The topic of the paper is the role of the urban profession in the planning of the memorial complexes and monuments in Belgrade from 1969 to 1981, during which the professional journal Urbanizam Beograda was published. Using articles published in the journal Urbanizam Beograda as its main source the paper will address the stance of the expert public in the decision-making process in the planning of memorials. This includes a review of articles on individual monuments in public spaces, urban development policies, and the most important competitions related to the memorials and monuments written about by different authors in Urbanizam Beograda. Looking at the broader historical context of Yugoslavia and its cultural policies through the prism of memorial architecture, different processes and key topics that influenced the urban design of the memorial will be addressed, as well as the regard the expert public had for the decision-making process. The research is based on an analysis of expert articles published in Urbanizam Beograda, as well as an analysis of the broader socio-political context of Belgrade, in order to expand understanding of the decisions and stance of the professional public in the period 1969 to 1981. The paper aims to establish a relationship between politics and the profession, as well as to identify the implementation of different planning mechanisms for creating collective memory, recognized in the journal Urbanizam Beograda. The results of the research point to specific articles about public spaces and competitions published in Urbanizam Beograda, in which the professional public had the autonomy to make decisions based on an interdisciplinary approach to planning, which was not always in line with the socio-political situation.
{"title":"Belgrade memorial architecture in the \"Urbanizam Beograda\" journal 1969-1981","authors":"Miljana Mladenović","doi":"10.5937/a-u0-35475","DOIUrl":"https://doi.org/10.5937/a-u0-35475","url":null,"abstract":"The topic of the paper is the role of the urban profession in the planning of the memorial complexes and monuments in Belgrade from 1969 to 1981, during which the professional journal Urbanizam Beograda was published. Using articles published in the journal Urbanizam Beograda as its main source the paper will address the stance of the expert public in the decision-making process in the planning of memorials. This includes a review of articles on individual monuments in public spaces, urban development policies, and the most important competitions related to the memorials and monuments written about by different authors in Urbanizam Beograda. Looking at the broader historical context of Yugoslavia and its cultural policies through the prism of memorial architecture, different processes and key topics that influenced the urban design of the memorial will be addressed, as well as the regard the expert public had for the decision-making process. The research is based on an analysis of expert articles published in Urbanizam Beograda, as well as an analysis of the broader socio-political context of Belgrade, in order to expand understanding of the decisions and stance of the professional public in the period 1969 to 1981. The paper aims to establish a relationship between politics and the profession, as well as to identify the implementation of different planning mechanisms for creating collective memory, recognized in the journal Urbanizam Beograda. The results of the research point to specific articles about public spaces and competitions published in Urbanizam Beograda, in which the professional public had the autonomy to make decisions based on an interdisciplinary approach to planning, which was not always in line with the socio-political situation.","PeriodicalId":31335,"journal":{"name":"Arhitektura i Urbanizam","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71204155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Belgrade Fairground, built in the 1930s, was the first urban complex designed according to modern principles and the first physical structure built in Belgrade on the left bank of the Sava. During its existence, the complex has undergone radical changes - from a fairground, through a concentration camp during World War II, an art colony in the post-war period, to its current state as a marginalized urban segment inhabited by the homeless, with uncontrolled commercial development . These transformations over time have resulted in the creation of numerous layers of identity, which, from a contemporary point of view, the space itself should testify to. The paper examines the transformations that have taken place in the space, and refers to the mutually opposed events that to some extent have hindered the recovery and development of the former Belgrade Fairground. The paper, in the form of a case study, analyzes the space by exploring the application of dissonance in preserving and revitalizing the architectural heritage, since the concept of dissonance is important for articulating opposing meanings and emphasizing the plurality of values. In order to shed light upon all the characteristic phases of the complex's existence, its morphological transformations and then its functional transformations were analyzed, followed by a presentation of how its social relationship with the Belgrade Fairground has been transformed. Accordingly, the ultimate goal was to find a way to manifest the diversity of the fairground's value and its re-perception as belonging to the urban space.
{"title":"Dissonance as a concept of preserving the architectural heritage: Case study of the Belgrade Fairground","authors":"Stefan Slavić","doi":"10.5937/a-u0-30588","DOIUrl":"https://doi.org/10.5937/a-u0-30588","url":null,"abstract":"Belgrade Fairground, built in the 1930s, was the first urban complex designed according to modern principles and the first physical structure built in Belgrade on the left bank of the Sava. During its existence, the complex has undergone radical changes - from a fairground, through a concentration camp during World War II, an art colony in the post-war period, to its current state as a marginalized urban segment inhabited by the homeless, with uncontrolled commercial development . These transformations over time have resulted in the creation of numerous layers of identity, which, from a contemporary point of view, the space itself should testify to. The paper examines the transformations that have taken place in the space, and refers to the mutually opposed events that to some extent have hindered the recovery and development of the former Belgrade Fairground. The paper, in the form of a case study, analyzes the space by exploring the application of dissonance in preserving and revitalizing the architectural heritage, since the concept of dissonance is important for articulating opposing meanings and emphasizing the plurality of values. In order to shed light upon all the characteristic phases of the complex's existence, its morphological transformations and then its functional transformations were analyzed, followed by a presentation of how its social relationship with the Belgrade Fairground has been transformed. Accordingly, the ultimate goal was to find a way to manifest the diversity of the fairground's value and its re-perception as belonging to the urban space.","PeriodicalId":31335,"journal":{"name":"Arhitektura i Urbanizam","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71203671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Marija Lalošević, Nataša Danilović-Hristić, N. Stefanović
The practice of implementing urban plans for the construction area of the City of Belgrade has shown that in some cases they do not contain enough elements to implement directly. This is especially true for special purpose sites and facilities, whose design and construction require the pre-definition of more detailed conditions and rules of landscaping and construction. In order to address such issues, the authors explore the practice of developing urban analyses in the case of the air traffic control facility at Belgrade's Nikola Tesla Airport. The paper presents the starting points for developing an urban analysis and excerpts from relevant planning documents, while analyzing the existing condition of the site. The basic results of the analysis show the available capabilities and capacity of the site. In particular, the paper analyzes how well the criteria for building a flight control tower, as a tall object and future location benchmark, were fulfilled. The findings underscore the importance of urban analysis as an instrument for implementing planning solutions for special purpose facilities, which by their nature are unique and of the utmost national importance. The authors also look at urban analysis as a scientific method, while laying out basic guidelines and emphasizing the need for further research.
{"title":"Urban analysis of the possibility of building special purpose buildings: Case study of air traffic control facility at Nikola Tesla airport in the city of Belgrade","authors":"Marija Lalošević, Nataša Danilović-Hristić, N. Stefanović","doi":"10.5937/a-u0-38736","DOIUrl":"https://doi.org/10.5937/a-u0-38736","url":null,"abstract":"The practice of implementing urban plans for the construction area of the City of Belgrade has shown that in some cases they do not contain enough elements to implement directly. This is especially true for special purpose sites and facilities, whose design and construction require the pre-definition of more detailed conditions and rules of landscaping and construction. In order to address such issues, the authors explore the practice of developing urban analyses in the case of the air traffic control facility at Belgrade's Nikola Tesla Airport. The paper presents the starting points for developing an urban analysis and excerpts from relevant planning documents, while analyzing the existing condition of the site. The basic results of the analysis show the available capabilities and capacity of the site. In particular, the paper analyzes how well the criteria for building a flight control tower, as a tall object and future location benchmark, were fulfilled. The findings underscore the importance of urban analysis as an instrument for implementing planning solutions for special purpose facilities, which by their nature are unique and of the utmost national importance. The authors also look at urban analysis as a scientific method, while laying out basic guidelines and emphasizing the need for further research.","PeriodicalId":31335,"journal":{"name":"Arhitektura i Urbanizam","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71204221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The NCR campus is the first facility completed within the newly-planned unit of Block 42, according to an urban and architectural competition from 2014, which includes the design of a bus and train station, with an accompanying complex of business facilities and towers. The building in question is a business facility, positioned directly next to the platforms of the railway station, which leans on the existing physical structure with accentuated horizontality, and which has space in front of it reserved for a square, green areas and urban elements. The structure of the building is linear, longitudinal, and defi ned by the functional and technological conditions of the program and urban parameters, and the public square planned in front of it is an important integrative element in the composition. All of the floors in the facility are exclusively for business use, with offices, and rooms for meetings and presentations, and the necessary accompanying amenities. The facade is characterized by free, sculptural access to glass planes and aluminium brise soleils, and segmenting of the extremely long facade front into smaller units reduces the impression of the size of the building, introducing it to measurable urban dimensions. On the northeastern facade, facing the square, glass panels of different reflections have been placed at different depths and are intersected with a frame of horizontal and vertical metal brise soleils, creating an impression of spontaneity and irregularity. The facade oriented towards the railway platforms has a more industrial character and accentuated horizontal elements. The quality of the final aesthetic experience of the building was achieved by carefully applying the technical characteristics of the materials and functioning of the adopted details.
{"title":"Architecture as a gesture of contemporary culture office building, campus of the NCR multinational company, New Belgrade","authors":"Vladimir Lojanica","doi":"10.5937/a-u0-38814","DOIUrl":"https://doi.org/10.5937/a-u0-38814","url":null,"abstract":"The NCR campus is the first facility completed within the newly-planned unit of Block 42, according to an urban and architectural competition from 2014, which includes the design of a bus and train station, with an accompanying complex of business facilities and towers. The building in question is a business facility, positioned directly next to the platforms of the railway station, which leans on the existing physical structure with accentuated horizontality, and which has space in front of it reserved for a square, green areas and urban elements. The structure of the building is linear, longitudinal, and defi ned by the functional and technological conditions of the program and urban parameters, and the public square planned in front of it is an important integrative element in the composition. All of the floors in the facility are exclusively for business use, with offices, and rooms for meetings and presentations, and the necessary accompanying amenities. The facade is characterized by free, sculptural access to glass planes and aluminium brise soleils, and segmenting of the extremely long facade front into smaller units reduces the impression of the size of the building, introducing it to measurable urban dimensions. On the northeastern facade, facing the square, glass panels of different reflections have been placed at different depths and are intersected with a frame of horizontal and vertical metal brise soleils, creating an impression of spontaneity and irregularity. The facade oriented towards the railway platforms has a more industrial character and accentuated horizontal elements. The quality of the final aesthetic experience of the building was achieved by carefully applying the technical characteristics of the materials and functioning of the adopted details.","PeriodicalId":31335,"journal":{"name":"Arhitektura i Urbanizam","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71204227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Polyvalence (gr. poly multi, nlat. valentia value - multivalued, ambiguous, multipurpose) is a term that has a wide range of uses in science and art. Polyvalence usually implies different ways (regimes) of using the same space, i.e., the adaptability of space to different human needs, with minimal physical modifications. It is a common opinion in science that the term polyvalence in residential architecture primarily refers to the level of an entire apartment or house, i.e., to the possibility of reorganizing the internal structure (conversion of the premises), which can be seen as a broader interpretation of the term. On the other hand, there is a narrower interpretation which refers to the polyvalence of a part of an apartment, to a particular space or room, i.e., to the possibility of overlapping housing functions at different times in the same space, a so-called open plan. The research considers the concepts of spatial organization in polyvalent residential spaces with an open plan. The scientific analysis of reference sources, the interpretation and analysis of characteristic examples, and the deductive method, were used to investigate polyvalent open-plan living spaces, with the aim of ascertaining their most important characteristics and the principles of their spatial organization.
{"title":"Polyvalence of an open plan apartment: Characteristics and spatial organization principles","authors":"Đorđe Alfirević, Sanja Simonović-Alfirević","doi":"10.5937/a-u0-34066","DOIUrl":"https://doi.org/10.5937/a-u0-34066","url":null,"abstract":"Polyvalence (gr. poly multi, nlat. valentia value - multivalued, ambiguous, multipurpose) is a term that has a wide range of uses in science and art. Polyvalence usually implies different ways (regimes) of using the same space, i.e., the adaptability of space to different human needs, with minimal physical modifications. It is a common opinion in science that the term polyvalence in residential architecture primarily refers to the level of an entire apartment or house, i.e., to the possibility of reorganizing the internal structure (conversion of the premises), which can be seen as a broader interpretation of the term. On the other hand, there is a narrower interpretation which refers to the polyvalence of a part of an apartment, to a particular space or room, i.e., to the possibility of overlapping housing functions at different times in the same space, a so-called open plan. The research considers the concepts of spatial organization in polyvalent residential spaces with an open plan. The scientific analysis of reference sources, the interpretation and analysis of characteristic examples, and the deductive method, were used to investigate polyvalent open-plan living spaces, with the aim of ascertaining their most important characteristics and the principles of their spatial organization.","PeriodicalId":31335,"journal":{"name":"Arhitektura i Urbanizam","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71203487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper analyses the conditions and possibilities with regard to preserving vernacular architecture in the area of Stara Planina Mountain, Serbia. The field research, conducted from 2003 to 2015, recorded and documented architectural heritage in the villages on the western slopes of Stara Planina Mountain. The areas of Gornji Visok and Zabrdje on the slopes of Vidlič were primarily explored. Considering that the valuable architectural heritage in this area is in a state of alarming threat, and disappearing at high speed, the article discusses the possibilities with regard to its preservation through the formation of an architectural reserve, as a spatially defined and functionally unique place based on a synthesis of created and natural heritage. The reserve's structure would consist of architectural cores that are entire villages, or isolated localities with authentic houses of vernacular architecture. The architectural cores would be interconnected by road infrastructure, forming a specific architectural route. The constituent elements of the reserve would also include natural heritage, and geomorphological, geological, hydrological and hydrogeological features. The formation of the architectural reserve also aims to utilise built and natural structures, educate inhabitants and visitors, and develop tourism. In that way, the potential for financing the preservation of the unique architectural heritage of Stara Planina could be initiated.
{"title":"An architectural reserve as a heritage preservation structure: The example of Stara Planina villages","authors":"Gorica Ljubenov, Zlata Vuksanović-Macura","doi":"10.5937/a-u0-34659","DOIUrl":"https://doi.org/10.5937/a-u0-34659","url":null,"abstract":"This paper analyses the conditions and possibilities with regard to preserving vernacular architecture in the area of Stara Planina Mountain, Serbia. The field research, conducted from 2003 to 2015, recorded and documented architectural heritage in the villages on the western slopes of Stara Planina Mountain. The areas of Gornji Visok and Zabrdje on the slopes of Vidlič were primarily explored. Considering that the valuable architectural heritage in this area is in a state of alarming threat, and disappearing at high speed, the article discusses the possibilities with regard to its preservation through the formation of an architectural reserve, as a spatially defined and functionally unique place based on a synthesis of created and natural heritage. The reserve's structure would consist of architectural cores that are entire villages, or isolated localities with authentic houses of vernacular architecture. The architectural cores would be interconnected by road infrastructure, forming a specific architectural route. The constituent elements of the reserve would also include natural heritage, and geomorphological, geological, hydrological and hydrogeological features. The formation of the architectural reserve also aims to utilise built and natural structures, educate inhabitants and visitors, and develop tourism. In that way, the potential for financing the preservation of the unique architectural heritage of Stara Planina could be initiated.","PeriodicalId":31335,"journal":{"name":"Arhitektura i Urbanizam","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71203497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Roman Limes, the former natural border of the Roman Empire, has been recognized as a cultural landscape with exceptional universal values of international importance by the relevant organization for the protection of cultural and natural heritage - UNESCO. The Danube River is an integral part of the Roman Limes, a testimony to the culture and traditions of the peoples who lived on the banks of the Danube, as well as cultural heritage in general. Within the part of the Danube River that passes through the Republic of Serbia, the Djerdap segment stands out. It includes sites of different historical periods (prehistoric, ancient and medieval) and is significant cultural heritage on an international level. However, most of the sites are underwater as a result of the construction of the Djerdap Hydroelectric Power Plant. Consequently, insufficient access to its cultural heritage has led to its insufficient presentation and promotion, but also a lack of information about the existence of the cultural heritage. Therefore, the main goals of this paper are to spread knowledge about Djerdap's cultural and natural heritage, to promote its importance, to identify potential for integrating the cultural heritage into contemporary trends through the affirmation of cultural routes, and to establish sustainable development of the cultural landscape. The results of the research are presented through an urban architectural project that represents the sublimation of critical attitudes formed with regard to the protection, presentation and promotion of cultural heritage. The project draws from a literature analysis, case studies and examples of good practice relevant to the research. The expected results of the research include raising awareness of the importance of Djerdap's cultural heritage through promoting a cultural route and forming a potential model for the use of its cultural heritage in the process of establishing sustainable development of the cultural landscape.
{"title":"Cultural and natural heritage of Djerdap: Lost history or potential for sustainable development?","authors":"M. Nikolić, J. Ščekić","doi":"10.5937/a-u0-37943","DOIUrl":"https://doi.org/10.5937/a-u0-37943","url":null,"abstract":"The Roman Limes, the former natural border of the Roman Empire, has been recognized as a cultural landscape with exceptional universal values of international importance by the relevant organization for the protection of cultural and natural heritage - UNESCO. The Danube River is an integral part of the Roman Limes, a testimony to the culture and traditions of the peoples who lived on the banks of the Danube, as well as cultural heritage in general. Within the part of the Danube River that passes through the Republic of Serbia, the Djerdap segment stands out. It includes sites of different historical periods (prehistoric, ancient and medieval) and is significant cultural heritage on an international level. However, most of the sites are underwater as a result of the construction of the Djerdap Hydroelectric Power Plant. Consequently, insufficient access to its cultural heritage has led to its insufficient presentation and promotion, but also a lack of information about the existence of the cultural heritage. Therefore, the main goals of this paper are to spread knowledge about Djerdap's cultural and natural heritage, to promote its importance, to identify potential for integrating the cultural heritage into contemporary trends through the affirmation of cultural routes, and to establish sustainable development of the cultural landscape. The results of the research are presented through an urban architectural project that represents the sublimation of critical attitudes formed with regard to the protection, presentation and promotion of cultural heritage. The project draws from a literature analysis, case studies and examples of good practice relevant to the research. The expected results of the research include raising awareness of the importance of Djerdap's cultural heritage through promoting a cultural route and forming a potential model for the use of its cultural heritage in the process of establishing sustainable development of the cultural landscape.","PeriodicalId":31335,"journal":{"name":"Arhitektura i Urbanizam","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71204216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The city of Osijek has experienced many changes in its cityscape throughout history. Osijek has many recognizable features which include an Austro-Hungarian Baroque fortress, the Classicist Upper Town, and the Art Nouveau European Avenue; also, the fact that three more historical layers exist: Roman, medieval and Turkish, is often overlooked. The main reason for this is the fact that the archaeological heritage of those periods is almost invisible. This paper is based on the hypothesis that the integration of ancient heritage can be a valuable asset when designing a modern city. The subject of this paper is the integration of the ancient heritage of Osijek into the modern architecture of the city in the 21st century, with special reference to a site within its protected cultural and historical area, which is part of Roman Mursa. The critical literature analysis illustrates the importance of cultural heritage preservation in the identity of a place, society and humanity. Cultural heritage is recognized as a bearer of identity and a resource of cultural diversity in the conditions of growing standardization, gentrification and (post) globalization.
{"title":"The integration of ancient heritage in a modern city: A case study of Osijek, Croatia","authors":"Danijela Rogina","doi":"10.5937/a-u0-35421","DOIUrl":"https://doi.org/10.5937/a-u0-35421","url":null,"abstract":"The city of Osijek has experienced many changes in its cityscape throughout history. Osijek has many recognizable features which include an Austro-Hungarian Baroque fortress, the Classicist Upper Town, and the Art Nouveau European Avenue; also, the fact that three more historical layers exist: Roman, medieval and Turkish, is often overlooked. The main reason for this is the fact that the archaeological heritage of those periods is almost invisible. This paper is based on the hypothesis that the integration of ancient heritage can be a valuable asset when designing a modern city. The subject of this paper is the integration of the ancient heritage of Osijek into the modern architecture of the city in the 21st century, with special reference to a site within its protected cultural and historical area, which is part of Roman Mursa. The critical literature analysis illustrates the importance of cultural heritage preservation in the identity of a place, society and humanity. Cultural heritage is recognized as a bearer of identity and a resource of cultural diversity in the conditions of growing standardization, gentrification and (post) globalization.","PeriodicalId":31335,"journal":{"name":"Arhitektura i Urbanizam","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71203513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The quality of common open public spaces is conditioned, among other things, by the layout and characteristics of the facilities located in their immediate vicinity, but also by the functions and contents, equipment and materialization of the ground floor of those facilities. For this reason, interventions on existing facilities and the construction of new ones around common open public spaces can positivelyor negatively affect the quality of these areas. The construction of New Belgrade began in 1948 and continues today. In the area of New Belgrade, the network of common open public spaces covers more than 50% of the total area of the municipality. Initially, the blocks in New Belgrade were built on the basis of a unique planning solution. The transformation of the blocks began in the 1990s in the post-socialist period, when it became possible to change the legal regulations and enable a greater participation of private investments in the processes of reconstruction and new construction. In order to determine the real impact of the reconstruction of mega blocks on the quality of common open public spaces, this paper will present the criteria for determining the quality of these spaces. The criteria will help to examine the differences between the quality of common open public spaces within a block that has had frequent interventions and one where there have been no significant interventions over the last few decades. The conclusions should provide an answer as to whether and to what extent spatial interventions affect the quality of common open public spaces.
{"title":"The impact of the reconstruction of megablocks (1990-2020) on the quality of common open public spaces: Blocks 21 and 28 in New Belgrade","authors":"S. Bulatović","doi":"10.5937/a-u0-30400","DOIUrl":"https://doi.org/10.5937/a-u0-30400","url":null,"abstract":"The quality of common open public spaces is conditioned, among other things, by the layout and characteristics of the facilities located in their immediate vicinity, but also by the functions and contents, equipment and materialization of the ground floor of those facilities. For this reason, interventions on existing facilities and the construction of new ones around common open public spaces can positivelyor negatively affect the quality of these areas. The construction of New Belgrade began in 1948 and continues today. In the area of New Belgrade, the network of common open public spaces covers more than 50% of the total area of the municipality. Initially, the blocks in New Belgrade were built on the basis of a unique planning solution. The transformation of the blocks began in the 1990s in the post-socialist period, when it became possible to change the legal regulations and enable a greater participation of private investments in the processes of reconstruction and new construction. In order to determine the real impact of the reconstruction of mega blocks on the quality of common open public spaces, this paper will present the criteria for determining the quality of these spaces. The criteria will help to examine the differences between the quality of common open public spaces within a block that has had frequent interventions and one where there have been no significant interventions over the last few decades. The conclusions should provide an answer as to whether and to what extent spatial interventions affect the quality of common open public spaces.","PeriodicalId":31335,"journal":{"name":"Arhitektura i Urbanizam","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71203654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper presents the competitions for developing urban-architectural solutions for Orthodox churches in Niš which took place from 1998 to 2021. In the past two years, student competitions for churches in Niš have taken place under the theme of "Sacred Architecture" at the Faculty of Civil Engineering and Architecture, University of Niš, in cooperation with the Orthodox Diocese of Niš. In addition to documenting the award-winning works, the paper analyzes the results of the competitions, with the aim of improving competition practice. The review of the competition entries is also related to the possibility of introducing sacral architecture into architectural educational, with the aim of improving the architectural design of Serbian Orthodox churches and documenting the competitions in Niš in order to development ideas for Serbian Orthodox churches. Based on the entries presented and analysis of the award-winning solutions, the importance of this phenomenon is highlighted.
{"title":"Competitions for the design of Orthodox churches in Niš 1998-2021","authors":"M. Stanimirovic","doi":"10.5937/a-u0-32760","DOIUrl":"https://doi.org/10.5937/a-u0-32760","url":null,"abstract":"This paper presents the competitions for developing urban-architectural solutions for Orthodox churches in Niš which took place from 1998 to 2021. In the past two years, student competitions for churches in Niš have taken place under the theme of \"Sacred Architecture\" at the Faculty of Civil Engineering and Architecture, University of Niš, in cooperation with the Orthodox Diocese of Niš. In addition to documenting the award-winning works, the paper analyzes the results of the competitions, with the aim of improving competition practice. The review of the competition entries is also related to the possibility of introducing sacral architecture into architectural educational, with the aim of improving the architectural design of Serbian Orthodox churches and documenting the competitions in Niš in order to development ideas for Serbian Orthodox churches. Based on the entries presented and analysis of the award-winning solutions, the importance of this phenomenon is highlighted.","PeriodicalId":31335,"journal":{"name":"Arhitektura i Urbanizam","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71203812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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