Pub Date : 1900-01-01DOI: 10.30687/978-88-6969-323-6/010
J. Llopis
By focusing on the Iberian Peninsula as an interliterary community, and taking into consideration the points of confluence and friction among its literary traditions, this chapter reflects on the development of a shared system, one which does not fail to recognise each Iberian historical identity. The establishment of this network will allow us to determine or question the links between them, their shared or individual signals as well as the projection of internal and external signs of identity. Recognising it, it should be possible to establish the network’s validity, and therefore, its diachronic verification or its transitory nature according to certain synchronous criteria.
{"title":"Identitats i polifonia literàries","authors":"J. Llopis","doi":"10.30687/978-88-6969-323-6/010","DOIUrl":"https://doi.org/10.30687/978-88-6969-323-6/010","url":null,"abstract":"By focusing on the Iberian Peninsula as an interliterary community, and taking into consideration the points of confluence and friction among its literary traditions, this chapter reflects on the development of a shared system, one which does not fail to recognise each Iberian historical identity. The establishment of this network will allow us to determine or question the links between them, their shared or individual signals as well as the projection of internal and external signs of identity. Recognising it, it should be possible to establish the network’s validity, and therefore, its diachronic verification or its transitory nature according to certain synchronous criteria.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133253214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.30687/978-88-6969-302-1/008
Ramón López Castellano
The purpose of this essay is to open an academic discussion on a marginal but highly popular cultural phenomenon during the Spanish Transition to democracy: the rumba vallecana music subgenre. This study contextualises rumba vallecana in its historical and sociocultural territory and argues how and why the subgenre and its creators enjoyed a privileged, albeit paradoxical, position in order to challenge normalised identity and social constructions under the so-called ‘sociological Francoism’. The paper concludes that rumba vallecana was an essential cultural discourse embedded in the social identity changes that took place in Spain during the 1970s and 1980s.
{"title":"Reyes de la gasolinera","authors":"Ramón López Castellano","doi":"10.30687/978-88-6969-302-1/008","DOIUrl":"https://doi.org/10.30687/978-88-6969-302-1/008","url":null,"abstract":"The purpose of this essay is to open an academic discussion on a marginal but highly popular cultural phenomenon during the Spanish Transition to democracy: the rumba vallecana music subgenre. This study contextualises rumba vallecana in its historical and sociocultural territory and argues how and why the subgenre and its creators enjoyed a privileged, albeit paradoxical, position in order to challenge normalised identity and social constructions under the so-called ‘sociological Francoism’. The paper concludes that rumba vallecana was an essential cultural discourse embedded in the social identity changes that took place in Spain during the 1970s and 1980s.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"244 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114268568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.30687/978-88-6969-323-6/009
Santiago Pérez Isasi, Catarina Sequeira Rodrigues
This chapter aims aims to present the theoretical and methodological foundations of the project Digital Map of Iberian Literary Relations (1870-1930). First, it offers an overview of the geocultural reflections underlying this project, from the general ‘spatial turn’ of the Humanities to the reformulation of Area Studies (more specifically, of the field of Iberian Studies, in which this project is inscribed), and also the development of digital cartography. Secondly, it explains the specific methodology applied in this project, from the selection of data and their codification into a database, to possible problems and options of visualisation through interactive digital maps.
{"title":"Cartografias do espaço cultural ibérico","authors":"Santiago Pérez Isasi, Catarina Sequeira Rodrigues","doi":"10.30687/978-88-6969-323-6/009","DOIUrl":"https://doi.org/10.30687/978-88-6969-323-6/009","url":null,"abstract":"This chapter aims aims to present the theoretical and methodological foundations of the project Digital Map of Iberian Literary Relations (1870-1930). First, it offers an overview of the geocultural reflections underlying this project, from the general ‘spatial turn’ of the Humanities to the reformulation of Area Studies (more specifically, of the field of Iberian Studies, in which this project is inscribed), and also the development of digital cartography. Secondly, it explains the specific methodology applied in this project, from the selection of data and their codification into a database, to possible problems and options of visualisation through interactive digital maps.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115078072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.30687/978-88-6969-323-6/012
Diego Rivadulla Costa
This work takes as reference the paradigm of the transnational modes of remembering, as proposed by Cultural Memory Studies, to approach the case of Galician novel about the Civil War and Francoism published since the year 2000, in the context of the revival of the past in the Spanish public sphere. After explaining the theory of modes of remembering, the chapter reviews the characteristics of antagonism, cosmopolitanism and agonism to analyse to what extent Galician writers have adopted these discourses in their stories of the recent past. The study concludes that there is a growing agonistic memory that investigates the perpetrator and the complexity of the historical context.
{"title":"Os modos de memoria transnacionais e o estudo da novela galega da memoria","authors":"Diego Rivadulla Costa","doi":"10.30687/978-88-6969-323-6/012","DOIUrl":"https://doi.org/10.30687/978-88-6969-323-6/012","url":null,"abstract":"This work takes as reference the paradigm of the transnational modes of remembering, as proposed by Cultural Memory Studies, to approach the case of Galician novel about the Civil War and Francoism published since the year 2000, in the context of the revival of the past in the Spanish public sphere. After explaining the theory of modes of remembering, the chapter reviews the characteristics of antagonism, cosmopolitanism and agonism to analyse to what extent Galician writers have adopted these discourses in their stories of the recent past. The study concludes that there is a growing agonistic memory that investigates the perpetrator and the complexity of the historical context.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124753905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.30687/978-88-6969-302-1/005
E. Volkova
The growing field of Galician cultural studies has been moving rapidly out of the periphery of academic scholarship. The latest developments in this field have been marked by the effects of globalization and the expansion of its scope to include areas previously considered as a ‘periphery’ of cultural studies, such as visual arts. Influenced by these tendencies, this paper focuses on two contemporary Galician visual artists, both internationally acclaimed, sculptor Francisco Leiro and painter Antonio Murado. They are both prominent Galician artists whose sources of creative power are linked to their Galician roots. Currently they are both based in New York, one of the most important centres of contemporary art in the global stage. This essay discusses Leiro and Murado’s oeuvre as an example of the cross-cultural connections between the two sides of the Atlantic.
{"title":"Between Two Sides of the Atlantic","authors":"E. Volkova","doi":"10.30687/978-88-6969-302-1/005","DOIUrl":"https://doi.org/10.30687/978-88-6969-302-1/005","url":null,"abstract":"The growing field of Galician cultural studies has been moving rapidly out of the periphery of academic scholarship. The latest developments in this field have been marked by the effects of globalization and the expansion of its scope to include areas previously considered as a ‘periphery’ of cultural studies, such as visual arts. Influenced by these tendencies, this paper focuses on two contemporary Galician visual artists, both internationally acclaimed, sculptor Francisco Leiro and painter Antonio Murado. They are both prominent Galician artists whose sources of creative power are linked to their Galician roots. Currently they are both based in New York, one of the most important centres of contemporary art in the global stage. This essay discusses Leiro and Murado’s oeuvre as an example of the cross-cultural connections between the two sides of the Atlantic.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"7 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114299788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.30687/978-88-6969-323-6/005
L. Harkema
While the field of Iberian Studies proposes a radical departure from the understanding of the literary canon dominant within Hispanism, it largely continues to overlook areas marginalised under the traditional model, such as women’s writing. On a more theoretical level, there is a need for further reflection on the role gender plays in critical approaches to Iberian literatures and cultures. This essay turns to the feminist theory of Rosi Braidotti and to recent developments in Feminist Translation studies in Galicia to argue for a re-thinking of the field not only from the geographical peripheries of the Iberian Peninsula but also from the peripheries of the traditional canon.
{"title":"Haciéndonos minoritarixs","authors":"L. Harkema","doi":"10.30687/978-88-6969-323-6/005","DOIUrl":"https://doi.org/10.30687/978-88-6969-323-6/005","url":null,"abstract":"While the field of Iberian Studies proposes a radical departure from the understanding of the literary canon dominant within Hispanism, it largely continues to overlook areas marginalised under the traditional model, such as women’s writing. On a more theoretical level, there is a need for further reflection on the role gender plays in critical approaches to Iberian literatures and cultures. This essay turns to the feminist theory of Rosi Braidotti and to recent developments in Feminist Translation studies in Galicia to argue for a re-thinking of the field not only from the geographical peripheries of the Iberian Peninsula but also from the peripheries of the traditional canon.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114615679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.30687/978-88-6969-302-1/004
Stewart King
This article examines the function of crime fiction in post-Franco, democratic Catalan culture. Drawing on postcolonial literary approaches to Catalan literature and culture, the article explores the ways in which writers and intellectuals actively produced crime fiction narratives as a means of overcoming a crisis in Catalan identity caused by the Castilian cultural and linguistic assimilation policies enacted by successive centralist regimes. The article examines the different narrative strategies typical to the genre that Catalan- and Castilian-language writers from Catalonia employed to resist the homogenising practices of the nation-state and to construct a particular Catalan community.
{"title":"Detectar la nació. Una lectura perifèrica sobre la novel·la criminal i la condició postcolonial a Catalunya","authors":"Stewart King","doi":"10.30687/978-88-6969-302-1/004","DOIUrl":"https://doi.org/10.30687/978-88-6969-302-1/004","url":null,"abstract":"This article examines the function of crime fiction in post-Franco, democratic Catalan culture. Drawing on postcolonial literary approaches to Catalan literature and culture, the article explores the ways in which writers and intellectuals actively produced crime fiction narratives as a means of overcoming a crisis in Catalan identity caused by the Castilian cultural and linguistic assimilation policies enacted by successive centralist regimes. The article examines the different narrative strategies typical to the genre that Catalan- and Castilian-language writers from Catalonia employed to resist the homogenising practices of the nation-state and to construct a particular Catalan community.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129069132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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