘life’. The matrix is “advises about human as khalifatullah in the world”. The actual hypogram is human’s missions as khalifatullah based on verses of al-Quran, hadith of the prophet, and interpretations of some mufassir such as Quraish Shihab and al-Buthi. It then is concluded that khalifah is like raindrop. It emits various colour spectrums, shows beautiful rainbow, and spreads-out love. One raindrop collaborates to another and sticks together to become pulse of the world.
本研究以2000年非常受欢迎的电影《Abṭalu数码》的原声音乐《Lā Tabki yā Ṣaghīrī》为研究对象。用里法特尔的符号学理论对歌词进行分析,引入了两个层次的阅读。基于本研究的分析,潜势图显示父母对处于绝望中的孩子给予了实现梦想的建议。梦与雨滴哲学有关。这些模型分别是juhdun“努力”,amal“梦想”,alwān“颜色”,和hayāh“生活”。矩阵是“建议人类作为哈利法图拉在世界上”。实际的形像是人类作为哈利法图拉的使命,基于古兰经的经文,先知的圣训,以及一些穆法希尔的解释,如古莱什·希哈卜和布希。然后得出结论,哈利法就像雨滴。它发出各种颜色的光谱,展示美丽的彩虹,传播爱。雨滴相互配合,凝聚成世界的脉搏。
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引用次数: 0
REPRESENTASI INDONESIA DALAM NOVEL TRILOGI TERJEMAHAN KAYA TUJUH TURUNAN KARYA KEVIN KWAN 印度尼西亚在关颖珊的三部曲翻译中表现为《财富》的七级小说
Pub Date : 2021-06-17 DOI: 10.14421/ajbs.2021.05102
Galant Nanta Adhitya, Novi Wulandari
The presence of literary works translated from foreign languages in Indonesia enriches the literary readership in region (Adi, 2016). In addition to gaining a wider readership, the understanding of the literary text will improve. Readers who may not fully understand the version in the original language have the opportunity to digest the story thoroughly. The comprehensive understanding becomes more important when dealing with foreign literature talking about Indonesia, such as Kevin Kwan's Crazy Rich Asians trilogy. The trilogy was translated into Bahasa as Kaya Tujuh Turunan (2016), Kekasih Kaya Raya (2017), and Masalah Orang Kaya (2018). This article examines how Indonesia is represented in the trilogy what factors influence the construction. The three novels were analyzed using the representation theory proposed by Stuart Hall with the descriptive-qualitative method. There are two representations of Indonesia, as a nation and as a state. Indonesian is represented of as a nation Chinese-Indonesians with their newly acquired wealth who are obsessed with having white skin and foreign husbands, on the one hand, non-Chinese Indonesians who work as manual due to lack of education on the other hand. Meanwhile, Indonesia as a state is represented as a developing rural country with rich and beautiful natural resources, yet are exploited by other countries and stolen by few government officials, resulting in weak economic and military situation.
印度尼西亚的外语翻译文学作品丰富了该地区的文学读者(Adi, 2016)。除了获得更广泛的读者群外,对文学文本的理解也会提高。可能不完全理解原文的读者有机会彻底消化故事。在涉及印尼的外国文学作品中,全面的理解就显得尤为重要,比如关凯文的《疯狂的亚洲富人》三部曲。三部曲被翻译成马来文,分别是《Kaya Tujuh Turunan》(2016)、《Kekasih Kaya Raya》(2017)和《Masalah Orang Kaya》(2018)。本文考察了印度尼西亚是如何在三部曲中表现出来的,哪些因素影响了这一建构。本文运用霍尔的表征理论和描述-定性方法对这三部小说进行了分析。印尼有两个代表,一个是民族,一个是国家。印度尼西亚的代表是一个国家,华裔印尼人拥有新获得的财富,他们痴迷于拥有白色的皮肤和外国丈夫,另一方面,非华裔印尼人由于缺乏教育而从事体力劳动。同时,印度尼西亚作为一个国家的代表是一个发展中的农村国家,拥有丰富美丽的自然资源,但却被其他国家剥削,被少数政府官员窃取,导致经济和军事状况薄弱。
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引用次数: 4
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Adabiyyāt: Jurnal Bahasa dan Sastra
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