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Some Minor Insights from Reading the Anhui University Warring States Bamboo Slips of the Classic of Poetry 读安徽大学战国简牍的几点小感悟
Q2 Arts and Humanities Pub Date : 2021-01-28 DOI: 10.1163/24689246-00401006
Hung-sen Chen
This article discusses three topics. First, it discusses the line “I could not fill my slanting basket” 不盈頃筐 in the poem “Juan er” 卷耳. The Anhui University Bamboo Slip version’s qing 頃 (slanting) is written . This, as with the Chu Silk Manuscript character, should be explained as qi 攲 (lopsided). Second, regarding the line “Do you not understand me?” 不諒人只 in the poem “Bai zhou” 柏舟 of the Yong Airs 鄘風 section, the Anhui University Bamboo Slip version of liang 諒 (understanding) is written jing 京. This character should be understood as qiang 強 in the sense of “coerce/force” 強迫. In the line “Supporting King Wu” 涼彼武王 in the poem “Da ming” 大明 of the Major Elegantiae 大雅, liang 涼 is similarly explained as 強 in the sense of “coerce” 威強. These two characters have always been traditionally glossed as either “trust” 信 or “assist” 佐. Third, regarding the line “… it cannot be recited” 不可讀也 of the poem “Qiang you ci” 牆有茨, du 讀 (reciting) in the Han Poetry 韓詩 is glossed in the sense of “record and narrate” 記述, which is superior to the traditional gloss.
本文讨论了三个主题。首先,它讨论了“我不能装满我倾斜的篮子”这句话不盈頃筐 在诗《胡安儿》中卷耳. 安徽大学简牍本清頃 (倾斜的)是写的。这和楚帛的文字一样,应该解释为气攲 (不平衡的)。第二,关于“你不理解我吗?”不諒人只 《白舟》柏舟 永航鄘風 段,安徽大学简牍梁本諒 (理解)写的是静京. 这个字应该理解为强強 在“胁迫/强迫”的意义上強迫. “拥吴”一行涼彼武王 在《大明》诗中大明 Elegantiae少校大雅, 梁涼 类似地解释为強 在“胁迫”的意义上威強. 传统上,这两个字符总是被修饰为“信任”信 或“协助”佐. 第三,关于“…不能背诵”这句话不可讀也 《羌游词》牆有茨, du讀 汉诗中的(背诵)韓詩 在“记录和叙述”的意义上被掩盖了記述, 其优于传统光泽。
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引用次数: 1
A First Reading of the Anhui University Bamboo-Slip Shi Jing 安徽大学简牍《史经》初读
Q2 Arts and Humanities Pub Date : 2021-01-28 DOI: 10.1163/24689246-00401001
Edward L. Shaughnessy
In September, 2019, Anhui University published the first volume of Warring States bamboo-slip manuscripts in its collection. The bamboo slips were purchased by the university in 2015 on the antique market. This volume contains ninety-three slips that correspond with all of or portions of fifty-seven poems in the Guo feng 國風 (Airs of the States) section of the Shi jing 詩經 (Classic of Poetry). The manuscript is written in the script of the ancient state of Chu 楚, and thus presumably was robbed from a tomb somewhere in the territory of that state. This preliminary study of the manuscript presents close readings of six representative poems, comparing the versions in the manuscript with those of the received text. It concludes with consideration of how to understand the textual variants apparent in the manuscript, and also the significance of the manuscript for the composition and especially the transmission of the Shi jing in the pre-Qin period.
2019年9月,安徽大学出版了其收藏的第一卷战国竹简手稿。这些竹简是该大学于2015年在古董市场上购买的。本卷共93张,与《诗经》《国风》一节57首诗的全部或部分相对应。这份手稿是用古代楚国的文字写的,因此可能是从楚国境内的某个坟墓里偷来的。这份手稿的初步研究呈现了六首代表性诗歌的近距离阅读,比较了手稿中的版本与那些收到的文本。最后,对如何理解手稿中明显的文本变体,以及手稿对先秦时期《史经》的构成,特别是传播的意义进行了思考。
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引用次数: 2
Contents 内容
Q2 Arts and Humanities Pub Date : 2020-04-15 DOI: 10.1163/24689246-00302007
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引用次数: 0
Biomass Models 生物量模型
Q2 Arts and Humanities Pub Date : 2020-03-03 DOI: 10.1201/9780429297311-6
A. Nath, G. Sileshi, A. Das
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引用次数: 0
General Introduction 总体介绍
Q2 Arts and Humanities Pub Date : 2020-03-03 DOI: 10.1201/9780429297311-1
A. Nath, G. Sileshi, A. Das
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引用次数: 0
Ecosystem Services and Human Uses of Bamboos 竹的生态系统服务与人类利用
Q2 Arts and Humanities Pub Date : 2020-03-03 DOI: 10.1201/9780429297311-2
A. Nath, G. Sileshi, A. Das
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引用次数: 0
Summary of Research Published in 2015 on Bamboo and Wood Manuscripts from the Qin through Jin Dynasties 2015年《秦晋竹木手稿研究综述
Q2 Arts and Humanities Pub Date : 2019-09-24 DOI: 10.1163/24689246-00201006
Luo Jialiang, Lianwen Jing
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引用次数: 1
Seeking an Audience in the Underworld and the Question of the Han Juridical Soul 黑社会求受众与汉法律灵魂问题
Q2 Arts and Humanities Pub Date : 2019-09-24 DOI: 10.1163/24689246-00201002
E. Harkness
By considering the Kongjiapo gaodishu (“notice to the underworld”) document of 142 B.C.E. in conjunction with the rishu (“daybook”) manuscript from the same tomb and other examples of gaodishu, this article highlights the function gaodishu served to aid the deceased with meeting important figures in a bureaucratized conception of the underworld. Questions are raised about Han burial practices and contemporaneous social institutions such as chattel slavery.
本文通过对公元前142年孔家坡高地书(《告黑社会书》)文献的考察,结合同一墓的《日书》手稿及高地书的其他实例,着重论述了高地书在官僚化的黑社会观念中帮助死者会见重要人物的作用。人们对汉族的丧葬习俗和同时代的社会制度(如动产奴隶制)提出了质疑。
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引用次数: 1
Newly Unearthed Wooden Figures for Averting Misfortune from Yangzhou 扬州新出土避灾木雕
Q2 Arts and Humanities Pub Date : 2019-09-24 DOI: 10.1163/24689246-00201005
Cheng Shaoxuan, Liu Gang
This paper introduces several newly unearthed wooden figures from tombs in Yangzhou that date to the Five Dynasties period, and provides complete transcriptions and preliminary studies of the inscriptions on them. By comparing these figures to similar materials discovered elsewhere, this paper argues that the function of putting these kinds of wooden figurines in tombs was to avoid misfortune. The last portion of the paper briefly examines the origin of this custom and beliefs behind it.
本文介绍了扬州新出土的五代木人,并对其铭文进行了完整的抄录和初步研究。通过将这些雕像与其他地方发现的类似材料进行比较,本文认为将这些木人放入坟墓的作用是避免不幸。论文的最后一部分简要地考察了这种习俗的起源及其背后的信仰。
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引用次数: 1
On Reading Xiehou 邂逅 (“Chance Meeting”) as Xing hou 邢侯 (“Marquis of Xing”) 论把“巧遇”解读为“兴侯”
Q2 Arts and Humanities Pub Date : 2019-09-24 DOI: 10.1163/24689246-00201001
Liu Gang
The words “Xie hou” in the poem “Chou mou” 綢繆 from the “Airs of Tang” in the Shi jing are written as “Xing hou” in the Anhui University Warring States Bamboo Manuscript Shi jing. This might reflect the original orthographic form of the poem. The order of the poem in the manuscript version is different from the received Mao edition and reverses the second and third stanzas. These differences are determined by a different understanding of the people referred to by liangren, canzhe (pointing to a “Grandee”), and Xing hou.
《诗经》《唐风》《丑谋》中的“谢侯”字,在《安徽大学战国竹稿诗经》中被写成“兴侯”。这可能反映了这首诗的原始正字法形式。手稿中的诗的顺序与收到的毛版本不同,并且颠倒了第二和第三节。这些差异是由对“良人”、“饭碗”和“饭碗”所指的人的不同理解所决定的。
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引用次数: 1
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Bamboo and Silk
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