Pub Date : 2019-12-20DOI: 10.25267/PERIFERICA.2019.I20.36
Verónica Serrano
{"title":"Perfil del gestor cultural municipal","authors":"Verónica Serrano","doi":"10.25267/PERIFERICA.2019.I20.36","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.36","url":null,"abstract":"","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"70 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89538957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-20DOI: 10.25267/PERIFERICA.2019.I20.34
C. Puerta, Diego Manuel
During the thirteenth and fifteenth centuries we witness a historical process in which the peninsular Christian kingdoms expand through Western Andalusia against Muslim rule. This historical period has many consequences from the point of view of social, cultural and economic transformations, but also, for the rich real estate that stands out for its quality and quantity. Historical heritage has been a fundamental resource for tourism since the beginning of this activity. However, it is during the 1960s when its tourist use is intensified either by individualized promotion or by its integration into tourist-cultural itineraries or routes. In this way, its legal protection is also extended as a way to favor its enhancement and protection. This work has two distinct objectives. On the one hand a study of the late medieval heritage is carried out, and on the other hand its tourist potential and its capacities within the sector are analyzed.
{"title":"Potencialidad del patrimonio bajomedieval en la provincia de Cádiz (España) como recurso turístico","authors":"C. Puerta, Diego Manuel","doi":"10.25267/PERIFERICA.2019.I20.34","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.34","url":null,"abstract":"During the thirteenth and fifteenth centuries we witness a historical process in which the peninsular Christian kingdoms expand through Western Andalusia against Muslim rule. This historical period has many consequences from the point of view of social, cultural and economic transformations, but also, for the rich real estate that stands out for its quality and quantity. Historical heritage has been a fundamental resource for tourism since the beginning of this activity. However, it is during the 1960s when its tourist use is intensified either by individualized promotion or by its integration into tourist-cultural itineraries or routes. In this way, its legal protection is also extended as a way to favor its enhancement and protection. This work has two distinct objectives. On the one hand a study of the late medieval heritage is carried out, and on the other hand its tourist potential and its capacities within the sector are analyzed.","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90432986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-20DOI: 10.25267/PERIFERICA.2019.I20.31
Víctor Grande-López
espanolEl cortometraje es un material didactico enriquecedor para adquirir por medio de sus imagenes multiples tipos de percepciones visuales y aprendizajes significativos. El objetivo de este estudio es promover una mirada de inclusion en el alumnado universitario ante la discapacidad utilizando el cortometraje The butterfly circus (El circo de la mariposa, 2009) como hilo conductor educomunicativo, debido a que el desconocimiento sigue produciendo indiferencias y rechazo hacia las personas con discapacidad.Se analizan algunas secuencias mostrando el potencial que tienen sus imagenes a nivel cognitivo-afectivo para lograr cambios positivos en conductas y fomentar una reflexion critica. Se utiliza como tecnica de investigacion cualitativa el Focus group (FG) para analizar y evaluar las respuestas de los participantes. Una de las metodologias edu-inclusivas mas potentes de aprendizaje es promover despues de un visionado en el aula un debate a traves del dialogo y la escucha. Cuando se educa en inclusion social, se ensena a construir un mundo mas justo EnglishThe short film is an enriching teaching material to acquire through its images multiple types of visual perceptions and meaningful learning. The aim of this study is to promote a view of inclusion in university students in the face of disability by using the short film The butterfly circus (2009) as a guiding thread, because ignorance continues to produce indifference and rejection towards people with disabilities.Some sequences are analyzed by showing the potential of their images at the cognitive-affective level to achieve positive changes in behaviours and encourage critical reflection. The Focus group (FG) is used as a qualitative research technique to analyze and evaluate the responses of the participants. One of the most powerful edu-inclusive methodologies of learning is to promote, after a viewing in the classroom, a debate through dialogue and listening. When people are educated in social inclusion, a fairer world is created
短片是一种丰富的教学材料，通过它的图像获得多种视觉感知和有意义的学习。这项研究的目标是推动一眼使用包容残疾大学生向学生短片《大马戏团》(蝴蝶蝴蝶,2009)作为一线司机educomunicativo,由于继续生产indiferencias无知且拒绝向残疾人。本研究的目的是分析在认知-情感层面上，他们的形象对行为的积极改变和鼓励批判性反思的潜力。这是一种定性研究技术，使用焦点小组(FG)来分析和评估参与者的反应。最强大的教育包容性学习方法之一是在课堂观看后通过对话和倾听促进辩论。当你接受社会包容教育时，你被教导要建立一个更公平的世界英语短片是一种丰富的教学材料，通过它的图像获得多种视觉感知和有意义的学习。本研究的目的是利用短片《蝴蝶马戏团》(2009)作为指导方针，促进大学生在残疾问题上包容的观点，因为无知继续导致对残疾人的冷漠和排斥。一些列are analyzed by的潜力》(the images at the cognitive-affective level of their哪些鼓励changes in behaviours and critical reflection。焦点小组(FG)被用作定性研究技术，以分析和评估参与者的反应。最有力的包容性教育学习方法之一是在课堂观察之后，通过对话和倾听促进辩论。当人们接受社会包容教育时，一个更美好的世界就创造了
{"title":"El cortometraje como vehículo de comunicación para la inclusión social","authors":"Víctor Grande-López","doi":"10.25267/PERIFERICA.2019.I20.31","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.31","url":null,"abstract":"espanolEl cortometraje es un material didactico enriquecedor para adquirir por medio de sus imagenes multiples tipos de percepciones visuales y aprendizajes significativos. El objetivo de este estudio es promover una mirada de inclusion en el alumnado universitario ante la discapacidad utilizando el cortometraje The butterfly circus (El circo de la mariposa, 2009) como hilo conductor educomunicativo, debido a que el desconocimiento sigue produciendo indiferencias y rechazo hacia las personas con discapacidad.Se analizan algunas secuencias mostrando el potencial que tienen sus imagenes a nivel cognitivo-afectivo para lograr cambios positivos en conductas y fomentar una reflexion critica. Se utiliza como tecnica de investigacion cualitativa el Focus group (FG) para analizar y evaluar las respuestas de los participantes. Una de las metodologias edu-inclusivas mas potentes de aprendizaje es promover despues de un visionado en el aula un debate a traves del dialogo y la escucha. Cuando se educa en inclusion social, se ensena a construir un mundo mas justo EnglishThe short film is an enriching teaching material to acquire through its images multiple types of visual perceptions and meaningful learning. The aim of this study is to promote a view of inclusion in university students in the face of disability by using the short film The butterfly circus (2009) as a guiding thread, because ignorance continues to produce indifference and rejection towards people with disabilities.Some sequences are analyzed by showing the potential of their images at the cognitive-affective level to achieve positive changes in behaviours and encourage critical reflection. The Focus group (FG) is used as a qualitative research technique to analyze and evaluate the responses of the participants. One of the most powerful edu-inclusive methodologies of learning is to promote, after a viewing in the classroom, a debate through dialogue and listening. When people are educated in social inclusion, a fairer world is created","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80313614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-20DOI: 10.25267/PERIFERICA.2019.I20.33
J. Castro
espanolEl anuncio del gobierno de Espana de su decision de exhumar los restos del dictador Francisco Franco de la Basilica de la Santa Cruz del Valle de los Caidos para poner fin a una situacion anomala en un sistema democratico ha supuesto la reactivacion del debate en torno a la conservacion de este conjunto monumental. Abandono, demolicion y resignificacion son algunas de las acciones que se han propuesto. Sin embargo, este texto aboga por una concisa musealizacion del monumento funerario. Para ello, se argumenta el papel que los museos juegan en la superacion del dolor a nivel individual y social y su papel en la conformacion y resguardo del sistema democratico y se analizan algunos casos de fama mundial tanto desde la optica del museo como del espacio urbano EnglishThe announcement of the government of Spain of its decision to exhume the mortal remains of the dictator Francisco Franco from the Basilica of the Holy Cross of the Valle de los Caidos in order to put an end to an anomalous situation in a democratic system has meant the reactivation of the debate around the conservation of this monumental complex. Abandonment, demolition and resignification are some of the actions that have been proposed. However, this text advocates for a concise musealization of the funerary monument. With this aim, the role that museums play in overcoming pain at the individual and social levels and their role in shaping and safeguarding the democratic system is argued, and some world-renowned cases are analyzed both from the perspective of the museum and the urban space
espanolEl西班牙政府宣布其决定发掘遗留独裁者弗朗西斯科•佛朗哥的Basilica圣克鲁斯河流域Caidos制止一个情况anomala democratico系统提供了辩论reactivacion围绕基姆这套庞大。放弃、拆除和重新定义是提出的一些行动。然而，本文主张对葬礼纪念碑进行简明的博物馆化。为此,博物馆的作用,在个人和社会一级superacion痛苦的作用conformacion和保护democratico系统并分析了一些世界一流的城市空间从眼镜商吗博物馆和EnglishThe announcement of the government of Spain of its decision to挖出致命的仍然是《独裁者弗朗西斯科•佛朗哥from the Basilica of the Holy Cross of the流域Caidos in order to put an end to an anomalous民主制度下的情况意味着重新启动关于保护这一纪念性建筑群的辩论。= =地理= =根据美国人口普查局的数据，这个城镇的总面积，其中土地和(1.)水。= =地理= =根据美国人口普查，该镇的土地面积为。为此目的，本文阐述了博物馆在克服个人和社会层面的痛苦方面所起的作用及其在塑造和保障民主制度方面所起的作用，并从博物馆和城市空间的角度分析了一些世界知名的案例。
{"title":"Patrimonio doliente y museo:memoria, educación, morbo y consumo. Apuntes para una posible musealización del Valle de los Caídos","authors":"J. Castro","doi":"10.25267/PERIFERICA.2019.I20.33","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.33","url":null,"abstract":"espanolEl anuncio del gobierno de Espana de su decision de exhumar los restos del dictador Francisco Franco de la Basilica de la Santa Cruz del Valle de los Caidos para poner fin a una situacion anomala en un sistema democratico ha supuesto la reactivacion del debate en torno a la conservacion de este conjunto monumental. Abandono, demolicion y resignificacion son algunas de las acciones que se han propuesto. Sin embargo, este texto aboga por una concisa musealizacion del monumento funerario. Para ello, se argumenta el papel que los museos juegan en la superacion del dolor a nivel individual y social y su papel en la conformacion y resguardo del sistema democratico y se analizan algunos casos de fama mundial tanto desde la optica del museo como del espacio urbano EnglishThe announcement of the government of Spain of its decision to exhume the mortal remains of the dictator Francisco Franco from the Basilica of the Holy Cross of the Valle de los Caidos in order to put an end to an anomalous situation in a democratic system has meant the reactivation of the debate around the conservation of this monumental complex. Abandonment, demolition and resignification are some of the actions that have been proposed. However, this text advocates for a concise musealization of the funerary monument. With this aim, the role that museums play in overcoming pain at the individual and social levels and their role in shaping and safeguarding the democratic system is argued, and some world-renowned cases are analyzed both from the perspective of the museum and the urban space","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86471348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-20DOI: 10.25267/PERIFERICA.2019.I20.29
S. Cebrián
espanolLas politicas culturales impactan de diferentes maneras en las personas y en la forma en que estas se relacionan con los objetos y espacios culturales, materializando diferentes tipos de derechos culturales que van del goce y la contemplacion hasta el derecho a la participacion activa en la vida cultural. Gradientes que basculan entre el mirar y el hacer cultura. Veremos como las politicas destinadas a promocionar el derecho a la participacion actualmente siguen infra desarrolladas, en detrimento de las politicas que fomentan los derechos de prestacion o de libertad. En este articulo analizamos que tipos de derecho cultural se ponen en juego en cada accion situando en el centro del debate la necesidad de comprender la materializacion de los mismos para que tengan un desarrollo pleno en las politicas culturales EnglishCultural policies impact in different ways on people and the way they relate to cultural objects and spaces, materializing different types of cultural rights ranging from the right to enjoyment and cultural contemplation to the right to active participation in cultural life. Gradients that oscillate between looking and doing culture. We will see how policies aimed at promoting the right to participate in cultural life are currently under developed, to the detriment of policies that promote rights of provision or freedom. In this article we analyze what types of cultural rights are at stake in each cultural action, placing at the center of the debate the need to understand the materialization of cultural rights so that they have a full development in cultural policies
西班牙的文化政策以不同的方式影响人们，以及他们与文化物品和空间的关系，实现不同类型的文化权利，从享受和思考到积极参与文化生活的权利。在观看和制作文化之间摇摆的梯度。我们将看到，促进参与权的政策目前是如何不发达的，损害了促进利益权或自由权的政策。在这篇分析文化权利变得类型匹配在每个170%行动必要性的理解materializacion辩论的焦点同样,以便能充分发展在文化政策EnglishCultural policies impact in不同途径on people and the way they讲述to文化objects and spaces,实现不同类型的文化权利，从享受权和文化沉思权到积极参与文化生活权。在观察和实践文化之间摇摆的梯度。我们将看到目前旨在促进参与文化生活权利的政策是如何制定的，而不利于促进提供权利或自由的政策。在本文中，我们分析了哪些类型的文化权利在每一种文化行动中都有利害关系，将理解文化权利的物化，使其在文化政策中得到充分发展的必要性置于辩论的中心
{"title":"Explorando los derechos de participación cultural y nuevas maneras de acceso a la cultura","authors":"S. Cebrián","doi":"10.25267/PERIFERICA.2019.I20.29","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.29","url":null,"abstract":"espanolLas politicas culturales impactan de diferentes maneras en las personas y en la forma en que estas se relacionan con los objetos y espacios culturales, materializando diferentes tipos de derechos culturales que van del goce y la contemplacion hasta el derecho a la participacion activa en la vida cultural. Gradientes que basculan entre el mirar y el hacer cultura. Veremos como las politicas destinadas a promocionar el derecho a la participacion actualmente siguen infra desarrolladas, en detrimento de las politicas que fomentan los derechos de prestacion o de libertad. En este articulo analizamos que tipos de derecho cultural se ponen en juego en cada accion situando en el centro del debate la necesidad de comprender la materializacion de los mismos para que tengan un desarrollo pleno en las politicas culturales EnglishCultural policies impact in different ways on people and the way they relate to cultural objects and spaces, materializing different types of cultural rights ranging from the right to enjoyment and cultural contemplation to the right to active participation in cultural life. Gradients that oscillate between looking and doing culture. We will see how policies aimed at promoting the right to participate in cultural life are currently under developed, to the detriment of policies that promote rights of provision or freedom. In this article we analyze what types of cultural rights are at stake in each cultural action, placing at the center of the debate the need to understand the materialization of cultural rights so that they have a full development in cultural policies","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"63 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91222226","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-20DOI: 10.25267/PERIFERICA.2019.I20.30
C. Martínez
espanolEl articulo tiene como objetivo principal descubrir donde estuvieron los lunares espanoles antes de convertirse en lunares para el flamenco y hallar sus rastros en el comercio de Espana. Para ello, la investigacion se centrara en la formacion de la nacion espanola entre 1750 y 1847. El metodo principal de investigacion ha sido la lectura de imagenes y material grafico relacionado con gitanos, ballet y flamenco. Nos hemos sumergido en la historia, en la etimologia y en la semiotica de la palabra lunar para buscar el origen de los mismos en el estampado del tipico traje de flamenca en Espana. En los inicios del flamenco, no era nada comun poder ver a una gitana vestida con lunares. Estas vestian con faldas lisas o con otros estampados como los cuadros vichy. Para buscar el motivo de este suceso nos hemos centrado en la evolucion de la industria textil que nos ha llevado a la evolucion de las normas de aranceles en las aduanas y asi es como pudimos ver que los lunares tuvieron vetada la entrada al comercio en Espana por considerarse extranjeros desde 1792, y de forma intermitente hasta 1841. Durante ese tiempo el sustantivo lunar adquirio connotaciones negativas en Espana, asimilandose a pecado o defecto. Al poco tiempo de que el flamenco fuera conformandose, los lunares comenzaron a verse entre la moda de las mujeres espanolas EnglishThe article has as main objective to discover where were Spanish dots before becoming for flamenco and find their traces in the commerce of Spain. To do this the research we will focus on the formation of the Spanish nation between 1750 and 1847. The main method of research has been the reading of images and graphic material related to gypsies, ballet and flamenco. We were immersed in the history, the etymology and semiotics of the word to find the source of the polka dots in the print of the typical flamenco dress in Spain. In the beginnings of flamenco, it was not uncommon to see a flamenco dressed with dots. The gypsy wore skirts plain or with other prints such as paintings vichy. To find the reason of this event we have focused on the evolution of the textile industry which has led us to the evolution of the rules of tariffs in the customs and this is how we were able to see that they had vetoed the entrance to the trade in Spain, considered as foreigners since 1792 intermittently until 1841. During that time, the noun acquired negative connotations in Spain, assimilating to sin or defect. The little time that flamenco out conforming, dots began to be seen between the fashion of the Spanish women
这篇文章的主要目的是发现西班牙圆点在成为弗拉门戈圆点之前在哪里，并在西班牙贸易中找到它们的痕迹。为了做到这一点，研究集中在1750年到1847年间西班牙民族的形成上。主要的研究方法是阅读与吉普赛人、芭蕾舞和弗拉门戈有关的图像和图形材料。我们深入研究了月球这个词的历史、词源和符号学，在西班牙典型的弗拉门戈服装印花中寻找它们的起源。在弗拉门戈舞的早期，看到吉普赛人戴着圆点是很不寻常的。他们穿着普通的裙子或其他印花，如维希格子。寻找这个事件中我们注重evolucion纺织行业的规则导致evolucion海关关税这就是我们看到进入月球们否决的外国贸易,应当在西班牙从16日,断断续续地延伸至1841年。在此期间，名词lunar在西班牙获得了负面含义，等同于罪恶或缺陷。这篇文章的主要目的是发现西班牙人在成为弗拉门戈之前的点在哪里，并在西班牙的商业中找到他们的痕迹。To do this the research we will focus on the formation of the西班牙nation between 1750 and 1847。The main method of research has been The reading of images and graphic弗拉芒人和、芭蕾舞和有关材料。我们沉浸在历史中，词源和符号学的单词，以找到波尔卡点的来源，在西班牙典型的弗拉门戈服装的印刷。在弗拉门戈的开始，我们可以看到弗拉门戈的服装和圆点。《吉普赛·skirts普罗or with other prints如paintings维希。To find the reason of this event we have聚焦the evolution of the纺织品行业which has led us To the evolution of the rules of tariffs in the customs and this is how we有关To see that they其进行vetoed the entrance To the trade in Spain以来,外国人就所审议的16日intermittently直到1841年。在此期间，名词在西班牙获得了负内义，与sin或defect等同。弗拉门戈的小时代，点开始出现在西班牙女人的时尚中
{"title":"Lunares prohibidos por extranjeros","authors":"C. Martínez","doi":"10.25267/PERIFERICA.2019.I20.30","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.30","url":null,"abstract":"espanolEl articulo tiene como objetivo principal descubrir donde estuvieron los lunares espanoles antes de convertirse en lunares para el flamenco y hallar sus rastros en el comercio de Espana. Para ello, la investigacion se centrara en la formacion de la nacion espanola entre 1750 y 1847. El metodo principal de investigacion ha sido la lectura de imagenes y material grafico relacionado con gitanos, ballet y flamenco. Nos hemos sumergido en la historia, en la etimologia y en la semiotica de la palabra lunar para buscar el origen de los mismos en el estampado del tipico traje de flamenca en Espana. En los inicios del flamenco, no era nada comun poder ver a una gitana vestida con lunares. Estas vestian con faldas lisas o con otros estampados como los cuadros vichy. Para buscar el motivo de este suceso nos hemos centrado en la evolucion de la industria textil que nos ha llevado a la evolucion de las normas de aranceles en las aduanas y asi es como pudimos ver que los lunares tuvieron vetada la entrada al comercio en Espana por considerarse extranjeros desde 1792, y de forma intermitente hasta 1841. Durante ese tiempo el sustantivo lunar adquirio connotaciones negativas en Espana, asimilandose a pecado o defecto. Al poco tiempo de que el flamenco fuera conformandose, los lunares comenzaron a verse entre la moda de las mujeres espanolas EnglishThe article has as main objective to discover where were Spanish dots before becoming for flamenco and find their traces in the commerce of Spain. To do this the research we will focus on the formation of the Spanish nation between 1750 and 1847. The main method of research has been the reading of images and graphic material related to gypsies, ballet and flamenco. We were immersed in the history, the etymology and semiotics of the word to find the source of the polka dots in the print of the typical flamenco dress in Spain. In the beginnings of flamenco, it was not uncommon to see a flamenco dressed with dots. The gypsy wore skirts plain or with other prints such as paintings vichy. To find the reason of this event we have focused on the evolution of the textile industry which has led us to the evolution of the rules of tariffs in the customs and this is how we were able to see that they had vetoed the entrance to the trade in Spain, considered as foreigners since 1792 intermittently until 1841. During that time, the noun acquired negative connotations in Spain, assimilating to sin or defect. The little time that flamenco out conforming, dots began to be seen between the fashion of the Spanish women","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"1995 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90416752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-19DOI: 10.25267/PERIFERICA.2019.I20.08
Cristina Guirao Mirón
espanolEn el presente articulo se analizara la representacion de las mujeres en las industrias culturales y creativas, su participacion en la produccion de bienes culturales y la legitimidad y visibilidad de los bienes producidos por mujeres. La hipotesis es que, a pesar de que en las ultimas decadas se ha producido una feminizacion de las practicas, los habitos y sobre todo del consumo cultural, sin embargo, hay una brecha de desigualdad en la participacion de la mujer en organos de gestion y legitimidad del campo cultural (Bourdieu, 1995) propio de las industrias culturales y creativas EnglishThis article will analyze the representation of women in cultural and creative industries, their participation in the production of cultural assets and the legitimacy and visibility of those produced by women. The hypothesis is that, although in the last decades there has been a feminization of practices, habits and especially of cultural consumption, there is a gap of inequality in the participation of women in management and legitimacy of the cultural field (BOURDIEU, 1995) typical of the cultural and creative industries
妇女在文化和创意产业中的代表性，她们参与文化产品的生产，以及妇女生产的产品的合法性和可见度。hipotesis在于,尽管最后几数十年发生了决非易事feminizacion实践、习惯和消费特别是文化,然而,一个妇女不平等差距在participacion organos文化现场管理和合法性(鉴别,1995年)的创意文化产业和EnglishThis条文化将analyze the representation of women in and creative industries,她们参与文化资产的生产以及妇女所生产的文化资产的合法性和可见度。假设是，尽管近几十年来在习俗、习惯、尤其是文化消费方面出现了女性化现象，但在妇女参与文化领域的管理和合法性方面存在着不平等差距(BOURDIEU, 1995年)，这是文化和创意产业的典型特征。
{"title":"Mujeres en las industrias culturales y creativas","authors":"Cristina Guirao Mirón","doi":"10.25267/PERIFERICA.2019.I20.08","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.08","url":null,"abstract":"espanolEn el presente articulo se analizara la representacion de las mujeres en las industrias culturales y creativas, su participacion en la produccion de bienes culturales y la legitimidad y visibilidad de los bienes producidos por mujeres. La hipotesis es que, a pesar de que en las ultimas decadas se ha producido una feminizacion de las practicas, los habitos y sobre todo del consumo cultural, sin embargo, hay una brecha de desigualdad en la participacion de la mujer en organos de gestion y legitimidad del campo cultural (Bourdieu, 1995) propio de las industrias culturales y creativas EnglishThis article will analyze the representation of women in cultural and creative industries, their participation in the production of cultural assets and the legitimacy and visibility of those produced by women. The hypothesis is that, although in the last decades there has been a feminization of practices, habits and especially of cultural consumption, there is a gap of inequality in the participation of women in management and legitimacy of the cultural field (BOURDIEU, 1995) typical of the cultural and creative industries","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82419250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-19DOI: 10.25267/PERIFERICA.2019.I20.12
A. D. Rocha, E. Iriarte
espanolEl articulo presenta la extension universitaria desde un enfoque relacional, como un ecosistema de interacciones entre agentes academicos y sociales, dentro y fuera del campus. Basandose en una investigacion-accion reciente en la Universidad del Pais Vasco, el articulo recomienda medidas concretas, como hacer tiempo para celebrar las culturas universitarias; abrir espacios para la creatividad y el cambio; y dar autonomia a los agentes culturales ya presentes en el campus. Esta sugerencia se ilustra mediante la creacion de una asociacion de artes escenicas y performativas en el campus de Gipuzkoa EnglishIn this paper, university extension is understood from a relational point of view, as an ecosystem of interactions between academic and social agents, inside and outside campus. Based on a recent action-research at the University of the Basque Country, the paper suggests specific measures such as making time to celebrate university cultures; opening up spaces for creativity and change; and granting autonomy to those culture makers already present in campus. This recommendation is illustrated by describing the creation of a scenic and performative arts society in the Gipuzkoa campus
{"title":"Cultivando comunidades de práctica en extensión universitaria: artes escénicas y performativas del campus de Gipuzkoa","authors":"A. D. Rocha, E. Iriarte","doi":"10.25267/PERIFERICA.2019.I20.12","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.12","url":null,"abstract":"espanolEl articulo presenta la extension universitaria desde un enfoque relacional, como un ecosistema de interacciones entre agentes academicos y sociales, dentro y fuera del campus. Basandose en una investigacion-accion reciente en la Universidad del Pais Vasco, el articulo recomienda medidas concretas, como hacer tiempo para celebrar las culturas universitarias; abrir espacios para la creatividad y el cambio; y dar autonomia a los agentes culturales ya presentes en el campus. Esta sugerencia se ilustra mediante la creacion de una asociacion de artes escenicas y performativas en el campus de Gipuzkoa EnglishIn this paper, university extension is understood from a relational point of view, as an ecosystem of interactions between academic and social agents, inside and outside campus. Based on a recent action-research at the University of the Basque Country, the paper suggests specific measures such as making time to celebrate university cultures; opening up spaces for creativity and change; and granting autonomy to those culture makers already present in campus. This recommendation is illustrated by describing the creation of a scenic and performative arts society in the Gipuzkoa campus","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"35 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90115778","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-12-19DOI: 10.25267/PERIFERICA.2019.I20.13
M. Barcenilla, J. Gamboa, R. Urabayen
The Foral Community of Navarre recently passed the Foral Law 1/2019, of 15 January, on Cultural Rights of Navarre, a pioneering and innovative law in Europe. With the implementation of a joint reflection framework between cultural policies and cultural rights, cultural rights are granted full recognition as fundamental rights and indispensable for the integral development of the human being, by promoting a cultural citizenship that exercises its right to culture, to participation in it as well as in cultural and creative processes.
{"title":"La Ley Foral de Derechos Culturales de Navarra: Una norma pionera en Europa","authors":"M. Barcenilla, J. Gamboa, R. Urabayen","doi":"10.25267/PERIFERICA.2019.I20.13","DOIUrl":"https://doi.org/10.25267/PERIFERICA.2019.I20.13","url":null,"abstract":"The Foral Community of Navarre recently passed the Foral Law 1/2019, of 15 January, on Cultural Rights of Navarre, a pioneering and innovative law in Europe. With the implementation of a joint reflection framework between cultural policies and cultural rights, cultural rights are granted full recognition as fundamental rights and indispensable for the integral development of the human being, by promoting a cultural citizenship that exercises its right to culture, to participation in it as well as in cultural and creative processes.","PeriodicalId":32319,"journal":{"name":"Periferica","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81692905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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