Pub Date : 2020-12-22DOI: 10.30687/978-88-6969-490-5/011
Marco Presotto
This article presents the text of an interview held in 2019 with the Egyptian Hispanist Zidan Abdel-Halim Zidan about translations of Spanish classical theater in the Arabic language, in an attempt to offer a first approach to this editorial corpus as a whole. In appendix, Halim Zidan also offers a brief bio-bibliographic catalog of the main translations into Arabic and a bibliography of known editions.
{"title":"La presencia del teatro clásico español en el mundo árabe\u0000 Entrevista con Zidan Abdel-Halim Zidan (Universidad de Al Azhar, El Cairo)","authors":"Marco Presotto","doi":"10.30687/978-88-6969-490-5/011","DOIUrl":"https://doi.org/10.30687/978-88-6969-490-5/011","url":null,"abstract":"This article presents the text of an interview held in 2019 with the Egyptian Hispanist Zidan Abdel-Halim Zidan about translations of Spanish classical theater in the Arabic language, in an attempt to offer a first approach to this editorial corpus as a whole. In appendix, Halim Zidan also offers a brief bio-bibliographic catalog of the main translations into Arabic and a bibliography of known editions.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130225757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-22DOI: 10.30687/978-88-6969-490-5/018
E. E. Marcello
This article deals with the humor translation in Italian through the analysis of two comedies by Calderón de la Barca. In the 19th century, Pietro Monti published several volumes with different plays of the Spanish Golden Age, among which are Amar después de la muerte and Casa con dos puertas malas es de guardar. This article focuses on two problem areas, language-specific and culture-specific jokes, and it analyses the strategies used for Italian translation, in particular, the forms of compensation and adaptation or cases of ‘untranslatability’.
本文通过对Calderón de la Barca的两部喜剧的分析来探讨意大利语中的幽默翻译。在19世纪，Pietro Monti出版了几卷西班牙黄金时代的不同戏剧，其中包括Amar despusams de la muerte和Casa con dos puertas malas es de guardar。本文主要从语言特殊性和文化特殊性两个方面分析了意大利语翻译的策略，特别是补偿和适应的形式或“不可译”的情况。
{"title":"Pietro Monti y el teatro del Siglo de Oro\u0000 Estrategias de traducción del humor","authors":"E. E. Marcello","doi":"10.30687/978-88-6969-490-5/018","DOIUrl":"https://doi.org/10.30687/978-88-6969-490-5/018","url":null,"abstract":"This article deals with the humor translation in Italian through the analysis of two comedies by Calderón de la Barca. In the 19th century, Pietro Monti published several volumes with different plays of the Spanish Golden Age, among which are Amar después de la muerte and Casa con dos puertas malas es de guardar. This article focuses on two problem areas, language-specific and culture-specific jokes, and it analyses the strategies used for Italian translation, in particular, the forms of compensation and adaptation or cases of ‘untranslatability’.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114993097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-22DOI: 10.30687/978-88-6969-490-5/010
Marta Plaza Velasco
This essay offers a brief historical overview of the translation process of Golden Age Spanish theatre into Lithuanian, presenting translations into this Baltic language available today organized in order by publication date. Finally, an attempt is made to draw a series of conclusions in relation to the characteristics and conditions of the translation process of Golden Age Spanish theatre into Lithuanian.
{"title":"Traducciones del teatro español del Siglo de Oro al lituano\u0000 Breve repaso histórico","authors":"Marta Plaza Velasco","doi":"10.30687/978-88-6969-490-5/010","DOIUrl":"https://doi.org/10.30687/978-88-6969-490-5/010","url":null,"abstract":"This essay offers a brief historical overview of the translation process of Golden Age Spanish theatre into Lithuanian, presenting translations into this Baltic language available today organized in order by publication date. Finally, an attempt is made to draw a series of conclusions in relation to the characteristics and conditions of the translation process of Golden Age Spanish theatre into Lithuanian.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126006888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-22DOI: 10.30687/978-88-6969-490-5/008
Urszula Aszyk
This study offers a chronological review of the critical and theatrical reception of Lope de Vega’s plays in Poland, in which we can see surprising paradoxes. Taking into consideration reception as a complex process, we intend to establish the nature of the role played by translators in this respect.
{"title":"En torno a la paradójica recepción del teatro de Lope de Vega en Polonia\u0000 Traducciones, representaciones y comentarios críticos","authors":"Urszula Aszyk","doi":"10.30687/978-88-6969-490-5/008","DOIUrl":"https://doi.org/10.30687/978-88-6969-490-5/008","url":null,"abstract":"This study offers a chronological review of the critical and theatrical reception of Lope de Vega’s plays in Poland, in which we can see surprising paradoxes. Taking into consideration reception as a complex process, we intend to establish the nature of the role played by translators in this respect.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123350253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-22DOI: 10.30687/978-88-6969-490-5/003
F. Antonucci
This essay aims to provide an overview of the Italian translations of Spanish Golden Age theatre from the 19th century to the present, identifying above all the differences in the approach to Spanish texts compared to previous centuries and the distinctive features of each historical-cultural period within this long span of time. Romantic translations (a period marked by the great collections of theatrical texts by Monti and La Cecilia) were characterised by their marked preference for religious and honour-based dramas and for the works of Calderón; while the 20th century saw a general reworking of the corpus of translated texts, with a stable presence of Calderón and the recovery of the dramas on peasant honour by Lope de Vega. The emergence and affirmation of the poetic translation is highlighted, from the early experiments of the 1920s to the general acceptance of our days, and the role hispanists and writers played in this choice. An analysis of the corpus of translation collections in the 20th and 21st centuries, as well as of the many individual translations, also shows how the canon of the Spanish Golden Age theatre has changed both on the academic and editorial side.
本文旨在概述从19世纪到现在的西班牙黄金时代戏剧的意大利语翻译，首先确定与前几个世纪相比，西班牙文本处理方法的差异，以及在这段漫长的时间内每个历史文化时期的独特特征。浪漫主义翻译(以蒙蒂和拉塞西莉亚的大量戏剧文本为标志的时期)的特点是他们明显偏爱宗教和荣誉戏剧以及Calderón的作品;而在20世纪，随着Calderón的稳定存在和Lope de Vega关于农民荣誉的戏剧的恢复，翻译文本的语料库得到了普遍的改造。从20世纪20年代的早期实验到今天的普遍接受，强调了诗歌翻译的出现和肯定，以及西班牙语学家和作家在这一选择中所起的作用。对20世纪和21世纪的翻译文集以及许多个人翻译的分析也表明，西班牙黄金时代戏剧的经典在学术和编辑方面发生了怎样的变化。
{"title":"La traducción del teatro áureo en Italia, desde el siglo XIX hasta nuestros días\u0000 Constantes y variables en la formación de un canon","authors":"F. Antonucci","doi":"10.30687/978-88-6969-490-5/003","DOIUrl":"https://doi.org/10.30687/978-88-6969-490-5/003","url":null,"abstract":"This essay aims to provide an overview of the Italian translations of Spanish Golden Age theatre from the 19th century to the present, identifying above all the differences in the approach to Spanish texts compared to previous centuries and the distinctive features of each historical-cultural period within this long span of time. Romantic translations (a period marked by the great collections of theatrical texts by Monti and La Cecilia) were characterised by their marked preference for religious and honour-based dramas and for the works of Calderón; while the 20th century saw a general reworking of the corpus of translated texts, with a stable presence of Calderón and the recovery of the dramas on peasant honour by Lope de Vega. The emergence and affirmation of the poetic translation is highlighted, from the early experiments of the 1920s to the general acceptance of our days, and the role hispanists and writers played in this choice. An analysis of the corpus of translation collections in the 20th and 21st centuries, as well as of the many individual translations, also shows how the canon of the Spanish Golden Age theatre has changed both on the academic and editorial side.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121644658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-22DOI: 10.30687/978-88-6969-490-5/006
Jonathan Thacker
This study traces, in broad brushstrokes, the history of the translation of Spanish Golden Age drama into English from the barren times of the 17th and 18th century to the comparative flood of versions done in the contemporary period. The move away from translations for the page towards renderings aimed at public performance is explored and translators’ varied approaches to the dramatic material outlined and explained. Different techniques employed by translators and adaptors, faced with the perceived difficulties of the Spanish play-texts, are analysed schematically in the second section.
{"title":"La traducción del teatro clásico español al inglés","authors":"Jonathan Thacker","doi":"10.30687/978-88-6969-490-5/006","DOIUrl":"https://doi.org/10.30687/978-88-6969-490-5/006","url":null,"abstract":"This study traces, in broad brushstrokes, the history of the translation of Spanish Golden Age drama into English from the barren times of the 17th and 18th century to the comparative flood of versions done in the contemporary period. The move away from translations for the page towards renderings aimed at public performance is explored and translators’ varied approaches to the dramatic material outlined and explained. Different techniques employed by translators and adaptors, faced with the perceived difficulties of the Spanish play-texts, are analysed schematically in the second section.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127724438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-22DOI: 10.30687/978-88-6969-490-5/009
O. Sâmbrian
This essay approaches the development of Hispanic studies in Romania, focusing on the reception of classical Spanish theatre. In order to achieve a better understanding of this phenomenon, we propose a different division of its main phases, based on the circulation of information. Subsequently, the three stages are: the historical background, the professional formation of the Romanian hispanists and their translations and the staging of the plays, as a main echo of these translations.
{"title":"El hispanismo rumano y la traducción del teatro clásico español","authors":"O. Sâmbrian","doi":"10.30687/978-88-6969-490-5/009","DOIUrl":"https://doi.org/10.30687/978-88-6969-490-5/009","url":null,"abstract":"This essay approaches the development of Hispanic studies in Romania, focusing on the reception of classical Spanish theatre. In order to achieve a better understanding of this phenomenon, we propose a different division of its main phases, based on the circulation of information. Subsequently, the three stages are: the historical background, the professional formation of the Romanian hispanists and their translations and the staging of the plays, as a main echo of these translations.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131446839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-12-22DOI: 10.30687/978-88-6969-490-5/024
G. J. Racz
Since at least the 1990s, Translation Studies theorists have advocated greater respect for alterity in literary translation. With the advent of Naturalist theatre and, later, the predominance of free-verse poetry in the 20th century, renderings of both poetry and verse drama in the English-speaking world have favoured assimilation with target-culture values. “Organic form”, described by James S. Holmes as the methodology with which a translator renders a source text primarily for its meaning, has been the prevalent strategy for translating works such as Spanish Golden Age dramas for approximately a century now. A return to the methodology of “analogical form”, with which a translator seeks to render the source text using correlatives to its form and function in the source culture, would do much to recognise the Other by avoiding both de-historicisation and de-poeticisation through less domesticated target texts. Examples of these competing methodologies will be examined in a few American translations of Pedro Calderón de la Barca’s La vida es sueño.
至少从20世纪90年代开始，翻译研究理论家就主张在文学翻译中更加尊重多样性。随着自然主义戏剧的出现，以及后来自由诗在20世纪的主导地位，英语世界的诗歌和韵文戏剧的翻译都倾向于同化目标文化价值观。James S. Holmes将“有机形式”描述为译者根据原文的意思来翻译原文的方法。近一个世纪以来，“有机形式”一直是翻译西班牙黄金时代戏剧等作品的普遍策略。回归“类比形式”的方法论，即译者试图利用源文本在源文化中的形式和功能的相关性来呈现源文本，通过避免通过不太驯化的目标文本进行去历史化和去诗化，将大大有助于认识他者。这些相互竞争的方法的例子将在Pedro Calderón de la Barca的la vida es sueño的一些美国译本中得到检验。
{"title":"La vida es sueño en forma analógica\u0000 Teoría, metodología y recepción de la traducción a contrapelo","authors":"G. J. Racz","doi":"10.30687/978-88-6969-490-5/024","DOIUrl":"https://doi.org/10.30687/978-88-6969-490-5/024","url":null,"abstract":"Since at least the 1990s, Translation Studies theorists have advocated greater respect for alterity in literary translation. With the advent of Naturalist theatre and, later, the predominance of free-verse poetry in the 20th century, renderings of both poetry and verse drama in the English-speaking world have favoured assimilation with target-culture values. “Organic form”, described by James S. Holmes as the methodology with which a translator renders a source text primarily for its meaning, has been the prevalent strategy for translating works such as Spanish Golden Age dramas for approximately a century now. A return to the methodology of “analogical form”, with which a translator seeks to render the source text using correlatives to its form and function in the source culture, would do much to recognise the Other by avoiding both de-historicisation and de-poeticisation through less domesticated target texts. Examples of these competing methodologies will be examined in a few American translations of Pedro Calderón de la Barca’s La vida es sueño.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125444928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-02DOI: 10.30687/978-88-6969-323-6/008
Isaac Lourido
This chapter develops a methodological framework for the analysis of the relationships between literary systems in the Iberian Peninsula. This proposal combines sociological, systemic and spatial methodologies. Without neglecting historical processes, it studies the autonomy of systemic units, literary, cultural and identity planning, the constitution of centres and peripheries, interferences and conflicts between systems, or the definition of boundaries. It focuses on some processes and practices of the last decade, such as new institutional planning for Galician-Portuguese relationships, the changes in the Galeusca model, or the recognition of Galician poetry in the Spanish literary field.
{"title":"O espaço literário ibérico na última década","authors":"Isaac Lourido","doi":"10.30687/978-88-6969-323-6/008","DOIUrl":"https://doi.org/10.30687/978-88-6969-323-6/008","url":null,"abstract":"This chapter develops a methodological framework for the analysis of the relationships between literary systems in the Iberian Peninsula. This proposal combines sociological, systemic and spatial methodologies. Without neglecting historical processes, it studies the autonomy of systemic units, literary, cultural and identity planning, the constitution of centres and peripheries, interferences and conflicts between systems, or the definition of boundaries. It focuses on some processes and practices of the last decade, such as new institutional planning for Galician-Portuguese relationships, the changes in the Galeusca model, or the recognition of Galician poetry in the Spanish literary field.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132686933","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-08-02DOI: 10.30687/978-88-6969-323-6/001
Arturo Casas
This chapter presents a consideration of Iberian Studies as an emerging field of knowledge, subject to specific conditions and goals. The task is to be carried out at the crossroads between comparativism and the social sciences, with the aim of analysing in particular the relations between Iberisms, Comparative Literature and Iberian Studies. All of this is in connection with two overlapping aspects: firstly, the epistemological reflexivity and the academic and political profile of the participants in this new field of studies; secondly, the disciplinary delimitation of the field itself, which should necessarily incorporate academic, geocultural, ideological and biopolitical aspects.
{"title":"Iberismos, comparatismos y estudios ibéricos","authors":"Arturo Casas","doi":"10.30687/978-88-6969-323-6/001","DOIUrl":"https://doi.org/10.30687/978-88-6969-323-6/001","url":null,"abstract":"This chapter presents a consideration of Iberian Studies as an emerging field of knowledge, subject to specific conditions and goals. The task is to be carried out at the crossroads between comparativism and the social sciences, with the aim of analysing in particular the relations between Iberisms, Comparative Literature and Iberian Studies. All of this is in connection with two overlapping aspects: firstly, the epistemological reflexivity and the academic and political profile of the participants in this new field of studies; secondly, the disciplinary delimitation of the field itself, which should necessarily incorporate academic, geocultural, ideological and biopolitical aspects.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115144696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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