This paper aims to examine the context in which an iconographic topic, namely, the visual representations of Saint Christopher, was disseminated from the south to the north of the Carpathian Mountains, in the second half of the 18th century and the beginning of the 19th century. In order to identify the circulation routes of the theme, I will investigate the artistic and spiritual relationship between the Romanian communities from southern Transylvania and those from Wallachia. The present analysis will also include the confessional solidarity between the Orthodox groups from both sides of the Carpathians and its role in the creation and transmission of a homogenous religious iconographic program.
{"title":"An Iconographic Theme Disseminated North of the Carpathians: Saint Christopher in Romanian Mural Painting of Southern Transylvania (1760–1835)","authors":"Silvia Marin Barutcieff","doi":"10.12775/lse.2019.58.11","DOIUrl":"https://doi.org/10.12775/lse.2019.58.11","url":null,"abstract":"This paper aims to examine the context in which an iconographic topic, namely, the visual representations of Saint Christopher, was disseminated from the south to the north of the Carpathian Mountains, in the second half of the 18th century and the beginning of the 19th century. In order to identify the circulation routes of the theme, I will investigate the artistic and spiritual relationship between the Romanian communities from southern Transylvania and those from Wallachia. The present analysis will also include the confessional solidarity between the Orthodox groups from both sides of the Carpathians and its role in the creation and transmission of a homogenous religious iconographic program.","PeriodicalId":32491,"journal":{"name":"Lodzkie Studia Etnograficzne","volume":"50 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66616252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Artykul relacjonuje autoetnograficzny projekt uszycia sobie przez autorke cieszynskiego stroju, ktory jest wyrazem jej śląskiej tozsamości. Projekt wynikal rowniez z potrzeby badawczego monitorowania tego procesu. Relacja dotyczy powstawania projektu sukni śląskiej i szycia poszczegolnych jej elementow, kontaktow z rzemieślnikami i rzemieślniczkami, ekspertami, a takze innymi uzytkowniczkami tego typu strojow. Artykul konczą uwagi dotyczące roli i znaczenia stroju dla śląsko-cieszynskiej spoleczności.
{"title":"Jak żech se dowała szyć ślóńskóm suknie. Szkic autoetnograficzny","authors":"G. Kubica","doi":"10.12775/27687","DOIUrl":"https://doi.org/10.12775/27687","url":null,"abstract":"Artykul relacjonuje autoetnograficzny projekt uszycia sobie przez autorke cieszynskiego stroju, ktory jest wyrazem jej śląskiej tozsamości. Projekt wynikal rowniez z potrzeby badawczego monitorowania tego procesu. Relacja dotyczy powstawania projektu sukni śląskiej i szycia poszczegolnych jej elementow, kontaktow z rzemieślnikami i rzemieślniczkami, ekspertami, a takze innymi uzytkowniczkami tego typu strojow. Artykul konczą uwagi dotyczące roli i znaczenia stroju dla śląsko-cieszynskiej spoleczności.","PeriodicalId":32491,"journal":{"name":"Lodzkie Studia Etnograficzne","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66538563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Political division, which re-emerged after Slovenian independence and parliamentary democracy in 1991, has strongly influenced Slovenian social life. The article focuses on official and parallel celebrations of statehood day as a political tool in political arena. The author analyses those manipulative and discursive techniques used by opposition leader Janez Jansa that were the most evident in the critique of the official celebrations of statehood and the construction of parallel ones. Presented taxonomy of his interventions is based on extensive ethnographic work and offers a summarised review of some basic ideological disputes during the Slovenian post-socialist transition.
{"title":"Contested Rites – Janša’s Politics of Statehood Celebration in Contemporary Slovenia","authors":"P. Simonič","doi":"10.12775/27697","DOIUrl":"https://doi.org/10.12775/27697","url":null,"abstract":"Political division, which re-emerged after Slovenian independence and parliamentary democracy in 1991, has strongly influenced Slovenian social life. The article focuses on official and parallel celebrations of statehood day as a political tool in political arena. The author analyses those manipulative and discursive techniques used by opposition leader Janez Jansa that were the most evident in the critique of the official celebrations of statehood and the construction of parallel ones. Presented taxonomy of his interventions is based on extensive ethnographic work and offers a summarised review of some basic ideological disputes during the Slovenian post-socialist transition.","PeriodicalId":32491,"journal":{"name":"Lodzkie Studia Etnograficzne","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66538599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Myślenie o wojnie we wspolczesnej humanistyce, w tym takze w antropologii kulturowej, bardziej lub mniej nastawionej historycznie, opiera sie zwykle na chronotopie odwrocenia, to znaczy na przedstawieniu wojny jako przeciwienstwa pokoju. Myślenie takie angazuje określone, u podstaw fenomenologiczne, wyobrazenie o naznaczonej wojną codzienności. Zgodnie z nim odwrocona codziennośc wojny jest codziennością niecodzienną i niepowszednią, w konsekwencji wiec doświadczaną jako odmienna i obca. Odnosząc swoje rozwazania do określonej przez Wielką Wojne rzeczywistości kulturowej miasta Łodzi, autor probuje wykazac, ze nie cala codziennośc miasta lub nie wszystkie jej fragmenty z rowną intensywnością ulegają „wojennemu” odwroceniu. Dowodzi, ze fragmentem takim bywa gazeta codzienna. Na przykladzie „Nowego Kuriera Łodzkiego”, jednej z gazet typowych dla tego czasu i tego miejsca, pokazuje, jak gazeta codzienna w czasie wojny podtrzymuje znane sobie sprzed wojny sposoby pisania o świecie, stosuje wiec takze gatunki dziennikarskie pozwalające wyjśc poza prostą prawde faktow i zdarzen. To wlaśnie dzieki temu na swoj sposob przekracza ona zwyklą i przyziemną codziennośc miasta czasu wojny.
{"title":"Jak gazeta codzienna przekraczała codzienność Wielkiej Wojny. „Nowy Kurier Łódzki” 1914–1918","authors":"Andrzej Paweł Wejland","doi":"10.12775/lse.2019.58.15","DOIUrl":"https://doi.org/10.12775/lse.2019.58.15","url":null,"abstract":"Myślenie o wojnie we wspolczesnej humanistyce, w tym takze w antropologii kulturowej, bardziej lub mniej nastawionej historycznie, opiera sie zwykle na chronotopie odwrocenia, to znaczy na przedstawieniu wojny jako przeciwienstwa pokoju. Myślenie takie angazuje określone, u podstaw fenomenologiczne, wyobrazenie o naznaczonej wojną codzienności. Zgodnie z nim odwrocona codziennośc wojny jest codziennością niecodzienną i niepowszednią, w konsekwencji wiec doświadczaną jako odmienna i obca. Odnosząc swoje rozwazania do określonej przez Wielką Wojne rzeczywistości kulturowej miasta Łodzi, autor probuje wykazac, ze nie cala codziennośc miasta lub nie wszystkie jej fragmenty z rowną intensywnością ulegają „wojennemu” odwroceniu. Dowodzi, ze fragmentem takim bywa gazeta codzienna. Na przykladzie „Nowego Kuriera Łodzkiego”, jednej z gazet typowych dla tego czasu i tego miejsca, pokazuje, jak gazeta codzienna w czasie wojny podtrzymuje znane sobie sprzed wojny sposoby pisania o świecie, stosuje wiec takze gatunki dziennikarskie pozwalające wyjśc poza prostą prawde faktow i zdarzen. To wlaśnie dzieki temu na swoj sposob przekracza ona zwyklą i przyziemną codziennośc miasta czasu wojny.","PeriodicalId":32491,"journal":{"name":"Lodzkie Studia Etnograficzne","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66616409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Kazimiera Zawistowicz-Adamska jako pierwsza wśrod polskich badaczy terenowych przyjela zasade uznania swoich informatorow za indywidualne podmioty. Jej ksiązka Spolecznośc wiejska jest dowodem nie tylko doskonalego warsztatu, ale takze zawiera istotną warstwe etyczną. Jako jedna z pierwszych podkreślala znaczenie badawczego kontekstu sytuacyjnego. Taką postawe badawczą kontynuowala jej uczennica – Bronislawa Kopczynska-Jaworska, ale w swoich badaniach prowadzonych w okresie PRL, a zwlaszcza w doborze pytan stawianych informatorom, byla ograniczona polityką rządzącej partii, o czym otwarcie napisala po latach. Autorka kladzie akcent na to, ze dziś wciąz odkrywamy nowe, „biale” pola w historii naszych badan terenowych, po latach uświadamiamy sobie znaczenie ciąglości w nauce oraz wiezi z naukowymi przodkami.
{"title":"Dziedzictwo, pamięć, ciągłość","authors":"Zofia Sokolewicz","doi":"10.12775/27693","DOIUrl":"https://doi.org/10.12775/27693","url":null,"abstract":"Kazimiera Zawistowicz-Adamska jako pierwsza wśrod polskich badaczy terenowych przyjela zasade uznania swoich informatorow za indywidualne podmioty. Jej ksiązka Spolecznośc wiejska jest dowodem nie tylko doskonalego warsztatu, ale takze zawiera istotną warstwe etyczną. Jako jedna z pierwszych podkreślala znaczenie badawczego kontekstu sytuacyjnego. Taką postawe badawczą kontynuowala jej uczennica – Bronislawa Kopczynska-Jaworska, ale w swoich badaniach prowadzonych w okresie PRL, a zwlaszcza w doborze pytan stawianych informatorom, byla ograniczona polityką rządzącej partii, o czym otwarcie napisala po latach. Autorka kladzie akcent na to, ze dziś wciąz odkrywamy nowe, „biale” pola w historii naszych badan terenowych, po latach uświadamiamy sobie znaczenie ciąglości w nauce oraz wiezi z naukowymi przodkami.","PeriodicalId":32491,"journal":{"name":"Lodzkie Studia Etnograficzne","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66538841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Celebrating the National Unity in the Kingdom of Serbs, Croats and Slovenes","authors":"Božidar Jezernik","doi":"10.12775/lse.2019.58.03","DOIUrl":"https://doi.org/10.12775/lse.2019.58.03","url":null,"abstract":"","PeriodicalId":32491,"journal":{"name":"Lodzkie Studia Etnograficzne","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66615978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
St. Nicholas processions are ranked among the most significant traditions and are frequently considered the climax of the Advent. This is definitely the case of Horni Lidecsko, where as soon as the All Saints’ Day is over, masked characters come out and walk around villages until the holiday of St. Nicholas. The devils that are present in villages where people incline towards the Roman Catholic faith form an inseparable part of the cultural heritage of the local villages and the entire region. This study outlines the current form of St. Nicholas processions and the masked characters, but attention is paid also to the most significant changes that impacted the formation of the flying phenomenon and have shaped the tradition into its existing form. A portion of the paper deals with the historical background of the tradition and the individual characters that are a part of it, their role, and the symbolic meaning of the procession. The aim of the paper is to present the St. Nicholas procession and its attributes by means of an analysis of individual factors that impact its form outside the Czech Republic. The research has also addressed several aspects that have formed this phenomenon, namely the organization of the event and the identity of both the active and the passive participants. The study presents a research sample of bearers of the tradition and motivational elements thanks to which the tradition is still alive and passed from one generation to the next in such a scope as it is. In addition to the above, the paper explores the forms of the support provided by the villages as well as the differing opinions held by inhabitants of the region with regard to entering the St. Nicholas procession on the List of Intangible Elements of Traditional Folk Culture of the Czech Republic. A section in the paper also answers the question whether the event is a part of cultural heritage that is present in Wallachia permanently and in an authentic, almost unaltered form.
{"title":"St. Nicholas Processions in Horni Lidecsko as a Part of Wallachia’s Cultural Heritage and Testimony to the Survival of the Carpathian Culture","authors":"L. Navrátilová","doi":"10.12775/lse.2019.58.10","DOIUrl":"https://doi.org/10.12775/lse.2019.58.10","url":null,"abstract":"St. Nicholas processions are ranked among the most significant traditions and are frequently considered the climax of the Advent. This is definitely the case of Horni Lidecsko, where as soon as the All Saints’ Day is over, masked characters come out and walk around villages until the holiday of St. Nicholas. The devils that are present in villages where people incline towards the Roman Catholic faith form an inseparable part of the cultural heritage of the local villages and the entire region. This study outlines the current form of St. Nicholas processions and the masked characters, but attention is paid also to the most significant changes that impacted the formation of the flying phenomenon and have shaped the tradition into its existing form. A portion of the paper deals with the historical background of the tradition and the individual characters that are a part of it, their role, and the symbolic meaning of the procession. The aim of the paper is to present the St. Nicholas procession and its attributes by means of an analysis of individual factors that impact its form outside the Czech Republic. The research has also addressed several aspects that have formed this phenomenon, namely the organization of the event and the identity of both the active and the passive participants. The study presents a research sample of bearers of the tradition and motivational elements thanks to which the tradition is still alive and passed from one generation to the next in such a scope as it is. In addition to the above, the paper explores the forms of the support provided by the villages as well as the differing opinions held by inhabitants of the region with regard to entering the St. Nicholas procession on the List of Intangible Elements of Traditional Folk Culture of the Czech Republic. A section in the paper also answers the question whether the event is a part of cultural heritage that is present in Wallachia permanently and in an authentic, almost unaltered form.","PeriodicalId":32491,"journal":{"name":"Lodzkie Studia Etnograficzne","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48569127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The author presents in the article his own project Lodz City Melodies. The project concerns musicians and music connected, above all, with the disappearing traditional folklore that can be found in the city of Lodz. The priority of the project is to find Lodz musicians (related to any disappearing musical traditions) and to promote their playing. In the article, the author discusses theoretical assumptions and the method of work, stages of project implementation and the effects (acceptance of the project by traditional music community).
{"title":"Projekt \"Melodie Miasta Łodzi\". Czyli o próbie praktykowania paraetnomuzykologii praktycznej w przestrzeni wielkomiejskiej","authors":"Bartosz Puliński","doi":"10.12775/lse.2018.57.12","DOIUrl":"https://doi.org/10.12775/lse.2018.57.12","url":null,"abstract":"The author presents in the article his own project Lodz City Melodies. The project concerns musicians and music connected, above all, with the disappearing traditional folklore that can be found in the city of Lodz. The priority of the project is to find Lodz musicians (related to any disappearing musical traditions) and to promote their playing. In the article, the author discusses theoretical assumptions and the method of work, stages of project implementation and the effects (acceptance of the project by traditional music community).","PeriodicalId":32491,"journal":{"name":"Lodzkie Studia Etnograficzne","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66615931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article focuses mainly on the language of folk musicians and the vocabulary they use in relation to their own music (performance practice, musical instruments, folk musicians, repertoire, musical education, etc.). This text represents a survey of the principal thematic areas and the vocabulary most often appearing in interviews with folk musicians, including terms for the criteria of correctness in musical practice, as well as properties regarded as positive or negative. There is also a wide range of terms that are crucial to reflection on traditional folk music (incl. ‘weeping’, ‘taste’ and ‘accent’). I will also look at the life of a folk violinist, illustrated by an autograph manuscript of the life story of the Rawa violinist Stanislaw Skiba (1932–2015). This article was based on the author’s interviews with twenty three folk violinists from central Poland, mostly from Łodź voivodeship, born in the years 1921–1954. Taking account of musicians’ comments, opinions and vocabulary provides insight into their way of thinking and their worldviews, and it also enhances our knowledge of the musical culture of central Poland.
{"title":"Z badań nad słownictwem muzyków ludowych środkowej Polski","authors":"Ewa Sławińska-Dahlig","doi":"10.12775/LSE.2018.57.05","DOIUrl":"https://doi.org/10.12775/LSE.2018.57.05","url":null,"abstract":"This article focuses mainly on the language of folk musicians and the vocabulary they use in relation to their own music (performance practice, musical instruments, folk musicians, repertoire, musical education, etc.). This text represents a survey of the principal thematic areas and the vocabulary most often appearing in interviews with folk musicians, including terms for the criteria of correctness in musical practice, as well as properties regarded as positive or negative. There is also a wide range of terms that are crucial to reflection on traditional folk music (incl. ‘weeping’, ‘taste’ and ‘accent’). I will also look at the life of a folk violinist, illustrated by an autograph manuscript of the life story of the Rawa violinist Stanislaw Skiba (1932–2015). This article was based on the author’s interviews with twenty three folk violinists from central Poland, mostly from Łodź voivodeship, born in the years 1921–1954. Taking account of musicians’ comments, opinions and vocabulary provides insight into their way of thinking and their worldviews, and it also enhances our knowledge of the musical culture of central Poland.","PeriodicalId":32491,"journal":{"name":"Lodzkie Studia Etnograficzne","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66615537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"„Kiedy umierał griot, ludzie mówili, że spaliła się biblioteka”. Justyna Badji rozmawia z Ablaye’m Badji o senegalskich strażnikach tradycji","authors":"Justyna Badji, Ablaye Badji","doi":"10.12775/lse.2018.57.13","DOIUrl":"https://doi.org/10.12775/lse.2018.57.13","url":null,"abstract":"","PeriodicalId":32491,"journal":{"name":"Lodzkie Studia Etnograficzne","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47541347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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