Pub Date : 2023-06-06DOI: 10.31763/viperarts.v5i1.1044
M. Rosandini, Dewi Isma Aryani, Elliati Djakaria, Riana Plourida Hura, Nadiah Salsabila, Jeng Oetari, Prafitra Viniani, Roro Retno Wulan
LORI SME (Small and Medium Enterprise), operating as a producer of fashion accessories characterized by local craftsmanship, encounters challenges in accommodating diverse customer preferences due to resource constraints. To unleash its full potential, there exists a pressing need to adopt innovative design methodologies. This research endeavors to investigate the application of a modular design approach as a strategic solution for augmenting the variety of LORI SME accessories, thereby facilitating the creation of a range of jewelry products that can be easily tailored and adapted to meet individual customer requirements. The study utilizes a qualitative research methodology, encompassing literature reviews, interviews with the owner, exploration of visual motifs and materials, and practice-based research. The findings of this research illuminate that the adoption of a modular design approach significantly enhances the diversity of LORI SME's jewelry offerings, particularly in the case of its necklace products. This modular approach provides SMEs with a broader array of customizable necklace options characterized by distinctive local motifs and high craftsmanship value. These findings furnish valuable insights for SMEs within the LORI SME sector aiming to expand their product portfolios. Additionally, they offer guidance to designers and artisans regarding the potential advantages and challenges associated with the incorporation of modular design strategies in the broader context of small business innovation and product development.
{"title":"Leveraging the modular design approach to enhance variation of SME LORI jewelry","authors":"M. Rosandini, Dewi Isma Aryani, Elliati Djakaria, Riana Plourida Hura, Nadiah Salsabila, Jeng Oetari, Prafitra Viniani, Roro Retno Wulan","doi":"10.31763/viperarts.v5i1.1044","DOIUrl":"https://doi.org/10.31763/viperarts.v5i1.1044","url":null,"abstract":"LORI SME (Small and Medium Enterprise), operating as a producer of fashion accessories characterized by local craftsmanship, encounters challenges in accommodating diverse customer preferences due to resource constraints. To unleash its full potential, there exists a pressing need to adopt innovative design methodologies. This research endeavors to investigate the application of a modular design approach as a strategic solution for augmenting the variety of LORI SME accessories, thereby facilitating the creation of a range of jewelry products that can be easily tailored and adapted to meet individual customer requirements. The study utilizes a qualitative research methodology, encompassing literature reviews, interviews with the owner, exploration of visual motifs and materials, and practice-based research. The findings of this research illuminate that the adoption of a modular design approach significantly enhances the diversity of LORI SME's jewelry offerings, particularly in the case of its necklace products. This modular approach provides SMEs with a broader array of customizable necklace options characterized by distinctive local motifs and high craftsmanship value. These findings furnish valuable insights for SMEs within the LORI SME sector aiming to expand their product portfolios. Additionally, they offer guidance to designers and artisans regarding the potential advantages and challenges associated with the incorporation of modular design strategies in the broader context of small business innovation and product development.","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139370728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-06DOI: 10.31763/viperarts.v5i1.920
Peter Ardhianto, Yonathan Purbo Santosa, Yori Pusparani
Layout variation is an essential concept in design and allows designers to create a sense of depth and complexity in their work. However, manually creating layout variations can be time-consuming and limit a designer's creativity. The use of generative art as a tool for creating visual poster designs that emphasize layout variety is explored in this study. Deep learning through generative art offers a solution by using an algorithm to generate layout variations automatically. This paper uses the VQGAN and CLIP approach to describe a generative art system, which renders images via a text prompt and produces a series of variations based on the zoom parameter 0.95 and shifts the y-axis 5 pixels. Our experiment shows that one frame can be generated roughly in 10.108±0.226 seconds, significantly faster than the conventional method for creating layouts on poster design. The model achieved a good quality image, scoring 4.248 using an inception score evaluation. The layout variations can be used as a basis for poster design visuals, allowing designers to explore different visual representations of layouts. This paper demonstrates the potential of generative art to explore layout variation in visual design, offering designers a new approach to creating dynamic and engaging visual designs.
{"title":"A Generative Deep Learning for Exploring Layout Variation on Visual Poster Design","authors":"Peter Ardhianto, Yonathan Purbo Santosa, Yori Pusparani","doi":"10.31763/viperarts.v5i1.920","DOIUrl":"https://doi.org/10.31763/viperarts.v5i1.920","url":null,"abstract":"Layout variation is an essential concept in design and allows designers to create a sense of depth and complexity in their work. However, manually creating layout variations can be time-consuming and limit a designer's creativity. The use of generative art as a tool for creating visual poster designs that emphasize layout variety is explored in this study. Deep learning through generative art offers a solution by using an algorithm to generate layout variations automatically. This paper uses the VQGAN and CLIP approach to describe a generative art system, which renders images via a text prompt and produces a series of variations based on the zoom parameter 0.95 and shifts the y-axis 5 pixels. Our experiment shows that one frame can be generated roughly in 10.108±0.226 seconds, significantly faster than the conventional method for creating layouts on poster design. The model achieved a good quality image, scoring 4.248 using an inception score evaluation. The layout variations can be used as a basis for poster design visuals, allowing designers to explore different visual representations of layouts. This paper demonstrates the potential of generative art to explore layout variation in visual design, offering designers a new approach to creating dynamic and engaging visual designs.","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"353 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115920504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-06DOI: 10.31763/viperarts.v5i1.825
Ananto Sabdo Aji
This research intends to study, analyze, and explain comprehensively but in a more practical format regarding the interpretation and working of kendang on the structure lampah tiga. Gendhing with the lampah tiga structure is one of the special gendhing structures because it has a bar where not many gendhing repertoires have this bar, so, of course, there are many problems for the composer, especially the ricikan kendang to present this gendhing structure, knowledge is needed to determine the interpretation and garap variant so that it can identify and present gendhing with structure. The method used is a descriptive analysis based on empirical knowledge and also Rahayu Supanggah's work on the approach. Empirical knowledge will help in analyzing the variety and interpretation of the lampah tiga structure, while the garap approach is used as a tool to dissect the musical situation in the intended gendhing structure. The qualitative descriptive data analysis method is carried out by observing the validity of the data through data triangulation. Accurate data collection through library research, interviews, and observations is expected to be able to explore the work on kendangan gendhing lampah tiga. It is hoped that this research can encourage the emergence of new patterns resulting from the interpretation of the workings of the kendang in the lampah tiga structure, and that the findings can be applied to other forms of gendhing that also utilize the kendhang setunggal
{"title":"Garap Kendhangan in Gendhing Lampah Tiga","authors":"Ananto Sabdo Aji","doi":"10.31763/viperarts.v5i1.825","DOIUrl":"https://doi.org/10.31763/viperarts.v5i1.825","url":null,"abstract":"This research intends to study, analyze, and explain comprehensively but in a more practical format regarding the interpretation and working of kendang on the structure lampah tiga. Gendhing with the lampah tiga structure is one of the special gendhing structures because it has a bar where not many gendhing repertoires have this bar, so, of course, there are many problems for the composer, especially the ricikan kendang to present this gendhing structure, knowledge is needed to determine the interpretation and garap variant so that it can identify and present gendhing with structure. The method used is a descriptive analysis based on empirical knowledge and also Rahayu Supanggah's work on the approach. Empirical knowledge will help in analyzing the variety and interpretation of the lampah tiga structure, while the garap approach is used as a tool to dissect the musical situation in the intended gendhing structure. The qualitative descriptive data analysis method is carried out by observing the validity of the data through data triangulation. Accurate data collection through library research, interviews, and observations is expected to be able to explore the work on kendangan gendhing lampah tiga. It is hoped that this research can encourage the emergence of new patterns resulting from the interpretation of the workings of the kendang in the lampah tiga structure, and that the findings can be applied to other forms of gendhing that also utilize the kendhang setunggal","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129276270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-26DOI: 10.31763/viperarts.v4i2.865
Miftakhul Khoiriah, Silvester Pamardi, Joko Aswoyo
Artistic research on community empowerment through artistic innovation in the Ceprotan Ceremony in Sekar Village aims to explain how the steps for optimizing performing arts innovations at the Ceprotan ceremony are through village community empowerment strategies. The initial step of this artistic research was carried out by direct observation to obtain data and information regarding the myths and practices of the Ceprotan Ceremony. In addition, to obtain more in-depth data, the researcher used the participant observer strategy and, at the same time, conducted in-depth interviews. The results of this investigation are then used by researchers to develop a community empowerment-based artistic innovation model. The results of this community empowerment-based artistic research are (1) systematic performance management; (2) the creation of social cohesion in the series of Ceprotan performances; (3) the identity of the village of Sekar is formed; (4) the revitalization of the Sekar Taji dance drama; (5) the reduction of bad events or trance (possession). The contribution of this research is an example for other regions that want to use artistic innovation as the formation of village identity and, at the same time, as an effort to complement and advance the cultural potential of Sekar Village
{"title":"Optimizing performing arts innovations at the Ceprotan ceremony: An overview of the perspective of empowering rural communities in Pacitan, Indonesia","authors":"Miftakhul Khoiriah, Silvester Pamardi, Joko Aswoyo","doi":"10.31763/viperarts.v4i2.865","DOIUrl":"https://doi.org/10.31763/viperarts.v4i2.865","url":null,"abstract":"Artistic research on community empowerment through artistic innovation in the Ceprotan Ceremony in Sekar Village aims to explain how the steps for optimizing performing arts innovations at the Ceprotan ceremony are through village community empowerment strategies. The initial step of this artistic research was carried out by direct observation to obtain data and information regarding the myths and practices of the Ceprotan Ceremony. In addition, to obtain more in-depth data, the researcher used the participant observer strategy and, at the same time, conducted in-depth interviews. The results of this investigation are then used by researchers to develop a community empowerment-based artistic innovation model. The results of this community empowerment-based artistic research are (1) systematic performance management; (2) the creation of social cohesion in the series of Ceprotan performances; (3) the identity of the village of Sekar is formed; (4) the revitalization of the Sekar Taji dance drama; (5) the reduction of bad events or trance (possession). The contribution of this research is an example for other regions that want to use artistic innovation as the formation of village identity and, at the same time, as an effort to complement and advance the cultural potential of Sekar Village","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128119499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-26DOI: 10.31763/viperarts.v4i2.866
Fawarti Gendra Nata Utami, Santosa Soewarlan
Cerita dari Blora; Knitting the Wisdom of Sedulur Sikep was the festival title of its second year (2019) in Blora Regency, which was part of the Indonesiana Platform. The name of the festival is taken from the title of a short stories collection with the same title by a Blora-born author, namely Pramoedya Ananta Toer. This study aims to determine the festival format with the mutual cooperation (gotong royong) concept, which was carried out together by the Tourism and Culture Office of Blora Regency, the community and the Director General of Culture. This research is a qualitative research conducted during the preparation stage and during the festival in order to gain knowledge on how to strengthen the capacity of festival governance through the Indonesiana Platform. Cerita dari Blora Festival was part of the mutual cooperation platform to strengthen the management capacity of cultural activities, as a forum for strengthening cultural ecosystems, as well as to know the concept of tradition and local wisdom at the Temu Ageng Sedulur Sikep event. The results of the study show that through the Temu Ageng event, there is synergy between local governments, where the cultural services synergize and work together with communities, artists and the development of cultural ecosystems in the area, and also work together with the UPT (Technical Implementation Unit) of the Ministry of Education and Culture in the area such as Archaeological Halls, Museums, Cultural Heritage Preservation Centers, as well as various institutions, companies, and CSR in each region
Cerita dari bloora;编织Sedulur Sikep的智慧是其第二年(2019年)在bloa Regency举办的节日标题，这是印度尼西亚平台的一部分。这个节日的名字取自布拉拉出生的作家普拉姆迪亚·阿南塔·托尔的同名短篇小说集。本研究旨在确定节日的形式与相互合作(gotong royong)的概念，这是由博洛拉摄政的旅游和文化办公室，社区和文化总监一起执行。本研究是在筹备阶段和节日期间进行的定性研究，旨在了解如何通过印尼平台加强节日治理能力。Cerita dari Blora节是加强文化活动管理能力的相互合作平台的一部分，作为加强文化生态系统的论坛，以及在Temu Ageng Sedulur Sikep活动中了解传统概念和当地智慧。研究结果表明，通过Temu Ageng活动，地方政府之间存在协同效应，其中文化服务部门与社区，艺术家和该地区文化生态系统的发展协同合作，并与该地区教育和文化部的UPT(技术实施单位)合作，如考古大厅，博物馆，文化遗产保护中心，以及各种机构，公司，以及每个地区的企业社会责任
{"title":"Temu Ageng: knitting the wisdom of sedulur sikep in Cerita dari Blora festival","authors":"Fawarti Gendra Nata Utami, Santosa Soewarlan","doi":"10.31763/viperarts.v4i2.866","DOIUrl":"https://doi.org/10.31763/viperarts.v4i2.866","url":null,"abstract":"Cerita dari Blora; Knitting the Wisdom of Sedulur Sikep was the festival title of its second year (2019) in Blora Regency, which was part of the Indonesiana Platform. The name of the festival is taken from the title of a short stories collection with the same title by a Blora-born author, namely Pramoedya Ananta Toer. This study aims to determine the festival format with the mutual cooperation (gotong royong) concept, which was carried out together by the Tourism and Culture Office of Blora Regency, the community and the Director General of Culture. This research is a qualitative research conducted during the preparation stage and during the festival in order to gain knowledge on how to strengthen the capacity of festival governance through the Indonesiana Platform. Cerita dari Blora Festival was part of the mutual cooperation platform to strengthen the management capacity of cultural activities, as a forum for strengthening cultural ecosystems, as well as to know the concept of tradition and local wisdom at the Temu Ageng Sedulur Sikep event. The results of the study show that through the Temu Ageng event, there is synergy between local governments, where the cultural services synergize and work together with communities, artists and the development of cultural ecosystems in the area, and also work together with the UPT (Technical Implementation Unit) of the Ministry of Education and Culture in the area such as Archaeological Halls, Museums, Cultural Heritage Preservation Centers, as well as various institutions, companies, and CSR in each region","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132684566","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-26DOI: 10.31763/viperarts.v4i2.811
Tabea Lurk
The article looks at the challenges and opportunities of collecting and disseminating performance art from an art library’s perspective. Based on the collecting experience of the Mediathek at the Academy of Art and Design FHNW Basel (Switzerland), the text contextualizes its own digital collections within the Swiss performance art context. What is special about Mediathek’s collection is; (1) the fact that a remarkable number of documents of performance art are accessible for free via the internet, without login, in a structured, searchable and sustainable way. Because the policy permits, upon certain conditions, the acceptance of content from individuals, groups, and institutions not associated with the university, there is; (2) a considerable amount of ‘external’ materials in the collections. The aim of the essay is to make this treasure of sources known. Therefore, digital access points to the projects and collections described in the text are mentioned in the references.
{"title":"From the community, for the community: Online access to documents and collections of performance art","authors":"Tabea Lurk","doi":"10.31763/viperarts.v4i2.811","DOIUrl":"https://doi.org/10.31763/viperarts.v4i2.811","url":null,"abstract":"The article looks at the challenges and opportunities of collecting and disseminating performance art from an art library’s perspective. Based on the collecting experience of the Mediathek at the Academy of Art and Design FHNW Basel (Switzerland), the text contextualizes its own digital collections within the Swiss performance art context. What is special about Mediathek’s collection is; (1) the fact that a remarkable number of documents of performance art are accessible for free via the internet, without login, in a structured, searchable and sustainable way. Because the policy permits, upon certain conditions, the acceptance of content from individuals, groups, and institutions not associated with the university, there is; (2) a considerable amount of ‘external’ materials in the collections. The aim of the essay is to make this treasure of sources known. Therefore, digital access points to the projects and collections described in the text are mentioned in the references.","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121588128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The importance of art education in instilling the principles of Pancasila that should be taught to pupils has diminished since the era of technological transformation. Learning the names of the Pancasila principles through music is a powerful tool. However, pupils lose interest in the process when learning is still presented in the traditional fashion. Student's strengths in global variety, mutual cooperation, independence, critical reasoning, and creativity can be cultivated through this music-learning process and included in their Pancasila student profiles. As a result, changes in music education are necessary for the extras. The study's overarching objective was to explain how interventions based on the world wall application might help students build a Pancasila profile to better serve their communities. The art and culture instructor and the tenth-grade pupils at MAN 2 Kediri in the city of Kediri participated in this study. This research uses observation, interviews, and written records to acquire its data. The results of this study indicate that learning the art of music at schools in trumpet practice using the wordwall.net application can stimulate the profile of Pancasila students by cultivating an open way of thinking, mutual respect, mutual care and collaboration. This research is expected to be an innovative medium for teaching music learning so that students can get to know music in various ways
{"title":"Innovative music learning in “Profil Pelajar Pancasila” development for students: an intervention study through world wall applications","authors":"Mantaaba Zukhruf Nabilunnuha, Sunarto Sunarto, Syahrul Syah Sinaga, Wahyu Lestari","doi":"10.31763/viperarts.v4i2.823","DOIUrl":"https://doi.org/10.31763/viperarts.v4i2.823","url":null,"abstract":"The importance of art education in instilling the principles of Pancasila that should be taught to pupils has diminished since the era of technological transformation. Learning the names of the Pancasila principles through music is a powerful tool. However, pupils lose interest in the process when learning is still presented in the traditional fashion. Student's strengths in global variety, mutual cooperation, independence, critical reasoning, and creativity can be cultivated through this music-learning process and included in their Pancasila student profiles. As a result, changes in music education are necessary for the extras. The study's overarching objective was to explain how interventions based on the world wall application might help students build a Pancasila profile to better serve their communities. The art and culture instructor and the tenth-grade pupils at MAN 2 Kediri in the city of Kediri participated in this study. This research uses observation, interviews, and written records to acquire its data. The results of this study indicate that learning the art of music at schools in trumpet practice using the wordwall.net application can stimulate the profile of Pancasila students by cultivating an open way of thinking, mutual respect, mutual care and collaboration. This research is expected to be an innovative medium for teaching music learning so that students can get to know music in various ways","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127246803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-26DOI: 10.31763/viperarts.v4i2.899
Monika Artasia, Hartono Hartono, Deasylina Da Ary
Ethno pedagogy examines the interaction of pedagogical and cultural traditions as well as social and pedagogical processes and examines educational methods and solutions used by the Lematang people in Lahat District. This study aims to analyze the application of Ethno pedagogy in learning erai-erai dance. Art-based qualitative methods with an ethnopedagogical approach as a data collection strategy based on observation, interviews and document research. Several stages of the interview activities included interview planning, conducting interviews, recording interview data and activities after the interview, namely checking the validity of the data and making systematic data so that it was ready to be used as material for further analysis. Source triangulation techniques to check data accuracy and test the credibility of data from various sources, then to compare the results of interviews between informants who are directly or indirectly involved. The results of this study are the dissemination of erai-erai dance performances through a socialization process so that ethnopedagogical practices emerge in the community with various learning strategies for erai-erai dance practised by each social class with their respective roles, thus directly or indirectly creating ethnopedagogical practices. Then, a conservation strategy involving ethnopedagogical practices in erai-erai dance is implemented using social media. The discussion above shows the contribution of research, although, on the other hand, this research has many weaknesses
{"title":"Ethno pedagogy and conservation practices of the erai-erai dance in the Lematang Malay Community, Lahat District, South Sumatra Indonesia","authors":"Monika Artasia, Hartono Hartono, Deasylina Da Ary","doi":"10.31763/viperarts.v4i2.899","DOIUrl":"https://doi.org/10.31763/viperarts.v4i2.899","url":null,"abstract":"Ethno pedagogy examines the interaction of pedagogical and cultural traditions as well as social and pedagogical processes and examines educational methods and solutions used by the Lematang people in Lahat District. This study aims to analyze the application of Ethno pedagogy in learning erai-erai dance. Art-based qualitative methods with an ethnopedagogical approach as a data collection strategy based on observation, interviews and document research. Several stages of the interview activities included interview planning, conducting interviews, recording interview data and activities after the interview, namely checking the validity of the data and making systematic data so that it was ready to be used as material for further analysis. Source triangulation techniques to check data accuracy and test the credibility of data from various sources, then to compare the results of interviews between informants who are directly or indirectly involved. The results of this study are the dissemination of erai-erai dance performances through a socialization process so that ethnopedagogical practices emerge in the community with various learning strategies for erai-erai dance practised by each social class with their respective roles, thus directly or indirectly creating ethnopedagogical practices. Then, a conservation strategy involving ethnopedagogical practices in erai-erai dance is implemented using social media. The discussion above shows the contribution of research, although, on the other hand, this research has many weaknesses","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"108 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115079043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Lengger dance, as one of the local wisdom of the Banyumas community, is considered by the wider community to have no Islamic values. However, the fact is that every art that grew from the people of the archipelago emerged for reasons of spirituality, getting closer to God and nature so that when Islam was present in the archipelago, Islamic values were very easily integrated into these arts. This research aims to examine more deeply and describe the value of spirituality in the Banyumas Lengger dance. The research method used in this study is qualitative with an ethnographic approach. The subject of this research is the Lengger Banyumasan art, and the paradigm used is spirituality and Islamic values in the process, movement, and accompaniment of the Banyumasan Lengger dance. Data regarding dance movements were obtained through the process of observing and interviewing the dancers. Furthermore, the research explored whether religious values were taken into consideration in creating the musical accompaniment for the Lengger dance performances. The results showed that the Banyumasan lengger dance contained spiritual values related to God, fellow human beings, and the environment. The spiritual values found in the lengger dance in Papringan Hamlet, Banyumas is the local community's belief in the existence of indhang, offerings offered to the indhang, movements that are considered erotic have spiritual value and gratitude to the power, and there are several taboos for lengger dancers
{"title":"Spirituality of lengger dance in papringan hamlet Banyumasan","authors":"Heni Siswantari, Lovandri Dwanda Putra, Ganing Rimas Hayu Kerti","doi":"10.31763/viperarts.v4i2.646","DOIUrl":"https://doi.org/10.31763/viperarts.v4i2.646","url":null,"abstract":"Lengger dance, as one of the local wisdom of the Banyumas community, is considered by the wider community to have no Islamic values. However, the fact is that every art that grew from the people of the archipelago emerged for reasons of spirituality, getting closer to God and nature so that when Islam was present in the archipelago, Islamic values were very easily integrated into these arts. This research aims to examine more deeply and describe the value of spirituality in the Banyumas Lengger dance. The research method used in this study is qualitative with an ethnographic approach. The subject of this research is the Lengger Banyumasan art, and the paradigm used is spirituality and Islamic values in the process, movement, and accompaniment of the Banyumasan Lengger dance. Data regarding dance movements were obtained through the process of observing and interviewing the dancers. Furthermore, the research explored whether religious values were taken into consideration in creating the musical accompaniment for the Lengger dance performances. The results showed that the Banyumasan lengger dance contained spiritual values related to God, fellow human beings, and the environment. The spiritual values found in the lengger dance in Papringan Hamlet, Banyumas is the local community's belief in the existence of indhang, offerings offered to the indhang, movements that are considered erotic have spiritual value and gratitude to the power, and there are several taboos for lengger dancers","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133939127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-24DOI: 10.31763/viperarts.v4i2.795
Ario Wibisono, Bambang Sunarto, Santosa Soewarlan
Malioboro is an integral part of the architectural artwork of the city of Yogyakarta, which is full of meaning, philosophy, and noble values of Javanese culture. Currently, Malioboro has developed into a tourist area and a quite existing public cultural space. However, along with the times, the philosophical meaning and noble values embedded in the architecture of the city of Yogyakarta by HB I as the founder of Ngayogyakarta Hadiningrat seem to be unclear and increasingly difficult to read. The video art installation Lampah is a form of creative response to the existence of contemporary Malioboro as a public space as well as a meaningful piece of architectural art. By using interpretative-subjective approaches and artistic methods, the creator reads this phenomenon and represents it in the form of Lampah artwork. As a contemplative space, 'Lampah' also offers an alternative way to transform Javanese noble values and spirituality by using idioms and ways of speaking in Javanese culture. Models in architecture are used to complete the design of this work. It is hoped that this concept can provide new insights and discourses in art, especially new media art
{"title":"Lampah: expression canvas of Java’s spirituality in the new media art","authors":"Ario Wibisono, Bambang Sunarto, Santosa Soewarlan","doi":"10.31763/viperarts.v4i2.795","DOIUrl":"https://doi.org/10.31763/viperarts.v4i2.795","url":null,"abstract":"Malioboro is an integral part of the architectural artwork of the city of Yogyakarta, which is full of meaning, philosophy, and noble values of Javanese culture. Currently, Malioboro has developed into a tourist area and a quite existing public cultural space. However, along with the times, the philosophical meaning and noble values embedded in the architecture of the city of Yogyakarta by HB I as the founder of Ngayogyakarta Hadiningrat seem to be unclear and increasingly difficult to read. The video art installation Lampah is a form of creative response to the existence of contemporary Malioboro as a public space as well as a meaningful piece of architectural art. By using interpretative-subjective approaches and artistic methods, the creator reads this phenomenon and represents it in the form of Lampah artwork. As a contemplative space, 'Lampah' also offers an alternative way to transform Javanese noble values and spirituality by using idioms and ways of speaking in Javanese culture. Models in architecture are used to complete the design of this work. It is hoped that this concept can provide new insights and discourses in art, especially new media art","PeriodicalId":315645,"journal":{"name":"International Journal of Visual and Performing Arts","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122613712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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