Pub Date : 2023-01-01DOI: 10.21608/jfafu.2022.180240.1846
تامر فایز
{"title":"الموقف من الزمن فی الشِّعر الواقعی: دراسة مقارنة بین أشعار صلاح عبد الصبور وفیلیب لاركین","authors":"تامر فایز","doi":"10.21608/jfafu.2022.180240.1846","DOIUrl":"https://doi.org/10.21608/jfafu.2022.180240.1846","url":null,"abstract":"","PeriodicalId":296125,"journal":{"name":"مجلة کلیة الآداب جامعة الفیوم","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123967175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21608/jfafu.2022.127230.1716
یاسمین رمضان خلیل إبراهیم
{"title":"电视剧中武则天形象的变化概况","authors":"یاسمین رمضان خلیل إبراهیم","doi":"10.21608/jfafu.2022.127230.1716","DOIUrl":"https://doi.org/10.21608/jfafu.2022.127230.1716","url":null,"abstract":"","PeriodicalId":296125,"journal":{"name":"مجلة کلیة الآداب جامعة الفیوم","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127183709","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21608/jfafu.2023.194687.1866
محمد معروف الخولی
{"title":"الاسم المركب فی الصحافة الإیرانیة المعاصرة","authors":"محمد معروف الخولی","doi":"10.21608/jfafu.2023.194687.1866","DOIUrl":"https://doi.org/10.21608/jfafu.2023.194687.1866","url":null,"abstract":"","PeriodicalId":296125,"journal":{"name":"مجلة کلیة الآداب جامعة الفیوم","volume":"20 6","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132639022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21608/jfafu.2023.194790.1867
محمد سعد راتب عبدالله
This paper aims to demonstrate how the transformative strategies of resistance introduced by Bill Ashcroft in his theory of transformation can be contextualized in Mahmoud Darwish's poetic discourse of resistance. It also attempts to investigate which of Ashcroft‟s transformative strategies are intensively woven into the texture of Darwish‟s poems to impart a creative mode of resistance. To counter the Israeli colonial discourse of hegemony and injustice, Darwish defiantly produces, through his poetry, an anticolonial discourse that aptly challenges and transforms the Israeli imperial discourse. What is remarkable in the anti-colonial discourse rendered in Darwish's poetry is the fact that it is approached from the lens of the Palestinians themselves and it follows a systematic pattern of resistance. It starts with a process of interpolation through which the poet tries to understand the imperial discourse, analyzes it in detail and then adapts and changes it to correct its misrepresentation of reality. This mode of transformative resistance never leads to direct confrontation with the enemy's discourse. It, rather, involves creative ways of transcending the provocative, imperial discourses and disclosing their inconsistencies.
{"title":"Post-colonial Transformation as a Mode of Resistance in the Poetry of Mahmoud Darwish","authors":"محمد سعد راتب عبدالله","doi":"10.21608/jfafu.2023.194790.1867","DOIUrl":"https://doi.org/10.21608/jfafu.2023.194790.1867","url":null,"abstract":"This paper aims to demonstrate how the transformative strategies of resistance introduced by Bill Ashcroft in his theory of transformation can be contextualized in Mahmoud Darwish's poetic discourse of resistance. It also attempts to investigate which of Ashcroft‟s transformative strategies are intensively woven into the texture of Darwish‟s poems to impart a creative mode of resistance. To counter the Israeli colonial discourse of hegemony and injustice, Darwish defiantly produces, through his poetry, an anticolonial discourse that aptly challenges and transforms the Israeli imperial discourse. What is remarkable in the anti-colonial discourse rendered in Darwish's poetry is the fact that it is approached from the lens of the Palestinians themselves and it follows a systematic pattern of resistance. It starts with a process of interpolation through which the poet tries to understand the imperial discourse, analyzes it in detail and then adapts and changes it to correct its misrepresentation of reality. This mode of transformative resistance never leads to direct confrontation with the enemy's discourse. It, rather, involves creative ways of transcending the provocative, imperial discourses and disclosing their inconsistencies.","PeriodicalId":296125,"journal":{"name":"مجلة کلیة الآداب جامعة الفیوم","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123175777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21608/jfafu.2023.186225.1855
أماني حامد
The current study examines translation strategies for retaining parallelism in Dr. Mostafa Mahmoud's book A Dialogue with an Atheist . The study draws on a theoretical Framework of Andrew Chesterman (2016) syntactic strategy model for analyzing the data. The objective of the study is to investigate how parallelism in Arabic version is dealt with in its translation into English. The frequency of occurrence of parallelism is calculated to highlight the extent to which the English translation has retained a similar use of parallelism to achieve a similar impact on the readers. The results reveal that ten strategies are employed: literal translation, loan translation, transposition, unit shift, phrase structure change, clause structure change, sentence structure change, cohesion change, level shift and scheme change to maintain parallelism in the English translation of the book. Moreover, it has been found that literal translation (25%), cohesion change (22%) and scheme change (11.4%) are most widely used strategies to retain the parallel structures. The translator succeeded in maintaining the original text and conveying the style and emotion of the author. The study concluded that the translator should not only have command of both languages involved but should also be well-informed with the style of the writer or philosopher. In fact, in literary translation the translator faces the challenges of handling two translation principles: transferring an unaltered message and preserving the style of the writer. Further research is suggested to involve more analysis of Chesterman's translation model to investigate the semantic and pragmatic types used in the book.
{"title":"Chesterman’s Syntactic Strategies for Retaining Parallelism in the Arabic-English Translation : 'A Dialogue with an Atheist' as a Model","authors":"أماني حامد","doi":"10.21608/jfafu.2023.186225.1855","DOIUrl":"https://doi.org/10.21608/jfafu.2023.186225.1855","url":null,"abstract":"The current study examines translation strategies for retaining parallelism in Dr. Mostafa Mahmoud's book A Dialogue with an Atheist . The study draws on a theoretical Framework of Andrew Chesterman (2016) syntactic strategy model for analyzing the data. The objective of the study is to investigate how parallelism in Arabic version is dealt with in its translation into English. The frequency of occurrence of parallelism is calculated to highlight the extent to which the English translation has retained a similar use of parallelism to achieve a similar impact on the readers. The results reveal that ten strategies are employed: literal translation, loan translation, transposition, unit shift, phrase structure change, clause structure change, sentence structure change, cohesion change, level shift and scheme change to maintain parallelism in the English translation of the book. Moreover, it has been found that literal translation (25%), cohesion change (22%) and scheme change (11.4%) are most widely used strategies to retain the parallel structures. The translator succeeded in maintaining the original text and conveying the style and emotion of the author. The study concluded that the translator should not only have command of both languages involved but should also be well-informed with the style of the writer or philosopher. In fact, in literary translation the translator faces the challenges of handling two translation principles: transferring an unaltered message and preserving the style of the writer. Further research is suggested to involve more analysis of Chesterman's translation model to investigate the semantic and pragmatic types used in the book.","PeriodicalId":296125,"journal":{"name":"مجلة کلیة الآداب جامعة الفیوم","volume":"115 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116597917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21608/jfafu.2023.184336.1853
A. Elsherif
In their attempt to move beyond the Enlightenment, Romantic writers formulated a worldview which recreated the theological unity of being on the plane of immanence. This intellectual unity was imposed on the deeply divided Victorian society which was described by Benjamin Disraeli, the British prime minister, as ―the two nations.‖ Imposing a unified intellectual framework on a sharply divided society without being able to develop it from within is bound to merely cover the division with an ideological smokescreen. This study explores how romantic ideology manifests itself in the dominant form of Romantic realism in the fiction of early Victorian writers. It, then, investigates the dominant form of late Victorian fiction in order to prove that it functions as ideology critique. Romantic fiction in the early Victorian period, on the one hand, attempts to unify the individual and society, man and nature and the different social classes through showing how they are permeated by a unifying spirit. The form of late Victorian tragedy, on the other hand, which shows the opposition between the individual and society, man and nature and the social classes is the result of debunking the faith in unity as merely ideological. When unity is exposed as merely ideological, what remains is the opposition in which the individual is defeated in his struggle against a greater power, creating, thereby, the distinctive form of tragedy. Late Victorian tragedy is, hence, the exposition of oppositions without unification.
{"title":"The Dominant Structures of the Times: Late Victorian Tragedy as Critique of Romantic Ideology","authors":"A. Elsherif","doi":"10.21608/jfafu.2023.184336.1853","DOIUrl":"https://doi.org/10.21608/jfafu.2023.184336.1853","url":null,"abstract":"In their attempt to move beyond the Enlightenment, Romantic writers formulated a worldview which recreated the theological unity of being on the plane of immanence. This intellectual unity was imposed on the deeply divided Victorian society which was described by Benjamin Disraeli, the British prime minister, as ―the two nations.‖ Imposing a unified intellectual framework on a sharply divided society without being able to develop it from within is bound to merely cover the division with an ideological smokescreen. This study explores how romantic ideology manifests itself in the dominant form of Romantic realism in the fiction of early Victorian writers. It, then, investigates the dominant form of late Victorian fiction in order to prove that it functions as ideology critique. Romantic fiction in the early Victorian period, on the one hand, attempts to unify the individual and society, man and nature and the different social classes through showing how they are permeated by a unifying spirit. The form of late Victorian tragedy, on the other hand, which shows the opposition between the individual and society, man and nature and the social classes is the result of debunking the faith in unity as merely ideological. When unity is exposed as merely ideological, what remains is the opposition in which the individual is defeated in his struggle against a greater power, creating, thereby, the distinctive form of tragedy. Late Victorian tragedy is, hence, the exposition of oppositions without unification.","PeriodicalId":296125,"journal":{"name":"مجلة کلیة الآداب جامعة الفیوم","volume":"180 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123148921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21608/jfafu.2022.155349.1803
مشيرة محمود أحمد موسى
{"title":"El cyberpunk cubano como reflejo de una sociedad en crisis: lectura de Niños de neón de Michel Encinosa Fú","authors":"مشيرة محمود أحمد موسى","doi":"10.21608/jfafu.2022.155349.1803","DOIUrl":"https://doi.org/10.21608/jfafu.2022.155349.1803","url":null,"abstract":"","PeriodicalId":296125,"journal":{"name":"مجلة کلیة الآداب جامعة الفیوم","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127794906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21608/jfafu.2022.166167.1818
إيمان بن محمد
{"title":"اجترار الأفكار وعلاقته بالتعاطف مع الذات لدى عینة من طلاب الجامعة","authors":"إيمان بن محمد","doi":"10.21608/jfafu.2022.166167.1818","DOIUrl":"https://doi.org/10.21608/jfafu.2022.166167.1818","url":null,"abstract":"","PeriodicalId":296125,"journal":{"name":"مجلة کلیة الآداب جامعة الفیوم","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115796423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21608/jfafu.2022.173801.1837
جیهان صلاح الدین السید الشبل
{"title":"مقاربة میكروسردیة لمنتخبات من المجموعة القصصیة القصیرة جدًا (چݒ چاݒ ـ الصمت) لـ (اكبر عابد)","authors":"جیهان صلاح الدین السید الشبل","doi":"10.21608/jfafu.2022.173801.1837","DOIUrl":"https://doi.org/10.21608/jfafu.2022.173801.1837","url":null,"abstract":"","PeriodicalId":296125,"journal":{"name":"مجلة کلیة الآداب جامعة الفیوم","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126639152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-01-01DOI: 10.21608/jfafu.2023.183536.1849
محمد جمعة معوض خضر الدِّربیّ
{"title":"المُعجَم بین الطِّباعة والرَّقْمَنة دراسة فی المكتبة الشاملة","authors":"محمد جمعة معوض خضر الدِّربیّ","doi":"10.21608/jfafu.2023.183536.1849","DOIUrl":"https://doi.org/10.21608/jfafu.2023.183536.1849","url":null,"abstract":"","PeriodicalId":296125,"journal":{"name":"مجلة کلیة الآداب جامعة الفیوم","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125832352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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