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Kta A Biannual Publication on the Study of Language and Literature最新文献

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USING ENGLISH LITERATURE WRITTEN BY ASIAN AUTHORS IN EFL/ESL CLASSROOMS IN ASIA 在亚洲的英语/ esl课堂上使用亚洲作家的英语文学作品
Pub Date : 2005-06-01 DOI: 10.9744/kata.7.1.43-53
Flora Debora Floris
This paper proposes an argument that literary texts in English which are written by Asian authors should be more extensively used as language teaching materials designed for EFL/ESL classrooms in Asian countries. The use of these texts can overcome the cultural stumbling blocks experienced by students. In addition, the texts can be utilized to promote cultural awareness and the role of English as an international language. To support this point of view, various issues in using what is often called non-native English literature are examined in the essay.
本文认为,亚洲作家的英语文学作品应该更广泛地用作亚洲国家英语/ESL课堂的语言教材。这些文本的使用可以克服学生所经历的文化障碍。此外,文本可以用来促进文化意识和英语作为一种国际语言的作用。为了支持这一观点,本文考察了使用非英语母语文学的各种问题。
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引用次数: 6
(RE) CONSTRUCTING GENDER IN A NEW VOICE: THE ROLE OF GENDER IDENTITY IN SLA, THE CASE OF MALAYSIA (二)以新的声音建构性别:性别认同在sla中的作用,以马来西亚为例
Pub Date : 2004-12-01 DOI: 10.9744/KATA.6.2.75-90
K. Cheng
This study is a qualitative study of Malaysian children aged between four and six years engaged in a story-telling task. The question posed in this piece of research then: Is the role played by gender in SLA? If it does play a role, what then is the nature of this role? The path taken by this study is to analyze discourse in story-telling.
本研究是一项对马来西亚4至6岁儿童进行讲故事任务的定性研究。这篇研究提出的问题是:性别在二语习得中扮演的角色是什么?如果它确实起作用,那么这个作用的性质是什么?本研究采取的路径是分析讲故事中的话语。
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引用次数: 0
THE POWER OF LITERATURE IN EFL CLASSROOMS 文学在英语课堂中的作用
Pub Date : 2004-06-01 DOI: 10.9744/kata.6.1.1-12
Flora Debora Floris
This paper proposes the importance of acknowledging literature as one of the best resources for promoting language learning in EFL (English as a Foreign Language) classrooms. It reviews briefly various theoretical issues in teaching English through literature. Highlights are given to the justifications and guidelines for literature in the language classroom. Finally, the article presents examples of practical teaching and learning tasks based on one specific literary text.
本文提出了在英语作为外语的课堂中,文学是促进语言学习的最佳资源之一。本文简要回顾了文学教学中的各种理论问题。重点介绍了在语言课堂上使用文学的理由和指导方针。最后,文章以一个具体的文学文本为例,给出了实践教学任务的实例。
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引用次数: 29
CULTURAL TRANSFER IN EFL WRITING: A LOOK AT CONTRASTIVE RHETORIC ON ENGLISH AND INDONESIAN 英语写作中的文化迁移:看英语和印尼语的对比修辞
Pub Date : 2004-06-01 DOI: 10.9744/kata.6.1.13-29
E. Kuntjara
Studies in contrastive rhetoric since Kaplan's (1966) article have indicated the need of looking at L2 writing from different perspective by considering factors such as L2 learners' historical background in L1 writing, the development in their writing process, and the genres before we come to analyze the texts. By following such approaches, this study wants to see if there has been any cultural transfer in L2 writing of Indonesian writers. However, this has led to the probing of Indonesian L1 writing as well. This study again suggests the complexity of rhetoric in writing.
自卡普兰(1966)的文章以来,对比修辞学研究表明,在分析文本之前,需要从不同的角度来看待二语写作,考虑到二语学习者在母语写作中的历史背景、写作过程的发展和体裁等因素。通过这些方法,本研究想看看印尼作家的二语写作是否存在文化迁移。然而,这也导致了对印尼语母语写作的探索。这项研究再次表明了写作中修辞的复杂性。
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引用次数: 14
The Holistic Approach to Teaching Syntax 语法教学的整体方法
Pub Date : 2004-06-01 DOI: 10.9744/kata.6.1.47-56
J. Mardijono
This paper is focused on the holistic approach and techniques applied in Syntax class. The students are assisted to learn not only the form but also the practical application, "from Syntax to Syntaxing", adopting Larsen-Freeman's term "from Grammar to Grammaring" (2003). Viewed from the students' written evaluation, the varied kinds of learning activities and care attending to the affective aspect of the students seem to have worked well.
本文的重点是在语法课上应用的整体方法和技术。帮助学生不仅学习形式,而且学习实际应用,“从Syntax到syntaxation”,采用Larsen-Freeman(2003)的术语“从Grammar到Grammaring”。从学生的书面评价来看,各种各样的学习活动和对学生情感方面的关注似乎效果很好。
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引用次数: 1
THE GRAMMAR OF DISNEY LONG ANIMATIONS: A STRUCTURALIST READING 迪士尼长动画的语法:结构主义解读
Pub Date : 2003-12-01 DOI: 10.9744/kata.5.2.187-198
V. Santosa
Treating several animated films as texts, the analysis of this particular genre of entertainment is using structuralist narratology, which is applied to establish a general grammar of Disney long animations by revealing the underlying rules governing the tilm narratives. Discussing the typical characters and actions, the construction of "function", and the significant actions which shape the story, this study reveals the six actant/roles based on the prescribed characterization, three basic patterns of how each actant is related to one another, and the twelve sets of basic arrangement of functions as the single basic structure of all Disney long animations. This study proves how loyal and consistent the creators of Disney long animations are toward the underlying basic structure of the story.
以几部动画电影为文本,运用结构主义叙事学对这种特殊的娱乐类型进行分析,通过揭示支配电影叙事的基本规则,建立迪士尼长动画的一般语法。本研究通过对典型人物和动作、“功能”的构建、塑造故事的重要动作的讨论,揭示了基于规定的人物塑造的六个角色,以及每个角色之间的三种基本关系模式,以及作为所有迪士尼长动画单一基本结构的十二套基本功能安排。这项研究证明了迪士尼长动画的创作者对故事的基本结构是多么的忠诚和一致。
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引用次数: 0
T.S. ELIOT'S MISREADING OF SOME LITERARY SOURCES IN THE WASTE LAND T.s.艾略特在《荒原》中对某些文学资料的误读
Pub Date : 2002-12-01 DOI: 10.9744/KATA.4.2.101-114
L. S. Limanta
A poet cannot be a poet at all if he is not connected with all the poetic tradition before him. This is T.S. Eliot's dictum which he stated in Tradition and the Individual Talent and which he practiced in his work The Waste Land. T.S. Eliot showed his relationship with the past through all the quotations and allusions to mythical, literary, and religious works. His reading of those sources according to Paul de Man cannot avoid misreading or misinterpretation. Harold Bloom has tried to build up a theory of misreading, which he prefers to call misprision, especially applied to and done by poets in The Anxiety of Influence. Throughout this article I shall show how T.S. Eliot has applied some of the ways Bloom describes in reading some of the literary sources, and by so doing Eliot has given new meaning to them.
如果一个诗人不与他之前的所有诗歌传统联系在一起,他就根本不可能成为诗人。这是艾略特在《传统与个人才能》中提出的格言,并在他的作品《荒原》中加以实践。T.S.艾略特通过对神话、文学和宗教作品的引用和典故来展示他与过去的关系。根据保罗·德曼的说法,他对这些资料的解读无法避免误读或误解。哈罗德·布鲁姆(Harold Bloom)曾试图建立一种误读理论,他更喜欢称之为“误解”(mision),尤其是在《影响力的焦虑》(The Anxiety of Influence)一书中,这种理论适用于诗人,也适用于诗人。在这篇文章中,我将展示T.S.艾略特是如何运用布鲁姆所描述的一些方法来阅读一些文学资料的,通过这样做,艾略特赋予了它们新的意义。
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引用次数: 1
THE CHARACTERISTICS OF PRIMITIVISM IN ERNEST HEMINGWAY'S THE OLD MAN AND THE SEA 海明威《老人与海》的原始主义特征
Pub Date : 2002-12-01 DOI: 10.9744/kata.4.2.91-100
V. Santosa
Authors of any periods unconsciously tend to explore the sublimity and free expression of feeling, the simplicity of style and themes, the portrayal of the 'noble savage', the glorification of nature, the excitement of physical power and sensuous use of language. These are the characteristics of primitivism, the celebration of an earlier stage of human development, which is uncorrupted, vigorous, genuine expression of life. Ernest Hemingway's The Old Man and the Sea clearly depicts the characteristics of primitivism as seen in the portrayal of its main character, Santiago. Hemingway's regret on the impact of technology led him to write the novella with its hero who is depicted with the qualities of being a true hero, a winner 'who takes nothing' ; a 'noble savage' with great courage of physical action while dealing with nature. Santiago has become the portrayal of Hemingway's criticism toward the development of civilization and the urban way of life.
任何时期的作家都不自觉地倾向于探索情感的崇高和自由表达,风格和主题的简单,对“高贵野蛮人”的描绘,对自然的赞美,对体力的兴奋和对语言的感性使用。这些都是原始主义的特征,是对人类发展的早期阶段的庆祝,这是对生命的纯洁,充满活力和真实的表达。海明威的《老人与海》清晰地描绘了原始主义的特征,这可以从小说主人公圣地亚哥的形象中看出。海明威对技术冲击的遗憾促使他创作了这部中篇小说,主人公被描绘成一个真正的英雄,一个“一无所有”的胜利者;一个“高贵的野蛮人”,在与自然打交道时表现出极大的勇气。圣地亚哥成为海明威对文明发展和城市生活方式批判的写照。
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引用次数: 2
BRECHT'S EPIC THEATRE AS A MODERN AVANT-GARDE AND ITS INFLUENCE ON POSTMODERN THEATRE/DRAMA 布莱希特作为现代先锋派的史诗戏剧及其对后现代戏剧的影响
Pub Date : 2002-12-01 DOI: 10.9744/kata.4.2.136-147
R. Basuki
As one of the most influential figures in theatre, Bertolt Brecht has stamped his legacy in the world theatre. His search for a new kind of theatre made his theatre a modern avant-garde which has left its traces in postmodern theatres. This paper tries to investigate Brecht's epic theatre as a modern avant-garde and its influence in postmodern theatre. His epic theatre was in fact a revolt against the main stream modern theatre in which Brecht openly declares that theatre should be 'political.' Brecht's theatre was so influential that his theatre becomes reference to the postmodern theatre.
作为戏剧界最有影响力的人物之一,贝托尔特·布莱希特在世界戏剧界留下了自己的印记。他对一种新的戏剧形式的探索使他的戏剧成为一种现代先锋派,并在后现代戏剧中留下了痕迹。本文试图探讨布莱希特作为现代先锋派的史诗戏剧及其对后现代戏剧的影响。他的史诗戏剧实际上是对主流现代戏剧的反抗,在主流现代戏剧中,布莱希特公开宣称戏剧应该是“政治的”。布莱希特的戏剧非常有影响力,他的戏剧成为后现代戏剧的参考。
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引用次数: 5
WHAT MADURESE CAN TELL US ABOUT OTHER LANGUAGES AND WHAT OTHER LANGUAGES CAN TELL US ABOUT MADURESE madurese可以告诉我们关于其他语言的事情,其他语言也可以告诉我们关于madurese的事情
Pub Date : 2002-12-01 DOI: 10.9744/kata.4.2.115-135
W. D. Davies
There are many reasons to study a particular language. One might study a language to learn to speak that language in order to be able to communicate with native speakers or conduct business. One can study a language to learn about the culture of the people or understand their literature and poetry. One can study the grammar of a language to understand the structure of that language and compare it to the structure of other languages It is this last reason that motivates the following discussion.
学习一门特定的语言有很多原因。一个人学习一门语言可能是为了学会说这种语言,以便能够与母语人士交流或开展业务。一个人可以通过学习一门语言来了解这个民族的文化,或者了解他们的文学和诗歌。人们可以通过研究一种语言的语法来理解这种语言的结构,并将其与其他语言的结构进行比较。
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Kta A Biannual Publication on the Study of Language and Literature
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