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Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1016/b978-0-08-102540-6.09993-9
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引用次数: 0
Silk reeling and silk fabric manufacture 缫丝及丝织品制造
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1533/9781782421580.33
K. M. Babu
This chapter reviews silk reeling and silk fabric manufacture. It discusses types of reeling machine and silk yarns. It also covers weaving technologies and types of woven silk fabric. Finally, the chapter reviews silk spinning.
本章回顾了缫丝和丝织品制造。讨论了缫丝机的种类和缫丝纱线的种类。它还涵盖了编织技术和丝织织物的类型。最后,本章回顾了丝绸纺织。
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引用次数: 6
Non-mulberry silks Non-mulberry丝绸
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1016/b978-0-08-102540-6.00007-3
K. M. Babu
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引用次数: 19
Spider silks and their applications 蜘蛛丝及其应用
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1533/9781782421580.156
K. M. Babu
This chapter reviews the types and composition of spider silk, including amino acid composition. It also discusses the molecular structure of spider silk and its tensile properties.
本章综述了蜘蛛丝的种类和组成,包括氨基酸组成。讨论了蜘蛛丝的分子结构及其拉伸性能。
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引用次数: 1
Copyright 版权
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1016/b978-0-08-102540-6.09995-2
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引用次数: 0
Introduction to silk and sericulture 介绍丝绸和养蚕业
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1533/9781782421580.1
K. M. Babu
This chapter reviews the different types of mulberry and non-mulberry species of silk moth. It discusses the cultivation of different varieties of mulberry (moriculture), the life cycle and rearing of silkworms as well as the harvesting of cocoons (sericulture). It also covers diseases of silkworms and physical characteristics of cocoons.
本章综述了蚕蛾的不同种类,包括桑类和非桑类。它讨论了不同品种桑树的栽培(桑养),蚕的生命周期和饲养以及茧的收获(桑养)。它还包括蚕的疾病和茧的物理特性。
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引用次数: 10
Printing and finishing of silk fabrics 真丝织物的印花整理
Q2 Arts and Humanities Pub Date : 2019-01-01 DOI: 10.1016/b978-0-08-102540-6.00008-5
K. M. Babu
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引用次数: 0
Dialogues and Narratives Surrounding Confucius and His Disciples in the Shanghai Museum Manuscripts (上博楚簡有關孔子師徒的對話與故事) Dialogues and Narratives Surrounding Confucius and His Disciples in the Shanghai Museum Manuscripts (上博楚简有关孔子师徒的对话与故事)
Q2 Arts and Humanities Pub Date : 2018-10-11 DOI: 10.1163/24689246-00101001
Guo Qiyong (郭齊勇)
This article is a study of narratives and dialogues surrounding Confucius and his disciples in the Shanghai Museum Manuscripts, focusing on their relationship with received texts, as well as their periodization and genre division. The Shanghai Museum narratives seem to be situated between Lun yu (Analects) and Han Shi waizhuan (Han Ying’s Outer Commentary to the Poetry), in that they are not as succinct and precise as the former, but also not overly elaborate like the latter. These narratives are possibly the work of Confucians from the mid to late Warring States period.通過討論上博簡中孔子與顔淵、子路、子貢等的對話或故事與經典的關係及其文字屬性問題,本文認爲其中有關內容,介於《論語》與《韓詩外傳》諸書之間,不如前者精煉、準確,又不像後者鋪陳太過。這可能就是戰國中後期的儒家作品。
This article is a study of narratives and dialogues surrounding Confucius and his disciples in the Shanghai Museum Manuscripts, focusing on their relationship with received texts, as well as their periodization and genre division. The Shanghai Museum narratives seem to be situated between Lun yu (Analects) and Han Shi waizhuan (Han Ying’s Outer Commentary to the Poetry), in that they are not as succinct and precise as the former, but also not overly elaborate like the latter. These narratives are possibly the work of Confucians from the mid to late Warring States period.通过讨论上博简中孔子与颜渊、子路、子贡等的对话或故事与经典的关系及其文字属性问题,本文认为其中有关内容,介于《论语》与《韩诗外传》诸书之间,不如前者精炼、准确,又不像后者铺陈太过。这可能就是战国中后期的儒家作品。
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引用次数: 1
Interpreting the Warring States Graphs Zi 才 and Chui in Light of the Yancang Chu Slips (由嚴倉楚簡看戰國文字資料 中“才”、“”兩字的釋讀) Interpreting the Warring States Graphs Zi 才 and Chui in Light of the Yancang Chu Slips (由严仓楚简看战国文字资料 中“才”、“”两字的释读)
Q2 Arts and Humanities Pub Date : 2018-10-11 DOI: 10.1163/24689246-00101002
Li Tianhong (李天虹)
Scholars have previously suggested that the characters 才 and in a variety of published Warring States texts may be interpreted as fractions: 才 has been read as zi 錙, meaning “one fourth”; has been read as chui 錘, meaning “one third.” The Yancang Chu slips, excavated in 2010 but not yet published, contain a number of similar uses of these graphs that more fully substantiate these readings as fractions. How the graphs originally came to be used as fractions awaits further research.已公佈戰國文字資料中散見用作數詞的“才”字和“”字,有學者認爲“才”應當讀爲“錙”,表示四分之一;“”應當讀爲“錘”,表示三分之一。2010年出土、尚未公布的嚴倉楚簡中,多見相同用法的“才”和“”,爲此説提供了比較豐富的例證。錙、錘何以有這種用法,尚有待進一步探討。
Scholars have previously suggested that the characters才and in a variety of published Warring States texts may be interpreted as fractions:才has been read as zi锱,meaning“one fourth”;has been read as chui锤,meaning“one third.”The Yancang Chu slips,excavated in 2010 but not yet published,contain a number of similar uses of these graphs that more fully substantiate these readings as fractions.How the graphs originally came to be used as fractions awaits further research.已公布战国文字资料中散见用作数词的“才”字和“”字,有学者认为“才”应当读为“锱”,表示四分之一;“”应当读为“锤”,表示三分之一。2010年出土、尚未公布的严仓楚简中,多见相同用法的“才”和“”,为此说提供了比较丰富的例证。锱、锤何以有这种用法,尚有待进一步探讨。
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引用次数: 1
The Zhoujiatai Occult Manuscripts (周家臺的數術簡) The Zhoujiatai Occult Manuscripts (周家台的数术简)
Q2 Arts and Humanities Pub Date : 2018-10-11 DOI: 10.1163/24689246-00101003
Donald Harper (夏德安)
Bamboo-slip manuscripts from Zhoujiatai tomb 30, Hubei (burial dated ca. 209 b.c.e.), provide important evidence of ancient Chinese occult manuscripts belonging to a man of modest status. One manuscript, identified as a rishu “day book” by the modern editors of the Zhoujiatai manuscripts, treats of hemerology and astrology and is the focus of this study. The bamboo slips of a calendar for years corresponding to 211–210 b.c.e. can be associated with the rishu and may have formed one manuscript unit. The contents of the rishu include two large-size diagrams related to hemerological and astro-calendrical systems. The first diagram involves calculations based on the position of the handle of the Dipper constellation and the second diagram is notable for reference to one of the years (211 b.c.e.) of the associated calendar. A third diagram, for which the title rong liri “rong calendar day [divination]” is written on the manuscript, has a slightly different form in a second occurrence on the manuscript. Both forms of the diagram show thirty lines arranged in a vertical column, corresponding to the thirty days of the ideal month, with some lines enclosed in boxes. Days of the month are counted in the sequence of lines on the diagram in order to determine the lucky and unlucky aspects of a given day. A related hemerological system is attested in a manuscript from Mawangdui tomb 3, Hunan (burial dated 168 b.c.e.), and in medieval occult manuscripts from Dunhuang.湖北省周家臺30號墓簡(約公元前209年)提供了關於古代中國一名低級官吏所擁有的數術簡的寶貴資料。本文主要研究其中由整理者认定为《日書》的簡文及其涉及的擇日、星象等內容。同墓出土的暦譜(公元前211–210年)與《日書》相關,可能本來屬於同一卷簡冊。《日書》包括兩幅大圖,一個與擇日有關,一個與星象曆法體系有關。第一圖講基於北斗七星斗柄指向的算法,第二圖因爲涉及到暦譜記載公元前211年的內容而受到矚目。另外第三幅圖簡文記述其名曰“戎磿日”,存在兩個稍微不同的版本。兩個版本的圖都是由縱向排列的三十條橫綫構成,代表一个月的理想天数三十,並和周圍的綫條組成方框。按照圖中橫綫的順序判斷每個月中相應的那一天是否吉利。與此相關的擇日法也在湖南馬王堆3號墓(約公元前168年)與中古時期敦煌的數術文獻中出現。
湖北周家台30号墓(约公元前209年)的竹简手抄本,为中国古代一个地位低下的人的神秘手抄本提供了重要证据。其中一份手稿,被周家台手稿的现代编辑鉴定为日书“日书”,涉及流星学和占星术,是本研究的重点。对应于公元前211-210年的日历的竹简可以与日书联系起来,并可能形成一个手稿单位。日历书的内容包括两个大尺寸的图表,与气象学和天文历法系统有关。第一张图表涉及到基于北斗星座手柄位置的计算,第二张图表因参考了相关历法的某一年(公元前211年)而引人注目。第三张图的题名为“戎历日[占卜]”,在手稿上的第二次出现时形式略有不同。两种形式的图表都显示30条线排列在一个垂直的柱中,对应于理想月份的30天,其中一些线在框中。每个月的天数按图表上的线条顺序计算,以确定某一天的幸运和不幸运方面。相关的流变学系统在湖南马王堆墓3号(埋葬日期为公元前168年)的手稿和敦煌的中世纪神秘手稿中得到证实。本文主要研究其中由整理者认定为《日書》的簡文及其涉及的擇日、星象等內容。同墓出土的暦譜(公元前211–210年)與《日書》相關,可能本來屬於同一卷簡冊。《日書》包括兩幅大圖,一個與擇日有關,一個與星象曆法體系有關。第一圖講基於北斗七星斗柄指向的算法,第二圖因爲涉及到暦譜記載公元前211年的內容而受到矚目。另外第三幅圖簡文記述其名曰“戎磿日”,存在兩個稍微不同的版本。兩個版本的圖都是由縱向排列的三十條橫綫構成,代表一个月的理想天数三十,並和周圍的綫條組成方框。按照圖中橫綫的順序判斷每個月中相應的那一天是否吉利。與此相關的擇日法也在湖南馬王堆3號墓(約公元前168年)與中古時期敦煌的數術文獻中出現。
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Bamboo and Silk
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