Pub Date : 2019-06-17DOI: 10.32880/2587-7127-2018-3-3-301-305
Michael Vedeshkin
{"title":"Edward Watts and modern research in Late Antiquity education","authors":"Michael Vedeshkin","doi":"10.32880/2587-7127-2018-3-3-301-305","DOIUrl":"https://doi.org/10.32880/2587-7127-2018-3-3-301-305","url":null,"abstract":"","PeriodicalId":32993,"journal":{"name":"Hypothekai","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42884457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-06-17DOI: 10.32880/2587-7127-2018-3-3-146-160
I. Mirolyubov, Moscow State Integrated Museum-Reserve
{"title":"On the education of the sons of Constantine the Great","authors":"I. Mirolyubov, Moscow State Integrated Museum-Reserve","doi":"10.32880/2587-7127-2018-3-3-146-160","DOIUrl":"https://doi.org/10.32880/2587-7127-2018-3-3-146-160","url":null,"abstract":"","PeriodicalId":32993,"journal":{"name":"Hypothekai","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46879261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-12DOI: 10.32880/2587-7127-2018-2-2-34-53
V. Pichugina
{"title":"Pedagogical Dreams of the Past in the Tragedies by Aeschylus, Euripides and Sophocles about Eteocles and Polyneices: Paradoxes of Brotherly Hatred","authors":"V. Pichugina","doi":"10.32880/2587-7127-2018-2-2-34-53","DOIUrl":"https://doi.org/10.32880/2587-7127-2018-2-2-34-53","url":null,"abstract":"","PeriodicalId":32993,"journal":{"name":"Hypothekai","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45331641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-12DOI: 10.32880/2587-7127-2018-2-2-143-162
M. Petrova
{"title":"Symposium as a Theater. The Mise en Scène of “The Sarurnalia”","authors":"M. Petrova","doi":"10.32880/2587-7127-2018-2-2-143-162","DOIUrl":"https://doi.org/10.32880/2587-7127-2018-2-2-143-162","url":null,"abstract":"","PeriodicalId":32993,"journal":{"name":"Hypothekai","volume":"192 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41282258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-12DOI: 10.32880/2587-7127-2018-2-2-163-173
M. Polyakova
{"title":"Pedagogy of the Scene and Theatricalization of the School: Two Sides of the Educational Process","authors":"M. Polyakova","doi":"10.32880/2587-7127-2018-2-2-163-173","DOIUrl":"https://doi.org/10.32880/2587-7127-2018-2-2-163-173","url":null,"abstract":"","PeriodicalId":32993,"journal":{"name":"Hypothekai","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46882420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-12DOI: 10.32880/2587-7127-2018-2-2-79-96
A. Mozhajsky
{"title":"The rivers and the gates of Thebes in the tragedies of Aeschylus, Sophocles and Euripides, as the educational landscape of the city","authors":"A. Mozhajsky","doi":"10.32880/2587-7127-2018-2-2-79-96","DOIUrl":"https://doi.org/10.32880/2587-7127-2018-2-2-79-96","url":null,"abstract":"","PeriodicalId":32993,"journal":{"name":"Hypothekai","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43726743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-12DOI: 10.32880/2587-7127-2018-2-2-97-105
M. Germani
T theatre of Chaeronea, in Boeotia, has always been of great interest due to the rectilinear plan of its early structure. Excavations carried out in 2009 have enabled us to observe previously undiscovered phases of construction and parts of the building. Thanks to these surveys, we can now discuss the monument’s creation and architectural evolution, concentrating on the redefinition of the theatre’s koilon. This article aims to re-examine the structures of the theatre of Chaeronea, starting with an examination of some of the most interesting rectilinear koila in Greece. In recent years, excavations in continental Greek have led to a revival of the endless debate on rectilinear plans and on the relationships between fifthcentury theatres exhibiting plans with rectilinear staircases. Following the canonisation of the semi-circular plan, did all theatres suddenly take up the new model? When did the theatre of Chaeronea abandon its rectilinear shape to imitate the semi-circular theatres of the fourth century BC? Can we really imagine an immediate and sudden upsetting of theatre plans without considering the spread and reception times of the new model? How much did local needs and specificities influence the redefinition of old theatres? The following paper does not necessarily aim to answer all of these questions, but draws attention to certain issues arising from the Chaeronea theatre case. The small Boeotia town experienced its greatest economic and demographic development starting in the late first century BC. Evidently, however, consistent with a regional situation that was particularly active1 in theatre construction, it had already built its small theatre in the fifth century BC, despite its small size. “There is no incontrovertible evidence for an orchestra circle before the theater at Epidauros was built at the end of the fourth century BC”, concluded Gebhard2 in a long 1974 article on orchestra shapes in the most ancient Greek theatres. Her research came after a long series of studies on rectilinear plan theatres and was trailed by many other articles searching for common aspects that could be potentially attributable to a widespread
{"title":"The Theatre of Chaeronea and Rectilinear Koila","authors":"M. Germani","doi":"10.32880/2587-7127-2018-2-2-97-105","DOIUrl":"https://doi.org/10.32880/2587-7127-2018-2-2-97-105","url":null,"abstract":"T theatre of Chaeronea, in Boeotia, has always been of great interest due to the rectilinear plan of its early structure. Excavations carried out in 2009 have enabled us to observe previously undiscovered phases of construction and parts of the building. Thanks to these surveys, we can now discuss the monument’s creation and architectural evolution, concentrating on the redefinition of the theatre’s koilon. This article aims to re-examine the structures of the theatre of Chaeronea, starting with an examination of some of the most interesting rectilinear koila in Greece. In recent years, excavations in continental Greek have led to a revival of the endless debate on rectilinear plans and on the relationships between fifthcentury theatres exhibiting plans with rectilinear staircases. Following the canonisation of the semi-circular plan, did all theatres suddenly take up the new model? When did the theatre of Chaeronea abandon its rectilinear shape to imitate the semi-circular theatres of the fourth century BC? Can we really imagine an immediate and sudden upsetting of theatre plans without considering the spread and reception times of the new model? How much did local needs and specificities influence the redefinition of old theatres? The following paper does not necessarily aim to answer all of these questions, but draws attention to certain issues arising from the Chaeronea theatre case. The small Boeotia town experienced its greatest economic and demographic development starting in the late first century BC. Evidently, however, consistent with a regional situation that was particularly active1 in theatre construction, it had already built its small theatre in the fifth century BC, despite its small size. “There is no incontrovertible evidence for an orchestra circle before the theater at Epidauros was built at the end of the fourth century BC”, concluded Gebhard2 in a long 1974 article on orchestra shapes in the most ancient Greek theatres. Her research came after a long series of studies on rectilinear plan theatres and was trailed by many other articles searching for common aspects that could be potentially attributable to a widespread","PeriodicalId":32993,"journal":{"name":"Hypothekai","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47906869","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-12DOI: 10.32880/2587-7127-2018-2-2-252-259
D. Wiles
t is generally agreed that today in Greece there is a crisis of citizenship. The financial crash has pushed this crisis of citizenship to the front of everyone’s attention. I do not want to speak about this topic as though from a position of cultural superiority, because British politicians speak constantly about a ‘broken Britain’ and a crisis in the family, which relates to problems of drugs, alcoholism, and mental health that are far less acute in Greece. In Greece the institution of the family is very strong, and that strength is related to the weakness of citizenship. Corrupt politicians may be men determined to do what matters most to them ethically, which is to help their families. A sense of citizenship is not the same as a sense of nation. Greece is more patriotic than Britain, and at the time of the Olympics the Greeks came together as a single family to ensure that, despite institutional failures, the event would be a success, and the great Greek extended family would offer appropriate hospitality to its thousands of international guests. So what is this crisis of citizenship? Most obviously, it is mistrust of government, at both the national and civic level. The individual does not feel that he or she is any part of that abstract and oppressive thing called ‘the state’. The mistrust of politicians is a circular, self-perpetuating process. If people are not trusted, then they do not risk betraying expectations, and idealists refuse to enter politics because they know they will never be trusted and supported. The failure of politicians is not just the failure of ‘them’, it is the failure of a system that involves everyone.
{"title":"Education for Citizenship: the Uses of Antigone","authors":"D. Wiles","doi":"10.32880/2587-7127-2018-2-2-252-259","DOIUrl":"https://doi.org/10.32880/2587-7127-2018-2-2-252-259","url":null,"abstract":"t is generally agreed that today in Greece there is a crisis of citizenship. The financial crash has pushed this crisis of citizenship to the front of everyone’s attention. I do not want to speak about this topic as though from a position of cultural superiority, because British politicians speak constantly about a ‘broken Britain’ and a crisis in the family, which relates to problems of drugs, alcoholism, and mental health that are far less acute in Greece. In Greece the institution of the family is very strong, and that strength is related to the weakness of citizenship. Corrupt politicians may be men determined to do what matters most to them ethically, which is to help their families. A sense of citizenship is not the same as a sense of nation. Greece is more patriotic than Britain, and at the time of the Olympics the Greeks came together as a single family to ensure that, despite institutional failures, the event would be a success, and the great Greek extended family would offer appropriate hospitality to its thousands of international guests. So what is this crisis of citizenship? Most obviously, it is mistrust of government, at both the national and civic level. The individual does not feel that he or she is any part of that abstract and oppressive thing called ‘the state’. The mistrust of politicians is a circular, self-perpetuating process. If people are not trusted, then they do not risk betraying expectations, and idealists refuse to enter politics because they know they will never be trusted and supported. The failure of politicians is not just the failure of ‘them’, it is the failure of a system that involves everyone.","PeriodicalId":32993,"journal":{"name":"Hypothekai","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48713609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-06-12DOI: 10.32880/2587-7127-2018-2-2-174-183
Z. Lurie
{"title":"Classical Theater and Christian School: the Theater of the German Humanists in the 15-16th Centuries","authors":"Z. Lurie","doi":"10.32880/2587-7127-2018-2-2-174-183","DOIUrl":"https://doi.org/10.32880/2587-7127-2018-2-2-174-183","url":null,"abstract":"","PeriodicalId":32993,"journal":{"name":"Hypothekai","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44038874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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