Pub Date : 2019-02-04DOI: 10.30687/978-88-6969-302-1/003
J. D. Rodriguez
This article explores several notions of location in relation to the Philippines. Contrasting Filipino studies which problematise conceptions of the Philippines as Asian, this essay focuses on Spanish perceptions of the archipelago in official political and economic plans regarding Spain’s presence in Asia in the 21st century. The Philippines plays an important role in these plans, as it is listed as a priority country for Spanish actions in this region, mostly due to the shared colonial links. Despite this shared history, there are several Spanish ambivalent perceptions that locate the Philippines as a country connected to Spain and, at the same time, in the periphery of countries with a Hispanic heritage, which is evident in the location of Fil-Hispanic studies within Hispanic scholarship. Furthermore, Spanish official perceptions are often politically motivated, in relation to the practical uses that the location of the Philippines can have for Spain as a gateway to Asia, in particular, the neoliberal focus of certain Spanish policies, which re-establish a centre-periphery dynamics in a neo-colonial global context.
{"title":"The Location of the Philippines within Spanish Official Frameworks","authors":"J. D. Rodriguez","doi":"10.30687/978-88-6969-302-1/003","DOIUrl":"https://doi.org/10.30687/978-88-6969-302-1/003","url":null,"abstract":"This article explores several notions of location in relation to the Philippines. Contrasting Filipino studies which problematise conceptions of the Philippines as Asian, this essay focuses on Spanish perceptions of the archipelago in official political and economic plans regarding Spain’s presence in Asia in the 21st century. The Philippines plays an important role in these plans, as it is listed as a priority country for Spanish actions in this region, mostly due to the shared colonial links. Despite this shared history, there are several Spanish ambivalent perceptions that locate the Philippines as a country connected to Spain and, at the same time, in the periphery of countries with a Hispanic heritage, which is evident in the location of Fil-Hispanic studies within Hispanic scholarship. Furthermore, Spanish official perceptions are often politically motivated, in relation to the practical uses that the location of the Philippines can have for Spain as a gateway to Asia, in particular, the neoliberal focus of certain Spanish policies, which re-establish a centre-periphery dynamics in a neo-colonial global context.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"169 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114491182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-04DOI: 10.30687/978-88-6969-302-1/010
José F. Colmeiro
This essay considers the problematic construction of alternative masculinities in Spanish cinema during the Franco regime and their reconstruction during the Transition. The analysis examines the cultural parameters of the performance of difference on screen, focusing on the representation of peripheral masculine sexualities, at odds with the fundamental elements of the hegemonic Francoist national-catholic ideology, whereby homosexuality and otherness are commonly denied, neutralised or made invisible to reaffirm the heteromasculine national paradigm. It also explores the fissures in the construction of hegemonic masculinity in Spanish cinema and diverse attempts of deperipheralisation.
{"title":"Sexualidades periféricas","authors":"José F. Colmeiro","doi":"10.30687/978-88-6969-302-1/010","DOIUrl":"https://doi.org/10.30687/978-88-6969-302-1/010","url":null,"abstract":"This essay considers the problematic construction of alternative masculinities in Spanish cinema during the Franco regime and their reconstruction during the Transition. The analysis examines the cultural parameters of the performance of difference on screen, focusing on the representation of peripheral masculine sexualities, at odds with the fundamental elements of the hegemonic Francoist national-catholic ideology, whereby homosexuality and otherness are commonly denied, neutralised or made invisible to reaffirm the heteromasculine national paradigm. It also explores the fissures in the construction of hegemonic masculinity in Spanish cinema and diverse attempts of deperipheralisation.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124081695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-04DOI: 10.30687/978-88-6969-302-1/009
Rubén Pérez-Hidalgo
Marta Sanz’s novel Animales domésticos (2003) is an exploration of what it means to be middle class in Spain. This analysis explores a specific contention in the symbolic relationship between centre and periphery in the current power distribution within the European Union: that of being a European middle-class subject in a Spain ruled by neoliberalism. This issue is examined through the prism of Jim McGuigan’s theorisation on cool capitalism, which in this reading of Sanz’s novel allows the characters to cope with both personal and social disaffection by wearing a mask crafted by a certain middle-class ideology particular to Spain. The novel then becomes a symbolic playground in which such middle-class ideology characteristic of neoliberalism is shown as rooted in Francoism, inequality and chronic disaffection. This ultimately points at the impossibility of being represented as belonging to the centre (i.e. to the European middle classes) in the periphery (i.e. in a Spain that occupies a subaltern position in the political economy set by the European Union). Accordingly, in Spain one can only aspire to be a permanent contradiction: a peripheral middle class.
{"title":"Capitalismo cool y clase media periférica en Animales domésticos de Marta Sanz","authors":"Rubén Pérez-Hidalgo","doi":"10.30687/978-88-6969-302-1/009","DOIUrl":"https://doi.org/10.30687/978-88-6969-302-1/009","url":null,"abstract":"Marta Sanz’s novel Animales domésticos (2003) is an exploration of what it means to be middle class in Spain. This analysis explores a specific contention in the symbolic relationship between centre and periphery in the current power distribution within the European Union: that of being a European middle-class subject in a Spain ruled by neoliberalism. This issue is examined through the prism of Jim McGuigan’s theorisation on cool capitalism, which in this reading of Sanz’s novel allows the characters to cope with both personal and social disaffection by wearing a mask crafted by a certain middle-class ideology particular to Spain. The novel then becomes a symbolic playground in which such middle-class ideology characteristic of neoliberalism is shown as rooted in Francoism, inequality and chronic disaffection. This ultimately points at the impossibility of being represented as belonging to the centre (i.e. to the European middle classes) in the periphery (i.e. in a Spain that occupies a subaltern position in the political economy set by the European Union). Accordingly, in Spain one can only aspire to be a permanent contradiction: a peripheral middle class.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"184 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121187959","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-04DOI: 10.30687/978-88-6969-302-1/001
Nicola M. Gilmour
Medieval historical fiction is a popular genre in Spanish publishing. This essay interrogates the popularity of these novels, and explores the possible theoretical frameworks for understanding its contribution to Spanish cultural identity. It traces the rise of medieval historical fiction set in the “España de las Tres Culturas” from the early 1990s, with particular reference to 1992’s Quincentennial commemorations. Furthermore, the subject matter of these novels (convivencia between ethno-religious communities) links it to modern social and political issues – Islamic immigration, terrorism, cultural diversity, Holocaust memorialisation and historical memory – that also arose in the 1990s, giving it special relevance. To understand the contribution of this genre to Spain’s historical vision, this essays examines its relation to both history and memory, highlighting the problem of reading historical fiction in either of these ways. The paper concludes that a better way to understand historical fiction’s contribution to Spanish cultural identity is to see it as a part of a process of constructing a national mythscape, rather than as part of Spain’s history or collective memory.
中世纪历史小说是西班牙出版界流行的一种小说体裁。本文探讨了这些小说的受欢迎程度，并探讨了理解其对西班牙文化认同的贡献的可能的理论框架。它追溯了20世纪90年代初以“España de las treres Culturas”为背景的中世纪历史小说的兴起，特别提到了1992年的五十周年纪念活动。此外，这些小说的主题(民族-宗教社区之间的便利)将其与现代社会和政治问题联系起来——伊斯兰移民、恐怖主义、文化多样性、大屠杀纪念和历史记忆——这些问题也出现在20世纪90年代，赋予了它特殊的相关性。为了理解这一类型对西班牙历史观的贡献，本文考察了它与历史和记忆的关系，突出了以这两种方式阅读历史小说的问题。本文的结论是，理解历史小说对西班牙文化认同的贡献的更好方法是将其视为构建国家神话景观过程的一部分，而不是作为西班牙历史或集体记忆的一部分。
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Pub Date : 2019-02-04DOI: 10.30687/978-88-6969-302-1/007
E. Bou
This article addresses four different ways in which food speaks to us: a surrealist approach in Buñuel’s cinema, table manners as discussed by Larra, the shortage of food and hunger that was an obsessive and persistent reality during the Spanish civil war and post-war period of the 20th century, or the recent sophistication and cosmopolitanism of Spanish cuisine due to the transformation of the country by the presence of immigrants. This study focuses on highlighting the passage from a culture of survival during the civil war and the Franco regime to one of greater abundance and sophistication with the arrival of democracy. The current recognition of Spain as one of the gastronomic destinations in the world modifies part of a historical and cultural past, which includes the ethnic transformation experienced by Spanish society. From the perspective of food studies, one can examine the relationships of the individual with food, and analyse how this association produces a large amount of information about a society.
{"title":"Hambre y pan duro. De los años de la autarquía a la gastronomía globalizada en ámbito español","authors":"E. Bou","doi":"10.30687/978-88-6969-302-1/007","DOIUrl":"https://doi.org/10.30687/978-88-6969-302-1/007","url":null,"abstract":"This article addresses four different ways in which food speaks to us: a surrealist approach in Buñuel’s cinema, table manners as discussed by Larra, the shortage of food and hunger that was an obsessive and persistent reality during the Spanish civil war and post-war period of the 20th century, or the recent sophistication and cosmopolitanism of Spanish cuisine due to the transformation of the country by the presence of immigrants. This study focuses on highlighting the passage from a culture of survival during the civil war and the Franco regime to one of greater abundance and sophistication with the arrival of democracy. The current recognition of Spain as one of the gastronomic destinations in the world modifies part of a historical and cultural past, which includes the ethnic transformation experienced by Spanish society. From the perspective of food studies, one can examine the relationships of the individual with food, and analyse how this association produces a large amount of information about a society.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124208815","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-04DOI: 10.30687/978-88-6969-302-1/002
Sarah Leggot
This article discusses the testimonial writings of the Catalan-Galician political activist Mercedes Núñez Targa who was imprisoned in Spain, France and Germany at the end of the Spanish Civil War. In her works, Cárcel de Ventas (1967) and Destinada al crematorio (1980), Núñez Targa details the horrific conditions that Republican prisoners endured and documents the widespread practice of gendered violence inflicted on women in Francoist camps and prisons. This analysis focuses particularly on her description of her experiences in Ventas women’s prison in Madrid. Núñez Targa deploys the testimonial genre to recount both her own experiences and those of her fellow prisoners, highlighting the particularly cruel treatment directed at pregnant women and mothers as part of the regime’s efforts to prevent the transgenerational transmission of left-wing ideologies.
本文讨论加泰罗尼亚-加利西亚政治活动家Mercedes Núñez Targa的证言，他在西班牙内战结束时被囚禁在西班牙、法国和德国。在她的作品Cárcel de Ventas(1967)和Destinada al crematorio(1980)中，Núñez Targa详细描述了共和军囚犯所忍受的可怕条件，并记录了在弗朗哥阵营和监狱中对女性施加性别暴力的普遍做法。这篇分析着重于她对自己在马德里文塔斯女子监狱经历的描述。Núñez Targa以感言的方式叙述她自己和其他囚犯的经历，强调当局为了防止左翼意识形态的跨代传播，对孕妇和母亲的残酷对待。
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Pub Date : 2018-12-17DOI: 10.30687/978-88-6969-292-5
Pere Gifra Adroher, J. Hurtley
For the first time the current volume brings together a fully annotated edition of Hannah Lynch’s articles on Spain – many of which are devoted to travel – together with a critical study of her connections with the country. Lynch, a cosmopolitan New Woman, viewed Spain with ambivalence, impatient of its resistance to change yet seduced by its landscapes and peoples. Her writing, revealing of her commitment to women’s emancipation, warrants attention from those wishing to further explore women’s contributions to the cultural and literary relations between Ireland and the Iberian Peninsula.
{"title":"Hannah Lynch and Spain","authors":"Pere Gifra Adroher, J. Hurtley","doi":"10.30687/978-88-6969-292-5","DOIUrl":"https://doi.org/10.30687/978-88-6969-292-5","url":null,"abstract":"For the first time the current volume brings together a fully annotated edition of Hannah Lynch’s articles on Spain – many of which are devoted to travel – together with a critical study of her connections with the country. Lynch, a cosmopolitan New Woman, viewed Spain with ambivalence, impatient of its resistance to change yet seduced by its landscapes and peoples. Her writing, revealing of her commitment to women’s emancipation, warrants attention from those wishing to further explore women’s contributions to the cultural and literary relations between Ireland and the Iberian Peninsula.","PeriodicalId":288445,"journal":{"name":"Biblioteca di Rassegna iberistica","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124732866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-12-17DOI: 10.30687/978-88-6969-309-0
Isabel Turull i Crexells
Carles Riba, one of the most relevant personalities in Catalan letters, not only as a poet but also as a linguist, has been considered a difficult writer. This book aims to examine how his theoretical preparation and his ideas in linguistics influenced his work in the particular case of some early stories in which he tries “uns utilíssims exercicis de simplicitat”. Carles Riba did not present his linguistic theories in a single text in a complete and articulated way but we can evaluate them in various papers he wrote and published up until his death in 1959. The first part of this work, after an introduction which sets the author in the context of European linguistics, is a review of the ideas that can be found in the collections of essays: Escolis i altres articles (1921), Els marges (1927), Per comprendre (1937), ... més els poemes (1957), and in a few other particularly interesting papers.This part focuses also on some of the controversies in which Carles Riba is involved as a linguist during the spanish dictatorship: especially his role on the publication of the second edition of Pompeu Fabra’s dictionary in 1954 and the consequences of the prologue he wrote for the volume. Joan Coromines considers an attack on the linguist Pompeu Fabra the negative comparison Riba proposes with the honnête homme: in our research we re-evaluate this consideration and analyse the historical and semantic value of this expression belonging to 17th-century French culture.The second part of this paper is a strictly linguistic analysis of three texts, chosen among Carles Riba’s works for children. The interest of those texts is in the author’s deliberate intent of using the most simple language, which enables us to determine what he considers the basic aspects of linguistic quality. Furthermore, the existence of different editions of those texts permits a philological analysis of those versions showing Carles Riba’s ‘simple’ language in three very representative moments, from the beginning of his career as a writer to the difficult situation during the dictatorship.
Carles Riba是加泰罗尼亚文学中最重要的人物之一，不仅作为诗人，而且作为语言学家，他被认为是一位难以相处的作家。这本书的目的是研究他的理论准备和他的思想在语言学影响他的工作，在一些特殊情况下，他早期的故事，他尝试“utilíssims练习简单”。Carles Riba并没有在一篇文章中以完整和清晰的方式呈现他的语言学理论，但我们可以在他1959年去世前撰写和发表的各种论文中对其进行评估。本书的第一部分，在将作者置于欧洲语言学的背景下的介绍之后，是对散文集中可以找到的思想的回顾:Escolis i altres articles (1921)， Els marges (1927)， Per compredre(1937)，……他的诗(1957)，以及其他一些特别有趣的论文。这一部分也集中在西班牙独裁统治时期作为语言学家的Carles Riba所涉及的一些争议:特别是他在1954年庞培法布拉词典第二版出版中的作用，以及他为这本书所写的序言的后果。Joan Coromines认为对语言学家Pompeu Fabra的攻击是Riba提出的honnête homme的负面比较:在我们的研究中，我们重新评估了这种考虑，并分析了属于17世纪法国文化的这种表达的历史和语义价值。本文的第二部分是对卡里斯·里巴儿童作品中的三个文本进行严格的语言分析。这些文本的有趣之处在于作者有意使用最简单的语言，这使我们能够确定他认为语言质量的基本方面是什么。此外，这些文本的不同版本的存在允许对这些版本进行语言学分析，在三个非常具有代表性的时刻显示Carles Riba的“简单”语言，从他作为作家的职业生涯开始到独裁统治时期的艰难处境。
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Pub Date : 2018-10-19DOI: 10.30687/978-88-6969-278-9/002
E. Bou
This article is organized around three groups of ‘citations’ from architectural forms, texts, images, which generate three options of imagination, representation and reading of space: ruins, circular constructions, and rhetoric (in particular figures of repetition). I discuss the story of Borges “Las ruinas circulares” and examples from Iain Sinclair, London orbital (2002), Gianni Biondillo and Michele Monina, Tangenziali. Due viandanti ai bordi della città (2010), and Nicolò Bassetti, Sapo Matteucci, Sacro romano GRA (2013). The circularity generates a repetitive and disparate look allowing the observation of a complementary rhythm of destruction and construction characteristic of progress in the world.
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Pub Date : 2018-10-19DOI: 10.30687/978-88-6969-278-9/004
J. Calatrava
The subject of the present contribution is the study of the different aspects of urban ambulation and the character of flâneur in XIXth Paris, through three moments (1830, 1850, 1870) and three key writers (Balzac, Baudelaire, Zola).
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