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Textile Leather Review最新文献

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İmren Erşen Oya Müzesi
Pub Date : 2023-03-15 DOI: 10.1080/14759756.2023.2181553
Sanem Odabasi
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引用次数: 0
Weaving as a Livelihood Option: A Study of the Bhulia Weaver Community in Odisha, India 编织作为一种生计选择:对印度奥里萨邦布利亚编织社区的研究
Pub Date : 2023-03-15 DOI: 10.1080/14759756.2023.2175946
Ansuman Das, Tattwamasi Paltasingh
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引用次数: 1
Dinh Q Lê, Photographing the Thread of Memory Dinh Q Lê,拍摄记忆的线索
Pub Date : 2023-03-15 DOI: 10.1080/14759756.2023.2171832
M. Berthon
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引用次数: 0
From Underwear to Outerwear: The Influence of Machinery on Creativity and Garment Styling in the Scottish Knitwear Industry, 1920s–1970s 从内衣到外衣:20世纪20 - 70年代苏格兰针织品工业中机械对创意和服装造型的影响
Pub Date : 2023-03-15 DOI: 10.1080/14759756.2023.2182042
L. Gardner
Abstract Although machine knitted garments are ubiquitous today, they have only been manufactured for little over a century. The growing popularity of knitted outerwear and the demand for readymade clothing during the interwar period gave hosiery manufacturers an opportunity to diversify their product range using machinery and processes previously only used for the production of underwear. This case study uses the surviving design books of a single company, Peter Scott and Co. Ltd, based in the Scottish Borders to explore a little-known period of creative experimentation. The company exploited two very different types of production during the years between the wars. A comparison of these, and the garment designs they yielded, offers an opportunity to interrogate the relationships between design, product, and process. An examination of the relationship between product and machinery reveals influence and opportunity as well as negotiation and restriction. This case study not only assesses the influence of machinery on garment styling but also serves to place design into the context of business and industry, which can reveal how business dilemmas, choices and challenges impacted its use.
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引用次数: 0
Consumption Pattern and the Factors of the Handloom Weavers in Charghat Upazila of Rajshahi District in Bangladesh 孟加拉国Rajshahi地区Charghat Upazila手摇织机织工的消费模式及影响因素
Pub Date : 2023-03-09 DOI: 10.1080/14759756.2023.2181548
Md. Ataul Gani Osmani, Md Fahad Al Ashik
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引用次数: 0
The “Authenticity Discourse” in Contemporary Application of West African Textiles 西非纺织品当代应用中的“真实性话语”
Pub Date : 2023-03-09 DOI: 10.1080/14759756.2023.2178050
R. Acquaye, Akosua Mawuse Amankwah, R. Seidu
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引用次数: 0
The 4th Hangzhou Triennial of Fiber Art 第四届杭州纤维艺术三年展
Pub Date : 2023-03-09 DOI: 10.1080/14759756.2023.2176981
Jia Xu
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引用次数: 1
Annet Couwenberg: Sewing Circles, Annet Couwenberg:缝纫圈,
Pub Date : 2023-03-09 DOI: 10.1080/14759756.2023.2181527
Kate Nartker
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引用次数: 0
Razzle, Dazzle and the Black Fantastic razzzle, Dazzle和Black Fantastic
Pub Date : 2023-03-07 DOI: 10.1080/14759756.2023.2171831
Janis Jefferies
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引用次数: 0
Styling the “Ivy” Man: Jewish Men as Creators and Consumers of an American Style, 1940–1965 “常春藤”男人的造型:犹太人作为美国风格的创造者和消费者,1940-1965
Pub Date : 2023-03-06 DOI: 10.1080/14759756.2022.2141027
Josef Nothmann
Abstract Studies of Jewish “Americanization” have largely focused on earlier periods of immigration and emphasized the democratic nature of dress in the United States. In contrast, this study analyzes the decades at mid-century when Jews began visibly to enter the American mainstream and argues for an increased appreciation of male sartorial distinction as cultural capital in Jewish social mobility and self-assertion within a stratified American social system. In the decades after the Second World War, a commercialized form of Ivy League style became one of the leading modes of middle class American masculine self-fashioning. Many Jewish students, professors, and young professionals found in Ivy style a statement suited to their aspirations of educational, social, and economic advancement in the face of traditional antisemitic discrimination. The Jewish history of Ivy style reveals the ambiguities and ironies of this process of class-specific Americanization, given the disproportionate role of Jewish tailors and businessmen in the creation and curation of an American style so closely linked to power. Drawing on memoirs, contemporary images, and vintage clothing, this article examines the connection between Ivy style as sartorial habitus and Jewish social and cultural integration in and through higher education.
关于犹太人“美国化”的研究主要集中在早期的移民时期,并强调美国服装的民主性质。相比之下,本研究分析了本世纪中叶犹太人开始明显进入美国主流的几十年,并认为在分层的美国社会体系中,男性服装的区别作为犹太人社会流动性和自我主张的文化资本得到了越来越多的欣赏。在第二次世界大战后的几十年里,常春藤联盟风格的商业化形式成为美国中产阶级男性自我塑造的主要模式之一。许多犹太学生、教授和年轻的专业人士发现,面对传统的反犹歧视,常春藤风格的声明适合他们在教育、社会和经济上取得进步的愿望。常春藤风格的犹太历史揭示了这种特定阶级美国化过程中的模棱两可和讽刺,因为犹太裁缝和商人在创造和管理与权力密切相关的美式风格方面发挥了不成比例的作用。借助回忆录、当代图像和古着,本文考察了常青藤风格作为服装习惯与犹太人在高等教育中的社会和文化融合之间的联系。
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引用次数: 0
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Textile Leather Review
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