The main problem presented in the article is archeoacoustics understood as a modern subdiscipline of archeology. The aim of the research was to outline the theoretical map of ideological references used by this young, still developing field. In order to understand the complex interdisciplinary nature of the archeoacoustic approach, ideological concepts were indicated and described, which, starting from various research assumptions, reflected on the role and methods of the impact of the sound in culture.
{"title":"Archeoakustyka. Pomiędzy słuchaniem przeszłości a przepisywaniem historii","authors":"T. Misiak","doi":"10.14746/fpp.2019.24.10","DOIUrl":"https://doi.org/10.14746/fpp.2019.24.10","url":null,"abstract":"The main problem presented in the article is archeoacoustics understood as a modern subdiscipline of archeology. The aim of the research was to outline the theoretical map of ideological references used by this young, still developing field. In order to understand the complex interdisciplinary nature of the archeoacoustic approach, ideological concepts were indicated and described, which, starting from various research assumptions, reflected on the role and methods of the impact of the sound in culture.","PeriodicalId":330472,"journal":{"name":"Folia Praehistorica Posnaniensia","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129503041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The main goal of this paper is to reflect on the perspectives and challenges of art and archaeology research. The paper investigates main objectives through the lens of the art historian and archaeologist. Even though, the study on relations between art and archaeology has a long tradition in archaeology and the most famous researchers reflected on those tensions (Colin Renfrew, Michael Shanks, Andrew Jones, Ian Russell, Paul Reilly, Paul Bonaventura), art and archaeology approach is still not a coherent and systematic methodological framework. To deal with this notable lack, the author revises previous studies and points at the possible advantages of the development of studies at the border of art, archaeology and aesthetics. The main problems are illustrated and discussed in reference to archaeological museums and the Polish contemporary art represented by Hubert Czerepok, Agata Ingarden, Agnieszka Kalinowska, Agnieszka Kurant, Robert Kuśmirowski and Joanna Rajkowska.
本文的主要目的是反思艺术与考古研究的视角和挑战。本文通过艺术史学家和考古学家的视角来考察主要目标。尽管对艺术与考古学关系的研究在考古学中有着悠久的传统，并且最著名的研究者(Colin Renfrew, Michael Shanks, Andrew Jones, Ian Russell, Paul Reilly, Paul Bonaventura)也反映了这种紧张关系，但艺术与考古学的方法仍然不是一个连贯和系统的方法框架。为了解决这一明显的不足，作者对以往的研究进行了修正，并指出在艺术、考古和美学的边界上开展研究可能具有的优势。本文以考古博物馆和以休伯特·切尔波克、阿加塔·因加登、阿格涅斯卡·加里诺夫斯卡、阿格涅斯卡·库兰特、罗伯特·Kuśmirowski和乔安娜·拉杰科夫斯卡为代表的波兰当代艺术为例，对主要问题进行了说明和讨论。
{"title":"Perspektywy i wyzwania badań na styku archeologii i sztuki","authors":"Monika Stobiecka","doi":"10.14746/fpp.2019.24.16","DOIUrl":"https://doi.org/10.14746/fpp.2019.24.16","url":null,"abstract":"The main goal of this paper is to reflect on the perspectives and challenges of art and archaeology research. The paper investigates main objectives through the lens of the art historian and archaeologist. Even though, the study on relations between art and archaeology has a long tradition in archaeology and the most famous researchers reflected on those tensions (Colin Renfrew, Michael Shanks, Andrew Jones, Ian Russell, Paul Reilly, Paul Bonaventura), art and archaeology approach is still not a coherent and systematic methodological framework. To deal with this notable lack, the author revises previous studies and points at the possible advantages of the development of studies at the border of art, archaeology and aesthetics. The main problems are illustrated and discussed in reference to archaeological museums and the Polish contemporary art represented by Hubert Czerepok, Agata Ingarden, Agnieszka Kalinowska, Agnieszka Kurant, Robert Kuśmirowski and Joanna Rajkowska.","PeriodicalId":330472,"journal":{"name":"Folia Praehistorica Posnaniensia","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133139078","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the following paper, a question was asked if archaeology needs art, precisely – in what way is this art needed? The author determines the value of the artistic act since we want to participate in this experiencing and even co-create this experience. Another issue is what we have from the contact with the art. The art is treated as continuously changing which imposes the transformations in the definition. The answer points out the proper understanding of the art functions, which is as using. It is significant when indicating various connections and transfers between art and other academic disciplines. It helps to notice mutual connections and relations, also with archaeology.
{"title":"Czy archeologia potrzebuje sztuki? Jak teoretyczne spojrzenie otwiera nowe możliwości współpracy. Sztuka jako użytkowanie","authors":"Justyna Ryczek","doi":"10.14746/fpp.2019.24.14","DOIUrl":"https://doi.org/10.14746/fpp.2019.24.14","url":null,"abstract":"In the following paper, a question was asked if archaeology needs art, precisely – in what way is this art needed? The author determines the value of the artistic act since we want to participate in this experiencing and even co-create this experience. Another issue is what we have from the contact with the art. The art is treated as continuously changing which imposes the transformations in the definition. The answer points out the proper understanding of the art functions, which is as using. It is significant when indicating various connections and transfers between art and other academic disciplines. It helps to notice mutual connections and relations, also with archaeology.","PeriodicalId":330472,"journal":{"name":"Folia Praehistorica Posnaniensia","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126310956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The majority of currently known Neo-Babylonian legal and administrative documents from Kish come from excavations held on this site by the joint expedition of Oxford – Field Museum (Chicago) between 1923–1933. They are now housed in the Ashmolean Museum, Oxford. However, ca. 40 Neo-Babylonian ‘Kish’ tablets, i.e., written in Ḫursagkalamma or Kiš, are present in other collections. How did they end up in these museums assuming that most of them was acquired in the last quarter of the 19th century, 30–50 years before the expedition mentioned above? I suppose that they were not found in Kish, even though their Ausstellungsort indicates quite the opposite. They instead come from nearby Babylon or Borsippa cities. The analysis conducted in the article seems to confirm this assumption, and for most cases, the provided attribution should be considered. Additionally, tablets under discussion are testimonies of the vivid economic life of entrepreneurial Babylonians in the first millennium BC.
{"title":"The provenance of Neo-Babylionian legal documents from ‘Kish’ outside the Ashmolean Museum Collection","authors":"Stanisław Chmielowski","doi":"10.14746/FPP.2019.24.01","DOIUrl":"https://doi.org/10.14746/FPP.2019.24.01","url":null,"abstract":"The majority of currently known Neo-Babylonian legal and administrative documents from Kish come from excavations held on this site by the joint expedition of Oxford – Field Museum (Chicago) between 1923–1933. They are now housed in the Ashmolean Museum, Oxford. However, ca. 40 Neo-Babylonian ‘Kish’ tablets, i.e., written in Ḫursagkalamma or Kiš, are present in other collections. How did they end up in these museums assuming that most of them was acquired in the last quarter of the 19th century, 30–50 years before the expedition mentioned above? I suppose that they were not found in Kish, even though their Ausstellungsort indicates quite the opposite. They instead come from nearby Babylon or Borsippa cities. The analysis conducted in the article seems to confirm this assumption, and for most cases, the provided attribution should be considered. Additionally, tablets under discussion are testimonies of the vivid economic life of entrepreneurial Babylonians in the first millennium BC.","PeriodicalId":330472,"journal":{"name":"Folia Praehistorica Posnaniensia","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129206480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article is an attempt to interpret Niaux prehistoric sites (where rites and rock paintings were discovered) and La Vache (the place where the prehistoric people were camped) in the Pyrenees as “sites of memory” and “landscape of memory”. The article attempts to answer the question of whether cave positions that are the subject of the work can be interpreted and defined as “sites of memory” from a modern point of view, and whether the cave in Niaux could be a kind of “site of memory” for the prehistoric population. Additionally, whether the area within which these two caves are located can be considered as part of the “landscape of memory”.
{"title":"Interpretacja stanowisk prahistorycznych Niaux i la Vache w Pirenejach jako „miejsc pamięci” i „krajobrazu pamięci”","authors":"Anna Głód","doi":"10.14746/fpp.2018.23.04","DOIUrl":"https://doi.org/10.14746/fpp.2018.23.04","url":null,"abstract":"This article is an attempt to interpret Niaux prehistoric sites (where rites and rock paintings were discovered) and La Vache (the place where the prehistoric people were camped) in the Pyrenees as “sites of memory” and “landscape of memory”. The article attempts to answer the question of whether cave positions that are the subject of the work can be interpreted and defined as “sites of memory” from a modern point of view, and whether the cave in Niaux could be a kind of “site of memory” for the prehistoric population. Additionally, whether the area within which these two caves are located can be considered as part of the “landscape of memory”.","PeriodicalId":330472,"journal":{"name":"Folia Praehistorica Posnaniensia","volume":"171 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116124474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A. Zalewska, Dorota Cyngot, J. Czarnecki, Grzegorz Kiarszys
In this article the outcomes of historical, archaeological, spatial and anthropological research concerning material remnants of the war cemeteries left by the Great War in Central Poland, in the area of Rawka and Bzura are presented. On the example of one of the four communes (Nowa Sucha) subjected to research under the project Archaeological Revival of Memory of the Great War (ARM), the processes of creation, transformation, decay, destruction and re-making present the resting places of the soldiers fallen between December 1914 and July 1915 are shown. In the first part, we sketch the output atmosphere that accompanied the primary context in which war cemeteries were established and place the war cemeteries in the network of social, formal and legal determinants. In the second part, we frame the historical and social contexts in which the resting places of the fallen soldiers of the German and Russian armies were massively created. Than, we show the difficulties associated with locating particular war cemeteries and signal strengths and obstacles in correlating results of archival research and use of remote sensing and archaeological methods in order to restore the memory of war cemeteries and establish their current and future condition as material warnings. Also we stress the looping of cultural and natural factors both in the process of protecting and destroying material condition of war cemeteries. Finally, on the example of one of the cemeteries we show how slow and arduous but at the same time promising can be the process of transformation from a forgotten/plowed cemetery into a place of/in memory, and as an agent struggling with the continuous nature-cultural transformations.
{"title":"Czysto ludzka sprawa? Archeologiczne przywracanie pamięci o trudnej przeszłości przez tropienie naturo-kulturowych przemian cmentarzy wojennych","authors":"A. Zalewska, Dorota Cyngot, J. Czarnecki, Grzegorz Kiarszys","doi":"10.14746/fpp.2018.23.09","DOIUrl":"https://doi.org/10.14746/fpp.2018.23.09","url":null,"abstract":"In this article the outcomes of historical, archaeological, spatial and anthropological research concerning material remnants of the war cemeteries left by the Great War in Central Poland, in the area of Rawka and Bzura are presented. On the example of one of the four communes (Nowa Sucha) subjected to research under the project Archaeological Revival of Memory of the Great War (ARM), the processes of creation, transformation, decay, destruction and re-making present the resting places of the soldiers fallen between December 1914 and July 1915 are shown. In the first part, we sketch the output atmosphere that accompanied the primary context in which war cemeteries were established and place the war cemeteries in the network of social, formal and legal determinants. In the second part, we frame the historical and social contexts in which the resting places of the fallen soldiers of the German and Russian armies were massively created. Than, we show the difficulties associated with locating particular war cemeteries and signal strengths and obstacles in correlating results of archival research and use of remote sensing and archaeological methods in order to restore the memory of war cemeteries and establish their current and future condition as material warnings. Also we stress the looping of cultural and natural factors both in the process of protecting and destroying material condition of war cemeteries. Finally, on the example of one of the cemeteries we show how slow and arduous but at the same time promising can be the process of transformation from a forgotten/plowed cemetery into a place of/in memory, and as an agent struggling with the continuous nature-cultural transformations.","PeriodicalId":330472,"journal":{"name":"Folia Praehistorica Posnaniensia","volume":"124 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127074557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The following paper presents the problem of archaeological sites located on cliffs on the Southern Baltic Sea shore. This article discusses issues related to a necessity of solving the problem of this kind of research, related to methodological, as well as documentation and preservation standards based on preliminary results of the project conducted in Bagicz area (Ustronie Morskie commune). In this region four new structures were noted on a cliff surface. The key to understand the situation of archaeological sites located on a cliff areas is the knowledge of the processes related to their formation and activity. All of them have a huge impact for the state of preservation of the cliff, however they have various intensity level depending on the part of the Baltic Coast.
{"title":"Niełatwa archeologia klifów – przypadek stanowisk w Bagiczu","authors":"Marta Chmiel-Chrzanowska","doi":"10.14746/fpp.2018.23.01","DOIUrl":"https://doi.org/10.14746/fpp.2018.23.01","url":null,"abstract":"The following paper presents the problem of archaeological sites located on cliffs on the Southern Baltic Sea shore. This article discusses issues related to a necessity of solving the problem of this kind of research, related to methodological, as well as documentation and preservation standards based on preliminary results of the project conducted in Bagicz area (Ustronie Morskie commune). In this region four new structures were noted on a cliff surface. The key to understand the situation of archaeological sites located on a cliff areas is the knowledge of the processes related to their formation and activity. All of them have a huge impact for the state of preservation of the cliff, however they have various intensity level depending on the part of the Baltic Coast.","PeriodicalId":330472,"journal":{"name":"Folia Praehistorica Posnaniensia","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117041910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A significant increase in the amount of materials obtained from the recent large area excavations resulted in numerous finds of wells. For years, these unique archaeological features were not treated as a separate research problem. In order to obtain the fullest research results, an increasing interdisciplinarity involving different fields of science is applied to the studies on wells nowadays. Constructions made of organic raw materials are extremely rare in the space of a typical archaeological site and they are also extremely important sources for gaining knowledge about particular settlements. Wells are accompanied by a certain range of features related to the use of water intake and located in its immediate vicinity. These discoveries allow for extremely interesting interpretations of the functional connections between individual complexes of this type. Functions of wells are an issue that is inextricably linked to the location of such complexes in the settlement’s space. Another aspect related to studies of these features is their extremely rich symbolism. Wells are special archaeological features. Their uniqueness places them among the most interesting objects studied by archaeologists.
{"title":"Studnia – szczególny obiekt w przestrzeni stanowiska archeologicznego. Wprowadzenie do problematyki badawczej","authors":"M. Piotrowska, A. Michałowski","doi":"10.14746/fpp.2018.23.07","DOIUrl":"https://doi.org/10.14746/fpp.2018.23.07","url":null,"abstract":"A significant increase in the amount of materials obtained from the recent large area excavations resulted in numerous finds of wells. For years, these unique archaeological features were not treated as a separate research problem. In order to obtain the fullest research results, an increasing interdisciplinarity involving different fields of science is applied to the studies on wells nowadays. Constructions made of organic raw materials are extremely rare in the space of a typical archaeological site and they are also extremely important sources for gaining knowledge about particular settlements. Wells are accompanied by a certain range of features related to the use of water intake and located in its immediate vicinity. These discoveries allow for extremely interesting interpretations of the functional connections between individual complexes of this type. Functions of wells are an issue that is inextricably linked to the location of such complexes in the settlement’s space. Another aspect related to studies of these features is their extremely rich symbolism. Wells are special archaeological features. Their uniqueness places them among the most interesting objects studied by archaeologists. \u0000 ","PeriodicalId":330472,"journal":{"name":"Folia Praehistorica Posnaniensia","volume":"06 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128204100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The author of this thesis searches for traces of shamanism in paleolithic period through identification of signs and anthropomorphic resemblances that can have a connection with different stages of trance and shamanistic visions. For this article, Pech-Merle and Cougnac cave were chosen. Chronological range in this paper covers a period when Gravettian and Magdalenian cultures functioned. In order to carry out the above assumptions, the author used the results of structuralist research- search- ing for deep meaning and symbols, neuropsychological research – influence of altered states of con- sciousness on human and role of rites in simple societies, ethnographic research- different types of shamanic vocation and visions of shamanistic cosmology as well as interpretation of paintings and engravings based on the above mentioned scientific instruments. In the conclusion, the author shows that magical and religious practices similar to shamanism could function in paleolithic hunter-gatherer societies.
{"title":"Na tropie szamanizmu w paleolicie – na przykładzie jaskiń Cougnac i Pech-Merle .","authors":"M. Górzyński","doi":"10.14746/fpp.2018.23.05","DOIUrl":"https://doi.org/10.14746/fpp.2018.23.05","url":null,"abstract":"The author of this thesis searches for traces of shamanism in paleolithic period through identification of signs and anthropomorphic resemblances that can have a connection with different stages of trance and shamanistic visions. For this article, Pech-Merle and Cougnac cave were chosen. Chronological range in this paper covers a period when Gravettian and Magdalenian cultures functioned. In order to carry out the above assumptions, the author used the results of structuralist research- search- ing for deep meaning and symbols, neuropsychological research – influence of altered states of con- sciousness on human and role of rites in simple societies, ethnographic research- different types of shamanic vocation and visions of shamanistic cosmology as well as interpretation of paintings and engravings based on the above mentioned scientific instruments. In the conclusion, the author shows that magical and religious practices similar to shamanism could function in paleolithic hunter-gatherer societies.","PeriodicalId":330472,"journal":{"name":"Folia Praehistorica Posnaniensia","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132972328","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article discusses the results of archaeological and anthropological research concerning material remains of a prisoner of war camp in Czersk (Pomeranian province, Poland) (Kriegsgefangenenlager Czersk). In the first part, I sketch a broader historical context related to building and functioning of the camp in forests around Czersk between 1914–1919. After that, the role and meaning of archaeological research on such type of archaeological sites are presented. In the third part, I focus on a very special category of the camp heritage which is called trench art. The last part of this paper is a case study where an assemblage of objects classified as trench art that was found at the camp is described and interpreted. This text aims at highlighting the value of such prisoners and camp’s heritage. Such material culture is a material memory of extraordinary prisoners’ creativity behind barbed wire. It makes one aware of how every piece of trash, rubbish was re-cycled during day-to-day life behind barbed wire.
{"title":"Kreatywność za drutem kolczastym: archeologia i sztuka okopowa z pierwszowojennego obozu jenieckiego w Czersku (woj. pomorskie)","authors":"Dawid Kobiałka","doi":"10.14746/fpp.2018.23.06","DOIUrl":"https://doi.org/10.14746/fpp.2018.23.06","url":null,"abstract":"This article discusses the results of archaeological and anthropological research concerning material remains of a prisoner of war camp in Czersk (Pomeranian province, Poland) (Kriegsgefangenenlager Czersk). In the first part, I sketch a broader historical context related to building and functioning of the camp in forests around Czersk between 1914–1919. After that, the role and meaning of archaeological research on such type of archaeological sites are presented. In the third part, I focus on a very special category of the camp heritage which is called trench art. The last part of this paper is a case study where an assemblage of objects classified as trench art that was found at the camp is described and interpreted. This text aims at highlighting the value of such prisoners and camp’s heritage. Such material culture is a material memory of extraordinary prisoners’ creativity behind barbed wire. It makes one aware of how every piece of trash, rubbish was re-cycled during day-to-day life behind barbed wire.","PeriodicalId":330472,"journal":{"name":"Folia Praehistorica Posnaniensia","volume":"162 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115135553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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