With its portrayal of a talented yet frustrated young American woman in the 1950s, Sylvia Plath's The Bell Jar (1963) depicts the experiences of a nineteen-year-old girl before her mental breakdown. Benefitting from a Friedanian second wave feminism, this paper aims to trace the root of disappointment and identity crisis in Plath's heroine, Esther Greenwood. It is understood that besides being a personal issue, her frustration is the outcome of sociocultural factors. The lack of role models and the contradictory messages sent by the media lead to her anxiety, disillusionment, and uncertainty. The Bell Jar proposes a solution: it is indeed possible for a woman to hold a fulfilling career and at the same time be a caring wife and a loving mother. And this is the answer Esther tries to figure out at a time when the boundaries between the domestic sphere and the outside world are clearly defined for women.
{"title":"Sylvia Plath's The Bell Jar: a Mirror of American Fifties","authors":"Sabbagh M R G, G. A, B. F.","doi":"10.9744/kata.17.2.64-70","DOIUrl":"https://doi.org/10.9744/kata.17.2.64-70","url":null,"abstract":"With its portrayal of a talented yet frustrated young American woman in the 1950s, Sylvia Plath's The Bell Jar (1963) depicts the experiences of a nineteen-year-old girl before her mental breakdown. Benefitting from a Friedanian second wave feminism, this paper aims to trace the root of disappointment and identity crisis in Plath's heroine, Esther Greenwood. It is understood that besides being a personal issue, her frustration is the outcome of sociocultural factors. The lack of role models and the contradictory messages sent by the media lead to her anxiety, disillusionment, and uncertainty. The Bell Jar proposes a solution: it is indeed possible for a woman to hold a fulfilling career and at the same time be a caring wife and a loving mother. And this is the answer Esther tries to figure out at a time when the boundaries between the domestic sphere and the outside world are clearly defined for women.","PeriodicalId":30120,"journal":{"name":"Kta A Biannual Publication on the Study of Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71210921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
As one of the prominent ideologies of the nineteenth-century— in a complex interrelation with other contemporary ideological discourses particularly femininity and marriage—religion adopts a critical stance in Hardy’s presentation of characters. Breaching the religio-conventional image of femininity as ―Angel in the House‖ and ―Cow Woman,‖ Hardy’s Jude the Obscure (1895) is indeed deemed to be his milestone in presenting his anti-Christian attitudes towards the contemporary religion. This study aims to present Hardy’s outright hostility towards the nineteenth-century Christianity through his creation of non-conformist characters, necessitating a parallel study with other contemporary discourses regarding marriage and femininity, and conflict with the religion of the time. Hardy’s magnum opus, the work on which he was to stake his final reputation as a novelist, was clearly Jude the Obscure which as a noticeable socio-religious experimentation of the late nineteenth-century, reveals Hardy’s perception of new ideas about femininity and marriage by presenting the hot contemporary issues of ―New Woman‖ and ―Free Union‖ through the development and presentation of Sue Bridehead and her free union with Jude, respectively. Hardy’s presentation of Sue Bridehead as a ―New Woman,‖ and employing the ―Free Union‖ in marked contrast with the nineteenth-century convention of marriage as a ―Bonded Pair‖ is Hardy’s closing upshot of his final novelistic attempt. The non-conformist Jude and Sue are presented as figures touching the Victorian Christian standards of morality, while, the final tragic destiny of Jude and Sue’s helplessness attest to the writer’s substantial contribution as a Victorian male novelist to the ideologies circulating at the time.
{"title":"The Ideological Questions of Marriage in Thomas Hardy's Jude the Obscure","authors":"A. P, Salman Saleh N","doi":"10.9744/kata.17.2.49-57","DOIUrl":"https://doi.org/10.9744/kata.17.2.49-57","url":null,"abstract":"As one of the prominent ideologies of the nineteenth-century— in a complex interrelation with other contemporary ideological discourses particularly femininity and marriage—religion adopts a critical stance in Hardy’s presentation of characters. Breaching the religio-conventional image of femininity as ―Angel in the House‖ and ―Cow Woman,‖ Hardy’s Jude the Obscure (1895) is indeed deemed to be his milestone in presenting his anti-Christian attitudes towards the contemporary religion. This study aims to present Hardy’s outright hostility towards the nineteenth-century Christianity through his creation of non-conformist characters, necessitating a parallel study with other contemporary discourses regarding marriage and femininity, and conflict with the religion of the time. Hardy’s magnum opus, the work on which he was to stake his final reputation as a novelist, was clearly Jude the Obscure which as a noticeable socio-religious experimentation of the late nineteenth-century, reveals Hardy’s perception of new ideas about femininity and marriage by presenting the hot contemporary issues of ―New Woman‖ and ―Free Union‖ through the development and presentation of Sue Bridehead and her free union with Jude, respectively. Hardy’s presentation of Sue Bridehead as a ―New Woman,‖ and employing the ―Free Union‖ in marked contrast with the nineteenth-century convention of marriage as a ―Bonded Pair‖ is Hardy’s closing upshot of his final novelistic attempt. The non-conformist Jude and Sue are presented as figures touching the Victorian Christian standards of morality, while, the final tragic destiny of Jude and Sue’s helplessness attest to the writer’s substantial contribution as a Victorian male novelist to the ideologies circulating at the time.","PeriodicalId":30120,"journal":{"name":"Kta A Biannual Publication on the Study of Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71211292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The current paper deals with the nature of justice in George R. R. Martin’s novel series A Song of Ice and Fire (1996- ) and Tales of Dunk and Egg (1998- ) under the light of Daniel Van Ness’ theory of restorative justice. This brand of justice is famed for its strong emphasis on the welfare of both parties (that is, victim and offender) in the process of passing judgment, its manner of determining criminal restitution which usually involves conferences, gatherings and community service, and more importantly, its aversion to ‘punishment’ at all costs. In the title-mentioned works, it will be argued, however, George R. R. Martin depicts a world which shows extreme prejudice against most levels and forms of crime, an attitude which not only fails to heal the damage done by the criminal, but also results in even more damage.
本文从丹尼尔·范内斯的恢复性司法理论出发，对乔治·r·r·马丁系列小说《冰与火之歌》(1996-)和《灌篮与鸡蛋的故事》(1998-)中的司法本质进行了分析。这种类型的司法以其在判决过程中强调双方(即受害者和罪犯)的福利而闻名，其确定刑事赔偿的方式通常涉及会议、集会和社区服务，更重要的是，它厌恶不惜一切代价的“惩罚”。然而，在标题提到的作品中，我们会认为，George R. R. Martin描绘了一个对大多数级别和形式的犯罪表现出极端偏见的世界，这种态度不仅不能治愈罪犯所造成的伤害，而且会导致更多的伤害。
{"title":"Mending Wall: A Study of Restorative Justice in George R. R. Martin’s A Song of Ice and Fire and Tales of Dunk and Egg","authors":"A. H., R. S","doi":"10.9744/kata.17.2.58-63","DOIUrl":"https://doi.org/10.9744/kata.17.2.58-63","url":null,"abstract":"The current paper deals with the nature of justice in George R. R. Martin’s novel series A Song of Ice and Fire (1996- ) and Tales of Dunk and Egg (1998- ) under the light of Daniel Van Ness’ theory of restorative justice. This brand of justice is famed for its strong emphasis on the welfare of both parties (that is, victim and offender) in the process of passing judgment, its manner of determining criminal restitution which usually involves conferences, gatherings and community service, and more importantly, its aversion to ‘punishment’ at all costs. In the title-mentioned works, it will be argued, however, George R. R. Martin depicts a world which shows extreme prejudice against most levels and forms of crime, an attitude which not only fails to heal the damage done by the criminal, but also results in even more damage.","PeriodicalId":30120,"journal":{"name":"Kta A Biannual Publication on the Study of Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2015-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71210908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper discusses the tragic life of Faulkner’s Emily Grierson, a life dominated by patriarchy and traditional Southern social values, which concludes with her living as a lonely recluse in her family’s decaying aristocratic house for more than forty years until her death. The key of the tragedy is her father, who isolates Emily from the outside world and tortures her with traditional patriarchal rules and Southern family duty. Emily is expected to lead a life like other girls; however, under the burden of old-fashioned, patriarchal responsibilities, her inner world collapses. This study uses the Jungian concepts of archetypes, persona and shadow, anima and animus to interpret Emily’s transitions and her fall. By examining the process through the lens of Jungian theories, the aspects that affect her fall in the patriarchal, aristocratic society, as well as the inherited social values, can be revealed and specified
{"title":"The Fall of Emily Grierson: A Jungian Analysis of A Rose for Emily","authors":"Chenghsun Hsu, Ya-huei Wang","doi":"10.9744/kata.16.2.87-92","DOIUrl":"https://doi.org/10.9744/kata.16.2.87-92","url":null,"abstract":"This paper discusses the tragic life of Faulkner’s Emily Grierson, a life dominated by patriarchy and traditional Southern social values, which concludes with her living as a lonely recluse in her family’s decaying aristocratic house for more than forty years until her death. The key of the tragedy is her father, who isolates Emily from the outside world and tortures her with traditional patriarchal rules and Southern family duty. Emily is expected to lead a life like other girls; however, under the burden of old-fashioned, patriarchal responsibilities, her inner world collapses. This study uses the Jungian concepts of archetypes, persona and shadow, anima and animus to interpret Emily’s transitions and her fall. By examining the process through the lens of Jungian theories, the aspects that affect her fall in the patriarchal, aristocratic society, as well as the inherited social values, can be revealed and specified","PeriodicalId":30120,"journal":{"name":"Kta A Biannual Publication on the Study of Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71211235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-01DOI: 10.9744/kata.16.2.93-100
Pedram Lalbakhsh, Ali Khoshnood, F. Gholami
The present paper focuses on the tradition of women’s circumsicion in the African tribe of Olinkan in Alice Walker’s Possesing the Secret of Joy . The Olinkans are asked by the white settlers to stop women’s mutilation, but Olinkan men continue this custom stealthily to ensure their patriarchial dominance. This novel is a complicated juxtaposition of two different types of oppression: one by White male colonizers over an African native land, and the other one by the native Olinkan men over native women. In this juxtaposition women and land are both victims exploited and manipulated by men, no matter Black or White. This novel is also seen as a fertile ground to analyze the dual domination of both nature and women by the Olinkan men and White colonizers who are both trying to impose their androcentric rules that are created to dominate women and land, respectively.
{"title":"Juxtaposition of Women, Culture, and Nature in Alice Walker’s Possessing The Secret Of Joy","authors":"Pedram Lalbakhsh, Ali Khoshnood, F. Gholami","doi":"10.9744/kata.16.2.93-100","DOIUrl":"https://doi.org/10.9744/kata.16.2.93-100","url":null,"abstract":"The present paper focuses on the tradition of women’s circumsicion in the African tribe of Olinkan in Alice Walker’s Possesing the Secret of Joy . The Olinkans are asked by the white settlers to stop women’s mutilation, but Olinkan men continue this custom stealthily to ensure their patriarchial dominance. This novel is a complicated juxtaposition of two different types of oppression: one by White male colonizers over an African native land, and the other one by the native Olinkan men over native women. In this juxtaposition women and land are both victims exploited and manipulated by men, no matter Black or White. This novel is also seen as a fertile ground to analyze the dual domination of both nature and women by the Olinkan men and White colonizers who are both trying to impose their androcentric rules that are created to dominate women and land, respectively.","PeriodicalId":30120,"journal":{"name":"Kta A Biannual Publication on the Study of Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71211278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2014-12-01DOI: 10.9744/kata.16.2.101-108
Z. Ramin, Muhammad Sayyaf Jalalizadeh
Post 9/11 the United States of America concerns the reconstruction of already demonized identities of Arabs and Middle-eastern cultures. Postcolonial works reside in their rendering a tragic or serious image of Middle Easterners to bring the Western (American) audience into sympathizing with the Middle Eastern ethnicities. Could it be the case that a fundamentally humorous (not derogatory) depiction might contribute to easing such cultural tensions? Firoozeh Jazayeri Dumas’ works stand out as critically acclaimed and successful works familiarizing the American audience with the more humane, likeable, sweet and funny aspects of the Iranians and Iranian culture, and the hardships of being an Iranian immigrant and becoming a hybrid individual. This article explores the already-hybridized self and psyche of Firoozeh as an Iranian American. She writes about her mother land and her residence country and comparing the way she has written about them can help readers understand how one can make peace between different parts of her identity.
{"title":"Iran, America and Iranian American Community in Firoozeh Jazayeri Dumas' Funny in Farsi","authors":"Z. Ramin, Muhammad Sayyaf Jalalizadeh","doi":"10.9744/kata.16.2.101-108","DOIUrl":"https://doi.org/10.9744/kata.16.2.101-108","url":null,"abstract":"Post 9/11 the United States of America concerns the reconstruction of already demonized identities of Arabs and Middle-eastern cultures. Postcolonial works reside in their rendering a tragic or serious image of Middle Easterners to bring the Western (American) audience into sympathizing with the Middle Eastern ethnicities. Could it be the case that a fundamentally humorous (not derogatory) depiction might contribute to easing such cultural tensions? Firoozeh Jazayeri Dumas’ works stand out as critically acclaimed and successful works familiarizing the American audience with the more humane, likeable, sweet and funny aspects of the Iranians and Iranian culture, and the hardships of being an Iranian immigrant and becoming a hybrid individual. This article explores the already-hybridized self and psyche of Firoozeh as an Iranian American. She writes about her mother land and her residence country and comparing the way she has written about them can help readers understand how one can make peace between different parts of her identity.","PeriodicalId":30120,"journal":{"name":"Kta A Biannual Publication on the Study of Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71211361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Swear words are generally used to articulate anger, pain, excitement, frustration, or surprise. It is often imitated by children who may not really understand the meaning of the swear words. This survey-based study aims to identify the swear utterances of male and female teenagers, find out their commonly-used swear words, and investigate whether bilingual male or female students of Grade 12, Binus International School, Simprug, Jakarta, use more swear words. A combination of multiple choice and open-ended questionnaire was constructed and the analysis revealed that swearing is inevitable and becomes a part of the male and female language repertoire. Both groups of students are said to employ the use of Indonesian and English swear words in carrying-out conversations in order to release stress and express intense emotions. However, male students tend to use more swear words that are associated with sexuality.
{"title":"Male and Female Attitudes towards Swear Words: A Case Study at Binus International School","authors":"M. F. S. Nicolau, K. Sukamto","doi":"10.9744/kata.16.2.71-76","DOIUrl":"https://doi.org/10.9744/kata.16.2.71-76","url":null,"abstract":"Swear words are generally used to articulate anger, pain, excitement, frustration, or surprise. It is often imitated by children who may not really understand the meaning of the swear words. This survey-based study aims to identify the swear utterances of male and female teenagers, find out their commonly-used swear words, and investigate whether bilingual male or female students of Grade 12, Binus International School, Simprug, Jakarta, use more swear words. A combination of multiple choice and open-ended questionnaire was constructed and the analysis revealed that swearing is inevitable and becomes a part of the male and female language repertoire. Both groups of students are said to employ the use of Indonesian and English swear words in carrying-out conversations in order to release stress and express intense emotions. However, male students tend to use more swear words that are associated with sexuality.","PeriodicalId":30120,"journal":{"name":"Kta A Biannual Publication on the Study of Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71211206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This research studies Percy Jackson and the Lightning Thief by Rick Riordan. The objectives are to describe the Greek mythology presented in the novel, the intention of Rick Riordan, and the reception of the readers. The methodology is hermeneutic referring to Recoeur’s theory. It was found that, first, the Greek mythology presented in the novel is blended with American real life; second, the main character is a son of a Greek mythology god and a real American woman and, third, the setting is a blend of places in Greek mythology and real American cities. The intention of Riordan is to open up American culture that is lived through by Americans, that a part of American culture is Greek mythology. The readers accept that the novel fulfils the readers’ horizon of expectation of aesthetic enjoyment and of the incorporation of Greek mythology into real American life.
{"title":"Rick Riordan's Intention in Writing Percy Jackson and the Lightning Thief and the Reception of the Readers","authors":"Mugijatna, S. Habsari, Y. Putri","doi":"10.9744/kata.16.2.77-86","DOIUrl":"https://doi.org/10.9744/kata.16.2.77-86","url":null,"abstract":"This research studies Percy Jackson and the Lightning Thief by Rick Riordan. The objectives are to describe the Greek mythology presented in the novel, the intention of Rick Riordan, and the reception of the readers. The methodology is hermeneutic referring to Recoeur’s theory. It was found that, first, the Greek mythology presented in the novel is blended with American real life; second, the main character is a son of a Greek mythology god and a real American woman and, third, the setting is a blend of places in Greek mythology and real American cities. The intention of Riordan is to open up American culture that is lived through by Americans, that a part of American culture is Greek mythology. The readers accept that the novel fulfils the readers’ horizon of expectation of aesthetic enjoyment and of the incorporation of Greek mythology into real American life.","PeriodicalId":30120,"journal":{"name":"Kta A Biannual Publication on the Study of Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71211223","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The basic formula in the English Victorian novel seems to be an individual standing against the world (of the Victorian society). George Eliot’s The Mill on the Floss (1860) and Jane Austen’s Pride and Prejudice (1833) are two excellent examples of intellectual heroines standing against social expectations. This paper, as a comparative study, shows that in the former written by a romantic and modern novelist, the heroine drowns which signifies her self-renunciation and submission to the expectations of the society as well as her revenge of a body being shaped by Victorian ideologies. In the latter written by a conservative and realist writer, the heroine begins a process of education and transformation just to resolve her conflict in marriage. The paper concludes that in such novels the intellectual woman has to either submit to survive, or is wiped out which implies both the heroine’s self-destruction of a Victorian body (aggression) or her drowning in the waters of ideology (regression).
{"title":"Aggression or Regression: a Comparative Study of Heroines in the Mill on the Floss and Pride and Prejudice","authors":"Pyeaam Abbasi","doi":"10.9744/kata.16.1.54-60","DOIUrl":"https://doi.org/10.9744/kata.16.1.54-60","url":null,"abstract":"The basic formula in the English Victorian novel seems to be an individual standing against the world (of the Victorian society). George Eliot’s The Mill on the Floss (1860) and Jane Austen’s Pride and Prejudice (1833) are two excellent examples of intellectual heroines standing against social expectations. This paper, as a comparative study, shows that in the former written by a romantic and modern novelist, the heroine drowns which signifies her self-renunciation and submission to the expectations of the society as well as her revenge of a body being shaped by Victorian ideologies. In the latter written by a conservative and realist writer, the heroine begins a process of education and transformation just to resolve her conflict in marriage. The paper concludes that in such novels the intellectual woman has to either submit to survive, or is wiped out which implies both the heroine’s self-destruction of a Victorian body (aggression) or her drowning in the waters of ideology (regression).","PeriodicalId":30120,"journal":{"name":"Kta A Biannual Publication on the Study of Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71211338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
American English, also known as US English, is a set of dialects in the English language mostly used in the United States. It has considerable variations in terminology , phrasing and syntax. The differences are mostly on regional basis. The three major regional dialects are: Northern, Midland, and Southern. Generally, dialect varieties are acceptable in society; however, some of them are more stigmatized than others. The present study has been done to examine American English speakers’ perceptions towards regional American varieties in terms of correctness, pleasantness, and difference from their own speech
{"title":"Perceptual Dialectology: Northerners and Southerners’ View of Different American Dialects","authors":"N. Yannuar, Kamola Azimova, D. Nguyen","doi":"10.9744/kata.16.1.8-14","DOIUrl":"https://doi.org/10.9744/kata.16.1.8-14","url":null,"abstract":"American English, also known as US English, is a set of dialects in the English language mostly used in the United States. It has considerable variations in terminology , phrasing and syntax. The differences are mostly on regional basis. The three major regional dialects are: Northern, Midland, and Southern. Generally, dialect varieties are acceptable in society; however, some of them are more stigmatized than others. The present study has been done to examine American English speakers’ perceptions towards regional American varieties in terms of correctness, pleasantness, and difference from their own speech","PeriodicalId":30120,"journal":{"name":"Kta A Biannual Publication on the Study of Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2014-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71211351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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