Pub Date : 2015-01-20DOI: 10.6092/ISSN.2038-6184/4664
M. Petrelli
The tactility is the place of the relationship between the senses, area of interaction of the faculties involved in every constitutive act of our perceptual intelligence. It is a feeling from within , that knocks out the equation “hand-touch” responsible for an exploration of the surface. In the same way, the practices of digital technologies are far from instances of body. In the early decades of the last century, in the French area, an address of experimental psychology, the metapsychics, has theorized about the intelligence of the senses and the sensible ulteriority.
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Pub Date : 2014-03-01DOI: 10.6092/ISSN.2038-6184/4215
S. Ferrari
Ernst H. Gombrich has always shown particular attention to the psychology of art as psychology of representation (and enjoyment) of art. In addition, through his friendship with Ernst Kris, who had been a respected art historian in the staff of the Kunsthisthorisches Museum in Vienna before becoming an important psychoanalyst, Gombrich devoted some fundamental essays on the contribution of psychoanalysis to the study of art. The main novelty and the most original feature of his contribution to this field (and which cannot easily be differentiated in general theoretical terms from Kris’s one) lies in his focus on Freud’s theories on jokes and in his adherence to the concept of “controlled regression in the service of the ego” introduced by so-called Ego Psychology This allowed Gombrich not only to highlight a perfect relationship between Freud’s theoretical thinking and his conservative attitude in the field of aesthetics, but also to use psychoanalysis to underline the historical and cultural character of the processes of representation and enjoyment.
恩斯特·h·贡布里希(Ernst H. Gombrich)一直特别关注作为艺术表现(和享受)心理学的艺术心理学。此外，通过与恩斯特·克里斯(Ernst Kris)的友谊，贡布里希在成为重要的精神分析学家之前，曾是维也纳Kunsthisthorisches博物馆(Kunsthisthorisches Museum)工作人员中受人尊敬的艺术史学家，他在精神分析对艺术研究的贡献方面发表了一些基本的论文。他对这一领域的贡献的主要新颖和最具原创性的特点(从一般的理论角度来看，很难与克里斯的贡献区分开来)在于他对弗洛伊德关于笑话的理论的关注，以及他对所谓“自我心理学”引入的“为自我服务的受控回归”概念的坚持。这使得贡布里希不仅突出了弗洛伊德的理论思想与他在幽默领域的保守态度之间的完美关系美学也要用精神分析来强调历史文化特征的再现和享受过程。
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Pub Date : 2014-03-01DOI: 10.6092/ISSN.2038-6184/4217
Octavio Paz
In 1973, when Octavio Paz writes Use and contemplation , the Western world had long known and assimilated the effects of the culture of technology. Indeed, one could already note signals of contrast: the technique, which had fully accomplished its life's course, was creating its own antidotes . The transnational, serial, anonymous, aseptic nature of the industrial object destined for the dump was counterbalanced by the rehabilitation of those values of which the craft object has always been dispenser: the reference to the body and to a kind of "erotic" aesthetics , the socializing and sharing, the local specialty, a peculiar type of transmission of memory and knowledge. Paz rediscovers in the handmade article the ability to reactivate those dimensions of existence neutralized by industry (oriented to the use) and transcended by the religion of the modern art (consecrated by the function of contemplation).
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Pub Date : 2013-02-06DOI: 10.6092/ISSN.2038-6184/3466
B. Croce, Umberto Saba
Nel 1946 “La Fiera letteraria” ospito due importanti interventi dedicati a psicoanalisi e poesia. Il primo, per mano nientemeno che di Benedetto Croce, era una lettera di poche pagine, di sostanziale chiusura nei confronti delle pretese novita e originalita del “freudismo” soprattutto in ambito filosofico. Il secondo era la risposta, molto piu dettagliata e articolata di un poeta come Umberto Saba, che invece alla psicoanalisi (e non solo come terapia) credeva e teneva molto. Riproponiamo qui questi due testi, preceduti da altri due brevi interventi di Croce sulla psicoanalisi: il primo e una recensione alla traduzione francese del testo di Freud sul sogno del 1903; il secondo e una critica sprezzante nei confronti della “cosiddetta critica stilistica”, che viene messa in relazione al metodo Montessori e appunto alla psicoanalisi.
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Pub Date : 2013-01-28DOI: 10.6092/ISSN.2038-6184/3452
G. Ferrari
The sexual attraction to statues, also known as 'agalmatophilia', seems to be prevalent in the Ancient World: the case of the Cnidian Aphrodite is of particular interest. According to multiples ancient sources, this statue, made by Praxiteles was able to arouse the erotic desire in the observer. However, this case must be contextualised in the ancient Greece, where different powers were ascribed to the divinities and great importance was given to Mimesis. The literary case of Pygmalion, recorded by Ovid in the Metamorphoses, plays a key role in this context as well. Here, the power of poetry allows the achievement of a happy end through the transformation of the statue into a real woman. Hereof we underline the analogies between the sculpture moulded by Pygmalion and the doll, which allow us to perceive in this myth a sort of conceptual bridge towards a contemporary form of agalmatophilia, the one that employs sex dolls.
{"title":"Agalmatofilia. L'amore per le statue nel mondo antico: l'Afrodite di Cnido e il caso di Pigmalione","authors":"G. Ferrari","doi":"10.6092/ISSN.2038-6184/3452","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/3452","url":null,"abstract":"The sexual attraction to statues, also known as 'agalmatophilia', seems to be prevalent in the Ancient World: the case of the Cnidian Aphrodite is of particular interest. According to multiples ancient sources, this statue, made by Praxiteles was able to arouse the erotic desire in the observer. However, this case must be contextualised in the ancient Greece, where different powers were ascribed to the divinities and great importance was given to Mimesis. The literary case of Pygmalion, recorded by Ovid in the Metamorphoses, plays a key role in this context as well. Here, the power of poetry allows the achievement of a happy end through the transformation of the statue into a real woman. Hereof we underline the analogies between the sculpture moulded by Pygmalion and the doll, which allow us to perceive in this myth a sort of conceptual bridge towards a contemporary form of agalmatophilia, the one that employs sex dolls.","PeriodicalId":30272,"journal":{"name":"PsicoArt","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2013-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71258151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-01-28DOI: 10.6092/ISSN.2038-6184/3455
M. Gabriele
James Elkins, "La pittura cos’e? Un linguaggio alchemico", Mimesis, Milano 2012 – recensione a cura di Marta Gabriele
詹姆斯·埃尔金斯，这幅画是什么?《炼金术语言》，Mimesis，米兰2012 - Marta Gabriele的评论
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Pub Date : 2013-01-28DOI: 10.6092/ISSN.2038-6184/3451
M. Petrelli
This essay investigates the psychological and perceptive view of reading as a visual fact and looks at its operations in different environments: from the traditional printed page to the more recent electronic page of the e-book, with particular attention reserved to the relationship between "word" (the linguistic aspects covered by the alphabetical vision) and "image" (image of the word and image with the word - visual hypertext integrated with verbal texts in e-book). In the light of the studies of the Psychology of perception, Neurophysiology and Phenomenology, the experience of reading is a function that transcends those value systems tending to oppose the categories of verbal and visual, intellect and intuition, logos and disorder. But literature shows even better the inviolability of belonging of word and image, and how the thinking in images consists in building a bridge between the visible trace and the invisible thing.
{"title":"Visualità e lettura. Dinamiche psicologiche e percettive degli ambienti di lettura (dalla pagina stampata agli ipertesti visivi)","authors":"M. Petrelli","doi":"10.6092/ISSN.2038-6184/3451","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/3451","url":null,"abstract":"This essay investigates the psychological and perceptive view of reading as a visual fact and looks at its operations in different environments: from the traditional printed page to the more recent electronic page of the e-book, with particular attention reserved to the relationship between \"word\" (the linguistic aspects covered by the alphabetical vision) and \"image\" (image of the word and image with the word - visual hypertext integrated with verbal texts in e-book). In the light of the studies of the Psychology of perception, Neurophysiology and Phenomenology, the experience of reading is a function that transcends those value systems tending to oppose the categories of verbal and visual, intellect and intuition, logos and disorder. But literature shows even better the inviolability of belonging of word and image, and how the thinking in images consists in building a bridge between the visible trace and the invisible thing.","PeriodicalId":30272,"journal":{"name":"PsicoArt","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2013-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71258132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2013-01-28DOI: 10.6092/ISSN.2038-6184/3449
T. Gallino
The article covers two aspects related to Psychology and Art. The first aspect concerns the similarities found between photography and various Schools of experimental psychology. For instance, the scientists of Psychology of ethological theory , and Non-verbal communication (NVC), observe with particular methodologies the non-verbal messages that animals and humans transmit to their peers through expressions, posture, gestures. The same is done by photographers (those who use the “camera” with a good knowledge of the medium and a “photographic eye”) when they look around, careful to catch an expression, any unusual attitude, or a gesture of friendship. Another School of psychology, the Gestalpsychologie ( Gestalt : form, figure, configuration), attributes a decisive value to the perception of space, the foreground and the background, the perspective and vanishing points, the contrast between black and white. All aspects that effectively interest psychologists just as much as photographers. Finally, the second aspect relates to the art of Antony Gaudi and makes some hypothesis about the personality and behavior of the great architect, with regard to the construction of two houses, "Casa Batllo" and "Casa Mila": particularly because of the configuration or Gestalt of the "chimneys" that dominate the two buildings. In this study, cooperate each other psychological analysis and the art of photography. The last enables us to study also the details of the work of Gaudi, as can be seen in the pictures of this essay.
{"title":"Psicologia e fotografia Comignoli sognanti e comignoli guerrieri","authors":"T. Gallino","doi":"10.6092/ISSN.2038-6184/3449","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/3449","url":null,"abstract":"The article covers two aspects related to Psychology and Art. The first aspect concerns the similarities found between photography and various Schools of experimental psychology. For instance, the scientists of Psychology of ethological theory , and Non-verbal communication (NVC), observe with particular methodologies the non-verbal messages that animals and humans transmit to their peers through expressions, posture, gestures. The same is done by photographers (those who use the “camera” with a good knowledge of the medium and a “photographic eye”) when they look around, careful to catch an expression, any unusual attitude, or a gesture of friendship. Another School of psychology, the Gestalpsychologie ( Gestalt : form, figure, configuration), attributes a decisive value to the perception of space, the foreground and the background, the perspective and vanishing points, the contrast between black and white. All aspects that effectively interest psychologists just as much as photographers. Finally, the second aspect relates to the art of Antony Gaudi and makes some hypothesis about the personality and behavior of the great architect, with regard to the construction of two houses, \"Casa Batllo\" and \"Casa Mila\": particularly because of the configuration or Gestalt of the \"chimneys\" that dominate the two buildings. In this study, cooperate each other psychological analysis and the art of photography. The last enables us to study also the details of the work of Gaudi, as can be seen in the pictures of this essay.","PeriodicalId":30272,"journal":{"name":"PsicoArt","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2013-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71258115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2012-09-10DOI: 10.6092/ISSN.2038-6184/3133
S. Ferrari
La mostra intitolata “Forme per il David”, che si tenne all’Accademia di Firenze tra il 2004 e il 2005, e l’analisi delle reazioni degli spettatori sono l’occasione per una serie di riflessioni sulle dinamiche psicologiche della ricezione artistica. Dopo alcune note preliminari di carattere metodologico sui problemi dell’interdisciplinarita e sulle modalita di una ricerca empirica circa l’atteggiamento del pubblico nei musei, il saggio (anche sulla base delle reazioni del pubblico nei confronti del David di Michelangelo) si sofferma sugli elementi erotico-pulsionali nella fruizione dell’arte, proponendo alcune critiche all’uso del concetto di sublimazione. Si parla poi del ruolo e dei “gradi” del perturbante e delle dinamiche dei processi di identificazione nello studio della ricezione dell’arte. Inoltre viene sottolineata l’importanza del “contesto” della fruizione come preliminare per la comprensione dei suoi meccanismi. L’ultimo paragrafo e dedicato al problema dell’emozione considerata tra psicologia, arte ed estetica.
{"title":"Note per una psicologia della ricezione","authors":"S. Ferrari","doi":"10.6092/ISSN.2038-6184/3133","DOIUrl":"https://doi.org/10.6092/ISSN.2038-6184/3133","url":null,"abstract":"La mostra intitolata “Forme per il David”, che si tenne all’Accademia di Firenze tra il 2004 e il 2005, e l’analisi delle reazioni degli spettatori sono l’occasione per una serie di riflessioni sulle dinamiche psicologiche della ricezione artistica. Dopo alcune note preliminari di carattere metodologico sui problemi dell’interdisciplinarita e sulle modalita di una ricerca empirica circa l’atteggiamento del pubblico nei musei, il saggio (anche sulla base delle reazioni del pubblico nei confronti del David di Michelangelo) si sofferma sugli elementi erotico-pulsionali nella fruizione dell’arte, proponendo alcune critiche all’uso del concetto di sublimazione. Si parla poi del ruolo e dei “gradi” del perturbante e delle dinamiche dei processi di identificazione nello studio della ricezione dell’arte. Inoltre viene sottolineata l’importanza del “contesto” della fruizione come preliminare per la comprensione dei suoi meccanismi. L’ultimo paragrafo e dedicato al problema dell’emozione considerata tra psicologia, arte ed estetica.","PeriodicalId":30272,"journal":{"name":"PsicoArt","volume":"2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2012-09-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71258102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2012-09-01DOI: 10.6092/UNIBO/AMSACTA/3466
R. Caterina
{"title":"Alcune riflessioni su arte, arte terapia e humor","authors":"R. Caterina","doi":"10.6092/UNIBO/AMSACTA/3466","DOIUrl":"https://doi.org/10.6092/UNIBO/AMSACTA/3466","url":null,"abstract":"","PeriodicalId":30272,"journal":{"name":"PsicoArt","volume":"8 1","pages":"1-14"},"PeriodicalIF":0.0,"publicationDate":"2012-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71269524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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