Pub Date : 2022-04-30DOI: 10.33093/ijcm.2022.3.1.4
Muhammad Abdul Malik Saedon
Preserving the Malay heritage, like traditional Malay houses, through virtual reality (VR) technology benefits tourists in terms of learnability and initial experience. Through this technology, tourists have the opportunity to experience the surroundings of a traditional Malay house without being physically present in it. To investigate the tourists’ experience towards the virtual traditional Malay house, their perception needs to be studied. Hence, this study was conducted to investigate the six measurements: (i) functionality, (ii) learnability, (iii) usefulness, (iv) perceived ease of use, (v) sense of immersion, and (vi) outcome/future application of VR to a traditional Malay house. Prior to the investigation, an application that consists of virtual environments of traditional Malay houses was developed. Next, this application, called the "virtual reality application of traditional Malay house," was presented to 30 tourists to assess their perception. To assess the tourists’ perception, they need to use and experience the surroundings of the traditional Malay house via the VR application. As a result, the virtual application of the traditional Malay house was reliable for the six measurements, and the use of VR technology was useful to preserve the traditional Malay house in its 3-dimensional form. VR will make it easier for future generations to enjoy and experience traditional Malaysian homes. This will help them appreciate and enjoy them.
{"title":"Tourists’ Perception on Virtual Reality Application of Traditional Malay House","authors":"Muhammad Abdul Malik Saedon","doi":"10.33093/ijcm.2022.3.1.4","DOIUrl":"https://doi.org/10.33093/ijcm.2022.3.1.4","url":null,"abstract":"Preserving the Malay heritage, like traditional Malay houses, through virtual reality (VR) technology benefits tourists in terms of learnability and initial experience. Through this technology, tourists have the opportunity to experience the surroundings of a traditional Malay house without being physically present in it. To investigate the tourists’ experience towards the virtual traditional Malay house, their perception needs to be studied. Hence, this study was conducted to investigate the six measurements: (i) functionality, (ii) learnability, (iii) usefulness, (iv) perceived ease of use, (v) sense of immersion, and (vi) outcome/future application of VR to a traditional Malay house. Prior to the investigation, an application that consists of virtual environments of traditional Malay houses was developed. Next, this application, called the \"virtual reality application of traditional Malay house,\" was presented to 30 tourists to assess their perception. To assess the tourists’ perception, they need to use and experience the surroundings of the traditional Malay house via the VR application. As a result, the virtual application of the traditional Malay house was reliable for the six measurements, and the use of VR technology was useful to preserve the traditional Malay house in its 3-dimensional form. VR will make it easier for future generations to enjoy and experience traditional Malaysian homes. This will help them appreciate and enjoy them.","PeriodicalId":313823,"journal":{"name":"International Journal of Creative Multimedia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131497894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-30DOI: 10.33093/ijcm.2021.2.2.4
M. A. A. Tarmizi, S. A. Hassan, Mohd Fuad Md Arif, Luqmanul Hakim Zulkornain
This research utilised the practise-based method of art focussing on the hero’s journey and his inquiry in the search for information and knowledge related to Hikayat Raja Pasai; a Malay mythological narrative, for the conceptual framing within phenomenology and methodology (practise-based research). Therefore, this research unfolds the creative process revealing the gaps in reading the narrative into drawing practise, animation making, and hermeneutic phenomenology method as an important instrument in practise-based research.
这项研究利用了基于实践的艺术方法，专注于英雄的旅程和他在寻找与Hikayat Raja Pasai相关的信息和知识的探究;马来神话叙事，现象学和方法论的概念框架(基于实践的研究)。因此，本研究将揭示阅读叙事空白的创作过程展开为绘画实践、动画制作、以及作为实践研究重要工具的解释学现象学方法。
{"title":"A Hermeneutic Phenomenological Study of the Encountering of Hikayat Raja Pasai as A Hero’s Journey via Animated Drawing","authors":"M. A. A. Tarmizi, S. A. Hassan, Mohd Fuad Md Arif, Luqmanul Hakim Zulkornain","doi":"10.33093/ijcm.2021.2.2.4","DOIUrl":"https://doi.org/10.33093/ijcm.2021.2.2.4","url":null,"abstract":"This research utilised the practise-based method of art focussing on the hero’s journey and his inquiry in the search for information and knowledge related to Hikayat Raja Pasai; a Malay mythological narrative, for the conceptual framing within phenomenology and methodology (practise-based research). Therefore, this research unfolds the creative process revealing the gaps in reading the narrative into drawing practise, animation making, and hermeneutic phenomenology method as an important instrument in practise-based research.","PeriodicalId":313823,"journal":{"name":"International Journal of Creative Multimedia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132065189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-30DOI: 10.33093/ijcm.2021.2.2.1
N. Ahmad
This study analyses types of source selection adopted by two online newspapers in regard to the COVID-19 reporting in Malaysia.
本研究分析了两家在线报纸在马来西亚报道COVID-19时采用的来源选择类型。
{"title":"Crisis Reporting and Journalistic Sourcing in Malaysian News","authors":"N. Ahmad","doi":"10.33093/ijcm.2021.2.2.1","DOIUrl":"https://doi.org/10.33093/ijcm.2021.2.2.1","url":null,"abstract":"This study analyses types of source selection adopted by two online newspapers in regard to the COVID-19 reporting in Malaysia.","PeriodicalId":313823,"journal":{"name":"International Journal of Creative Multimedia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122580398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-30DOI: 10.33093/ijcm.2021.2.2.2
Nur Sarahaina Ahmad Anuar, Muhammad Syahiran Mahmud Fauzi, N. H. Azmi, Norshahila Ibrahim, Erni Marlina Saari, Fadhlina Mohd Razali
This research aims to propose a Chemi-Chronicle game, a periodic table game that may help memorization tasks become more enjoyable.
这项研究旨在提出一个化学编年史游戏，一个元素周期表游戏，可以帮助记忆任务变得更愉快。
{"title":"Design and Development of Periodic Table Game for Students in Secondary School","authors":"Nur Sarahaina Ahmad Anuar, Muhammad Syahiran Mahmud Fauzi, N. H. Azmi, Norshahila Ibrahim, Erni Marlina Saari, Fadhlina Mohd Razali","doi":"10.33093/ijcm.2021.2.2.2","DOIUrl":"https://doi.org/10.33093/ijcm.2021.2.2.2","url":null,"abstract":"This research aims to propose a Chemi-Chronicle game, a periodic table game that may help memorization tasks become more enjoyable.","PeriodicalId":313823,"journal":{"name":"International Journal of Creative Multimedia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133475611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper intends to go below the surface of Eric Rohmer’s 1986 masterpiece, to discover what is really being said in the film. It is but a brief look at the film’s naturalistic approach that carries elements of philosophy while also giving it a psychological touch. It is not too difficult a task as clues to what the film is really about are scattered throughout the screenplay. Eric Rohmer alludes to cinema being an art, eschewing the visual fireworks of commercial cinema and instead explores a character’s imagination and obsession
{"title":"The Green Ray By Eric Rohmer: An Attempt To Find The Real Story","authors":"Nazirull Safry Paijo, H. Muthalib","doi":"10.33093/IJCM.2021.1.5","DOIUrl":"https://doi.org/10.33093/IJCM.2021.1.5","url":null,"abstract":"This paper intends to go below the surface of Eric Rohmer’s 1986 masterpiece, to discover what is really being said in the film. It is but a brief look at the film’s naturalistic approach that carries elements of philosophy while also giving it a psychological touch. It is not too difficult a task as clues to what the film is really about are scattered throughout the screenplay. Eric Rohmer alludes to cinema being an art, eschewing the visual fireworks of commercial cinema and instead explores a character’s imagination and obsession","PeriodicalId":313823,"journal":{"name":"International Journal of Creative Multimedia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132391241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-30DOI: 10.33093/ijcm.2020.1.2.1
Tan Wee Hoe
This paper present an account of a student-led gamification practice in an undergraduate Design History course. The purpose of this action research study was to improve the teaching practice, while affording the students to enjoy the process of developing content knowledge and historical thinking skills in the history lesson.
{"title":"Student-led Gamification in the Undergraduate Design History Course","authors":"Tan Wee Hoe","doi":"10.33093/ijcm.2020.1.2.1","DOIUrl":"https://doi.org/10.33093/ijcm.2020.1.2.1","url":null,"abstract":"This paper present an account of a student-led gamification practice in an undergraduate Design History course. The purpose of this action research study was to improve the teaching practice, while affording the students to enjoy the process of developing content knowledge and historical thinking skills in the history lesson.","PeriodicalId":313823,"journal":{"name":"International Journal of Creative Multimedia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127033720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Karya(2017), a debut feature film from Abror Rivai, takes a highly personal approach in the telling of its story -a marked contrast to the usual, popular and prevalent genres. It is Abror's expression of his concerns for the future of Malay film storytelling and its filmmakers, who he sees as continuing the tradition of the village storytellers of ancient times. Abror also indulges in intertextuality by referencing many films wherein he sees narrative and stylistic similarities with his own approach. This paper explores some of Abror's concerns about Malay film storytelling as well as that of the state of the mainstream film industry which keeps churning out inane films which only appeal to a commercial, non-thinking audience. It is this that is preventing the rise of young, formally-trained filmmakers, who like himself, are eager to give voice to new, alternative and meaningful narratives. Abror has taken it upon his shoulders to initiate a long-awaited change in the state of affairs, come hell or high water, and to bring Malay cinema to be at par with world cinema.
{"title":"Film Review Karya, A Film by Abror Rivai: Calmly Waiting for the Community","authors":"H. Muthalib","doi":"10.33093/ijcm.1.2.5","DOIUrl":"https://doi.org/10.33093/ijcm.1.2.5","url":null,"abstract":"Karya(2017), a debut feature film from Abror Rivai, takes a highly personal approach in the telling of its story -a marked contrast to the usual, popular and prevalent genres. It is Abror's expression of his concerns for the future of Malay film storytelling and its filmmakers, who he sees as continuing the tradition of the village storytellers of ancient times. Abror also indulges in intertextuality by referencing many films wherein he sees narrative and stylistic similarities with his own approach. This paper explores some of Abror's concerns about Malay film storytelling as well as that of the state of the mainstream film industry which keeps churning out inane films which only appeal to a commercial, non-thinking audience. It is this that is preventing the rise of young, formally-trained filmmakers, who like himself, are eager to give voice to new, alternative and meaningful narratives. Abror has taken it upon his shoulders to initiate a long-awaited change in the state of affairs, come hell or high water, and to bring Malay cinema to be at par with world cinema.","PeriodicalId":313823,"journal":{"name":"International Journal of Creative Multimedia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121442192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-09-30DOI: 10.33093/ijcm.2020.1.2.3
E. A. Sharji, Lim Yan Peng, P. Woods, Vimala Perumal, Rose Linda Zainal Abidin
The challenge of transforming an empty space into a gallery setting takes on the concept of place making. A place can be seen as space that has meaning when the setting considers space, surroundings, contents, the people and its activities. This research concentrates on investigating how visitors perceive the space by gauging their sense of place (sense of belonging towards a place). Galleries are currently facing changes in this technological era whereby multiple content and context, space and form, display modes, tools and devices are introduced in one single space. An observational study was done during the Foundation Studies Annual Exhibition held at Faculty of Creative Multimedia, Multimedia University. The exhibition was curated and managed by staff and students of Foundation Year showcasing an array of design works. Analogue and digital presentations of paintings, drawings, sculptures, photography and video works were displayed.. The outcome of this research will contribute towards a better design criteria of place making which affects individual behaviour, social values and attitudes. Characterizing types of visitor experience will improve the understanding of a better design criteria of place making, acceptance, understanding and satisfaction.
{"title":"Sense of Place in Place Making of Creative Multimedia Foundation Studies Annual Exhibition","authors":"E. A. Sharji, Lim Yan Peng, P. Woods, Vimala Perumal, Rose Linda Zainal Abidin","doi":"10.33093/ijcm.2020.1.2.3","DOIUrl":"https://doi.org/10.33093/ijcm.2020.1.2.3","url":null,"abstract":"The challenge of transforming an empty space into a gallery setting takes on the concept of place making. A place can be seen as space that has meaning when the setting considers space, surroundings, contents, the people and its activities. This research concentrates on investigating how visitors perceive the space by gauging their sense of place (sense of belonging towards a place). Galleries are currently facing changes in this technological era whereby multiple content and context, space and form, display modes, tools and devices are introduced in one single space. An observational study was done during the Foundation Studies Annual Exhibition held at Faculty of Creative Multimedia, Multimedia University. The exhibition was curated and managed by staff and students of Foundation Year showcasing an array of design works. Analogue and digital presentations of paintings, drawings, sculptures, photography and video works were displayed.. The outcome of this research will contribute towards a better design criteria of place making which affects individual behaviour, social values and attitudes. Characterizing types of visitor experience will improve the understanding of a better design criteria of place making, acceptance, understanding and satisfaction.","PeriodicalId":313823,"journal":{"name":"International Journal of Creative Multimedia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132953610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-18DOI: 10.33093/ijcm.2020.1.1.3
Roopesh Sitharan
In the context of communication, especially dialogic and generative approach to expression of culture, the concept of Art can seem as the best mode of conveyance. Such enunciation of culture through Art is substantiated by capturing all the sufficient properties of the subject of Art through language. Simply put, language is employed to describe, comprehend and communicate ideas represented in Art by having concrete sets of communicative principles that governs meaning. This paper argues such governance of meaning by language limits the potentiality of Art. It proposes the inherent obscurity in defining Art operates as a radical deconditioning through which any attempt to fix the representational meaning of Art by language is resisted. Specifically, the paper considers such resistance with the use of word ‘ANTARA’ as an exhibition concept in which works that were shown are inextricably bound by the mutual conditionality relation between language occurrence and specificity of cultural expression
{"title":"ANTARA: In-between Language and Art","authors":"Roopesh Sitharan","doi":"10.33093/ijcm.2020.1.1.3","DOIUrl":"https://doi.org/10.33093/ijcm.2020.1.1.3","url":null,"abstract":"In the context of communication, especially dialogic and generative approach to expression of culture, the concept of Art can seem as the best mode of conveyance. Such enunciation of culture through Art is substantiated by capturing all the sufficient properties of the subject of Art through language. Simply put, language is employed to describe, comprehend and communicate ideas represented in Art by having concrete sets of communicative principles that governs meaning. This paper argues such governance of meaning by language limits the potentiality of Art. It proposes the inherent obscurity in defining Art operates as a radical deconditioning through which any attempt to fix the representational meaning of Art by language is resisted. Specifically, the paper considers such resistance with the use of word ‘ANTARA’ as an exhibition concept in which works that were shown are inextricably bound by the mutual conditionality relation between language occurrence and specificity of cultural expression","PeriodicalId":313823,"journal":{"name":"International Journal of Creative Multimedia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128247839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2020-05-18DOI: 10.33093/ijcm.2020.1.1.7
Tengku Intan Maimunah Tengku Sabri
This article reflects on my experience in making the short documentary Dark Drawings Unpacked (2019). The documentary explores the life of a Malaysian artist, Tengku Sabri Tengku Ibrahim after a stroke attack. Essentially an artist biopic, the documentary traces the various implications of stroke pertaining to the artist’s life and work, including immobility and post-stroke depression. The documentary also unpacks the underlying themes of the artworks Dark Drawings as well as advances understanding on the artist’s struggles with stroke, sanity, and God. Finally, the documentary emphasizes the importance of art as an effective medium of expression for the chaotic and creative minds. This paper further attempts to reflect on the ways in which me as the director tackled challenges such as the artist’s personality representation, visualization of the artistic creation process, the relation between the style of the documentary and that of the artist portrayed, and the challenges of audio narration and editing. Finally, the article concludes that the documentary serves as a cinematic history of the artist, captures the universality of his experiences, and illustrates the many ways in which art was, and remains, a powerful medium for healing and expression
{"title":"Filming Visual Artist Biopic: Reflections on the Making of Short Documentary Dark Drawings Unpacked","authors":"Tengku Intan Maimunah Tengku Sabri","doi":"10.33093/ijcm.2020.1.1.7","DOIUrl":"https://doi.org/10.33093/ijcm.2020.1.1.7","url":null,"abstract":"This article reflects on my experience in making the short documentary Dark Drawings Unpacked (2019). The documentary explores the life of a Malaysian artist, Tengku Sabri Tengku Ibrahim after a stroke attack. Essentially an artist biopic, the documentary traces the various implications of stroke pertaining to the artist’s life and work, including immobility and post-stroke depression. The documentary also unpacks the underlying themes of the artworks Dark Drawings as well as advances understanding on the artist’s struggles with stroke, sanity, and God. Finally, the documentary emphasizes the importance of art as an effective medium of expression for the chaotic and creative minds. This paper further attempts to reflect on the ways in which me as the director tackled challenges such as the artist’s personality representation, visualization of the artistic creation process, the relation between the style of the documentary and that of the artist portrayed, and the challenges of audio narration and editing. Finally, the article concludes that the documentary serves as a cinematic history of the artist, captures the universality of his experiences, and illustrates the many ways in which art was, and remains, a powerful medium for healing and expression","PeriodicalId":313823,"journal":{"name":"International Journal of Creative Multimedia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122729477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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