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Biblioteca di Rassegna iberistica最新文献

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Identitats i polifonia literàries
Pub Date : 1900-01-01 DOI: 10.30687/978-88-6969-323-6/010
J. Llopis
By focusing on the Iberian Peninsula as an interliterary community, and taking into consideration the points of confluence and friction among its literary traditions, this chapter reflects on the development of a shared system, one which does not fail to recognise each Iberian historical identity. The establishment of this network will allow us to determine or question the links between them, their shared or individual signals as well as the projection of internal and external signs of identity. Recognising it, it should be possible to establish the network’s validity, and therefore, its diachronic verification or its transitory nature according to certain synchronous criteria.
通过关注伊比利亚半岛作为一个跨文学共同体,并考虑到其文学传统之间的交汇点和摩擦点,本章反映了一个共享系统的发展,一个不会不承认每个伊比利亚历史身份的系统。这个网络的建立将使我们能够确定或质疑他们之间的联系,他们的共同或个人信号,以及内部和外部身份标志的投射。认识到这一点,就有可能建立网络的有效性,因此,根据一定的同步标准,它的历时性验证或短暂性。
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引用次数: 0
Reyes de la gasolinera
Pub Date : 1900-01-01 DOI: 10.30687/978-88-6969-302-1/008
Ramón López Castellano
The purpose of this essay is to open an academic discussion on a marginal but highly popular cultural phenomenon during the Spanish Transition to democracy: the rumba vallecana music subgenre. This study contextualises rumba vallecana in its historical and sociocultural territory and argues how and why the subgenre and its creators enjoyed a privileged, albeit paradoxical, position in order to challenge normalised identity and social constructions under the so-called ‘sociological Francoism’. The paper concludes that rumba vallecana was an essential cultural discourse embedded in the social identity changes that took place in Spain during the 1970s and 1980s.
本文的目的是在西班牙向民主过渡期间,对一种边缘但非常流行的文化现象:巴列卡那伦巴音乐亚流派展开学术讨论。本研究将伦巴巴列卡纳置于其历史和社会文化领域,并讨论了这种亚流派及其创作者如何以及为什么享有特权,尽管是矛盾的,以便在所谓的“社会学弗朗哥主义”下挑战正常化的身份和社会结构。本文的结论是,伦巴巴列卡纳是嵌入在20世纪70年代和80年代西班牙发生的社会身份变化的重要文化话语。
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引用次数: 0
Cartografias do espaço cultural ibérico 伊比利亚文化空间制图学
Pub Date : 1900-01-01 DOI: 10.30687/978-88-6969-323-6/009
Santiago Pérez Isasi, Catarina Sequeira Rodrigues
This chapter aims aims to present the theoretical and methodological foundations of the project Digital Map of Iberian Literary Relations (1870-1930). First, it offers an overview of the geocultural reflections underlying this project, from the general ‘spatial turn’ of the Humanities to the reformulation of Area Studies (more specifically, of the field of Iberian Studies, in which this project is inscribed), and also the development of digital cartography. Secondly, it explains the specific methodology applied in this project, from the selection of data and their codification into a database, to possible problems and options of visualisation through interactive digital maps.
本章旨在介绍伊比利亚文学关系数字地图(1870-1930)项目的理论和方法基础。首先,它概述了该项目背后的地理文化反思,从人文学科的一般“空间转向”到区域研究的重新制定(更具体地说,是该项目所涉及的伊比利亚研究领域),以及数字制图的发展。其次,它解释了在这个项目中应用的具体方法,从数据的选择和它们的编码到数据库,到可能存在的问题和通过交互式数字地图可视化的选择。
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引用次数: 0
Os modos de memoria transnacionais e o estudo da novela galega da memoria
Pub Date : 1900-01-01 DOI: 10.30687/978-88-6969-323-6/012
Diego Rivadulla Costa
This work takes as reference the paradigm of the transnational modes of remembering, as proposed by Cultural Memory Studies, to approach the case of Galician novel about the Civil War and Francoism published since the year 2000, in the context of the revival of the past in the Spanish public sphere. After explaining the theory of modes of remembering, the chapter reviews the characteristics of antagonism, cosmopolitanism and agonism to analyse to what extent Galician writers have adopted these discourses in their stories of the recent past. The study concludes that there is a growing agonistic memory that investigates the perpetrator and the complexity of the historical context.
这项工作以文化记忆研究提出的跨国记忆模式的范例为参考,在西班牙公共领域过去复兴的背景下,研究2000年以来出版的关于内战和弗朗哥主义的加利西亚小说。在解释了记忆模式理论之后,本章回顾了对抗、世界主义和斗争主义的特征,以分析加利西亚作家在最近的故事中采用这些话语的程度。该研究的结论是,调查肇事者和历史背景复杂性的激烈记忆正在增长。
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引用次数: 1
Between Two Sides of the Atlantic 在大西洋两岸之间
Pub Date : 1900-01-01 DOI: 10.30687/978-88-6969-302-1/005
E. Volkova
The growing field of Galician cultural studies has been moving rapidly out of the periphery of academic scholarship. The latest developments in this field have been marked by the effects of globalization and the expansion of its scope to include areas previously considered as a ‘periphery’ of cultural studies, such as visual arts. Influenced by these tendencies, this paper focuses on two contemporary Galician visual artists, both internationally acclaimed, sculptor Francisco Leiro and painter Antonio Murado. They are both prominent Galician artists whose sources of creative power are linked to their Galician roots. Currently they are both based in New York, one of the most important centres of contemporary art in the global stage. This essay discusses Leiro and Murado’s oeuvre as an example of the cross-cultural connections between the two sides of the Atlantic.
不断发展的加利西亚文化研究领域已经迅速走出了学术研究的边缘。这一领域的最新发展是以全球化的影响为标志的,它的范围扩大到包括以前被认为是文化研究的“边缘”领域,如视觉艺术。受这些趋势的影响,本文主要关注两位当代加利西亚视觉艺术家,他们都是国际知名的雕塑家Francisco Leiro和画家Antonio Murado。他们都是杰出的加利西亚艺术家,他们的创造力来源与他们的加利西亚根源有关。目前,他们都在纽约工作,纽约是全球舞台上最重要的当代艺术中心之一。本文讨论了莱罗和穆拉多的作品,作为大西洋两岸跨文化联系的一个例子。
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引用次数: 0
Haciéndonos minoritarixs 我们minoritarixs
Pub Date : 1900-01-01 DOI: 10.30687/978-88-6969-323-6/005
L. Harkema
While the field of Iberian Studies proposes a radical departure from the understanding of the literary canon dominant within Hispanism, it largely continues to overlook areas marginalised under the traditional model, such as women’s writing. On a more theoretical level, there is a need for further reflection on the role gender plays in critical approaches to Iberian literatures and cultures. This essay turns to the feminist theory of Rosi Braidotti and to recent developments in Feminist Translation studies in Galicia to argue for a re-thinking of the field not only from the geographical peripheries of the Iberian Peninsula but also from the peripheries of the traditional canon.
虽然伊比利亚研究领域提出了一种彻底背离对西班牙语文学经典的理解,但它在很大程度上仍然忽视了传统模式下被边缘化的领域,比如女性写作。在更理论的层面上,有必要进一步反思性别在对伊比利亚文学和文化的批判方法中所起的作用。本文以罗西•布莱多蒂的女性主义理论为基础,结合加利西亚女性主义翻译研究的最新进展,主张不仅要从伊比利亚半岛的地理边缘出发,还要从传统经典的边缘出发,重新思考这一领域。
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引用次数: 4
Detectar la nació. Una lectura perifèrica sobre la novel·la criminal i la condició postcolonial a Catalunya
Pub Date : 1900-01-01 DOI: 10.30687/978-88-6969-302-1/004
Stewart King
This article examines the function of crime fiction in post-Franco, democratic Catalan culture. Drawing on postcolonial literary approaches to Catalan literature and culture, the article explores the ways in which writers and intellectuals actively produced crime fiction narratives as a means of overcoming a crisis in Catalan identity caused by the Castilian cultural and linguistic assimilation policies enacted by successive centralist regimes. The article examines the different narrative strategies typical to the genre that Catalan- and Castilian-language writers from Catalonia employed to resist the homogenising practices of the nation-state and to construct a particular Catalan community.
本文探讨犯罪小说在后佛朗哥时代民主的加泰罗尼亚文化中的作用。本文以后殖民文学方法研究加泰隆尼亚文学与文化,探讨作家与知识分子如何积极创作犯罪小说叙事,以克服由历代中央集权政权所实施的卡斯提尔文化与语言同化政策所造成的加泰隆尼亚认同危机。本文考察了加泰罗尼亚语和卡斯蒂利亚语作家在抵制民族国家的同质化实践和构建特定的加泰罗尼亚社区时所采用的不同叙事策略。
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引用次数: 0
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Biblioteca di Rassegna iberistica
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