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Passionate Belief: Ideology, Emotion and Terrorist Action 激情信仰:意识形态、情感与恐怖行动
IF 0.5 Q4 Arts and Humanities Pub Date : 2021-07-13 DOI: 10.1163/2208522X-02010111
Debra Smith
Ideologies sit at the intersection of thought and emotion, capable of inspiring some people to greatness and driving others to commit horrendous acts of violence. Providing more than just systematic arguments, ideologies encourage shared political identities, help explain social circumstance, and frame what actions need to be taken in response. Ideologies often carry a negative connotation, particularly in relation to acts labelled as terrorism. Yet ideologies encourage people to imagine a future that is better than the present. In this sense, they are narratives of hope that can help to ameliorate the pain of everyday life. This essay draws on interviews and ethnographic fieldwork conducted with former members of the Provisional Irish Republican Army to examine the interplay between hope, ideology and acts of political violence. In doing so, it contributes to a growing body of scholarship that seeks to integrate emotions into the analyses of how individuals come to embrace violence as a political tactic.
意识形态位于思想和情感的交叉点,能够激励一些人成为伟人,也能驱使另一些人犯下可怕的暴力行为。意识形态不仅提供了系统的论证,还鼓励了共同的政治认同,有助于解释社会环境,并制定了需要采取的应对措施。意识形态往往带有负面含义,特别是与被贴上恐怖主义标签的行为有关。然而,意识形态鼓励人们想象一个比现在更好的未来。从这个意义上说,它们是希望的叙述,可以帮助减轻日常生活的痛苦。这篇文章借鉴了对临时爱尔兰共和军前成员进行的采访和民族志田野调查,以研究希望、意识形态和政治暴力行为之间的相互作用。在这样做的过程中,它为越来越多的学术研究做出了贡献,这些研究试图将情感融入到个人如何将暴力作为一种政治策略的分析中。
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引用次数: 2
Caritas: Neighbourly Love and the Early Modern Self, written by Barclay, Katie 《博爱:邻里之爱与近代早期自我》,作者:凯蒂·巴克莱
IF 0.5 Q4 Arts and Humanities Pub Date : 2021-07-13 DOI: 10.1163/2208522X-02010119
Catherine-Rose Hailstone
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引用次数: 0
Anger, Resentment and the Limits of Historical Narratives in Protest Politics: The Case of Early Twentieth-Century Irish Women’s Intersectional Movements 愤怒、怨恨和抗议政治中历史叙事的局限:以二十世纪早期爱尔兰妇女的交叉运动为例
IF 0.5 Q4 Arts and Humanities Pub Date : 2021-07-13 DOI: 10.1163/2208522X-02010114
Sharon Crozier-De Rosa
This essay analyses the emotions of intersectional protest. It uses the case study of early twentieth-century Irish women who subscribed to a multitude of ideological beliefs – including feminism, nationalism, socialism and pacifism – to attempt to understand the different place of emotions like hope and pride and anger and resentment in sustaining political activism. In doing so, it examines the nexus between emotions, ideology and history. Adopting both an interconnecting and comparative approach, it investigates the relative efficacy of historical narratives in sustaining the emotional and moral dimensions of intersecting and competing ideological movements. The essay concludes by exposing the limits of the emotions–ideology–history nexus, especially when it comes to feminist protest.
本文分析了交叉抗议的情感。本书以二十世纪早期的爱尔兰女性为例,研究她们认同多种意识形态信仰——包括女权主义、民族主义、社会主义和和平主义——试图理解希望、骄傲、愤怒和怨恨等情感在维持政治激进主义中的不同地位。在此过程中,它审视了情感、意识形态和历史之间的联系。采用相互联系和比较的方法,它调查了历史叙事在维持交叉和竞争的意识形态运动的情感和道德维度方面的相对功效。文章最后揭示了情感-意识形态-历史联系的局限性,尤其是在女权主义抗议方面。
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引用次数: 2
Feeling and Classical Philology: Knowing Antiquity in German Scholarship, 1770–1920, written by Güthenke, Costanze 感觉与古典文字学:在德国学术中认识古代,1770-1920,作者:g<s:1> thenke, Costanze
IF 0.5 Q4 Arts and Humanities Pub Date : 2021-07-13 DOI: 10.1163/2208522x-02010122
Ida Gilda Mastrorosa
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引用次数: 0
‘Erasmus and Emotion’, edited by Essary, Kirk 《伊拉斯谟与情感》,柯克·埃萨里编辑
IF 0.5 Q4 Arts and Humanities Pub Date : 2021-07-13 DOI: 10.1163/2208522X-02010120
S. Salvadori
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引用次数: 0
Contesting the Political: Violence, Emotion and the Playful Subject 政治之争:暴力、情感与戏谑主题
IF 0.5 Q4 Arts and Humanities Pub Date : 2021-07-13 DOI: 10.1163/2208522X-02010118
P. Rogers
Tabletop role-play games (TRPG s) are undergoing a resurgence in popularity tied, in part, to the release of Dungeons and Dragons (5th edition) and a vibrant culture of live-streaming role-play games online. Research has now also shown that TRPG s – such as Dungeons and Dragons – provide a unique environment for the development of prosocial behaviours. There is an opportunity for researchers interested in political emotions and ideological performance to explore a community of collaborative storytelling where the altruism derided by philosophies of neoliberal economic rationalism is performed as a core value, with tangible outcomes for tolerance, generosity and well-being. As TRPG s become commonly accepted as part of the toolkit in both education and therapeutic contexts, they provide a new avenue of engagement for those interested in the development of prosocial values, community and social inclusion in the digital age.
桌面角色扮演游戏(TRPG)正在重新流行起来,部分原因是《龙与地下城》(第五版)的发布以及在线直播角色扮演游戏的活跃文化。研究还表明,TRPG——比如《龙与地下城》——为亲社会行为的发展提供了一个独特的环境。对政治情感和意识形态表现感兴趣的研究人员有机会探索一个合作讲故事的社区,在这个社区中,被新自由主义经济理性主义哲学嘲笑的利他主义被视为一种核心价值,在宽容、慷慨和福祉方面产生切实的结果。随着TRPG被广泛接受为教育和治疗环境中工具包的一部分,它们为那些对数字时代亲社会价值观、社区和社会包容发展感兴趣的人提供了新的参与途径。
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引用次数: 0
Temporal Emotions and Historical Vulnerability: Music as a Vehicle of Ideology in Cold War and Peste Noire 时间情感与历史脆弱性:冷战与黑色瘟疫中作为意识形态载体的音乐
IF 0.5 Q4 Arts and Humanities Pub Date : 2021-01-15 DOI: 10.1163/2208522x-02010115
Louise D’Arcens
This essay focuses on the Polish film Cold War and the oeuvre of the French nationalist black metal band Peste Noire, examining them as twenty-first-century texts that disclose music’s capacity to solicit emotion in the service of ideology. Despite their aesthetic and ideological differences, each text demonstrates the importance of temporal emotions – that is, emotions that register a heightened sense of the relationship between present, past and future. Each text portrays these emotions’ ideological significance when attached to ideas of a national past. Dwelling on Peste Noire’s racist-nationalist use of the medieval past, the essay explores music as a medium for emotional performances in which white people appear to convey vulnerability while actually reconfirming white supremacy. Peste Noire’s idiosyncratic performance of aggressive vulnerability is a temporal emotion that self-consciously lays claim to a long emotional tradition reaching back to the French Middle Ages.
本文以波兰电影《冷战》和法国民族主义黑色金属乐队“黑色恶魔”(Peste Noire)的全部作品为研究对象,将它们视为二十一世纪的文本,揭示了音乐为意识形态服务而激发情感的能力。尽管他们的审美和意识形态不同,但每一篇文章都表明了时间情感的重要性——即对现在、过去和未来之间关系的高度感知的情感。每一篇文章都描绘了这些情感在与一个国家的过去联系在一起时的意识形态意义。这篇文章探讨了“黑色恶魔”对中世纪历史的种族主义和民族主义运用,探讨了音乐作为情感表演的媒介,在这种表演中,白人似乎传达了脆弱,但实际上却再次确认了白人至上主义。“黑鬼”对攻击性脆弱的特殊表现是一种暂时的情感,它自觉地宣称自己有一种悠久的情感传统,可以追溯到法国中世纪。
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引用次数: 0
Recognising Similarity in ‘Angers’ Across History 认识到历史上“愤怒”的相似性
IF 0.5 Q4 Arts and Humanities Pub Date : 2020-09-14 DOI: 10.1163/2208522X-02010076
W. Parrott
A family-resemblance approach to categorisation, such as that developed by Wittgenstein, provides a basis for conceiving how various historical types of ‘anger’ can be recognised as similar despite their variability and lack of core defining features. Thomas Dixon’s essay applies this approach in a way that avoids radical relativism and acknowledges general human emotional capabilities. His approach may arguably be extended to commonalities between emotions of humans and animals, which would have interesting implications for the history of emotion.
维特根斯坦(Wittgenstein)提出的家族相似性分类方法,为理解不同历史类型的“愤怒”如何被认为是相似的提供了基础,尽管它们具有可变性且缺乏核心定义特征。托马斯·迪克森的文章以一种避免激进相对主义的方式运用了这种方法,并承认了人类普遍的情感能力。他的方法可以扩展到人类和动物情感之间的共性,这将对情感的历史产生有趣的影响。
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引用次数: 1
Angers Past and Present 过去和现在的愤怒
IF 0.5 Q4 Arts and Humanities Pub Date : 2020-09-14 DOI: 10.1163/2208522X-02010075
B. Rosenwein
Thomas Dixon makes the important point that modern anger is nothing like the seemingly parallel phenomena (ira, mênis and so on) of the past. He proposes to show how different it is by employing what he calls an anatomical-genealogical approach – tracing components of the present idea of anger to their antecedents. He criticises my own work on anger as ahistorical because I use the singular term rather than the plurals that the subject demands. I find his critique unconvincing and his approach problematic. I suggest that we explore past notions of anger (and other emotions as well) in their own lived contexts rather than by separate components.
托马斯·迪克森是重要的,现代的愤怒一点也不像看似平行的现象(ira, menis等等)。他建议采用他所谓的解剖学-谱系学方法来展示它的不同之处——将当前愤怒概念的组成部分追溯到它们的前身。他批评我自己关于愤怒的研究是非历史的,因为我使用的是单数术语,而不是主题所要求的复数术语。我发现他的批评缺乏说服力,他的方法也有问题。我建议我们在过去的生活环境中探索愤怒(以及其他情绪)的概念,而不是单独的组成部分。
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引用次数: 0
What is the History of Anger a History of? 愤怒的历史是什么?
IF 0.5 Q4 Arts and Humanities Pub Date : 2020-09-14 DOI: 10.1163/2208522X-02010074
Thomas Dixon
This essay uses the history of emotions to make two arguments – one destructive and one constructive. It uses examples from intellectual and cultural history to undermine the idea that the modern English term ‘anger’ refers either to a clearly defined mental state or to a coherent emotional concept. At the same time, it also questions the diagnosis of the present as an ‘age of anger’. Constructively, the essay uses the intellectual and cultural ancestries of modern ‘anger’ as a case-study in a distinctive approach to the history of emotions. With reference to works by linguists and anthropologists, to ancient philosophical and literary texts, and to some of the most influential visual representations of the irate body and the furious face, from Hieronymus Bosch to Charles Darwin, the essay explains and defends a pluralist and interdisciplinary approach, arguing that ‘anger’ is a modern English word without a stable transhistorical referent, and proposes the method of genealogical anatomy as a way to avoid the twin dangers of anachronism and essentialism in the history of emotions.
这篇文章利用情感的历史提出了两个论点——一个是破坏性的,一个是建设性的。它使用了思想史和文化史上的例子,来推翻现代英语术语“愤怒”既指一种明确定义的精神状态,也指一种连贯的情感概念的观点。与此同时,它也质疑了把现在诊断为“愤怒的时代”。具有建设性的是,本文使用现代“愤怒”的知识和文化祖先作为一个案例研究,以一种独特的方法来研究情绪的历史。参考语言学家和人类学家的作品,古代哲学和文学文本,以及一些最具影响力的愤怒的身体和愤怒的脸的视觉表现,从希罗尼穆斯·博斯到查尔斯·达尔文,这篇文章解释并捍卫了一种多元化和跨学科的方法,认为“愤怒”是一个现代英语单词,没有一个稳定的跨历史指涉,并提出了谱系解剖学的方法,以避免情感性历史上的时代错误和本质主义的双重危险。
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引用次数: 5
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Emotions-History Culture Society
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