Pub Date : 2022-09-28DOI: 10.31516/2410-5325.077.05
N. Maksymovska, T. Bosenko
The purpose of the article is further generalization of animation sociocultural activities management within the context of general theory and practice of culture management and characteristic features of realization of contemporary cultural practices, investigation of ASCA management within the context of general culture processes management system under conditions of destabilization of society. The methodology. Based on the systematic approach, contemporary culture management analysis method and sociocultural animation con-cepts generalization method were used. Connection between culture management and animation acti-vities was explicated. Synthesis of scientific stances enables proposing a new take on general and specific aspects of managing contemporary sociocultural animation. Comparison of scientific stances enables uncovering development prospects of culture practices in the post-crisis period and provides an opportunity to propose their transformation direction. The results. Investigation of animation sociocultural activities management within contemporary scientific and practical contexts is multi-leveled (broad and narrow context). Connection to applied cultural studies enables analyzing ASCA management as maintenance of quality of sociocultural interaction, creation of organizational conditions for invigorating society subjects and regulating culture-creating being in the post-crisis period. Connection of different culture management levels enables implementation of the animation effect of sociocultural activities in various constituents of a respective field (teaching, recreation, tourism etc.). Effectiveness of regulating sociocultural animation depends on systematic view on its performance under conditions of contemporary culture senses creation, coherence of management and integration levels of means of animation, coordination of performance of main management functions, taking into account its specificity within the culture space, and ensuring adherence to animation activities principles. The scientific topicality. Contemporary global challenges (pandemics, military conflicts, total informatization) upon encountering permanent issues of society (socioeconomic troubles, ideological rigidity and value instability) become not only causes for change of a culture model, but also cause a search for productive innovative answers, which will become the basis for further culture-creation in the post-crisis period. Effectiveness of the idea of animation in the sociocultural field was proven both in theoretical research and thanks to realization of cultural practices. It is known that animation is the synonym for invigoration, sometimes even identified as social creativity, and is a factor of overcoming social extinction and alienation. The practical significance. Culture management enables not only realization of management functions, but also accompanies motivation of subject stance, hastens interaction in the culture field, supports a
{"title":"Animation sociocultural activities management","authors":"N. Maksymovska, T. Bosenko","doi":"10.31516/2410-5325.077.05","DOIUrl":"https://doi.org/10.31516/2410-5325.077.05","url":null,"abstract":"The purpose of the article is further generalization of animation sociocultural activities management within the context of general theory and practice of culture management and characteristic features of realization of contemporary cultural practices, investigation of ASCA management within the context of general culture processes management system under conditions of destabilization of society. \u0000The methodology. Based on the systematic approach, contemporary culture management analysis method and sociocultural animation con-cepts generalization method were used. Connection between culture management and animation acti-vities was explicated. Synthesis of scientific stances enables proposing a new take on general and specific aspects of managing contemporary sociocultural animation. Comparison of scientific stances enables uncovering development prospects of culture practices in the post-crisis period and provides an opportunity to propose their transformation direction. \u0000The results. Investigation of animation sociocultural activities management within contemporary scientific and practical contexts is multi-leveled (broad and narrow context). Connection to applied cultural studies enables analyzing ASCA management as maintenance of quality of sociocultural interaction, creation of organizational conditions for invigorating society subjects and regulating culture-creating being in the post-crisis period. Connection of different culture management levels enables implementation of the animation effect of sociocultural activities in various constituents of a respective field (teaching, recreation, tourism etc.). Effectiveness of regulating sociocultural animation depends on systematic view on its performance under conditions of contemporary culture senses creation, coherence of management and integration levels of means of animation, coordination of performance of main management functions, taking into account its specificity within the culture space, and ensuring adherence to animation activities principles. \u0000The scientific topicality. Contemporary global challenges (pandemics, military conflicts, total informatization) upon encountering permanent issues of society (socioeconomic troubles, ideological rigidity and value instability) become not only causes for change of a culture model, but also cause a search for productive innovative answers, which will become the basis for further culture-creation in the post-crisis period. Effectiveness of the idea of animation in the sociocultural field was proven both in theoretical research and thanks to realization of cultural practices. It is known that animation is the synonym for invigoration, sometimes even identified as social creativity, and is a factor of overcoming social extinction and alienation. \u0000The practical significance. Culture management enables not only realization of management functions, but also accompanies motivation of subject stance, hastens interaction in the culture field, supports a","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47550898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-28DOI: 10.31516/2410-5325.077.12
I. Mostova, E. Yanyna-Ledovska
The purpose of the article is to study the peculiarities of the Sloboda folk dance development in the context of the historic genesis of the fair tradition in the region that provides grounds for further functioning of the folk dance, argues for the peculiarities of the dance canon and will expand the themes of modern choreographers’ creativity. The methodology. The research methodology is based on the main cultural approaches. The historical approach to the study of the fair as an artistic phenomenon provided a comprehensive understanding of the formation, functioning and development of folk dance in the tradition. The system approach formed the idea of fairs as a complex cultural phenomenon, all elements of which are interconnected and interact with each other. The results. The Sloboda fairs, from the time of their establishment to the present, are not only trade and economic events but also cultural and artistic events, designed to preserve the customs and traditions of the region. In the fair tradition, a folk dance performed mainly communicative and entertaining functions, today it also relays the artistic heritage. Due to internal inter-ethnic communi-cation, which improved assimilation, a regional dance canon was formed, which makes the modern folk-stage dance of Slobozhanshchyna recognizable. The only negative manifestation of the growth of interest in fair culture and works of decorative and applied art and folklore is the levelling of regional features caused by the attraction to quantitative indicators. The scientific novelty. The novelty of the research lies in the fact that a comprehensive analysis of the folk-dance functioning in the system of the fair tradition, with the account of socio-cultural and historical changes, was carried out for the first time. In contrast to previous studies, the fairs of Slobozhanshchyna were studied not as a trade and economic event, but from the point of view of their importance for the development of the traditional culture in the region. The practical significance. The obtained theoretical results can become the basis for further research in the field of genres and types of folk art of Slobozhanshchyna, writing of educational and methodological manuals for secondary and higher education institutions, and will be auxiliary material for ballet master activities. The analysis of choreographic works fixedly attached in the article will preserve the creativity of contemporaries for future generations.
{"title":"Folk dance of Slobozhanshchyna in the fair tradition","authors":"I. Mostova, E. Yanyna-Ledovska","doi":"10.31516/2410-5325.077.12","DOIUrl":"https://doi.org/10.31516/2410-5325.077.12","url":null,"abstract":"The purpose of the article is to study the peculiarities of the Sloboda folk dance development in the context of the historic genesis of the fair tradition in the region that provides grounds for further functioning of the folk dance, argues for the peculiarities of the dance canon and will expand the themes of modern choreographers’ creativity. \u0000The methodology. The research methodology is based on the main cultural approaches. The historical approach to the study of the fair as an artistic phenomenon provided a comprehensive understanding of the formation, functioning and development of folk dance in the tradition. The system approach formed the idea of fairs as a complex cultural phenomenon, all elements of which are interconnected and interact with each other. \u0000The results. The Sloboda fairs, from the time of their establishment to the present, are not only trade and economic events but also cultural and artistic events, designed to preserve the customs and traditions of the region. In the fair tradition, a folk dance performed mainly communicative and entertaining functions, today it also relays the artistic heritage. Due to internal inter-ethnic communi-cation, which improved assimilation, a regional dance canon was formed, which makes the modern folk-stage dance of Slobozhanshchyna recognizable. The only negative manifestation of the growth of interest in fair culture and works of decorative and applied art and folklore is the levelling of regional features caused by the attraction to quantitative indicators. \u0000The scientific novelty. The novelty of the research lies in the fact that a comprehensive analysis of the folk-dance functioning in the system of the fair tradition, with the account of socio-cultural and historical changes, was carried out for the first time. In contrast to previous studies, the fairs of Slobozhanshchyna were studied not as a trade and economic event, but from the point of view of their importance for the development of the traditional culture in the region. \u0000The practical significance. The obtained theoretical results can become the basis for further research in the field of genres and types of folk art of Slobozhanshchyna, writing of educational and methodological manuals for secondary and higher education institutions, and will be auxiliary material for ballet master activities. The analysis of choreographic works fixedly attached in the article will preserve the creativity of contemporaries for future generations.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48324243","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-28DOI: 10.31516/2410-5325.077.06
O. Mukhin
This paper discloses a general psychological portrait of astronaut, which is shown in latest American space fiction films of XXI century. The purpose of this article is to find the most typical psychological features of astronauts, which are presented in films “Interstellar” (2014, director — K. Nolan), “The Martian” (2015, director — R. Scott), “Ad Astra“ (2019, director — J. Gray). The methodology of this article includes the using of axiological, systematic and comparative methods. Each of these methods helps to discover three important moral traits, which form the astronaut’s nature and personality. The results of this article are a primary investment to the researches, which are dedicated to the modern era of American cinema space fiction. The scientific novelty of this work lies in systematic review of American space fiction films, which belong to modern and actual realistic vector of storytelling, where the space fiction genre realizes it’s development nowadays.
{"title":"Psychological portrait of astronaut in modern American space fiction films of XXI century","authors":"O. Mukhin","doi":"10.31516/2410-5325.077.06","DOIUrl":"https://doi.org/10.31516/2410-5325.077.06","url":null,"abstract":"This paper discloses a general psychological portrait of astronaut, which is shown in latest American space fiction films of XXI century. The purpose of this article is to find the most typical psychological features of astronauts, which are presented in films “Interstellar” (2014, director — K. Nolan), “The Martian” (2015, director — R. Scott), “Ad Astra“ (2019, director — J. Gray). \u0000The methodology of this article includes the using of axiological, systematic and comparative methods. Each of these methods helps to discover three important moral traits, which form the astronaut’s nature and personality. \u0000The results of this article are a primary investment to the researches, which are dedicated to the modern era of American cinema space fiction. \u0000The scientific novelty of this work lies in systematic review of American space fiction films, which belong to modern and actual realistic vector of storytelling, where the space fiction genre realizes it’s development nowadays.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":"17 20","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41273182","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-28DOI: 10.31516/2410-5325.077.09
Weike Wang
The purpose of the article is to study the approaches and models of color as a pictorial principle in modern Chinese painting. The article is devoted to the actual problem of the study of the artistic language of painting. In Chinese art history, it has several forms of representation. However, one of the key themes is the role of color as a central pictorial principle in contemporary fine art. The study of the role of color in painting is based on the analysis of the formal and compositional-plastic features of artwork. At the same time, color is an important factor in the interpretation of artistic signs and symbols of a particular author. The selection of color from and a number of other elements of the artistic language is associated with the influence of the traditional artistic system in the art of China on the practice of modernization. In many professional studies, we can come across an opinion about the practical significance of tonal and color solutions for substantiating the artistic imagery of a work and its ideological and aesthetic meaning. The methodology. For the analysis of sources we used the method of comparative analysis and the method of typology. Visual sources are analyzed with the use of methodological, formal, compositional and figurative-stylistic analysis. The results. In modern Chinese studies, the problem of color is a completely independent area, which is of universal importance for the analysis of the evolution of fine art. As a visual principle, the subject matter is considered within two approaches: 1) figurative-plastic, where the central place is occupied by tonal and color features in the context of the search for form and composition; 2) emotional-figurative, where the central place is occupied by the perception of color and the interpretation of the signs and symbols of the work. Within the framework of the first approach, three research models dominate: 1) figurative and artistic model, which is characterized by the ability of color to change within the framework of the author’s style idea; 2) the symbolic model focuses the artist’s attention on cultural and historical references; 3) the decorative-figurative model positions the problem of color as a matter of color morphology, as well as the use of traditional decor techniques along with oil painting methods. Within the framework of the second approach, the sign-emotive and semantic-emotive models are the main ones. The first model represents color as a factor of the author’s sign space. The second model is a tool for studying color as a part of a sign artistic language. This artistic language regulates the specific meaning of the aesthetic essence of color (for example, red in traditional symbolism is a sign of power). In this model, the semiotic feature of color is enhanced by the emotional nature of painting techniques. The scientific novelty. The article substantiates the concept of color in painting as the main pictorial principle in the contemp
{"title":"Color as a pictorial principle in the artistic language of Chinese painting: approaches and models of representation","authors":"Weike Wang","doi":"10.31516/2410-5325.077.09","DOIUrl":"https://doi.org/10.31516/2410-5325.077.09","url":null,"abstract":"The purpose of the article is to study the approaches and models of color as a pictorial principle in modern Chinese painting. \u0000The article is devoted to the actual problem of the study of the artistic language of painting. In Chinese art history, it has several forms of representation. However, one of the key themes is the role of color as a central pictorial principle in contemporary fine art. \u0000The study of the role of color in painting is based on the analysis of the formal and compositional-plastic features of artwork. At the same time, color is an important factor in the interpretation of artistic signs and symbols of a particular author. The selection of color from and a number of other elements of the artistic language is associated with the influence of the traditional artistic system in the art of China on the practice of modernization. In many professional studies, we can come across an opinion about the practical significance of tonal and color solutions for substantiating the artistic imagery of a work and its ideological and aesthetic meaning. \u0000The methodology. For the analysis of sources we used the method of comparative analysis and the method of typology. Visual sources are analyzed with the use of methodological, formal, compositional and figurative-stylistic analysis. \u0000The results. In modern Chinese studies, the problem of color is a completely independent area, which is of universal importance for the analysis of the evolution of fine art. As a visual principle, the subject matter is considered within two approaches: 1) figurative-plastic, where the central place is occupied by tonal and color features in the context of the search for form and composition; 2) emotional-figurative, where the central place is occupied by the perception of color and the interpretation of the signs and symbols of the work. \u0000Within the framework of the first approach, three research models dominate: 1) figurative and artistic model, which is characterized by the ability of color to change within the framework of the author’s style idea; 2) the symbolic model focuses the artist’s attention on cultural and historical references; 3) the decorative-figurative model positions the problem of color as a matter of color morphology, as well as the use of traditional decor techniques along with oil painting methods. \u0000Within the framework of the second approach, the sign-emotive and semantic-emotive models are the main ones. The first model represents color as a factor of the author’s sign space. The second model is a tool for studying color as a part of a sign artistic language. This artistic language regulates the specific meaning of the aesthetic essence of color (for example, red in traditional symbolism is a sign of power). In this model, the semiotic feature of color is enhanced by the emotional nature of painting techniques. \u0000The scientific novelty. The article substantiates the concept of color in painting as the main pictorial principle in the contemp","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44379925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-28DOI: 10.31516/2410-5325.077.03
A. Shcherban, L. Bozhko
Dykanka village in Poltava region is still perceived in mass culture as one of the most famous representations of a traditional Ukrainian village. But by the beginning of the XX century, as a result of the purposeful russification state policy in the Russian Empire, due to the penetration of foreign, quite often distorted elements, the local folklore tradition was significantly transformed. As a result, the Ukrainian spirit of Dikanka residents was gradually leveled off. But thanks to the purposeful activity of the intellectuals, these processes were suspended. During the times of the Russian Empire and the USSR, the role of the intellectuals in the preservation of the national cultural features of Dykanka people was silenced in scientific and popular science works. Currently, there is a significant number of publications (in particular, by Vasyl Sheiko), which, within the framework of the historical and cultural paradigm, describe in detail the role of the intellectuals in the socio-cultural transformations in the Ukrainian lands during the beginning of the XX century. In the conditions of the current situation in the cultural life of the population of Ukraine, the study of the successful historical experience of the formation and development of the national identity of the masses, taking into account the work of culturologists, is extremely relevant. The purpose of this paper is to analyze the ways and results of the influence of the intellectuals on the processes of change in the socio-cultural life of Dykanka village in 1905–1917. The methodology of the study are the principles of historicism and systematics in combination with historical-comparative and micro-historical methods. The results. The article is devoted to the cultural analysis of information on the socio-cultural activities of the intellectuals of Dykanka village (Poltava region) during 1905–1917. The mechanisms of influence of a small but socially active group of residents on the transformation of the national identity of the local masses are shown on the basis, mainly, of newspaper publications of that time. The conclusions. By spreading progressive enlightened Ukrainian ideas among the villagers, in particular through the distribution of literature in the Ukrainian language and the demonstration of Ukrainian-language theater performances, they were able to protect the local folklore culture from the ugly imperial invasions, in particular russification. Activities conducted by individual intellectuals (the most active was the teacher, writer and translator Oleksa Dikhtiar) prepared solid ground for the national revival of 1917–1918. The scientific novelty: for the first time, a cultural analysis of the national educational activities of individual representatives of the intellectuals of Dykanka village (Poltava region) during 1905–1917 was realized. The practical significance: the historical experience of the formation and development of the national identity of the masse
{"title":"Thе activity of the Ukrainian intellectuals in Dykanka village at the beginning of the XX century on the development of national culture","authors":"A. Shcherban, L. Bozhko","doi":"10.31516/2410-5325.077.03","DOIUrl":"https://doi.org/10.31516/2410-5325.077.03","url":null,"abstract":"Dykanka village in Poltava region is still perceived in mass culture as one of the most famous representations of a traditional Ukrainian village. But by the beginning of the XX century, as a result of the purposeful russification state policy in the Russian Empire, due to the penetration of foreign, quite often distorted elements, the local folklore tradition was significantly transformed. As a result, the Ukrainian spirit of Dikanka residents was gradually leveled off. But thanks to the purposeful activity of the intellectuals, these processes were suspended. During the times of the Russian Empire and the USSR, the role of the intellectuals in the preservation of the national cultural features of Dykanka people was silenced in scientific and popular science works. Currently, there is a significant number of publications (in particular, by Vasyl Sheiko), which, within the framework of the historical and cultural paradigm, describe in detail the role of the intellectuals in the socio-cultural transformations in the Ukrainian lands during the beginning of the XX century. In the conditions of the current situation in the cultural life of the population of Ukraine, the study of the successful historical experience of the formation and development of the national identity of the masses, taking into account the work of culturologists, is extremely relevant. \u0000The purpose of this paper is to analyze the ways and results of the influence of the intellectuals on the processes of change in the socio-cultural life of Dykanka village in 1905–1917. \u0000The methodology of the study are the principles of historicism and systematics in combination with historical-comparative and micro-historical methods. \u0000The results. The article is devoted to the cultural analysis of information on the socio-cultural activities of the intellectuals of Dykanka village (Poltava region) during 1905–1917. The mechanisms of influence of a small but socially active group of residents on the transformation of the national identity of the local masses are shown on the basis, mainly, of newspaper publications of that time. \u0000The conclusions. By spreading progressive enlightened Ukrainian ideas among the villagers, in particular through the distribution of literature in the Ukrainian language and the demonstration of Ukrainian-language theater performances, they were able to protect the local folklore culture from the ugly imperial invasions, in particular russification. Activities conducted by individual intellectuals (the most active was the teacher, writer and translator Oleksa Dikhtiar) prepared solid ground for the national revival of 1917–1918. \u0000The scientific novelty: for the first time, a cultural analysis of the national educational activities of individual representatives of the intellectuals of Dykanka village (Poltava region) during 1905–1917 was realized. \u0000The practical significance: the historical experience of the formation and development of the national identity of the masse","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48336731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-28DOI: 10.31516/2410-5325.077.02
L. Machulin
The purpose of the article is to reveal the types of national archetypes of resistance poetry created during the full-scale invasion 2022 of Russian-Ukrainian war. Poetry of the resistance of the first months of the full-scale invasion 2022 of Russian-Ukrainian war reflects the emotional upheaval of the nation, the conscious and unconscious perception of tragic events. This socio-cultural and spiritual phenome-non contributes to the worldview transformation of society, therefore the emergence foundations of war poetry of the highest quality deserve profound research. The methodology. Research with a use of the cultural-historical method based on the systematization and generalization of the researched material reveals national archetypes of war poetry. The results. The surge of poetic creativity in the genre of war poetry is explained, firstly, by the suffering during the first months of the war due to the internal conflict of the personality (“This cannot be for real!”) and the conflict returned from the outside (“This is unforgivable!”) Secondly, psychological traumas (losses of family and friends, homes, forced displacement, etc.) prompt the search for rescue beacons. Through the representation of the author’s worldview on tragic events, the individual, transformed at the level of artistic experience, becomes collective. The scientific novelty of the research lies in the fact that for the first time an analysis of the poetry of resistance of the first months of the full-scale invasion 2022 of Russian-Ukrainian war was carried out. Conclusions. The appeal to national archetypes became a modus of resistance poetry as a result of rethinking during the period of upheaval of the cultural paradigm and the search for ways of national identification.
{"title":"National archetypes as a modus of resistance poetry in Russian-Ukrainian war","authors":"L. Machulin","doi":"10.31516/2410-5325.077.02","DOIUrl":"https://doi.org/10.31516/2410-5325.077.02","url":null,"abstract":"The purpose of the article is to reveal the types of national archetypes of resistance poetry created during the full-scale invasion 2022 of Russian-Ukrainian war. \u0000Poetry of the resistance of the first months of the full-scale invasion 2022 of Russian-Ukrainian war reflects the emotional upheaval of the nation, the conscious and unconscious perception of tragic events. This socio-cultural and spiritual phenome-non contributes to the worldview transformation of society, therefore the emergence foundations of war poetry of the highest quality deserve profound research. \u0000The methodology. Research with a use of the cultural-historical method based on the systematization and generalization of the researched material reveals national archetypes of war poetry. \u0000The results. The surge of poetic creativity in the genre of war poetry is explained, firstly, by the suffering during the first months of the war due to the internal conflict of the personality (“This cannot be for real!”) and the conflict returned from the outside (“This is unforgivable!”) Secondly, psychological traumas (losses of family and friends, homes, forced displacement, etc.) prompt the search for rescue beacons. Through the representation of the author’s worldview on tragic events, the individual, transformed at the level of artistic experience, becomes collective. \u0000The scientific novelty of the research lies in the fact that for the first time an analysis of the poetry of resistance of the first months of the full-scale invasion 2022 of Russian-Ukrainian war was carried out. \u0000Conclusions. The appeal to national archetypes became a modus of resistance poetry as a result of rethinking during the period of upheaval of the cultural paradigm and the search for ways of national identification.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47454034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-28DOI: 10.31516/2410-5325.077.07
L. Bozhko, V. Kholodok
The relevance of the study. Today, tourism has become a strategic branch of economic development in different countries. It promotes social and cultural development, spreads welfare and the level of the population and promotes the country to the world market, as well as increases its economic potential. Russian aggression posed new challenges to the tourism industry of Ukraine, which had already experienced significant negative effects of large-scale restrictions caused by the two-year epidemic of COVID disease before the war. Currently, we need to plan how we will develop Ukrainian tourism during the war and after its end. The article is devoted to the study of the scientific output of both foreign and domestic scientists, which deals with a wide range of topics related to the development of tourism during military operations and terrorist threats. The experience of countries that quickly recovered after large-scale conflicts and where tourism began to occupy one of the leading positions was analyzed. Getting close with this experience will undoubtedly help in developing a strategy for the development of tourism in Ukraine in these new times. The purpose of the article is to study the impact of military actions on the development of tourism and to analyze the experience of tourism developing in the countries affected by military conflict. The methodology. Methods of abstraction, analysis and synthesis were used in the research process. The results. So, it can be noted that today, the topic of war and tourism is quite relevant, because in many countries the share of income from tourism is a significant percentage of GDP, and military conflicts have affected many countries. The range of researched issues of the connection between war and tourism covers a wide range of issues. It is location, political strategies, historical contingencies, transport links and economic feasibility that play a role in the development and continuation of tourism before, during and after the war. Examples of countries that have successfully restored the tourism industry after the war and their accumulated experience should become a basis for Ukraine in developing its own plans for the existence and further development of tourism in the country. It is emphasized that special attention should be paid to the preservation of cultural heritage during the war. The example of the war in Yugoslavia, the rule of the Taliban in Afghanistan, and more recently the military aggression of Russia against Ukraine, show that aggressors are not necessarily guided by the acquisition of land, resources and power. Instead, their goal is mostly to destroy cultural heritage, evidence of an uncomfortable past that they are trying to rewrite. According to preliminary estimates, since the beginning of the war in Ukraine, more than 150 different monuments and cultural objects have been completely damaged or destroyed. The Ukrainian Cultural Foundation has created an interactive “Map of Cult
{"title":"Tourism: issues and prospects of development during the war","authors":"L. Bozhko, V. Kholodok","doi":"10.31516/2410-5325.077.07","DOIUrl":"https://doi.org/10.31516/2410-5325.077.07","url":null,"abstract":"The relevance of the study. Today, tourism has become a strategic branch of economic development in different countries. It promotes social and cultural development, spreads welfare and the level of the population and promotes the country to the world market, as well as increases its economic potential. \u0000Russian aggression posed new challenges to the tourism industry of Ukraine, which had already experienced significant negative effects of large-scale restrictions caused by the two-year epidemic of COVID disease before the war. Currently, we need to plan how we will develop Ukrainian tourism during the war and after its end. The article is devoted to the study of the scientific output of both foreign and domestic scientists, which deals with a wide range of topics related to the development of tourism during military operations and terrorist threats. The experience of countries that quickly recovered after large-scale conflicts and where tourism began to occupy one of the leading positions was analyzed. Getting close with this experience will undoubtedly help in developing a strategy for the development of tourism in Ukraine in these new times. \u0000The purpose of the article is to study the impact of military actions on the development of tourism and to analyze the experience of tourism developing in the countries affected by military conflict. \u0000The methodology. Methods of abstraction, analysis and synthesis were used in the research process. \u0000The results. So, it can be noted that today, the topic of war and tourism is quite relevant, because in many countries the share of income from tourism is a significant percentage of GDP, and military conflicts have affected many countries. The range of researched issues of the connection between war and tourism covers a wide range of issues. It is location, political strategies, historical contingencies, transport links and economic feasibility that play a role in the development and continuation of tourism before, during and after the war. Examples of countries that have successfully restored the tourism industry after the war and their accumulated experience should become a basis for Ukraine in developing its own plans for the existence and further development of tourism in the country. \u0000It is emphasized that special attention should be paid to the preservation of cultural heritage during the war. The example of the war in Yugoslavia, the rule of the Taliban in Afghanistan, and more recently the military aggression of Russia against Ukraine, show that aggressors are not necessarily guided by the acquisition of land, resources and power. Instead, their goal is mostly to destroy cultural heritage, evidence of an uncomfortable past that they are trying to rewrite. According to preliminary estimates, since the beginning of the war in Ukraine, more than 150 different monuments and cultural objects have been completely damaged or destroyed. The Ukrainian Cultural Foundation has created an interactive “Map of Cult","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42677981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-28DOI: 10.31516/2410-5325.077.10
V. Zavershynskyi
The purpose of this article is to study the artistic language of Borys Pianyda, a well-known master of Ukrainian decorative painting. As the main ele-ments of the artistic language, we consider: 1) formal connections in a work of art; 2) composition and plastic language of painting; 3) figurative and stylistic features. Borys Petrovych Pianyda (1938–2020) is a well-known master of decorative painting, who devoted his entire creative life to the production of faience art products. His art is a vivid example of the author’s creativity. Many of the artist’s works became well-known and were widely distributed in thousands of copies. His painting is very recognizable; Borys Pianyda is characterized by a special author’s artistic style of decoration. For modern art history analysis, its ensemble painting is of great importance. It is primarily associated with the decoration of china and complex faience products. The artist very often had to develop a special style of decor that could be applied to products of various shapes. The methodology. To study the problem and disclose research tasks, we applied: the method of comparative analysis; methods for analyzing the form and composition of artistic painting. The historical-chronological method was used as a spe-cial method. The results. Our analysis of the main decor criteria on the example of the services of the 1970s — 1990s allows us to note the special nature of artistic and figurative generalization. This author’s style of B. Pianyda has obvious features of the ensemble and expresses the author’s vision of the stylistic unity of decoration. In general, we single out several of the most characteristic types of ensemble painting. 1. Ensembles of flat type. This is a special type of painting, when the decoration covers the forms of products as tightly as possible. 2. Ensembles with dominance of symbols and images. This type is characterized by the use of one (sometimes two) key image-signs (for example, a fading flower). 3. An important type is the ensemble story. In the creative palette of B. Pianyda’s murals, this is a completely separate topic, it is extremely authorial and subjective. The narrative is typical for the artists of decorative and applied painting of the second half of the XX century. Also, this trait can be considered a characteristic of a whole generation of artists. However, B. Pianyda’s ensembles-stories have many special features that are worthy of separate consideration. 4. Finally, formal ensemble murals are distinguished by the fact that their decorative program develops the ideas of the dominance of the form of murals over the plot. The scientific novelty. Creativity of Borys Pianyda in this research context is considered for the first time. The features of his professional painting language as a systemic artistic phenomenon have not been studied before.
{"title":"Peculiarities of china painting of the Budy Porcelain Factory on the example of Boris Pianyda’s works (1970s — 1990s)","authors":"V. Zavershynskyi","doi":"10.31516/2410-5325.077.10","DOIUrl":"https://doi.org/10.31516/2410-5325.077.10","url":null,"abstract":"The purpose of this article is to study the artistic language of Borys Pianyda, a well-known master of Ukrainian decorative painting. As the main ele-ments of the artistic language, we consider: 1) formal connections in a work of art; 2) composition and plastic language of painting; 3) figurative and stylistic features. \u0000Borys Petrovych Pianyda (1938–2020) is a well-known master of decorative painting, who devoted his entire creative life to the production of faience art products. His art is a vivid example of the author’s creativity. Many of the artist’s works became well-known and were widely distributed in thousands of copies. His painting is very recognizable; Borys Pianyda is characterized by a special author’s artistic style of decoration. \u0000For modern art history analysis, its ensemble painting is of great importance. It is primarily associated with the decoration of china and complex faience products. The artist very often had to develop a special style of decor that could be applied to products of various shapes. \u0000The methodology. To study the problem and disclose research tasks, we applied: the method of comparative analysis; methods for analyzing the form and composition of artistic painting. The historical-chronological method was used as a spe-cial method. \u0000The results. Our analysis of the main decor criteria on the example of the services of the 1970s — 1990s allows us to note the special nature of artistic and figurative generalization. This author’s style of B. Pianyda has obvious features of the ensemble and expresses the author’s vision of the stylistic unity of decoration. In general, we single out several of the most characteristic types of ensemble painting. 1. Ensembles of flat type. This is a special type of painting, when the decoration covers the forms of products as tightly as possible. 2. Ensembles with dominance of symbols and images. This type is characterized by the use of one (sometimes two) key image-signs (for example, a fading flower). 3. An important type is the ensemble story. In the creative palette of B. Pianyda’s murals, this is a completely separate topic, it is extremely authorial and subjective. The narrative is typical for the artists of decorative and applied painting of the second half of the XX century. Also, this trait can be considered a characteristic of a whole generation of artists. However, B. Pianyda’s ensembles-stories have many special features that are worthy of separate consideration. 4. Finally, formal ensemble murals are distinguished by the fact that their decorative program develops the ideas of the dominance of the form of murals over the plot. \u0000The scientific novelty. Creativity of Borys Pianyda in this research context is considered for the first time. The features of his professional painting language as a systemic artistic phenomenon have not been studied before.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47357356","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-28DOI: 10.31516/2410-5325.077.13
Peng Liu
The purpose of the article is to determine the specifics of the professionalization of singing until the middle of the XIX century in Kharkiv general secondary education institutions. The methodology. Since the phenomenon of Kharkiv vocal art was not considered in the scientific discourse, the methodological basis of the article is the method of comparative analysis, the application of which made it possible to determine the specific features of professional singing in the educational environment of the city. Determining the characteristics of professional singing (methodology of voice processing, repertoire, etc.) was carried out within the framework of applying the principle of systematicity. The results. The specificity of the understanding of singing as a sphere of professional creativity within the limits of church choral practice is traced. The principles of processing of the singing voice in Kharkiv institutions of general secondary education from the middle of the XVIII century are considered. In the context of preparing a singer for collective music making, the music teacher — bandmaster used methods of working with the singing voice, which were formed within the church choir practice and were aimed at mastering vocal technique. For Ukrainian educational institutions of the last quarter of the XVIII century we can highlight common specifics of the activity of music classes, which consisted, in addition to the music teacher, of minor students and adult already trained musicians. It is noted that since the 1840s, the aspiration to professional mastery of solo singing has become popular among Kharkiv youth, which is due to the invitation of European vocalists to become a music teachers at Kharkiv educational institutions. The scientific novelty. It was determined that by the middle of the XIX century. vocal art was cultivated in general educational institutions of Kharkiv by bandmasters, whose multi-functional specifics of activity is determined by the mutual influence of high-quality performance of organizational, pedagogical and other functions within the framework of leadership of musical collectives. In the process of preparing the singer for collective music making, the bandmaster, firstly, used the methods of setting the voice as a means of reproducing the musical text, developed and elaborated in European musical practice; secondly, ensured learning the basic standards for vocals as a level of mastery of the vocal apparatus: voice setting, cantilena singing, purity of intonation, sense of metrorhythm, etc. The performing and teaching activities of European singers since the 1840s stimulated the professionalization of vocal training in general educational institutions of Kharkiv in the context of reorientation from collective to solo singing. Thanks to the pedagogical activity of the Frenchman G. Briss, the Italians Conti, L. Gervasi, and others, the vocal repertoire begins to be dominated by opera music, the reproduction of whic
{"title":"Singing professionalization peculiarities at secondary general education institutions of Kharkiv till the middle of XIX century","authors":"Peng Liu","doi":"10.31516/2410-5325.077.13","DOIUrl":"https://doi.org/10.31516/2410-5325.077.13","url":null,"abstract":"The purpose of the article is to determine the specifics of the professionalization of singing until the middle of the XIX century in Kharkiv general secondary education institutions. \u0000The methodology. Since the phenomenon of Kharkiv vocal art was not considered in the scientific discourse, the methodological basis of the article is the method of comparative analysis, the application of which made it possible to determine the specific features of professional singing in the educational environment of the city. Determining the characteristics of professional singing (methodology of voice processing, repertoire, etc.) was carried out within the framework of applying the principle of systematicity. \u0000The results. The specificity of the understanding of singing as a sphere of professional creativity within the limits of church choral practice is traced. The principles of processing of the singing voice in Kharkiv institutions of general secondary education from the middle of the XVIII century are considered. In the context of preparing a singer for collective music making, the music teacher — bandmaster used methods of working with the singing voice, which were formed within the church choir practice and were aimed at mastering vocal technique. For Ukrainian educational institutions of the last quarter of the XVIII century we can highlight common specifics of the activity of music classes, which consisted, in addition to the music teacher, of minor students and adult already trained musicians. \u0000It is noted that since the 1840s, the aspiration to professional mastery of solo singing has become popular among Kharkiv youth, which is due to the invitation of European vocalists to become a music teachers at Kharkiv educational institutions. \u0000The scientific novelty. It was determined that by the middle of the XIX century. vocal art was cultivated in general educational institutions of Kharkiv by bandmasters, whose multi-functional specifics of activity is determined by the mutual influence of high-quality performance of organizational, pedagogical and other functions within the framework of leadership of musical collectives. In the process of preparing the singer for collective music making, the bandmaster, firstly, used the methods of setting the voice as a means of reproducing the musical text, developed and elaborated in European musical practice; secondly, ensured learning the basic standards for vocals as a level of mastery of the vocal apparatus: voice setting, cantilena singing, purity of intonation, sense of metrorhythm, etc. \u0000The performing and teaching activities of European singers since the 1840s stimulated the professionalization of vocal training in general educational institutions of Kharkiv in the context of reorientation from collective to solo singing. Thanks to the pedagogical activity of the Frenchman G. Briss, the Italians Conti, L. Gervasi, and others, the vocal repertoire begins to be dominated by opera music, the reproduction of whic","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42250499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-28DOI: 10.31516/2410-5325.077.04
P. Sushko
The topicality of the work. We can observe a significant increase of the role of producer in forming society’s national and cultural identity. After all, during all stages of the film production, producer influences national education, as well as the formation of social ideals. The purpose of the article. The article outlines peculiarities of the formation and manifestations of the producer’s personality in Ukraine in the framework of cultural identity. The methodology. Systematic and comparative approaches, as well as problem-analytical analysis were used to study the main components of the formation of the cultural identity of the producer’s personality. Methods of scientific analysis, comparison, generalization and analytical method have become useful in the process of establishing artistic, production, organizational, managerial, financial and economic characteristics of the producer in the cultural space. The method of personalization and self-analysis makes it possible to identify the vision of outstanding organizers of the film production process as a creative activity. For the art and cultural aspects of studying the problem, methods of systematization and analysis were used. The results. Special attention is paid to defining the cultural identity. It is shown that formation of producer’s personality is influenced by education, mastering the language culture, mastering the basics of art as a branch of human culture. It is noted that the formation of the cultural identity of the producer’s personality takes place on three levels: external (influence of political, socio-economic, cultural environment); internal (personal characteristics of the individuum); and individual (work experience, education). The scientific novelty. The article explores, for the first time, some peculiarities of the formation of the producer’s personality in Ukraine in the context of cultural identity. The practical significance. The key results of this study can be used in further scientific and theoretical developments on selected topics, as well as in the creation of curricula to optimize the training of producers in Ukraine.
{"title":"Peculiarities of producer’s personality formation in the context of cultural identity","authors":"P. Sushko","doi":"10.31516/2410-5325.077.04","DOIUrl":"https://doi.org/10.31516/2410-5325.077.04","url":null,"abstract":"The topicality of the work. We can observe a significant increase of the role of producer in forming society’s national and cultural identity. After all, during all stages of the film production, producer influences national education, as well as the formation of social ideals. \u0000The purpose of the article. The article outlines peculiarities of the formation and manifestations of the producer’s personality in Ukraine in the framework of cultural identity. \u0000The methodology. Systematic and comparative approaches, as well as problem-analytical analysis were used to study the main components of the formation of the cultural identity of the producer’s personality. Methods of scientific analysis, comparison, generalization and analytical method have become useful in the process of establishing artistic, production, organizational, managerial, financial and economic characteristics of the producer in the cultural space. The method of personalization and self-analysis makes it possible to identify the vision of outstanding organizers of the film production process as a creative activity. For the art and cultural aspects of studying the problem, methods of systematization and analysis were used. \u0000The results. Special attention is paid to defining the cultural identity. It is shown that formation of producer’s personality is influenced by education, mastering the language culture, mastering the basics of art as a branch of human culture. It is noted that the formation of the cultural identity of the producer’s personality takes place on three levels: external (influence of political, socio-economic, cultural environment); internal (personal characteristics of the individuum); and individual (work experience, education). \u0000The scientific novelty. The article explores, for the first time, some peculiarities of the formation of the producer’s personality in Ukraine in the context of cultural identity. \u0000The practical significance. The key results of this study can be used in further scientific and theoretical developments on selected topics, as well as in the creation of curricula to optimize the training of producers in Ukraine.","PeriodicalId":33223,"journal":{"name":"Kul''tura Ukrayini","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48280913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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