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CLASSICAL GRAPHIC ARTISTS OF ALTAI IN COLLECTIONS OF THE STATE ART MUSEUM OF THE ALTAI KRAI (BARNAUL, RUSSIA) 阿尔泰边疆区国家艺术博物馆收藏阿尔泰古典平面艺术家(俄罗斯巴尔瑙尔)
Pub Date : 1900-01-01 DOI: 10.32340/2414-9101-2021-3-52-59
O. Sidorova
The reported study was funded by Russian Fund of Basic Research according to the research project no. 19-412-220003 r_a. The paper outlines basic biographic information that reflects creative way of professional graphic artists from Altai, Russia: Fyodor Filonov (1919–2007), Andrei Vagin (1923–2006), Alexei Yugatkin (1926–2001), and Aleksandr Deriavsky (1927–2017), whose works will be in exhibition “Classical Works of Altai's Graphis Artists” of The State Art Museum of the Altai Krai (Barnaul, Russia) that will be held in 2022, after reconstruction of the institution's building. Individual artistic and aesthetic achievements of masters that followed stylistic traditions left by the first professional painters of Altai (Grigory Choros-Gurkin (1870–1923) and Andrei Nikulin (1878–1945), defined main vectors for development of professional graphics in Altai in the 2nd half of 20th century and the beginning of the 21st century. The author describes a contribution made by Vladimir Ramensky and Aleksandr Deriavsky in development of professional book graphics in Altai Krai, Vladimir Ramensky's work in developing professional artistic education in the territory.
本研究由俄罗斯基础研究基金资助,研究项目编号:19-412-220003 r_a。本文概述了反映俄罗斯阿尔泰专业平面艺术家创作方式的基本传记信息:费奥多尔·菲洛诺夫(1919-2007)、安德烈·瓦金(1923-2006)、阿列克谢·尤加特金(1926-2001)、亚历山大·德里亚夫斯基(1927-2017),他们的作品将在阿尔泰边境国家艺术博物馆(巴尔瑙尔,俄罗斯)重建后于2022年举行的“阿尔泰平面艺术家经典作品”展览中展出。大师们的个人艺术和美学成就,继承了阿尔泰第一批专业画家(格里戈里·乔罗斯-古尔金(1870-1923)和安德烈·尼库林(1878-1945)留下的风格传统,确定了20世纪下半叶和21世纪初阿尔泰专业图形发展的主要矢量。作者描述了Vladimir Ramensky和Aleksandr Deriavsky在阿尔泰边疆区发展专业图书图形的贡献,Vladimir Ramensky在该地区发展专业艺术教育的工作。
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引用次数: 1
Altai State Institute of Culture 阿尔泰国立文化研究所
Pub Date : 1900-01-01 DOI: 10.32340/2414-9101-2022-4-31-37
O. Pervushina
This article is an analysis of the concept of "a cultural worldview" in a signsymbolic dimension. The study attempted to identify the key elements forming the cultural worldview from the position of the sign-symbolic approach as a correlation of centered and relational properties. The semiosis of the mythological traditional culture of the Altaians is considered in the context of the symbolism of cultures of this type.
本文从符号象征的角度分析了“文化世界观”的概念。本研究试图从符号-符号方法作为中心属性和关系属性的关联的立场出发,找出形成文化世界观的关键因素。阿尔泰人神话传统文化的符号学是在这种类型文化的象征主义背景下考虑的。
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引用次数: 0
Problems of Development of Literature Teaching Methodology in General Academic School in the Context of Literary Centrism of Russian Culture 俄罗斯文化文学中心主义背景下普通学院派文学教学方法论发展的问题
Pub Date : 1900-01-01 DOI: 10.32340/2414-9101-2022-2-78-83
Elena Marantsman
The paper considers some problems in developing techniques of ‘Literature’ teaching as a basic subject of study in the humanities for a modern Russian general academic school. The author’s view on literary centrism as a dominant idea of mental area of the Russia’s space, key constant and resource for axiological identification of Russians is given. The author argues that displacement of classic literature in school program for texts of modern writers entails risks of axiological conflict in school system. Task of elaboration of school course of literature with taking into account of harmonical combination of all vectors of Development of Literature Teaching Methodology is articulated. Description of innovative forms of work with school students for studying classic literature is outlined, the author makes assessment of pedagogical effectiveness of such forms.
本文就现代俄罗斯普通学术学校人文学科基础学科“文学”教学技术的发展问题进行了探讨。作者认为,文学中派主义是俄罗斯空间精神区域的主导思想,是俄罗斯人价值论认同的关键要素和资源。作者认为,以现代作家的文本取代学校课程中的经典文学,存在着学校制度价值论冲突的风险。阐述了兼顾文学教学方法论发展各方面和谐结合的学校文学课程的阐述任务。概述了学生古典文学学习工作的创新形式,并对这些形式的教学效果进行了评价。
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引用次数: 0
Traditional Folklore: Representation Issues 传统民俗:代表性问题
Pub Date : 1900-01-01 DOI: 10.32340/2414-9101-2022-4-9-16
V. Grebnev, Evgeniia Shekhvatova
The article examines the traditional folklore as an area of intangible cultural heritage. The characteristic of traditional folklore as the core of traditional culture is given, its signs and functions are revealed. The main spheres are highlighted – cultural and leisure and educational, within which the representation of traditional folklore is carried out. The importance of using virtual communication as one of the forms of representation of cultural heritage, in particular traditional folklore, under modern conditions is emphasized.
本文将传统民俗作为非物质文化遗产进行考察。指出了作为传统文化核心的传统民俗的特征,揭示了传统民俗的标志和功能。主要领域是文化休闲和教育,在这些领域内进行传统民俗的表现。强调了在现代条件下,利用虚拟传播作为文化遗产,特别是传统民俗的一种表现形式的重要性。
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引用次数: 0
Folk Art in the Poetics of V. M. Shukshin 舒克申诗学中的民间艺术
Pub Date : 1900-01-01 DOI: 10.32340/2414-9101-2022-3-36-44
E. Moskovkina
The article gives the review of various aspects of folk art functioning as artistic features of V. M. Shukshin's prose. The universal pictorial and allegorical means of Shukshin, covering the labor, everyday, festive forms of Russian national culture, is a folk song. Decorative and applied art as an ekphrastic element forms an additional imaginative system in the writer's aesthetic system. Dance usually serves as a means of psychological analysis: a sign of the inner conflict of the character, a reflex of his existential experience, a marker of a catastrophic world perception. The buffoonery of Shukshin's characters goes back to the tradition of foolishness and Skomorokhs clowning and refers to the national problem of searching for a spiritual ideal, the sacred manner of condemnation / blessing through laughter.
文章回顾了作为舒克申散文艺术特色的民间艺术的各个方面。《舒克辛》是一种民歌,具有普遍的画意和寓意手法,涵盖了俄罗斯民族文化中的劳动、日常、节日等形式。装饰应用艺术作为一种语言元素,在作家的审美体系中形成了一种额外的想象体系。舞蹈通常是一种心理分析的手段:是人物内心冲突的标志,是他存在经验的反映,是对灾难性世界感知的标志。舒克辛笔下人物的滑稽表演可以追溯到愚蠢和斯科莫洛克小丑的传统,并涉及到寻求精神理想的民族问题,以及通过笑来谴责/祝福的神圣方式。
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引用次数: 0
CONSERVATION AND ADVANCEMENT OF SOUTH AND EAST SIBERIA’S PEOPLES’ TRADITIONAL ARTISTIC CULTURE (A PROJECT NARRATIVE) 南西伯利亚和东西伯利亚民族传统艺术文化的保护与发展(项目叙述)
Pub Date : 1900-01-01 DOI: 10.32340/2414-9101-2019-2-10-15
N. Dashieva
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引用次数: 0
Study of the Attitude of the Students of the Institute of Culture to Preservation and Transmission of the Ethno-Cultural Heritage 文化学院学生对民族文化遗产保存与传承的态度研究
Pub Date : 1900-01-01 DOI: 10.32340/2414-9101-2022-4-47-52
Z. Lukyanova
The article deals with the problems of the attitude of students of a creative higher educational institution to the need of preservation of the ethno-cultural heritage in a globalizing world. The article takes into account the results of the author's long-term research activity in the field of modeling, the formation of a multicultural society, problems of education in the field of culture and art, which made it possible to identify the main personality qualities of a student of a creative higher educational institution. The main approaches and optimal ways of coexistence of people of different ethnic groups in a multicultural society, based on universal values are highlighted. The practical significance of the research lies in the concretization of the foundations for the preservation and translation of ethno-cultural heritage, the experience of intercultural interaction in the context of globalization, aimed at preserving the stability of a multicultural society.
本文探讨了在全球化的世界中,创新型高等教育机构的学生对保护民族文化遗产的需要所持的态度问题。本文结合笔者在造型领域、多元文化社会的形成、文化艺术领域的教育问题等方面的长期研究成果,对创造性高等院校学生的主要人格品质进行了识别。强调了以普世价值为基础的多元文化社会中不同民族人民共存的主要途径和最佳方式。本研究的现实意义在于将民族文化遗产的保存和翻译的基础具体化,这是全球化背景下跨文化互动的经验,旨在维护多元文化社会的稳定。
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引用次数: 0
A PROBLEM OF BUILDING OF RUSSIAN YOUTH’S INTERETHNIC COMMUNICATION CULTURE AND SOLUTION PATH BY MEANS OF FESTIVE CULTURE 以节日文化为载体构建俄罗斯青年跨民族交往文化的问题及解决路径
Pub Date : 1900-01-01 DOI: 10.32340/2414-9101-2019-1-37-43
Yulia A. Skvortsova
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引用次数: 0
ПРОБЛЕМЫ МУЗЕЕФИКАЦИИ НАСЛЕДИЯ СТАРООБРЯДЧЕСКОЙ КУЛЬТУРЫ НА АЛТАЕ
Pub Date : 1900-01-01 DOI: 10.32340/2414-9101-2021-2-7-12
Irina Kupriianova
The paper considers perspectives of integration of the Russian Altai's Old Believers' historical and cultural heritage into the today's museum space of the area. The author names structural elements of Old Believers' heritage, makes an estimate of its preservation and exploration degree. Also, the article analysis a serious problem of attribution of Old Believers' heritage items, an issue of its integration into current museum and touristic programs. A key directions of elaboration of Old Believers' heritage, on the author's view, are uncovering and rethinking its information content, engaging oral, historical, folklore, ethnographic sources to offset deficit of real artifacts.
本文考虑了将俄罗斯阿尔泰老信徒的历史文化遗产融入该地区今天的博物馆空间的观点。作者列举了老教徒遗产的结构要素,并对其保存和开发程度进行了估计。此外,文章还分析了老信徒遗产归属问题,以及如何将其融入当前的博物馆和旅游项目中。笔者认为,发掘和重新思考“老信徒”遗产的信息内容,利用口述、历史、民间传说、民族志等资源来弥补真实文物的缺失,是阐释“老信徒”遗产的一个关键方向。
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引用次数: 0
Buryat People's Spiritual and Moral Values in an Ethnic Novel 一部民族小说中布里亚特人的精神道德价值
Pub Date : 1900-01-01 DOI: 10.32340/2414-9101-2022-2-63-70
Z. Serebriakova
Based on materials of Buryat novelistic prose of the second half of the 20th century, the author analyses some peculiarities in representation of axiological dominating ideas of indigenous people of Baikal region by literature means. The paper considers valuable and normative components of Buryat people’s cultural worldview reflected in national bellectristics written at the Soviet period; the author specifies linguistic-mental face of the ethnos. Particularity in ethnic-driven understanding of some common axiological senses reflected in Buryat writers’ texts of fiction in socialistic realism genre is revealed. Basic linguistic-cultural concepts revealing Buryats’ views on social ideal and cultural norms are briefly described.
本文以20世纪下半叶布里亚特小说散文的材料为基础,分析了贝加尔湖地区土著居民价值论主导思想在文学表现上的一些特点。本文认为,苏联时期的《民族学》所反映的布里亚特人的文化世界观中有价值的和规范的组成部分;作者详细说明了各民族的语言心理面貌。揭示了布里亚特作家在社会主义现实主义小说文本中对某些共同价值论意义的民族性理解的特殊性。简述了揭示布里亚特人社会理想观和文化规范观的基本语言文化概念。
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Proceedings of Altai State Academy of Culture and Arts
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